A struggling actor, a Brit in America without a green card, Claire needs work and money to survive. Then she gets both. But nothing like she expected. Claire agrees to become a decoy for a firm of divorce lawyers. Hired to entrap straying husbands, she must catch them on tape with their seductive propositions. The rules? Never hit on the mark directly. Make it clear you’re available, but he has to proposition you, not the other way around. The firm is after evidence, not coercion. The innocent have nothing to hide. Then the game changes. When the wife of one of Claire’s targets is violently murdered, the cops are sure the husband is to blame. Desperate to catch him before he kills again, they enlist Claire to lure him into a confession. Claire can do this. She’s brilliant at assuming a voice and an identity. For a woman who’s mastered the art of manipulation, how difficult could it be to tempt a killer into a trap? But who is the decoy . . . and who is the prey?

    At the end of a long winter, in bucolic Ridgedale, New Jersey, the body of an infant is discovered in the woods near the town’s prestigious university campus. No one knows who the baby is, or how her body ended up out there. But there is no shortage of opinions. When freelance journalist, and recent Ridgedale transplant, Molly Anderson is unexpectedly called upon to cover the story for the Ridegdale Reader, it’s a risk, given the severe depression that followed the loss of her own baby. But the bigger threat comes when Molly unearths some of Ridgedale’s darkest secrets, including a string of unreported sexual assaults that goes back twenty years. Meanwhile, Sandy, a high school dropout, searches for her volatile and now missing mother, and PTA president Barbara struggles to help her young son, who’s suddenly having disturbing outbursts. Told from the perspectives of Molly, Barbara, and Sandy, Kimberly McCreight’s taut and profoundly moving novel unwinds the tangled truth about the baby’s death revealing that these three women have far more in common than they realized. And that their lives are more intertwined with what happened to the baby than they ever could have imagined.

    This is exactly what happens to Lisa Kallisto, overwhelmed working mother of three, one freezing December in the English Lake District. She takes her eye off the ball for just a moment and her whole world descends into the stuff of nightmares. Because, not only is thirteen-year-old Lucinda missing, and not only is it all Lisa's fault, but she's the second teenage girl to disappear within this small tightknit community over two weeks. The first girl turned up stripped bare, dumped on a busy high street, after suffering from a terrifying ordeal. Wracked with guilt over her mistake and after being publicly blamed by Lucinda's family, Lisa sets out to right the wrong. But as she begins peeling away the layers surrounding Lucinda's disappearance, Lisa learns that the small, posh, quiet town she lives in isn't what she thought it was, and her friends may not be who they appear, either.

    But can you trust her?The people who call End of the Line need hope. They need reassurance that life is worth living. But some are unlucky enough to get through to Laura. Laura doesn’t want them to hope. She wants them to die.Laura hasn’t had it easy: she’s survived sickness and a difficult marriage only to find herself heading for forty, unsettled and angry. She doesn’t love talking to people worse off than she is. She craves it.But now someone’s on to her—Ryan, whose world falls apart when his pregnant wife ends her life, hand in hand with a stranger. Who was this man, and why did they choose to die together?The sinister truth is within Ryan’s grasp, but he has no idea of the desperate lengths Laura will go to…Because the best thing about being a Good Samaritan is that you can get away with murder.

    Now she wants justice. But is she blind to the truth?Christopher J. Yates’s cult hit Black Chalk introduced that rare writerly talent: a literary writer who could write a plot with the intricacy of a brilliant mental puzzle, and with characters so absorbing that readers are immediately gripped. Yates’s new book does not disappoint. Grist Mill Road is a dark, twisted, and expertly plotted Rashomon-style tale. The year is 1982; the setting, an Edenic hamlet some ninety miles north of New York City. There, among the craggy rock cliffs and glacial ponds of timeworn mountains, three friends—Patrick, Matthew, and Hannah—are bound together by a terrible and seemingly senseless crime. Twenty-six years later, in New York City, living lives their younger selves never could have predicted, the three meet again—with even more devastating results.

