But in practice, it is prosecutors who have the upper hand, in a contest that is far from equal. More than anyone else, prosecutors decide who goes free and who goes to prison, and even who lives and who dies. The system wasn't designed for this kind of unchecked power, and in Charged, Emily Bazelon shows that it is an underreported cause of enormous injustice—and the missing piece in the mass incarceration puzzle.But that's only half the story. Prosecution in America is at a crossroads. The power of prosecutors makes them the actors in the system—the only actors—who can fix what's broken without changing a single law. They can end mass incarceration, protect against coercive plea bargains and convicting the innocent, and tackle racial bias. And because in almost every state we, the people, elect prosecutors, it is within our power to reshape the choices they make. In the last few years, for the first time in American history, a wave of reform-minded prosecutors has taken office in major cities throughout the country. Bazelon follows them, showing the difference they make for people caught in the system and how they are coming together as a new kind of lobby for justice and mercy.In Charged, Emily Bazelon mounts a major critique of the American criminal justice system—and also offers a way out.

    Burke makes his case against one Leonard Paradiso. Lenny “The Quahog” was convicted of assaulting one young woman and paroled after three years, but Burke believes that he was guilty of much more – that Paradiso was a serial killer who operated in the Boston area, and maybe farther afield, for nearly fifteen years, assaulting countless young women and responsible for the deaths of as many as seven. Burke takes the reader inside the minds of prosecutors, police investigators, and one very dangerous man who thought he had figured out how to rape and murder and get away with it. The Paradiso Files generated headlines when first published in February 2008. Nine days later, Paradiso died at the age of sixty-five without commenting on any of Burke’s accusations, including that he murdered Joan Webster, a Harvard graduate student who disappeared from Logan Airport in 1981. Boston-area prosecutors announced in September 2008 that Burke’s revelations had led them to reopen the unsolved murder cases of three young women – Melodie Stankiewicz, Holly Davidson, and Kathy Williams. There were “too many similarities between the individual cases to ignore,” a prosecutor involved in the new investigation said. Burke’s account leaves little doubt that Paradiso’s deeds should go down in infamy, alongside those of the Boston Strangler.

    

    Professor, journalist, and founder of the Prison-to-College-Pipeline, Dreisinger looks into the human stories of incarcerated men and women and those who imprison them, creating a view of a world to which most are denied access, and a rethinking of one of America’s most far-reaching global exports: the modern prison complex.From serving as a restorative justice facilitator in a notorious South African prison and working with genocide survivors in Rwanda, to launching a creative writing class in an overcrowded Ugandan prison and coordinating a drama workshop for women prisoners in Thailand, Dreisinger examines the world behind bars with equal parts empathy and intellect. She journeys to Jamaica to visit a prison music program, to Singapore to learn about approaches to prisoner reentry, to Australia to grapple with the bottom line of private prisons, to a federal supermax in Brazil to confront the horrors of solitary confinement, and finally to the so-called model prisons of Norway. Incarceration Nations concludes with climactic lessons about the past, present, and future of justice.

    After months of struggle, he learned how to resume his life as a farmer, running a sheep and cattle property in northwest New South Wales. then he met and fell in love with Jenny Black, an ABC Rural journalist, proposed to her on air, and the rest is history. Jenny tells Sam's story in his own laconic, wry style. By turns romantic, funny and moving, it affirms the strength of iron-willed determination and the power of love.

    His crime: blowing the whistle on the CIA's use of torture on Al Qaeda prisoners. Doing Time Like A Spy is Kiriakou's memoir of his twenty-three months in prison. Using twenty life skills he learned in CIA operational training, he was able to keep himself safe and at the top of the prison social heap. Including his award-winning blog series "Letters from Loretto," Doing Time Like a Spy is at once a searing journal of daily prison life and an alternately funny and heartbreaking commentary on the federal prison system.

    Davis has put the case for the latest abolition movement in American life: the abolition of the prison. As she quite correctly notes, American life is replete with abolition movements, and when they were engaged in these struggles, their chances of success seemed almost unthinkable. For generations of Americans, the abolition of slavery was sheerest illusion. Similarly,the entrenched system of racial segregation seemed to last forever, and generations lived in the midst of the practice, with few predicting its passage from custom. The brutal, exploitative (dare one say lucrative?) convict-lease system that succeeded formal slavery reaped millions to southern jurisdictions (and untold miseries for tens of thousands of men, and women). Few predicted its passing from the American penal landscape. Davis expertly argues how social movements transformed these social, political and cultural institutions, and made such practices untenable.In Are Prisons Obsolete?, Professor Davis seeks to illustrate that the time for the prison is approaching an end. She argues forthrightly for "decarceration", and argues for the transformation of the society as a whole.

    In this startling look at evil behavior, a UCLA sociologist tries to get inside the criminal psyche to understand what it means or feels, signifies, sounds, tastes, or looks like to do any particular crime.

    The Mexican Mafia controls every Hispanic neighborhood in Southern California and is rapidly expanding its influence across the country. Riding a wave of unchecked immigration and seemingly eluding law enforcement, the Mexican Mafia is poised to become the Cosa Nostra of 21st century America.

