She longed to follow the path her own mother, Mary Wollstonecraft, had started down, but young Mary Shelley had yet to be inspired.As the night wore on, Mary grew more anxious. The next day was the deadline that her friend, the poet Lord Byron, had set for writing the best ghost story. After much talk of science and the secrets of life, Mary had gone to bed exhausted and frustrated that nothing she could think of was scary enough. But as she drifted off to sleep, she dreamed of a man that was not a man. He was a monster.This fascinating story gives readers insight into the tale behind one of the world's most celebrated novels and the creation of an indelible figure that is recognizable to readers of all ages.

    This encounter—now one of the most famous in all of literary history—was recorded by Plath in her journal, where she described Hughes as a “big, dark, hunky boy.” Sylvia viewed Ted as something of a colossus, and to this day his enormous shadow has obscured her life and work. The sensational aspects of the Plath-Hughes relationship have dominated the cultural landscape to such an extent that their story has taken on the resonance of a modern myth.Before she met Ted, Plath had lived a complex, creative, and disturbing life. Her father had died when she was only eight; she had gone out with literally hundreds of men, had been unofficially engaged, had tried to commit suicide, and had written more than two hundred poems. Mad Girl’s Love Song chronicles these early years, traces the sources of her mental instability, and examines how a range of personal, economic, and societal factors—the real disquieting muses— conspired against her.Drawing on exclusive interviews with friends and lovers who have never spoken openly about Plath before and using previously unavailable archives and papers, this is the first book to focus on the early life of the twentieth century’s most popular and enduring female poet. Mad Girl’s Love Song reclaims Sylvia Plath from the tangle of emotions associated with her relationship with Ted Hughes and reveals the origins of her unsettled and unsettling voice.

    A behind-the-scenes look at his home, family and reviews on his fictional novels. Numerous illustrations.

    I want to tell the story of the moments - the ups and downs, the triumphs and traumas, the debacles and the dreams, that contributed to the person I am today. Though there have been countless stories about me throughout my career and very public personal life, it’s been impossible to communicate the complexities and depths of my experience in any single magazine article or a ten-minute television interview. And even then, my words were filtered through someone else’s lens, largely satisfying someone else’s assignment to define me.This book is composed of my memories, my mishaps, my struggles, my survival and my songs. Unfiltered. I went deep into my childhood and gave the scared little girl inside of me a big voice. I let the abandoned and ambitious adolescent have her say, and the betrayed and triumphant woman I became tell her side.Writing this memoir was incredibly hard, humbling and healing. My sincere hope is that you are moved to a new understanding, not only about me, but also about the resilience of the human spirit.Love,Mariah

    At least half of the images in the book are exclusively published here for the first time; most other images in the book are rare to the public eye.Alongside these remarkable images are fifty engaging, poignant and often funny written vignettes by Parke, which reveal the very human man behind the reclusive superstar: from shooting hoops to renting out movie theatres at 4am; from midnight requests for camels to meaningful conversations that shed light on Prince as a man and artist.STEVE PARKE started working with Prince in 1988, after a mutual friend showed Prince some of Steve's photorealistic paintings. He designed everything from album covers and merchandise to sets for Prince's tours and videos. Somewhere in all of this, he became Paisley Park's official art director. He began photographing Prince at the request of the star himself, and continued to do so for the next several years. The images in this book are the arresting result of this collaboration.Biographical Notes STEVE PARKE is photo editor for Faerie Magazine. He worked as art director for Prince at Paisley Park for fourteen years. As a photographer, his clients have included Prince, David Bowie, Bon Jovi, Bob Dylan, Sheila E., AC/DC and more. He lives in Baltimore, USA.

    In this stunning new account of their marriage, Diane Middlebrook draws on a trove of newly available papers to craft a beautifully written portrait of Hughes as a man, as a poet, and as a husband haunted?and nourished?his entire life by his relationship to Sylvia Plath. Her Husband is a triumph of the biographer?s art and an up-close look at a couple who saw each other as the means to becoming who they wanted to be: writers and mythic representations of a whole generation.