    You’ve either concluded that I am a braggart as well as a sadist or that I have a deep and driving need to be caught and punished.  In the sweltering heat of an Atlanta summer, a killer is pushing the city to its breaking point, preying on the unsuspecting, writing taunting letters to the media, promising more death. Desperate to stop the Wishbone Killer before another victim meets a shattering end, A.P.D. lieutenant Aaron Rauser turns to the one person he knows can penetrate a deranged mind: ex–FBI profiler Keye Street.  And you must certainly be wondering if I am, in fact, the stranger you seek.  Keye was a rising young star at the Bureau until addiction derailed her career and her life. Now sober and fighting to stay so, Keye picks up jobs where she can get them: catching adulterers, serving subpoenas, chasing down bail jumpers, and dodging the occasional bullet. With multiple victims, little to go on, and an entire police force looking for direction, the last thing Keye wants is to be pulled into the firestorm of Atlanta’s worst nightmare. Shall I convince you?  And then it suddenly becomes clear that the hunter has become the hunted -- and the stranger she seeks is far closer than she ever dared imagine.An electrifying thriller debut, The Stranger You Seek introduces a brash, flawed, and unforgettable heroine in a complex, twisting novel that takes readers deep into a sultry Southern summer, a city in the grips of chaos, and a harrowing cat-and-mouse game no reader will ever forget.

    “What is this fearsome thing I see?” the young high school English teacher whispers, mimicking Shakespeare. Polished boots, pressed jeans, fresh white shirts, Stetsons—her uncles’ suspiciously clean visiting clothes are a disturbing sign. The three bring shocking news: The man convicted of murdering Jody’s father is being released from prison and returning to the small town of Rose, Kansas. It has been twenty-six years since that stormy night when, as baby Jody lay asleep in her crib, her father was shot and killed and her mother disappeared, presumed dead. Neither the protective embrace of Jody’s uncles nor the safe haven of her grandparents’ ranch could erase the pain caused by Billy Crosby on that catastrophic night. Now Billy Crosby has been granted a new trial, thanks in large part to the efforts of his son, Collin, a lawyer who has spent most of his life trying to prove his father’s innocence. As Jody lives only a few doors down from the Crosbys, she knows that sooner or later she’ll come face-to-face with the man who she believes destroyed her family. What she doesn’t expect are the heated exchanges with Collin. Having grown up practically side by side in this very small town, Jody and Collin have had a long history of carefully avoiding each other’s eyes. Now Jody discovers that underneath their antagonism is a shared sense of loss that no one else could possibly understand. As she revisits old wounds, startling revelations compel her to uncover the dangerous truth about her family’s tragic past. Engrossing, lyrical, and suspenseful, The Scent of Rain and Lightning captures the essence of small-town America—its heartfelt intimacy and its darkest secrets—where through struggle and hardship people still dare to hope for a better future. For Jody Linder, maybe even love.

    Diana was exquisitely polite, and properly friendly, but Lucy knew that she was not what Diana envisioned. But who could fault Diana? She was a pillar of the community, an advocate for social justice who helped female refugees assimilate to their new country. Diana was happily married to Tom, and lived in wedded bliss for decades. Lucy wanted so much to please her new mother-in-law. That was five years ago.Now, Diana has been found dead, a suicide note near her body. Diana claims that she no longer wanted to live because of a battle with cancer.But the autopsy finds no cancer.The autopsy does find traces of poison and suffocation. Who could possibly want Diana dead? Why was her will changed at the eleventh hour to disinherit both of her adult children and their spouses?With Lucy's secrets getting deeper and her relationship with her mother-in-law growing more complex as the pages turn, this new novel from Sally Hepworth is sure to add to her growing legion of fans.

    But then she takes on her first murder case and meets Joe, a convicted murderer to whom Lily is strangely drawn—and for whom she will soon be willing to risk almost anything.But Lily is not the only one with secrets. Her next-door neighbor Carla may be only nine, but she has already learned that secrets are powerful things. That they can get her whatever she wants.When Lily finds Carla on her doorstep twelve years later, a chain of events is set in motion that can end only one way.

