Using the format of an end-of-term play, the new drama teacher's progress through two terms of recalcitrant classes, synical colleagues and obstructive caretakers is reviewed. Disillutioned, he departs for a safer private school.

    Laugh with the actors, tap your feet to the music, and turn to your neighbor.

    It is an exploration of intimacy, identity, and the courage it takes to be who you really are.

    Albee there is a theme beneath the surface, in this case the corruption of money and the rottenness of this bigoted exurbia where conformity to its illiberal standards and its hypocritical show of respectability is all that counts. The scene is the suburban home of Jenny and Richard, beautifully played by Barbara Bel Geddes and Barry Nelson. The only thing that seems to stand in the way of their happiness is a lack of money. The action starts in an entertaining comedy of manners style. Then abruptly there enters a Mrs. Toothe in the menacing and fascinating person of Beatrice Straight who offers Jenny the opportunity to make more money than they have ever had, to buy a greenhouse and all the other luxuries that they require for their garden and their lives. Richard's realization that their newfound money is being earned by his wife's whoring comes almost simultaneously with the return of their fourteen-year-old son from school and a champagne cocktail party which they are giving to impress their country club friends. As a result, his horror, disgust and rage has to be kept under wraps in order to keep up essential appearances until tragedy strikes, and Richard realizes that the assembled wives are all involved and their husbands are aware and condoning." More than that, they are prepared not merely to justify but defend the ends through which their means are attained and the devastated Richard, left in agonized despair by the ironic events that charge the final moments of the play, must face the fact of his own share in their communal guilt.

    All 97 counties of it! Surely it can't be as bad as everyone tells him. After twenty years living abroad, he thinks the time is right to search his homeland for the best of British using new eyes, those of a foreign tourist, and in the only way he knows how – by bicycle. Armed with a list of recommendations gathered from friends and strangers alike and the most spontaneous of routes, he pedals 5,000 miles through damp English country lanes, soggy Welsh moorland and windswept Scottish mountains. He gets wet quite often. Following on from the success and irreverent style of both No Place Like Home, Thank God and Hungry for Miles, Steven seeks out the quirky in the people he meets, the places he visits and the food he eats. Can his initial store of positivity survive the journey, or will it be ground down by the traffic, the weather and his British, vegetable-free diet of beer, pies and pork scratchings? In this, Book 1, The Journey South, Steven travels from Merseyside to Warwickshire, through the whole of Wales, the West Country, the south coast and to London. Armed with a bag of googly eyes, he meets a poetry-prescribing nurse, stumbles across Hilda Ogden's lawnmower, has his footwear stolen by foxes, discovers some very special Mexican fleas, crashes the TARDIS and visits dozens of British capitals, including its infidelity capital, its boob job capital and its dogging capital. He experiences "real" Britain – the good and the bad – its Morris dancers, pie 'n' mash and the pinnacle of British culture, a good old-fashioned street fight. The concluding part, The Journey North, covering the east of England, Scotland and the north-west of England will be available in Summer 2017.

    While Mickey was a good person at heart, he had a dark side that went far beyond his well-known alcoholism and infidelities. In this fictional portrait, Mickey--now in heaven--realizes that he’s carrying a huge weight on his shoulders, as he did throughout his life. He needs to unburden himself of all the horrible things he did and understand for himself why he did them. He wants to make amends to the people he hurt, especially those dear to him; the fans he ignored and alienated; and the public who made him into a hero. Mickey never felt he deserved the adulation, could never live up to it, and tried his damnedest to prove it to everyone. The fact that he was human made the public love him that much more.Through the recounting of his exploits on and off the field, some of them side-splittingly hilarious, some disturbing, and others that will make your head shake in sympathy, Mickey comes clean in this novel in the way he never could in real life. 7: The Mickey Mantle Novel puts you inside the locker room and bedroom with an American Icon every bit as flawed and human as we are.

    

    Twenty-seven-year-old A&R man Stelfox is slashing and burning his way through the music industry, a world where 'no one knows anything' and where careers are made and broken by chance and the fickle tastes of the general public - 'Yeah, those animals'.Fuelled by greed and inhuman quantities of cocaine Stelfox blithely criss-crosses the globe ('New York, Cologne, Texas, Miami, Cannes: you shout at waiters and sign credit card slips and all that really changes is the quality of the porn') searching for the next hit record amid a relentless orgy of self-gratification.But as the hits dry up and the industry begins to change, Stelfox must take the notion of cutthroat business practices to murderous new levels in a desperate attempt to salvage his career.Kill Your Friends is a dark, satirical and hysterically funny evisceration of the record business, a place populated by frauds, charlatans and bluffers, where ambition is a higher currency than talent, and where it seems anything can be achieved - as long as you want it badly enough.

