But the Aliens are in for a surprise! Bill is a retired Navy SEAL and Jane is an Air Force Space Command captain. Together they must breakout from escape-proof cells, fight the ship's crew, capture the captain and take over the starship--all before they are delivered to Buyers on an Alien world. Along the way they gain Alien allies, including a naive ship AI. But will their escape survive a space battle at the Market world where captives are bought and sold? All that is certain is it was a bad move to kidnap a SEAL!

     After that he had been rescued by more aliens! But only to be dumped on an alien planet in an alien galaxy and left to figure out what to do with the rest of his life. But there was nothing to figure out. The sights were indescribable. The smells intolerable. The food – even the stuff that was supposedly safe to eat – inedible. And the people unimaginable. There was only one thing he knew. He wanted to go home. And if the aliens wouldn't take him back to Earth, then he would just have to buy a spaceship and damn well fly himself back there!

    Film geeks, cinema snobs, VHS collectors, and anyone else who likes their entertainment a little on the weird side will appreciate author Danny Peary’s in-depth approach to their favorite sci-fi films ranging from Barbarella to Liquid Sky.

    Seeking to address the various challenges of off-camera lighting, professional photographers and advanced amateurs alike will find a range of confidence-building instruction, beginning with basic how’s and why’s of lighting for creative effect, the types of equipment available and instruction about their proper use, clear definitions of various technical concepts such as managing shutter speed and controlling flash exposure, using ambient light as well as natural sunlight during a shoot, and incorporating off-camera flash into a portrait session. Concluding this lesson plan is a look at five different real-life photo sessions, each employing a different flash technique. Here, photographers get a deeper understanding of each concept put into practice, marrying the elements of lighting with the natural elements presented by the shoot.

    

    The object, the “Cradle,” isn’t a mythological container filled with the evils of the world as the Greek poet, Hesiod, once described. Pandora’s Box is, in reality, an advanced energy core mightier than any weapon imaginable.Shortly after the Cradle’s unearthing, its discoverer, Special Forces veteran turned archaeologist, Elliot Oxley, is thrust into a centuries-old war that still rages on within the shadows of the world’s governments. He and a small team are forced to survive attacks by murderous zealots and well-armed mercenaries while also preventing the Cradle from falling into the hands of someone who intends to use it to fulfill a terrible prophecy.Matt James’ CRADLE OF DEATH is Indiana Jones, James Bond, and the X-Files rolled into one. This action-packed adventure is an exciting experience for all audiences, especially those that enjoy the “what if” of ancient history.