    They are tired and cold and desperate. Emerging from the fog, invisible until it is too late, a lone driver plows through the crowd in a stolen Mercedes, running over the innocent, backing up, and charging again. Eight people are killed; fifteen are wounded. The killer escapes.Months later, an ex-cop named bill Hodges, still haunted by the unsolved crime, contemplates suicide. When he gets a crazed letter from "the perk," claiming credit for the murders, Hodges wakes up from his depressed and vacant retirement, fearing another even more diabolical attack and hell-bent on preventing it.Brady Hartfield lives with his alcoholic mother in the house where he was born. He loved the feel of death under the wheels of the Mercedes, and he wants that rush again. Only Bill Hodges, with a couple of eccentric and mismatched allies, can apprehend the killer before he strikes again. And they have no time to lose, because Brady's next mission, if it succeeds, will kill or maim thousands.Mr. Mercedes is a war between good and evil from the master of suspense whose insight into the mind of this obsessed, insane killer is chilling and unforgettable.--front flap

    Suffering from a devastating mania, a result of her bipolar disorder, Dana finds that there are troubling holes in her memory, including what happened on the afternoon of Celia's death. As evidence starts to point in her direction, Dana struggles to clear her name before her own demons win out.Is murder on her mind—or is it all in her head? The closer she comes to piecing together shards of her broken memory, the more Dana falls apart. Is there a murderer lurking inside her... or is there one out there in the shadows of reality, waiting to strike again? A story of marriage, murder and madness, The Pocket Wife explores the world through the foggy lens of a woman on the edge.

    From her past, from her ex, and from her own secrets. When she turns up alone in the remote mining town of Blackmore asking about Shayna Fowles, the local girl who disappeared, everyone wants to know who Clare really is and what she's hiding. As it turns out, she's hiding a lot, including what ties her to Shayna in the first place. But everyone in this place is hiding something from Jared, Shayna's golden-haired ex-husband, to Charlie, the charming small-town drug pusher, to Derek, Shayna's overly involved family doctor, to Louise and Wilfred, her distraught parents.Did Shayna flee? Was she killed? Is it possible she's still alive?As Clare uncovers the mysteries around Shayna's disappearance, she must confront her own demons, moving us deeper and deeper into the labyrinth of lies and making us question what it is she's really running from. Twisting and electrifying, this is a get-under-your-skin thriller that will make you question what it means to lose yourself and find yourself in the most unlikely places.

    Upon the razor-thin edge between love and violence lives a pair of brothers, their bonds frayed by betrayals and guilt, their loyalty to each other their last salvation.Raised to pick a pocket before he could walk, Terry Rand cut free from his family after his older brother, Collie, went on a senseless killing spree that left eight dead. Five years later, only days before his scheduled execution, Collie contacts Terry and asks him to return home. Collie claims he wasn’t responsible for one of the murders—and insists that the real killer is still on the loose.Dogged by his own demons, Terry is swept back into the schemes and scams of his family: His father, Pinsch, a retired cat burglar, brokenhearted because of his two sons. His card-sharp uncles, Mal and Grey, who’ve incurred the anger of the local mob. His grandfather, Shep, whose mind is failing but whose fingers can still slip out a wallet  from across the room. His teenage sister, Dale, who’s flirting dangerously with the lure of the family business. And Kimmie, the woman Terry abandoned, who’s now raising a child with Terry’s former best friend.  Terry pieces together the day his brother turned rabid, delving into a blood history that reveals the Rand family tree is rotten to the roots, and the secrets his ancestors buried are now coming furious and vengeful to the surface.A meditation on how love can confine a person just as easily as it can free him, juxtaposing shocking violence and sly humor, The Last Kind Words is the brilliantly inventive family saga that only a singular talent like Tom Piccirilli could conjure.

    During that time he has suffered repeated beatings, stabbings and threats by inmates and guards, all desperate to answer the same question: where's the money?On the day before Audie is due to be released, he suddenly vanishes. Now everybody is searching for him - the police, FBI, gangsters and other powerful figures - but Audie isn't running to save his own life. Instead, he's trying to save someone else's.Michael Robotham has created the ultimate underdog hero, an honorable criminal shrouded in mystery and ready to lead readers on a remarkable chase.

    But a cell phone call from an unknown number changes everything: it's a woman on the line, informing her that she has Kylie bound and gagged in her back seat, and the only way Rachel will see her again is to follow her instructions exactly: pay a ransom, and find another child to abduct. This is no ordinary kidnapping: the caller is a mother herself, whose son has been taken, and if Rachel doesn't do as she's told, the boy will die. "You are not the first. And you will certainly not be the last." Rachel is now part of The Chain, an unending and ingenious scheme that turns victims into criminals—and is making someone else very rich in the process. The rules are simple, the moral challenges impossible; find the money fast, find your victim, and then commit a horrible act you'd have thought yourself incapable of just twenty-four hours ago. But what the masterminds behind The Chain know is that parents will do anything for their children. It turns out that kidnapping is only the beginning.