After he tries to save her from imminent danger, she ends up at his apartment. But in the morning sinister doubts set in. Who is Alyona? A young con artist? A plant for a nefarious blackmailer? Or perhaps a long-lost daughter Aspirin never knew existed? Whoever this mysterious girl is, she now refuses to leave.A game of cat-and-mouse has begun.Claiming that she is a musical prodigy, Alyona insists she must play a complicated violin piece to find her brother. Confused and wary, Aspirin knows one thing: he wants her out of his apartment and his life. Yet every attempt to get rid of her is thwarted by an unusual protector: her plush teddy bear that may just transform into a fearsome monster.Alyona tells Aspirin that if he would just allow her do her work, she’ll leave him—and this world. He can then return to the shallow life he led before her. But as outside forces begin to coalesce, threatening to finally separate them, Aspirin makes a startling discovery about himself and this ethereal, eerie child.

    Now there is tension between the immortal fairies, the subterranean gnomes, and the mysterious tightropers who arrived to liberate the fairies. But when Beckan's clan is forced to venture into the gnome underworld to survive, they find themselves tentatively forming unlikely friendships and making sacrifices they couldn't have imagined. As danger mounts, Beckan finds herself caught between her loyalty to her friends, her desire for peace, and a love she never expected. This stunning, lyrical fantasy is a powerful exploration of what makes a family, what justifies a war, and what it means to truly love.

    I studied hard. I gave a great reading for it—even with Bobby checking me out the whole time. I deserved the part.I didn't get it. So I decided to level the playing field, though I actually might have leveled the whole play. You see, since there aren't any Success in Getting to Be Juliet in Your High School Play spells, I thought I'd cast the next best—a Fame spell. Good idea, right?Yeah. Instead of bringing me a little fame, it brought me someone a little famous. Shakespeare. Well, Edmund Shakespeare. William's younger brother.Good thing he's sweet and enthusiastic about helping me with the play...and—ahem—maybe a little bit hot. But he's from the past. Way past. Cars amaze him—cars! And cell phones? Ugh.Still, there's something about him that's making my eyes go star-crossed....

    She's also not like other girls her age, but then, who would be when the family business is monster hunting? Combat boots, ratty hooded sweatshirts, and hair worn short so nothing with claws can get a grip, Maggie's concerns in life slant more toward survival than fashion or boys. Which presents a problem when Maggie's mother informs Maggie that she can't get her journeyman's license for hunting until she loses her virginity.Something about virgin blood turning vampires into pointy rage monsters. Blood and gore and insides being on the outside and all that. Maggie's battled ghosts and goblins and her fair share of house brownies, but finding herself a boy - fitting in with her peers - proves a much more daunting task than any monster hunt. Did you know normal girls don't stuff their bras with holy water balloons? Nor do they carry wooden stakes in their waistbands. And they care about things like "matching" and "footwear." Of course, they also can't clean a gun blindfolded, shoot a crossbow, or exorcise ghosts from a house. Which means they're lame and Maggie's not. Because Maggie's awesome. The Awesome, in fact. Just ask her. She'd be more than happy to tell you. After she finds herself a date.

    With a dark and wild past, Hendricks doesn’t think the small town her parents moved her to has much to offer her in terms of excitement. She plans on laying low, but when she’s suddenly welcomed into the popular crowd at school, things don’t go as expected. Hendricks learns from her new friends that the fixer-upper her parents are so excited about is notorious in town. Local legend says it’s haunted. Hendricks doesn’t believe it. Until she’s forced to. Blood-curdling screams erupt from the basement, her little brother wakes up covered in scratches, and something, or someone pushes her dad down the stairs. With help from the mysterious boy next door, Hendricks makes it her mission to take down the ghosts . . . if they don’t take her first.

    Now Briony has worn her guilt for so long it's become a second skin. She often escapes to the swamp, where she tells stories to the Old Ones, the spirits who haunt the marshes. But only witches can see the Old Ones, and in her village, witches are sentenced to death. Briony lives in fear her secret will be found out, even as she believes she deserves the worst kind of punishment. Then Eldric comes along with his golden lion eyes and mane of tawny hair. He's as natural as the sun, and treats her as if she's extraordinary. And everything starts to change. As many secrets as Briony has been holding, there are secrets even she doesn't know.

    Her mother’s union with an outsider of a different race cast her once-proud family into disgrace, so Immanuelle does her best to worship the Father, follow Holy Protocol, and lead a life of submission, devotion, and absolute conformity, like all the other women in the settlement.But a mishap lures her into the forbidden Darkwood surrounding Bethel, where the first prophet once chased and killed four powerful witches. Their spirits are still lurking there, and they bestow a gift on Immanuelle: the journal of her dead mother, who Immanuelle is shocked to learn once sought sanctuary in the wood.Fascinated by the secrets in the diary, Immanuelle finds herself struggling to understand how her mother could have consorted with the witches. But when she begins to learn grim truths about the Church and its history, she realizes the true threat to Bethel is its own darkness. And she starts to understand that if Bethel is to change, it must begin with her.