     This is the dark but humourous tale of Sarah Pemberton, who is not a happy woman. A down to earth, inventive soul who despises her stuck up pompous husband Neil, who believes he is much more intelligent and important than she is. When he refuses her a divorce and emotionally blackmails her into staying with him by threatening to take custody of their daughter, she's decides to make life a little more entertaining for herself, by subtly torturing him at every available opportunity. Creative and adaptable by nature, with a wicked sense of humour, she comes up with more and more ways to ridicule him, without him ever knowing she has a hand in it. ...."During 1993-1994 amongst other things, I cooked him a meat pie with pedigree chum; Stole his car more times than I can count; put chilli powder in his underpants, sent a stripagram to his work (a fat one), and subscribed him to a gay porn mag! (Our paperboy avoided him like the plague after that.)"..... Finding accomplices in the form of her Aunt May, who lives in a crumbling old former hotel which was damaged during WWII, and May's two lodgers, a shy young hippy named Darren, along with his brother Matthew a former life model, they try to get rid of her husband by either 'Plan A', which consists of 'frame him for a crime so that he gets incarcerated', or 'Plan B' drive him to a nervous breakdown. Both plans are designed to discredit Neil in case of a custody battle for their daughter. There is only one little prerequisite for every little torturous idea though, and that is, IT HAS TO MAKE THEM LAUGH! Unbeknown to Sarah at first, she isn't the only one with a vendetta against her husband, his entire workforce hate his guts and exploit any opportunity to make him look bad. When plans A & B go disastrously wrong, Sarah and co set their sights on a new target, her in-laws. Interwoven throughout the story is the tale of Aunt May, the lynch pin of her little make shift family, who harbours secrets of her own that go back to the night the bomb fell on the east wing of the hotel. This is not a tale of a submissive woman suffering at the hands of abuse; this is the tale of a strong courageous woman having one last laugh at other people's expense. Contains very occasional strong language, and scenes that should not be repeated at home. Volume One of 'The Cuckoo' series

    While teenager Abigail parties a few doors away, the pretentious Beverly and her estate agent husband, Laurence, entertain their neighbours – Abigail’s mother, Susan, ex-footballer, Tony, and his wife, Angela. But as the alcohol flows, tensions in the hosts’ barely functional marriage emerge and their obsessions, prejudices and petty competitiveness are ruthlessly, and hilariously, exposed. ‘Goose-Pimples’, meanwhile, is easily as sharp and uncompromising. This time, the action focuses on ambitious casino croupier, Jackie, and Saudi businessman, Muhammad, who meet – and misunderstand – one another spectacularly.

    With Mirabell? You call my blood into my face with mentioning that traitor. She durst not have the confidence. I sent her to negotiate an affair, in which if I'm detected I'm undone. If that wheedling villain has wrought upon Foible to detect me, I'm ruined. O my dear friend, I'm a wretch of wretches if I'm detected.

    But their wives cannot get along. Kashibai is hard working with a temper, and Fatimabai is lazy with a gentle nature. Through years of irreconcilable strife, a sudden tragedy pulls the life of these women inextricably together. Can a woman really surpass her own unhappiness for the sake of her enemy's child? Sudha Murty gently tells this eternal tale of struggle and redemption through the power of a mother's love.

    Find out what happens when Iman secrets catch up with her & she realizes some times its best not to play games & keep secrets from dudes in the trap…! Love, Deceit, drama, and treachery at its finest!

    Feeling like what they have is real, Canary’s more than willing to go however many rounds necessary with Kalena to get her point across. Just when Canary thinks things have settled down, Laxton hits her with another curveball: baby talk. Still scarred from her prior miscarriage, the thought of parenthood scares Canary, but Laxton just might be the one to help her overcome her fear. Canary is like a breath of fresh air to Laxton and his family, and the only thing that could make life better is Canary saying she’s ready to call Houston home. With his eye on the prize, Laxton is focused on the future and putting a few babies up in Canary, but his past won’t let him be great. No matter how much he pushes her away, Kalena is the ultimate headache for Laxton and refuses to let the next chick replace her. Kalena says nothing but death can keep her from Laxton, but the question is, whose life will be lost when it’s all said and done? Kenji and Silk may seem like the most unlikely couple, but when she agrees to stick by his side after finding out just how he makes his money, he knows he’s got a real one for sure. Kenji’s heart tells her that Silk is the one, and when he introduces her to his family, he knows Kenji is all he’ll ever need. When they least expect it, a bomb that Makiyah drops threatens to shatter the love Kenji and Silk think they’re building together. Will he be able to love Kenji past her flaws, or will their perfect love story end before they can make it to the altar? On top of that, Silk learns some shocking news that has him out for blood. Determined to destroy all that threatens his mission to uncover the truth, Silk just might sacrifice someone in his inner circle. Makiyah is hit with the ultimate betrayal when she learns the truth about her sister, Maleeah, and Ali. Through it all, the one thing that’s kept her smiling is knowing her mother will be released from prison soon. Maleeah has other plans, though, and when she shows up to steal her sister’s thunder yet again, Makiyah is faced with a hard decision: stay true to her love for Ali, or make him and Maleeah pay for their betrayal. Which path will she choose? Get ready to jump right back to the thick of things with Canary, Laxton, Kenji, Silk, Makiyah, and Keylon as they all fight to win the same thing: the heart of a real one.

    Their forbidden love soon draws everyone, including Queen Elizabeth, into the drama, and inspires Will to write the greatest love story of all time: Romeo and Juliet. Based on the Oscar-winning screenplay by Marc Norman and Tom Stoppard, Shakespeare in Love has been deftly adapted for the stage by Lee Hall and has been playing to rave reviews and a sold-out theatre at the Noël Coward in London. The London production is directed by Declan Donnellan and designed by Nick Ormerod, the driving force behind the world-renowned theatre company, Cheek by Jowl. A Broadway transfer is planned for Spring 2015.