It was like a tiny bit of Dorothy’s Oz in boring old black-and-white Kansas. Pink was for girls.Ava Simpson is trying on a whole new image. Stripping the black dye from her hair, she heads off to the Billy Hughes School for Academic Excellence, leaving her uber-cool girlfriend, Chloe, behind.Ava is quickly taken under the wing of perky, popular Alexis who insists that: a) she’s a perfect match for handsome Ethan; and b) she absolutely must audition for the school musical.But while she’s busy trying to fit in — with Chloe, with Alexis and her Pastel friends, even with the misfits in the stage crew — Ava fails to notice that her shiny reinvented life is far more fragile than she imagined.Debut author Wikinson takes a lighthearted but timely and resonant look at a teen's attempts to don a new personality and figure out who she really wants to be.

    His goth look usually includes black nail polish and a little mascara.When he discovers Debbie Harry, the lead singer of Blondie, he not only likes her music but realizes that he kind of, sort of, wants to BE her. He’d like to be cool and tough and beautiful like her. He’d like to dress like her. He’s not gay, at least he doesn’t think so. So what does it mean? And what should he tell his amazing new girlfriend?This wise, hip novel introduces shades of gray into the black-and-white ideas of sexuality and gender. Anyone who has ever wished they could be a little bit tough and a little bit glamorous will recognize themselves in Johnny.

    Two secrets.David Piper has always been an outsider. His parents think he’s gay. The school bully thinks he’s a freak. Only his two best friends know the real truth – David wants to be a girl. On the first day at his new school Leo Denton has one goal – to be invisible. Attracting the attention of the most beautiful girl in year eleven is definitely not part of that plan. When Leo stands up for David in a fight, an unlikely friendship forms. But things are about to get messy. Because at Eden Park School secrets have a funny habit of not staying secret for long…

    Too bad Frannie’s terrified. She won’t type a word without Marcus’s help.In the chat room, Marcus and Jeffrey hit it off. But the more Marcus writes, the more he’s convinced that Jeffrey is falling for him, not Frannie.Whose romance is this anyway? Read this heartwarming comedy of errors to find out.

    This poetic roller coaster swoop has a sleek new design to match its new sister and brother books, Goat Girls and Beautiful Boys. Rediscover the magic of Weetzie Bat, Ms. Block's sophisticated, slinkster-cool love song to L.A., the book that shattered the standard, captivated readers of all generations, and made Francesca Lia Block one of the most heralded authors of the last decade.This could be a book about cheap cheese and bean burritos, slinkster dogs, lanky lizards and rubber chickens ...Or strawberry sundaes with marshmallow toppings, surfing, stage-diving and sleeping on the beach ...It could even be a book about magic. But what it's definitely about is Weetzie Bat, her best friend Dirk and their search across L.A. for the most dangerous angel of all ...true love.

    Get into UCLA. And have the chance to move away from Corpus Christi, Texas, and the suffocating expectations of others that have forced Jules into an inauthentic life.Then in one reckless moment, with one impulsive tweet, his plans for a low-key nine months are thrown—literally—out the closet. The downside: the whole world knows, and Jules has to prepare for rejection. The upside: Jules now has the opportunity to be his real self.Then Mat, a cute, empathetic Twitter crush from Los Angeles, slides into Jules’s DMs. Jules can tell him anything. Mat makes the world seem conquerable. But when Jules’s fears about coming out come true, the person he needs most is fifteen hundred miles away. Jules has to face them alone.Jules accidentally propelled himself into the life he’s always dreamed of. And now that he’s in control of it, what he does next is up to him.

    But despite their talent, emotional scars from an incident with a homophobic classmate and their grandmother's spiraling dementia make it harder and harder for Carey to find their voice.Then Carey meets Cris, a singer/guitarist who makes Carey feel seen for the first time in their life. With the rush of a promising new romantic relationship, Carey finds the confidence to audition for the role of Elphaba, the Wicked Witch of the West, in the school musical, setting off a chain reaction of prejudice by Carey's tormentor and others in the school. It's up to Carey, Cris, and their friends to defend their rights--and they refuse to be silenced.Told in alternating chapters with identifying pronouns, debut author Steven Salvatore's Can't Take That Away is both a romance, and an affirmation of self-identity.

