Healthy living, working his Pennsylvania farm, and mentoring troubled boys have brought him back from grief and illness into a whole new life. Emily Stern has recovered from losing her husband too young, and she can’t wait to get started on her dream: creating a rural retreat for struggling midlife women. The farm she’s inherited is the perfect place, so much so that she’s willing to move across the country to make it happen. But when Emily arrives at the Covenant Farm, she’s shocked to find her long-ago love, John Moretti, living there… and contemplating very different plans for the place. Forced to compromise by staying at the farm together, they quickly realize there’s still a spark between them. But only John knows what else stands between them: a secret that could break Emily’s heart. Jump into the final novella of the Sacred Bond series… a touching love story about sowing, reaping, and gathering in the harvest. And he that reapeth receiveth wages, and gathereth fruit unto life eternal: that both he that soweth and he that reapeth may rejoice together. John 4:36

    The trouble is this doorstopper is a unique thing--a self-help book that actually works--and before Edwin knows it, a chain of events has been started that will have enormous consequences not just for his own life, but for the world at large.

    The Lonely Hearts Hotel is a love story with the power of legend. An unparalleled tale of charismatic pianos, invisible dance partners, radicalized chorus girls, drug-addicted musicians, brooding clowns, and an underworld whose economy hinges on the price of a kiss. In a landscape like this, it takes great creative gifts to thwart one's origins. It might also take true love.Two babies are abandoned in a Montreal orphanage in the winter of 1910. Before long, their talents emerge: Pierrot is a piano prodigy; Rose lights up even the dreariest room with her dancing and comedy. As they travel around the city performing clown routines, the children fall in love with each other and dream up a plan for the most extraordinary and seductive circus show the world has ever seen. Separated as teenagers, sent off to work as servants during the Great Depression, both descend into the city's underworld, dabbling in sex, drugs and theft in order to survive. But when Rose and Pierrot finally reunite beneath the snowflakes after years of searching and desperate poverty the possibilities of their childhood dreams are renewed, and they'll go to extreme lengths to make them come true. Soon, Rose, Pierrot and their troupe of clowns and chorus girls have hit New York, commanding the stage as well as the alleys, and neither the theater nor the underworld will ever look the same.With her musical language and extravagantly realized world, Heather O'Neill enchants us with a novel so magical there is no escaping its spell.

    The band's story unfolds through the eyes of Jim, a small-town violin prodigy who struggles with her past as well as her present; and Rize, an emotionally charged trombone player who is stuck playing sidekick to his best friend, charismatic lead singer Jules. As the band's popularity mounts, the pressures of road-life and success begin to complicate relationships and The Angel Riots' chaotic world threatens to implode. Dark and dazzling, this novel will firmly establish Kaslik's reputation as a young literary talent.

    Sorry. Yours, Sheb Woolly Ledoux. Asshole.” Eugenia is nine years old, a synaesthesiac and a tightrope walker. She adores her father and his lunatic charms; she loves that he takes her fishing in the middle of the night and calls her Stunt. Sheb has always promised he’ll one day take her to the moonscape of northern Ontario, where astronauts train; instead he writes a note, blows up a shoulder-pad factory, and leaves. His heartbroken daughter is left behind with her mother, the sharp-edged former ingenue Mink, and her sister, the death-obsessed and hauntingly beautiful Immaculata.After a fake funeral for Sheb, Mink vanishes too. Eugenia and Immaculata, left alone, double in age overnight. Immaculata becomes a swan-like giantess, and soon finds her calling caring for Leopold, a diseased and irresistible malcontent down the street. Eugenia, however, stays the same: dark and diminutive, and bereft. She finds herself a bicycle and sets off to track down her father, encountering an astronaut and a waitress named Cupid along the way.Stunt is the first novel by one of Canada’s most acclaimed playwrights. Like synaesthetic Eugenia, your senses will be addled as Dey’s words take on colours, tastes, and smells, somehow coming to mean more than you thought they did; they depict, with compassionate hilarity and luminous heartbreak, the love between a girl and her father.

    Even if she has to deal with her ex dressed as Santa and an entire town rooting for them to get back together, at least she's not in her stressful publishing job any more, where one huge mistake sent her running.Nolan Fox hates everything about the current crime series he's writing, especially the lone-wolf detective star of his series whose closed-off personality is feeling a little too biographical. The one bright spot of writing his series had been when Harper was his editor, before she fled New York without explanation.When Nolan arrives in Jingle Falls, Colorado, hoping to convince Harper to come work in New York again, he doesn't expect a blizzard to shut down the only road out of town. Or to get roped into planning a small-town, joy-and-color-filled winter festival with Harper Larson. Or to fall in love.The only problem is, once the road opens up, he can't stay in Jingle Falls. And she'll never leave.