    But Natalie had no interest in marriage and made no secret of the fact that she was attracted to women. Brought up by a talented and rebellious mother-the painter Alice Barney-Natalie cultivated an interest in poetry and the arts. When she moved to Paris in the early 1900s, she plunged into the city's literary scene, opening a famed Left Bank literary salon and engaging in a string of scandalous affairs with courtesan Liane de Pougy, poet Renee Vivien, and painter Romaine Brooks, among others. For the rest of her long and controversial life Natalie Barney was revered by writers for her generous, eccentric spirit and reviled by high society for her sexual appetite. In the end, she served as an inspiration and came to know many of the greatest names of 20th century arts and letters-including Proust, Colette, Edna St. Vincent Millay, Isadora Duncan, Gertrude Stein, Ezra Pound, and Truman Capote.A dazzling literary biography, Wild Heart: A Life is a story of a woman who has been an icon to many. Set against the backdrop of two different societies-Victorian America and Belle Epoque Europe—Wild Heart: A Life beautifully captures the richness of their lore.

    A riotously funny, fiercely energetic romp, this no-holds-barred autobiography takes readers through the highs and lows of an extraordinary career, chronicling nearly four decades of dynamic music history.

    Inspired by European post-impressionism, Vanessa’s experimental work places her at the vanguard of early twentieth-century art, as does her role in helping introduce many key names – Cézanne, Matisse, Picasso – to an unsuspecting public in 1910. Virginia took these artistic innovations and applied them to literature, pushing the boundaries of form, narrative and language to find a voice uniquely her own. Yet their private lives were just as experimental. Forming the core of the Bloomsbury Group, they welcomed into their London and Sussex homes a host of their talented peers and followed their hearts in the pursuit of love. Vanessa’s marriage to art critic Clive Bell was shaken early on by his flirtation with her sister, but this allowed her to find happiness with fellow artist Roger Fry. It was the predominantly homosexual Duncan Grant, though, who would become her lifelong partner, as they shared and decorated their home, Charleston, making it a living showpiece for their art. Virginia’s marriage to Leonard Woolf placed him more in the role of carer than husband, with the pair abstaining from sex and living under a regime designed to meet the needs of Virginia’s fragile mental health. Her meeting with the aristocratic Vita Sackville-West and their lesbian affair led Virginia to write one of the masterpieces of modern literature. What led the sisters to make such choices? How did they reconcile life and art? How did it feel, in early modern Britain, to live outside the social box? The sisters lived bravely, passionately and innovatively; where did this strength and talent come from?

    1 cassette / 90 minutesAn Audio Exclusive! For the first time on audio, Anne Rice, the literary phenomenon of the late 20th century, speaks.In the novel that introduced Anne Rice to the world, Interview with the Vampire, a reporter seeks out the facts behind an extraordinary life.  In the years since that publication, Anne Rice has become one of the world's bestselling authors and has herself been the subject of countless interviews, profiles, and a full-length biography.  Yet who Anne Rice is, and the beliefs, fascinations, desires, fears, and passions that inspire her work, remains an endlessly fascinating topic.Now, for the first time ever in an audio format, Anne Rice discusses -- with her longtime friend, Michael Riley -- everything from her latest novels to her relationship to some of her characters; from the relationship of movies and music to her work to issues about gender, eroticism, religion, personal freedom, adolescent sexuality, and more...

    It's a life that includes, varyingly, stints in an abbatoir, as a social worker, in a high-class Mayfair brothel, and traipsing down to London to chase his dreams. By 23, Paul O'Grady had been a father, husband, drag queen, gay lover, divorcee, and degenerate. He did it all with a smile on his face, making a mental note to register the whip-smart one-liners that would later inform his star-studded path from the fringes of comedy to the heart of the British establishment, first as his own brilliant comic creation Lily Savage, then, triumphantly, as himself. Paul's remarkable childhood and early life is littered with a dizzying cast-list of rogues, rascals, lovers, fighters, saints, and sinners. Oh, and one iconic bus conductress. Told with pathos, love, empathy, and naturally, biting humor, the story of Paul O'Grady is that of everyman, everywoman, and inevitably, every drag act ever. He has been rich and poor, posh and common, straight and gay. He has mixed with stars and whores and all that's in between, slyly spotting the similarity between them all. His amazing and riveting life story reminds us that there is, when all is said and done, a bit of savage in all of us.

