For two hundred years he has wandered the world, enslaved by his lunatic appetites and tormented by the memory of his first and most monstrous crime. Now, the last of his kind, he knows he cannot go on.But as Jake counts down to suicide, a violent murder and an extraordinary meeting plunge him straight back into the desperate pursuit of life — and love.Sexy, smart, bloody and heartbreaking, The Last Werewolf takes literature by the throat.

    The more than 175 tales culled from a centuries-old Russian storytelling tradition by the outstanding Russian ethnographer Aleksandr Afanas’ev reveal a rich, robust world of the imagination that will fascinate readers both young and old.With black-and-white drawings throughoutPart of the Pantheon Fairy Tale and Folklore Library

    Its impeccable recreation of small-town life and its skillful handling of the theme of personality transference between thirteen-year-old twins led to widespread critical acclaim for the novel, which was successfully filmed from Thomas Tryon's own screenplay.This edition features original artwork by surrealist artist Harry O. Morris.

    He produces a wonderfully skillful synthesis of the available material—one that sees the occult in the light of reason and reason in the light of the mystical and paranormal. The result is a wide-ranging survey of the subject that provides a comprehensive history of magic, an insightful exploration of our latent powers, and a journey of enlightenment. “I am very impressed by this book, not only by its erudition but…above all for the good-natured, unaffected charm of the author whose reasoning is never too far-fetched, who is never carried away by preposterous theories.”—Sunday Times

    The tale seems to begin with buried treasure and then turns into an unprecedented historical detective story - a modern Grail quest leading back through cryptically coded parchments, secret societies, the Knights Templar, the Cathar heretics of the twelfth and thirteenth centuries and a dynasty of obscure French kings deposed more than 1,300 years ago. The author's conclusions are persuasive: at the core is not material riches but a secret - a secret of explosive and controversial proportions, which radiates out from the little Pyrenees village all the way to contemporary politics and the entire edifice of the Christian faith. It involves nothing less than... the Holy Grail.

    Beginning with the supposedly true accounts that captivated Byron and Shelley, the stories range from Edgar Allan Poe's "The Oval Portrait" and Sheridan Le Fanu's "Carmilla" to Guy de Maupassant's "The Horla" and Mary Elizabeth Braddon's "Good Lady Ducayne." Sims also includes a nineteenth-century travel tour of Transylvanian superstitions, and rounds out the collection with Stoker's own "Dracula's Guest"-a chapter omitted from his landmark novel.Vampires captivated the Victorians, as Sims reveals in his insightful introduction: In 1867, Karl Marx described capitalism as "dead labor, which, vampire-like, lives only by sucking living labor"; while in 1888 a London newspaper invoked vampires in trying to explain Jack the Ripper's predations. At a time when vampires have been re-created in a modern context, Dracula's Guest will remind readers young, old, and in between of why the undead won't let go of our imagination.

    Half-seen figures who glare from dark towers and dusty windows- silent, foul phantoms who, day by day, night by night, come closer, ever closer. With growing horror, the helpless governess realizes the fiendish creatures want the children, seeking to corrupt their bodies, possess their minds, own their souls... But worse-much worse- the governess discovers that Miles and Flora have no terror of the lurking evil. For they want the walking dead as badly as the dead want them.

    Tucked in the folds of the woman’s curiously vintage gown is an infant, as cold and at peace as its mother. No one can identify the woman. Except for Kate. She’s seen her before. In her dreams…One hundred years ago, a love story ended in tragedy, its mysteries left unsolved. It’s time for the lake to give up its secrets. As each mystery unravels, it pulls Kate deeper into the eddy of a haunting folktale that has been handed down in whispers over generations. Now, it’s Kate’s turn to listen.As the drowned woman reaches out from the grave, Kate reaches back. They must come together, if only in dreams, to right the sinister wrongs of the past.

    With taunting messages in backwards Latin left at the crime scenes and even more inexplicable clues like the fingerprints that appear to have been burned into one victim's throat, his handiwork bears all the hallmarks of a demonic possession.But consulting detective Harrison Fearing Pell is convinced her quarry is a man of flesh and blood. Encouraged by her uncle, Arthur Conan Doyle, Harry hopes to make her reputation by solving the bizarre case before the man the press has dubbed Mr. Hyde strikes again.From the squalor of the Five Points to the high-class gambling dens of the Tenderloin and the glittering mansions of Fifth Avenue, Harry and her best friend, John Weston, follow the trail of a remorseless killer, uncovering a few embarrassing secrets of New York's richest High Society families along the way. Are the murders a case of black magic—or simple blackmail? And will the trail lead them closer to home than they ever imagined?