    In this beautifully told novel that crosses borders, cultures, and generations, a young man returns home to care for his aging mother, who suffers from dementia. In his efforts to help her and by turn make amends for their past estrangement from one another, he is compelled to re-imagine his mother’s stories for her before they slip completely into darkness. In delicate, heartbreaking tones, the names for everyday things fade while at the same time a beautiful, haunted life, stained by grief, is slowly revealed.

    With a degree and a dream, she's heading to New York City to start a new job and a new life. She can't wait to experience Rockefeller Center and to take a thousand pictures of her first Christmas in the city.But before she's even on the ground, she loses the job and learns her parents are divorcing.Can Aubrey find her way in an unforgiving city? Can she find love, or at the very least, a real friend? Most importantly, with her first holiday in New York fast approaching, can she create the kind of Christmas she always pictured?

    She spends her childhood and adolescence traveling constantly and changing identities. In adulthood, she finds it impossible to stop. Haunted by an inability to remember her early childhood, she moves restlessly from city to city, abandoning lovers along with way, possibly still followed by a private detective who has pursued her for years. Then her latest lover follows her from New York to Montreal, determined to learn her secrets and make sure she s safe. Last Night in Montreal is a story of love, amnesia, compulsive travel, the depths and the limits of family bonds, and the nature of obsession. In this extraordinary debut, Emily St. John Mandel casts a powerful spell that captures the reader in a gritty, youthful world charged with an atmosphere of mystery, promise and foreboding where small revelations continuously change our understanding of the truth and lead to desperate consequences. Mandel's characters will resonate with you long after the final page is turned.

    In the worst way possible. Life has taken on a very empty, depressing tone, and she needs a change. So, when the opportunity to leave the country to take pictures for the very intriguing Henry Booth presents itself, she welcomes it gladly. But her exotic vacation soon proves to be more stressful, heartbreaking, and life changing than she ever imagined it could be. When she returns home, things only get worse. As she finds herself confronting very real truths about the world around her, about her own life, and about what her future holds, she struggles to understand what it means to be poor in spirit and rich in grace as Christ changes everything into something better...

    But six months later, time is running out and Sara turns to the one man she shouldn't--insurance investigator Morgan Daniels. Dangerously attractive, he's a threat to more than just her heart, and if she isn't careful, he'll unearth secrets better left buried. Proving Sara murdered her husband is Morgan's top priority. Helping her find her child is the perfect opportunity to get the proof he needs. But when he starts to think of her as a woman rather than a suspect, she slips under his armor. He can't trust her. Worse, he can't trust himself around her. All evidence points to Sara as a murderer, but Morgan's gut tells him the evidence is wrong. Is his obsession with her blinding him to the facts? Or is the real murderer still out there--stalking Sara? This is a new release of a previously published edition.

    Running the café she’d practically been raised in: Check. Her artwork in a gallery: Check. Volunteering on the library board: Check. The one thing she doesn’t need right now is a guy in her life—especially her brother’s irritating best friend from high school, so when the two men announce that they are moving home to start a ski and mountain bike shop in town, she isn’t pleased. If only she could completely forget that one kiss she and Austin shared in high school. Why does he have to upset her just-fine world? Not this time. Not if she can help it. But can she?

    Malcolm is the bad boy—he started raising hell at age fifteen, after his mom died of cancer, and has had a reputation ever since.Susan’s parents are on the verge of divorce. Malcolm’s dad is a known adulterer.Susan hasn’t told anyone, but she wants to be an artist. Malcolm doesn’t know what he wants—until he meets her.Love is messy and families are messier, but in spite of their burdens, Susan and Malcolm fall for each other. The ways they drift apart and come back together are testaments to family, culture, and being true to who you are.

    

    The banal finality of this event triggers an introspective voyage through the events of her life and how she became who she is: wife of business executive Rick, citizen of the suburb of Rowanwood, mother to two accomplished daughters in university. Before Betty Friedan coined the term feminine mystique, The Torontonians told a classic feminist story of suburban ennui and existential self-discovery, tracing a detailed portrait of femininity in the 1950s through the eyes of its perceptive and thoughtful heroine. The book is also a unique contemporary meditation on community and social ties from a time when Canada's major cities were just beginning to spread out into suburban sprawl.