    The accelerating war in Vietnam and great social upheaval at home exerted a profound impact on students of the period and deeply influenced King’s development as a writer and as a man.King’s fictional treatment of this experience in his novella “Hearts in Atlantis” (reprinted in this volume) tracks his youthful avatar, Peter Riley, through the awakenings and heartbreak of his turbulent first year at UMaine. In his accompanying essay, “Five to One, One in Five,” written expressly for this volume, King sheds his fictional persona and takes on the challenge of a nonfiction return to his undergraduate experience. The stereoscopic combination of these narratives, told with King’s characteristic blend of canny insight and self-deprecating humor, create a revealing portrait of the artist as young man and a ground-level tableau of this highly charged time.In addition, twelve fellow students and friends from King’s college days contribute personal narratives recalling their own experience of those years. These recollections—engaged, irreverent, and affecting—bring dimension and texture to the collective witnessing of a formative time in their lives and a defining moment in the country’s history.This book also includes four installments of King’s never-before-reprinted student newspaper column, “King’s Garbage Truck.” These lively examples of King’s damn-the-torpedoes style, entertaining and shrewd in their youthful perceptions, more than hint at a talent about to take its place in the American literary landscape.A gallery of period photographs and documents augments this volume.

    But the drive, which also included a remarkable escape and pass completion to unheralded receiver David Tyree, was the culmination of years of promise and development. After all, champion quarterbacks aren't made overnight.With Manning, the Super Bowl MVP, as its focal point, New York Daily News Giants beat writer Ralph Vacchiano's 'Eli Manning The Making of a Quarterback' is a fascinating insider's look at the National Football League, how stars are made and crushed, and how fortunes are won and lost on the performance of one man: the quarterback. From the bold draft day trade that brought Manning to New York, through his dramatic ups and downs on and off the field, his first training camp to his last-minute heroics in Super Bowl XLII, Vacchiano takes a candid and revealing look at the people and events that made Manning's and his 2007 Giants' success one of the greatest stories in modern sports history. Complete with exclusive interviews with NFL stars, coaches, and executives and a foreword by former Giants general manager Ernie Accorsi, Vacchiano uses his unfettered access to the world champion Giants to present a true, behind-the scenes look at the quarterback and team that defied all of the experts and oddsmakers to pull off one of the most phenomenal upsets in pro football history.

    In the mid–1980s Geoffrey Giuliano lived in the "often wonderfully unreal" world of Harrison and his friends, interviews with whom are the basis for much of this vivid and revealing portrait. Here are Harrison's Liverpool childhood, the forging of the Beatles, their unheralded ascendancy, and the bitter break-up; his turbulent solo career with its soaring successes and harrowing setbacks; his reincarnation as a Traveling Wilbury; his impact as a record and film producer; his oft-publicized and misjudged spiritual quest; and much more. This edition includes an additional chapter that discusses Harrison's life through the twenty-fifth-anniversary reunion of the surviving Beatles to record new tracks for their video and musical anthology, as well as updated appendices and rare, previously unpublished photos. The result is a comprehensive, illuminating look at George Harrison's musical career and inner life.

    Open Me Carefully invites a dramatic new understanding of Emily Dickinson's life and work, overcoming a century of censorship and misinterpretation.For the millions of readers who love Emily Dickinson's poetry, Open Me Carefully brings new light to the meaning of the poet's life and work. Gone is Emily as lonely spinster; here is Dickinson in her own words, passionate and fully alive.