    Her initial experience working with mothers in the nursery and women in the Mental Observation Unit was rewarding, and she returned to Rikers for full time employment after finishing graduate school. But her second time around was radically different: assigned to a men's jail, her return coincided with the dawn of "stop-and-frisk" policy, unprecedented arrests, and the biggest jailhouse movement in history.Committed to the possibility of growth for her charges, Buser tried to keep the new regime at bay-yet soon her patients began arriving to their sessions with bruises, black eyes, and punched-out teeth, whispering that they'd been beaten by officers. And-because of the anxiety surrounding their respective legal cases and the sheer impossibility of their release-they refused to report it. As she was transferred between different jails, including the Mental Health Center and the dreaded "solitary," she saw horrors she'd never imagined. Finally, it became too much to bear, and Buser escaped Rikers and never looked back-until now.Lockdown on Rikers shines a light into the deepest and most horrific recesses of the criminal justice system, and shows how far it has really drifted from the ideals we espouse.

    The acclaimed podcast Ear Hustle, named after the prison term for eavesdropping, gives voice to that ever-growing prison population.Co-created for the Radiotopia podcast network from PRX by visual artist Nigel Poor and inmate Earlonne Woods, who was serving thirty-one years to life before his sentence was commuted in 2018, Ear Hustle was launched in the basement media lab of California's San Quentin State Prison. As the first podcast created and produced entirely within prison, it has since been globally lauded for the rare access and perspective it contributes to the conversation about incarceration.Now, in their first book, Poor and Woods present unheard stories that delve deeper into the experiences of incarceration and share their personal paths to San Quentin as well as how they came to be co-creators. This unprecedented narrative, enhanced by forty original black-and-white illustrations, reveals the spectrum of humanity of those in prison and navigating post-incarceration. Bringing to the page the same insight, balance, and charismatic rapport that has distinguished their podcast, Poor and Woods illuminate the full--and often surprising--realities of prison life. With characteristic candor and humor, their portrayals include unexpected moments of self-discovery, unlikely alliances, and many ingenious work-arounds. One personal narrative at a time, framed by Poor's and Wood's distinct perspectives, This Is Ear Hustle tells the real lived experience of the criminal justice system.

    Each story features a short synopsis of the crime and the journey through the justice system that brought them to the execution chamber.

    'I'm a businessman trying to make a hard-earned crust. Understood?'I didn't give him time to reply. I took the barrel out of his mouth and smashed him in the face with the butt. His lip split, but he wasn't a dead man. He seemed to appreciate that his life had been spared.He spluttered his thanks: 'Ok, you’re not a gangster. You are not a gangster.' This is the gripping true story of how one man ruled his north London manor with an iron fist – and a sawn-off shotgun called Kennedy. It’s a shocking insight into a society where the rules are made by gangland leaders and if anybody dare break them, they have to deal with the consequences. Bobby was sent to prison for the first time in 1967, aged 16, and over the next decade he established himself as a hardened criminal running protection rackets and robberies against a backdrop of all-out gang warfare, where doorstep slayings and bloody shoot-outs were common. Eventually Bobby was sentenced to 12 years in Britain’s most notorious prisons, along with the Krays, Charlie Richardson and the Yorkshire Ripper. Inside, he was introduced to the Open University and on his release he soon got down to business again. Only this time his efforts saw him go from custody of Her Majesty’s Prison Service to meeting with the Queen herself... I Am Not A Gangster is an explosive account of life in the criminal underworld by one of Britain’s most dangerous men, but above all it’s a remarkable tale of redemption with the biggest turnaround in gangland history.

    Says nothing. He simply takes one step towards the monster, now fat, bald and broken.'Leave me alone,' he screams.He then runs to the corner of the yard where he crouches, cowers, and calls for help like the coward he is.Bryant – who killed 35 people and injured another 23 at Port Arthur in 1996 – is a 160 kg slob who trades Mars Bars for protection in Risdon Prison. Nineteen years after Australia's worst massacre, his blond hair is gone, and so is his self-righteous smirk . . . but he is as evil as ever. Bryant has attacked several jail workers and has showed no remorse for the crimes that shook the nation. He is just one of the killers you will meet inAustralia's Toughest Prisons: Inmates.You will hear from the inmate who almost escaped from Silverwater Jail in a stolen helicopter, from the rugby league player who almost became a drug mule, from the bikie boss who ran a million-dollar jail drug trade, from the founding Brothers 4 Life members on how the violent gang ran a crime empire from within jail and from the men that watched Carl Williams beaten to death inside Victoria's most secure jail.The secret lives of Australia's most evil men will be revealed for the first time, with Inmates going on the record to talk about killers like Bryant, Ivan Milat, Neddy Smith, Carl Williams, Mark 'Chopper' Read, Michael Kanaan and Lindsay Robert Rose.Award-winning author and journalist James Phelps reveals the horror of life inside Australia's most notorious jails including Grafton, Pentridge, Minda, Risdon, Silverwater, Bathurst and Lithgow.

    Reveals the inside story of how a special team of FBI agents used high-tech bugs and informants to crack the case against John Gotti.