    A version of the story was published in the magazine Whirlwind in 1890, and Machen revised and extended it for its book publication (together with another story, "The Inmost Light") in 1894. On publication it was widely denounced by the press as degenerate and horrific because of its decadent style and sexual content, although it has since garnered a reputation as a classic of horror. Machen’s story was only one of many at the time to focus on Pan as a useful symbol for the power of nature and paganism. The title was taken from the poem "A Musical Instrument" published in 1862 by Elizabeth Barrett Browning, in which the first line of every stanza ends "... the great god Pan.

    From our colonial past to the present, the monster in all its various forms has been a staple of American culture. A masterful survey of our grim and often disturbing past, Monsters in America uniquely brings together history and culture studies to expose the dark obsessions that have helped create our national identity.Monsters are not just fears of the individual psyche, historian Scott Poole explains, but are concoctions of the public imagination, reactions to cultural influences, social change, and historical events. Conflicting anxieties about race, class, gender, sexuality, religious beliefs, science, and politics manifest as haunting beings among the populace. From Victorian-era mad scientists to modern-day serial killers, new monsters appear as American society evolves, paralleling fluctuating challenges to the cultural status quo. Consulting newspaper accounts, archival materials, personal papers, comic books, films, and oral histories, Poole adroitly illustrates how the creation of the monstrous "other" not only reflects society's fears but shapes actual historical behavior and becomes a cultural reminder of inhuman acts.

    I nod stiffly to give no indication I know exactly, who that is. I’m shocked to hear that name in this setting, at this stage of my life, the one far away from Cambridge, Massachusetts over five years later.”Advertising Exec, Clarity Parker thought she’d never see Baron Ford again. Five years ago, they shared the date of her life and then he literally vanished into thin air. Now he’s back and has asked that she, exclusively, be assigned to his multi-million dollar account.On the day the fog rolls in, not only can she no longer avoid him but she can no longer avoid herself. See, Clarity has an ability that she’s run away from her entire life. She’s learning an ability like hers doesn’t come for free, and something or someone is trying to make her pay for it with her life.Her world is soon turned upside down after she escapes to a place called Enu. It’s here Clarity learns who and what she truly is. She also learns that Baron Ford is Baron Ze Feldis; he’s a vampire, and what bonds them runs deeper than anything she can ever imagine. Their bond is further tested when they end up not only battling Baron’s psycho ex-vampire girlfriend, who wants Clarity dead but also “the evil” as they journey in search of the book which holds the Prophecy of the Seven Seeds. One thing’s for sure, from this point on, their lives will never be the same.**Edited on 10/24/2011 – If you have the previous version, please email Customer Service to request the most updated version. If you purchased the Ebook on Smashwords, you can simply download the most up-to-date version.

    Lately, she’s felt ready for a change, and the universe seems to agree. Her new best friend’s brother is the boy of Perdita’s dreams. Literally. Even though he plays hot and cold, she’s sure there’s more to it, but she’s kind of distracted by the sense she’s being followed - not to mention the rumours of wild animal sightings that seem to mean more to her new crush’s family than they should. Perdy’s on a mission to find the truth, but maybe the truth is the danger she should hide from, after all.

    Time falls away as she confronts perils far beyond mortal comprehension and must finally make the decision she has been avoiding for almost a millennium.

     In the winter of 1928, still seeking some kind of resolution to the horrors of World War I, Freddie is traveling through the beautiful but forbidding French Pyrenees. During a snowstorm, his car spins off the mountain road. Dazed, he stumbles through the woods, emerging in a tiny village, where he finds an inn to wait out the blizzard. There he meets Fabrissa, a lovely young woman also mourning a lost generation. Over the course of one night, Fabrissa and Freddie share their stories. By the time dawn breaks, Freddie will have unearthed a tragic, centuries-old mystery, and discovered his own role in the life of this remote town.