Among the captives sold into slavery in Algiers were the island pastor, his wife and their three children. Although the raid itself is well documented, little is known about what happened to the women and children afterwards. It was a time when women everywhere were largely silent.In this brilliant reimagining, Sally Magnusson gives a voice to Ásta, the pastor's wife. Enslaved in an alien Arab culture Ásta meets the loss of both her freedom and her children with the one thing she has brought from home: the stories in her head. Steeped in the sagas and folk tales of her northern homeland, she finds herself experiencing not just the separations and agonies of captivity, but the reassessments that come in any age when intelligent eyes are opened to other lives, other cultures and other kinds of loving.The Sealwoman's Gift is about the eternal power of storytelling to help us survive. The novel is full of stories - Icelandic ones told to fend off a slave-owner's advances, Arabian ones to help an old man die. And there are others, too: the stories we tell ourselves to protect our minds from what cannot otherwise be borne, the stories we need to make us happy.

    Confronting the disheveled figure of a South Asian male carrying a backpack, the banker recognizes a long-lost college friend, a mathematics prodigy who disappeared many years earlier under mysterious circumstances. The friend has resurfaced with a confession of unsettling power.Zia Haider Rahman takes us on a journey of exhilarating scope, ranging over Kabul, London, New York, Islamabad, Oxford, and Princeton and dealing with love, belonging, finance, science, and war. Its framework is an age-old story: the friendship of two men and the betrayal of one by the other, both of them desperate in their different ways to climb clear of their wrong beginnings. Set against the breaking of nations and beneath the clouds of economic recession, the novel chronicles the lives of people carrying unshakable legacies of class, culture, and faith as they struggle to tame their futures. In the Light of What We Know is by turns tender, intimate, and panoramic, telescoping the great upheavals of our young century into a first novel of rare ambition and profundity.

    In one afterlife, you may find that God is the size of a microbe and unaware of your existence. In another version, you work as a background character in other people’s dreams. Or you may find that God is a married couple, or that the universe is running backward, or that you are forced to live out your afterlife with annoying versions of who you could have been. With a probing imagination and deep understanding of the human condition, acclaimed neuroscientist David Eagleman offers wonderfully imagined tales that shine a brilliant light on the here and now.

    Included here are such classics as REMEMBERING NEEDLEMAN, THE KUGELMASS EPISODE, a new story called CONFESSIONS OF A BUGLAR, and more.

    Rosenberger Rosenberg, neurotic and underappreciated film critic (failed academic, film-maker, paramour, shoe salesman who sleeps in a sock drawer), stumbles upon a hitherto unseen film made by an enigmatic outsider—a film he's convinced will change his career trajectory and rock the world of cinema to its core. His hands on what is possibly the greatest movie ever made—a three-month-long stop-motion masterpiece that took its reclusive auteur ninety years to complete—B. knows that it is his mission to show it to the rest of humanity. The only problem: The film is destroyed, leaving him the sole witness to its inadvertently ephemeral genius.All that's left of this work of art is a single frame from which B. must somehow attempt to recall the film that just might be the last great hope of civilization. Thus begins a mind-boggling journey through the hilarious nightmarescape of a psyche as lushly Kafkaesque as it is atrophied by the relentless spew of Twitter. Desperate to impose order on an increasingly nonsensical existence, trapped in a self-imposed prison of aspirational victimhood and degeneratively inclusive language, B. scrambles to recreate the lost masterwork while attempting to keep pace with an ever-fracturing culture of "likes" and arbitrary denunciations that are simultaneously his bete noire and his raison d'etre.A searing indictment of the modern world, Antkind is a richly layered meditation on art, time, memory, identity, comedy, and the very nature of existence itself—the grain of truth at the heart of every joke.

    He is also a compulsive storyteller and an exile. As he travels a route that takes him from India to Spain, he leaves behind a labyrinthine tale of mad passions and volcanic family hatreds, of titanic matriarchs and their mesmerised offspring, of premature deaths and curses that strike beyond the grave. The Moor's Last Sigh is a spectacularly ambitious, funny, satirical and compassionate novel. It is a love song to a vanishing world, but also its last hurrah.~from the back cover

    At the center of The Magus is Nicholas Urfe, a young Englishman who accepts a teaching position on a remote Greek island, where he befriends a local millionaire. The friendship soon evolves into a deadly game, in which reality and fantasy are deliberately manipulated, and Nicholas finds that he must fight not only for his sanity but for his very survival.

    But manager Manny DeLeon still needs to navigate a tricky last shift with a near-mutinous staff. All the while, he's wondering how to handle the waitress he's still in love with, what to do about his pregnant girlfriend, and where to find the present that will make everything better. Stewart O'Nan has been called "the bard of the working class," and Last Night at the Lobster is one of his most acclaimed works to date.

    Rather the opposite in fact -- simply a tall, not terribly attractive woman living a quiet life as a wife and mother in a respectable suburb. But when she discovers that her husband is having a passionate affair with the lovely romantic novelist Mary Fisher, she is so seized by envy that she becomes truly diabolic. Within weeks she has burnt down the family home, collected the insurance, made love to the local drunk and embarked on a course of destruction and revenge. A blackly comic satire of the war of the sexes, LIFE AND LOVES OF A SHE DEVIL is the fantasy of the wronged woman made real.