    Luckily, her search is aided by an enchanting cast of characters, including a seven-foot tall housemaid; a melancholic, tattoo-covered ghost; and an avuncular apothecary. But secrets abound in this foggy underworld where spectacle is king and nothing is quite what it seems.Blending darkness and light, history and folklore, Things in Jars is a spellbinding Gothic mystery that collapses the boundary between fact and fairy tale to stunning effect and explores what it means to be human in inhumane times.

     Natalie’s last summer in her small Kentucky hometown is off to a magical start... until she starts seeing the “wrong things.” They’re just momentary glimpses at first—her front door is red instead of its usual green, there’s a pre-school where the garden store should be. But then her whole town disappears for hours, fading away into rolling hills and grazing buffalo, and Nat knows something isn’t right. That’s when she gets a visit from the kind but mysterious apparition she calls “Grandmother,” who tells her: “You have three months to save him.” The next night, under the stadium lights of the high school football field, she meets a beautiful boy named Beau, and it’s as if time just stops and nothing exists. Nothing, except Natalie and Beau. Emily Henry’s stunning debut novel is Friday Night Lights meets The Time Traveler’s Wife, and perfectly captures those bittersweet months after high school, when we dream not only of the future, but of all the roads and paths we’ve left untaken.

    They especially didn't expect him to turn up a tattered and bruised thirteen-year-old boy.Fielding, the son of Autopsy, finds the boy outside the courthouse and brings him home, and he is welcomed into the Bliss family. The Blisses believe the boy, who calls himself Sal, is a runaway from a nearby farm town. Then, as a series of strange incidents implicate Sal — and riled by the feverish heatwave baking the town from the inside out — there are some around town who start to believe that maybe Sal is exactly who he claims to be.But whether he's a traumatised child or the devil incarnate, Sal is certainly one strange fruit: he talks in riddles, his uncanny knowledge and understanding reaches far outside the realm of a normal child — and ultimately his eerily affecting stories of Heaven, Hell, and earth will mesmerise and enflame the entire town.Devastatingly beautiful, The Summer That Melted Everything is a captivating story about community, redemption, and the dark places where evil really lies.

    For as long as she can remember, she and her father have lived in isolation in the abandoned Moorish palace. There are chickens and goats, and a terrible wailing spirit trapped in a pine tree, but the elusive wild boy who spies on her from the crumbling walls and leaves gifts on their doorstep is the isle’s only other human inhabitant. There are other memories, too: vague, dream-like memories of another time and another place. There are questions that Miranda dare not ask her stern and controlling father, who guards his secrets with zealous care: Who am I? Where did I come from? The wild boy Caliban is a lonely child, too; an orphan left to fend for himself at an early age, all language lost to him. When Caliban is summoned and bound into captivity by Miranda’s father as part of a grand experiment, he rages against his confinement; and yet he hungers for kindness and love.

    Unfortunately for Bridget, the voices are demons - the Biblical kind, not the Buffy kind - and Bridget possesses the rare ability to banish them back to whatever hell they came from. Literally.Terrified to tell her friends or family about this new power, Bridget confides in San Francisco's senior exorcist, Monsignor Renault. The monsignor enlists her help in increasingly dangerous cases of demonic possession, but just as she is starting to come to terms with her freakish new role, Bridget receives a startling message from one of the demons. And when one of her oldest friends is killed, Bridget realizes she's in deeper than she ever thought possible. Now she must unlock the secret to the demons' plan before someone else close to her winds up dead - or worse, the human vessel for a demon king.

    Now her cousins Emilio and Giuliano say the only way to keep her safe is for her to come back with them to Milan, to live, to learn Italian, to fall in and out of love, and to master the family trade: fighting all demons with the lore of bell, book, and candle. Milan is not what Mia expected, but it will change her forever, in this stunningly well-written novel about an American girl who, fleeing an ancient evil, finds her only salvation in her ancestral home.

    Away from her family and her Eastern European homeland for the first time, she struggles to adapt to unfamiliar American ways and the challenges of college life—including an enigmatic young man whose brooding good looks and murky past intrigue her. Drawn to the elusive Rhys and his equally handsome and mysterious brother, Jake, she ventures into a sensual mythic underworld as irresistible as it is dangerous.In this shadow world that seems to mimic Greek mythology and the Bulgarian legends of the samodivi or “wildalones”—forest witches who beguile and entrap men—Thea will discover a family secret bound to transform her forever . . . if she can accept that dead doesn't always mean gone, and love doesn't always distinguish between the two.

    Two days later, she’s impossibly cured. Fierce, funny, dauntless, she becomes obsessed with the idea that she was spared because she is meant to save someone else. Someone named Ashley Bell. This proves to be a dangerous idea. Searching for Ashley Bell, ricocheting through a southern California landscape that proves strange and malevolent in the extreme, Bibi is plunged into a world of crime and conspiracy, following a trail of mysteries that become more sinister and tangled with every twisting turn.Unprecedented in scope, infinite in heart, Ashley Bell is a magnificent achievement that will capture lovers of dark psychological suspense, literary thrillers, and modern classics of mystery and adventure. Beautifully written, at once lyrical and as fast as a bullet, here is the most irresistible novel of the decade.