He's got a young son he adores, a legacy and a family to be proud of. He's not looking for anything else. And the last thing on Kelly Andrews's mind is romance when she accepts a job at the famous Blackstone stud farm. But when she meets sexy Ryan, she begins to question her resolve to remain faithful to her deceased husband's memory. Soon tensions and passions create a heat wave of unspoken need and maybe a chance for new beginnings…Very Private DutyAt one time, nothing was able to quench Jeremy Blackstone's insatiable hunger for luscious Tricia Parker. Even though they were from different worlds, he lived for their passion–filled encounters. Then ugly accusations of her betrayal ripped them apart…Years later Tricia has come home to help her grandfather, not to rekindle her affair with the man who broke her heart. But when federal agent Jeremy is injured and needs her nursing skills, staying by his bedside rekindles a sensuous yearning that Tricia cannot control. The magnetic closeness they once shared ignites an irresistible attraction that pulls them together once again…

    The book is a compilation of the series of episodes published in tamil magazine 'Chaavi'

    Like a wise and witty friend, Kerry leads you through the rough spots of life by poking gentle fun in such a vivacious way that you’ll be smiling at your own foibles. You’ll laugh out loud—and be moved to tears—as you discover some of life’s greatest truths hidden within these simple pages. Reclaim your sanity and enrich your soul with this humorous and poignant anthology that celebrates the joy of being alive and shows how greatly each of us is blessed."

    In just three short lines, it captures the sublime beauty of nature--the croak of the bullfrog, the buzzing of the dragonfly, the shriek of the cicada, the scream of the cormorant. Now, with Haikus for Jews, there is finally a collection that celebrates the many advantages of staying indoors.        Inspired by ancient Zen teachings and timeless Jewish noodging, this masterful work is filled with insights that will make you exclaim, "Ah!" or at least "Oy!" Whether you are Jewish or you simply enjoy a good kosher haiku, these chai-kus (so called because of their high chutzpah content) are certain to amuse. What's more, with each poem limited to seventeen syllables, Haikus for Jews is perfect for people in a hurry. Find out why God has made these The Chosen Haikus.

     Written with incredible honesty and self-knowledge, Between the Lines is a stunning collection of poems from Céline Zabad. Ranging in length from a single line to full pages, her poems mimic at once the brevity and vastness of feeling. Her verse is at times as free as a cloud, other times as solid as stone. Her words are philosophies and feelings in their own rights, on love, loss, loyalty, betrayal, hope, and disappointment—on life. Zabad encapsulates the thrill of love’s first blush and the freezing burn of heartbreak. Her feelings flow freely throughout the collection, lending her poetry uncommon authenticity and power. Nature thrives between the lines of her verse, reminding the reader that tears are as natural as raindrops. Whether you’re looking for new ways to think about your own feelings or are simply passionate about poetry, you’ll find plenty to love in this collection. To better understand the complexities of emotion in yourself and others, you must read Between the Lines.

    In eleven collections over thirty years, Edson has created his own poetic genre, a surreal philosophical fable, easy to enter, but difficult to leave behind. In The Tormented Mirror, Edson continues and refines his form in seventy-three new poems.

    This is a theatrical book of dilapidated houses and overgrown gardens, of passageways and thresholds, edges, prosceniums, unearthings, and root systems. The unstable property lines here rove from heaven to hell, troubling proportion and upsetting propriety in the name of unfathomable propagation. Are all the gates in this book folly? Are the walls too easily scaled to hold anything back or impose self-confinement? What won't a poem do to get to the other side?

    You never mourned loudly, in the streets. You never stopped (couldn’t stop) to wonder if drowning parts ofyourself was a mistake. You never kissed them goodbye.Why didn’t you kiss them goodbye?Was it too hard?Were you ashamed?Of them, or of you?Don’t tell me to be quiet.You need to hear this. Christina Hart, bestselling author of Empty Hotel Rooms Meant for Us, Letting Go Is an Acquired Taste, and There Is Beauty In the Bleeding releases her new poetry chapbook, written in second person POV, which focuses on love, loss, and hope.

    Featuring brand new stories and some old favorites, many of these tell-all, gritty tales were originally published on the blog Make It MAD between 2010 and 2012, and have been rereleased in their originality for this special print and digital anthology.

    It is even more remarkable if the book is set where we live, a place we thought we'd been. These poems make up a dramatic and lyrical portrait of the migration of poor Buncombe County farmers to a mill village outside Chester, S.C. However, the book is much more than documentary. Rash, whose grandparents and parents worked in the Eureka Mill interweaves his family's personal history with the broader texture of mill life, giving us at once intimacy and perspective, heart and understanding.

    This is a raw and honest personal account of mental illness offered to those looking to consider, to understand or to feel, in some small way, known. Ache is a unique journey that holds strange beauty in its truth.

    Richie Hofmann disciplines his natural elegance into the sterner recognitions that matter: 'I am a little white omnivore,' the speaker of Second Empire discovers. Mastering directness and indirection, Hofmann's poems break through their own beauty."—Rosanna WarrenThis debut's spare, delicate poems explore ways we experience the afterlife of beauty while ornately examining lust, loss, and identity. Drawing upon traditions of amorous sonnets, these love-elegies desire an artistic and sexual connection to others—other times, other places—in order to understand aesthetic pleasures the speaker craves. Distant and formal, the poems feel both ancient and contemporary.Antique BookThe sky was crazed with swallows.We walked in the frozen grassof your new city, I was gauzed with sleep.Trees shook down their gaudy nests.The ceramic pots were caparisoned with snow.I was jealous of the river,how the light broke it, of the skeinof windows where we saw ourselves.Where we walked, the ice crackedlike an antique book, openingand closing. The leavesbeneath it were the marbled pages.Richie Hofmann is the winner of a Ruth Lilly Fellowship from the Poetry Foundation, and his poems have appeared or are forthcoming in the New Yorker, Poetry, the Kenyon Review, and Ploughshares. A graduate of the Johns Hopkins University MFA program, he is currently a Creative Writing Fellow in Poetry at Emory University.

    Love is the meaning of our existence, the raw material of transformation, the glorious way of access to Divine intimacy. This teaching infuses the lyric verse of Rumi (1207–1273), the greatest of the Sufi poets. The poems in this collection, taken from among the master's many volumes of work, focus on one of his greatest themes: how love grows and matures for those on the spiritual path. Kabir Helminski and Ahmad Rezwani have crafted a translation that remains faithful to the original Persian while giving eloquent expression to the joy of Rumi's astonishing encounter with the Divine. As our love moves on to ever more refined and exalted objects, Rumi declares, the distinction between lover and Beloved becomes irrelevant—and wonderfully so: There is no Love greater than Love with no object, For then you, yourself, have become Love itself.

    Free, for the time being, from the power of the gods and the ceaseless weight of the rock, he struggles to navigate twenty-first-century America. In language by turns mordant and tender, often elegiac, Dunn illuminates the quotidian burdens of his all-too-human hero, as well as the abrasions of ambivalence and choice, finally concluding that "here / and there, though mostly here, even fate is reversible / with struggle or luck."In a second sequence of poems, nineteenth-century novelists become "local visitors" to the author's South Jersey towns. "Chekhov in Port Republic," "Jane Austen in Egg Harbor," "Dostoyevsky in Wildwood": these inventions and others give Dunn provocative new latitudes. As in his previous books, "he balances the casual and the vivid as he plumbs the ambiguity and mystery of human relations" (New York Times Book Review).

    Funny, sarcastic, touching, and, yes, nostalgic, this is a novel of character to be enjoyed by all ages.--"Library Journal."