    Yann Martel's title story (described as "unforgettable...a truly stunning piece of fiction"*), won the 1991 Journey Prize to universal acclaim. The intensely human tragedy that lies at its heart is told with a spare, careful elegance that resonates long after it has ended--and is matched through all the stories by an immediacy an dazzling freshness.

    Douglas Cheeseman is a shy, gawky engineer with jug-handle ears, one marriage gone sour, and a crippling lack of physical courage. They meet in the little Australian town of Karakarook, where Harley has arrived to help the town build a heritage museum and Douglas to demolish the quaint old Bent Bridge. From the beginning they are on a collision course until the unexpected sets them both free. Elegantly and compassionately told, The Idea of Perfection is reminiscent of the work of Carol Shields and Annie Proulx and reveals Kate Grenville as "a writer of extraordinary talent" (The New York Times Book Review).

    Fearing his son will never know his father, Dave pens a gripping text--part memoir, part deranged philosophical treatise, and part handbook of "the Knowledge" learned by all London cab drivers. Meant for the boy when he comes of age, the book captures the frustration and anxiety of modern life. Five hundred years later, the Book of Dave is discovered by the inhabitants on the island of Ham, where it becomes a sacred text of biblical proportion, and its author is revered as a mighty prophet.

    It tells the story of two young boxers out of Stockton, California: Ernie Munger and Billy Tully, one in his late teens, the other just turning thirty, whose seemingly parallel lives intersect for a time. Set in an ambiance of glittering dreams and drab realities, it tells of the two fighters' struggles to escape the confinements of their existence, and of the men and women in their world. Fat City is a novel about the sporting life like no other ever written: without melodrama or false heroics, written with a truthfulness that is at once painful and beautiful.Denis Johnson: "Between the ages of 19 and 25 I studied Leonard Gardner’s book so closely that I began to fear I’d never be able to write anything but imitations of it, so I swore it off(...)When I was about 34 (the same age Gardner was when he published his), my first novel came out. About a year later I borrowed Fat City from the library and read it. I could see immediately that ten years’ exile hadn’t saved me from the influence of its perfection — I’d taught myself to write in Gardner’s style, though not as well. And now, many years later, it’s still true: Leonard Gardner has something to say in every word I write."Joan Didion: "Leonard Gardner's Fat City affected me more than any new fiction I have read in a long while, and I do not think it affected me only because I come from Fat City, or somewhere near it. He has got it exactly right--the hanging around gas stations, the field dust, the relentless oppressiveness of the weather, the bleak liaisons sealed on the levees and Greyhound buses--but he has done more than just get it down, he has made it a metaphor for the joyless in heart."David Wagoner: "The people he writes about are alive and three-dimensional, and have that meaty, sweaty immediacy I admire in novels and find so seldom. It's an odd, interesting world he explores here--as tense and vivid as the prose."Ivan Gold: "Gardner writes with power, with an insider's knowledge, and with a vividness and love for his characters which redeem them even when they're lost and beaten."Harry Mark Petrakis: "A man of real talent. He makes the savage world he writes of come alive to the point where the reader can smell the sweat, and feel the anguish of unremitting failure."Ross Macdonald: "In his pity and art Gardner moves beyond race, beyond guilt and punishment, as Twain and Melville did, into a tragic forgiveness. I have seldom read a novel as beautiful and individual as this one."Originally published in 1969, Fat City is an American classic whose stature has increased over the years. Made into an acclaimed film by John Huston, the book is set in and around Stockton, California.

    This edition contains the original introduction by Theodore Sturgeon and the original foreword by Harlan Ellison, along with a brief update comment by Ellison that was added in the 1983 edition. Among Ellison's more famous stories, two consistently noted as among his very best ever are the title story and the volume's concluding one, Pretty Maggie Moneyeyes.Since Ellison himself strongly resists categorization of his work, we won't call them science fiction, or SF, or speculative fiction or horror or anything else except compelling reading experiences that are sui generis. They could only have been written by Harlan Ellison and they are incomparably original.CONTENTS"I Have No Mouth & I Must Scream""Big Sam Was My Friend""Eyes of Dust""World of the Myth""Lonelyache""Delusion for Dragonslayer""Pretty Maggie Moneyeyes"

    His subsequent work—five novels, another story collection, and two books of nonfiction—continued to bring extraordinary praise and national attention to the writer New York Newsday called a "master." In November 2004, Brown sent the nearly completed manuscript of his sixth novel to his literary agent. A week later, he died of a massive heart attack. He was fifty-three years old.A Miracle of Catfish is that novel. Brown's trademarks—his raw detail, pared-down prose, and characters under siege—are all here. This beautiful, heartbreaking anthem to the writer's own North Mississippi land and the hard-working, hard-loving, hard-losing men it spawns is the story of one year in the lives of five characters—an old farmer with a new pond he wants stocked with baby catfish; a bankrupt fish pond stocker who secretly releases his forty-pound brood catfish into the farmer's pond; a little boy from the trailer home across the road who inadvertently hooks the behemoth catfish; the boy's inept father; and a former convict down the road who kills a second time to save his daughter. That Larry Brown died so young, and before he could see A Miracle of Catfish published, is a tragedy. That he had time to enrich the legacy of his work with this remarkable book is a blessing.