    Even the most consistent use of condoms won’t prevent pregnancy when your boyfriend secretly pokes holes in them to keep you from going out-of-state for college. Veronica needs an abortion, but the closest place she can legally get one is over nine hundred miles away—and Veronica doesn’t have a car. Too ashamed to ask her friends or family for help, Veronica turns to the one person she believes won’t judge her: Bailey Butler, Jefferson High’s own little black cloud of anger and snark—and Veronica’s ex-best friend. Once on the road, Veronica quickly remembers nothing with Bailey is ever simple and that means two days of stolen cars, shotguns, crazed ex-boyfriends, truck stop strippers with pro-life agendas, and a limo driver named Bob. But the pain and betrayal of their broken friendship can’t be outrun. When their fighting leads to a brutal moment of truth, Bailey abandons Veronica. Now Veronica must risk everything in order to repair the hurt she’s caused

    A lost island. Mysteries and dangers. No access to email. And the spirit of fierce, feral competition that lives deep in the heart of every girl, a savage brutality that can only be revealed by a journey into the heart of non-exfoliated darkness. Oh, the horror, the horror! When a plane crash strands thirteen teen beauty contestants on a mysterious island, they struggle to survive, to get along with one another, to combat the island's other diabolical occupants, and to learn their dance numbers in case they are rescued in time for the competition.

    Told in a succession of short and powerful poems, it takes us deep into the cyclone of the narrator’s emotions: despair, anger, guilt, resentment, and ultimately, acceptance.

    In The Kid, Savage tells a no-holds-barred, high-energy story of an ordinary American couple who wants to have a baby. Except that in this case the couple happens to be Dan and his boyfriend. That fact, in the face of a society enormously uneasy with gay adoption, makes for an edgy, entertaining, and illuminating read. When Dan and his boyfriend are finally presented with an infant badly in need of parenting, they find themselves caught up in a drama that extends well beyond the confines of their immediate world. A story about confronting homophobia, falling in love, getting older, and getting a little bit smarter, The Kid is a book about the very human desire to have a family.

    While grappling with their identity and sexuality, often alone, they also faced academic meltdown, their parents' divorce, and the looming pressure of what might come after high school. Written in alternating chapters from both Tegan's point of view and Sara's, the book is a raw account of the drugs, alcohol, love, music and friendship they explored in their formative years. A transcendent story of first loves and first songs, it captures the tangle of discordant and parallel memories of two sisters who grew up in distinct ways even as they lived just down the hall from one another. This is the origin story of Tegan and Sara.

    In The Chronology of Water, Lidia Yuknavitch expertly moves the reader through issues of gender, sexuality, violence, and the family from the point of view of a lifelong swimmer turned artist. In writing that explores the nature of memoir itself, her story traces the effect of extreme grief on a young woman’s developing sexuality that some define as untraditional because of her attraction to both men and women. Her emergence as a writer evolves at the same time and takes the narrator on a journey of addiction, self-destruction, and ultimately survival that finally comes in the shape of love and motherhood.

    I'm Gabe. Welcome to my show."My birth name is Elizabeth, but I'm a guy. Gabe. My parents think I've gone crazy and the rest of the world is happy to agree with them, but I know I'm right. I've been a boy my whole life.When you think about it, I'm like a record. Elizabeth is my A side, the song everybody knows, and Gabe is my B side--not heard as often, but just as good.It's time to let my B side play.

    Before you can spell LGBTQIA, Daisy's leading the charge to end their school’s antiquated ban on same-sex dates at dances—starting with homecoming. And if people assume Daisy herself is gay? Meh, so what. It's all for the cause. What Daisy doesn't expect is for "the cause” to blow up—starting with Adam, the cute college journalist whose interview with Daisy for his university paper goes viral, catching fire in the national media. #Holy #cats. With the story spinning out of control, protesters gathering, Hannah left in the dust of Daisy’s good intentions, and Daisy's mad attraction to Adam feeling like an inconvenient truth, Daisy finds herself caught between her bold plans, her bad decisions, and her big fat mouth.