In addition to essays, artwork and photographs submitted by people around the world, including people who endured the disaster and journalists who covered it, 2:46: Aftershocks: Stories from the Japan Earthquake contains a piece by Yoko Ono, and work created specifically for the book by authors William Gibson, Barry Eisler and Jake Adelstein. “The primary goal,” says the book's editor, a British resident of Japan, “is to record the moment, and in doing so raise money for the Japanese Red Cross Society to help the thousands of homeless, hungry and cold survivors of the earthquake and tsunami. The biggest frustration for many of us was being unable to help these victims. I don’t have any medical skills, and I’m not a helicopter pilot, but I can edit. A few tweets pulled together nearly everything – all the participants, all the expertise – and in just over a week we had created a book including stories from an 80-year-old grandfather in Sendai, a couple in Canada waiting to hear if their relatives were okay, and a Japanese family who left their home, telling their young son they might never be able to return." If you'd like to make a donation to aid the victims of the March 11 earthquake and tsunami, please visit the Japanese Red Cross Society website, where you can donate via Paypal or bank transfer (watch out for the fees, though!) or the American Red Cross Society, which accepts donations directed to its Japan Earthquake and Pacific Tsunami fund (but only accepts donations made with U.S.-issued credit cards). And of course, if you like the book, please tell your friends, and tell them to give generously as well! Thank you! Japan really does appreciate your help!

    In particular one girl, whose family has paramilitary links, is calling her a rat. Even though Paula might not know why her mother went missing five years before, she's sure she's no traitor's daughter.But words are nothing compared to what her policeman father, PJ, is dealing with. The hot summer is simmering with violence and the entire force is focused on finding a bomber leaving devices on the routes of Orange parades.When PJ is injured at the scene of a crime, Paula is shocked to find herself next in the perpetrator's crosshairs. The threats at school don't feel so empty now, but what connection could there be? As the possibility of first love appears, will Paula be able to find out in time to save herself and follow her heart?

    You learn about their strange quirks and their haunted pasts and root for them every time they face danger. But where do some of the most fascinating sleuths in the mystery and thriller world really come from?What was the real-life location that inspired Michael Connelly to make Harry Bosch a Vietnam vet tunnel rat? Why is Jack Reacher a drifter? How did a brief encounter in Botswana inspire Alexander McCall Smith to create Precious Ramotswe? In THE LINEUP, some of the top mystery writers in the world tell about the genesis of their most beloved characters--or, in some cases, let their creations do the talking.

    Newly promoted Detective Sergeant Joy Marsh is shipped out to Dover on the Kent coast to work under Detective Inspector Romney, a copper with a reputation as a cantankerous man but good at his job.On her first night as his sergeant, a brutal crime in the town starts a chain of events that will test the grit, the resolve and the detective in both of them.

    The stories he has chosen, all written between the end of the last century and the 1950s, illustrate his meaning and demonstrate how the style and approach of these writers changed in response, not only to the demands of a developing aesthetic, but also to the social and political conditions of their day. The volume represents the finest writers of their time with their best work, revealing the variety of styles and approaches within the genre, and ranging from the folk tale to the romance, and from the symbolic to the naturalistic. It contains selections by George Moore, Somerville and Ross, Daniel Corkery, James Joyce, James Stephens, Liam O'Flaherty, L.A.G. Strong, Se�n O'Faol�in, Frank O'Connor, Eric Cross, Michael McLaverty, Bryan MacMahon, Mary Lavin, James Plunkett, and Elizabeth Bowen.

    In this single, from n+1 (Issue 12), Kent Russell gives a remarkable (and very funny) report on the festival and a sympathetic account of the situation of the white poor in the US.

    Kennedy Jr., from The Atlantic Monthly “Watching the Detectives” by Jay Kirk, from Harper’s Magazine “For the Love of God” by Jon Krakauer, from GQ “Chief Bratton Takes on LA” by Heather Mac Donald, from City Journal “Not Guilty by Reason of Afghanistan” by John H. Richardson, from Esquire “Megan’s Law and Me” by Brendan Riley, from Details “Unfortunate Con” by Mark Schone, from The Oxford American “To Kill or Not to Kill” by Scott Turow, from The New Yorker

    Detective Chief Inspector Ian Wilson is tasked with the unenviable job of finding the killer with tensions running high throughout the city. In the powder keg that is the Northern Irish political scene, Wilson needs to discover the reason behind the seemingly random killings, and quick, in order to prevent the troubles from breaking out on the streets of Belfast again. A powerful, and exciting, thriller Nothing but Memories is a tour-de-force by Derek Fee, author of Cartel.

    . .In the autumn issue of "Granta," acclaimed nature writer Barry Lopez meditates on language and seeing; poet Kathleen Jamie travels to the Alaskan wilderness; science writer Fred Pearce describes the effort to keep Sellafield safe; Adam Nicolson investigates murder in rural Romania; Robert MacFarlane introduces unpublished extracts from the notebooks of Roger Deakin; and new Australian writer Rebecca Giggs witnesses the monumental death of a stranded whale.Fiction by Ben Marcus, Ann Beattie, Deb Olin Unferth and David Szalay. Poetry by Noelle Kocot, Maureen McLane, Ange Mlinko and Andrew Motion. Photography by Helge Skodvin introduced by Audrey Niffenegger."Every way one turned the tundra was laid out like a green sea, sedgy and subtle and glinting with secret melt pools and waterways." - Kathleen Jamie

    John H. Watson opens to reveal eleven all new tales of mystery and dark fantasy. Sherlock Holmes, master of deductive reasoning, confronts the irrational, the unexpected and the fantastic in the weird worlds of the Gaslight Grimoire.

    The ultimate back story of the original Dracula, and its creator, Bram Stoker.Best-selling author Frank Delaney deconstructs the Vampire myth through the ages, and shows us how Stoker’s 1897 novel, one of the most widely read books of all time, heightened the allure of sex, the glamour of blood, and the defeat of death in a way that continues to pulse - and faster than ever - on the page and on the screen.

    William Bernhardt, author of seven bestselling novels featuring attorney Ben Kincaid, asked ten of his fellow lawyer/authors to contribute their most fiendishly clever short pieces for this anthology, and told them their imaginations were their only guides.  The result is Legal Briefs, a smorgasbord of stories boasting a wonderful variety of themes and styles.  From John Grisham's exploration of a doctor's guilt in "The Birthday" to Richard North Patterson's story of a lawyer's loyalty to his mentor in "The Client," to Grif Stockley's tale of a divorce lawyer who learns the hard way that things are not always what they seem, these pieces showcase the extraordinary depth and breadth of talent among the new breed of legal thriller writers.Some of these stories feature twisting and inventive plots; some illuminate the moral dilemmas and psychological complexities faced by the modern-day lawyer; some are good, old-fashioned yarns.  But for all their diversity of approaches and characters, these writers understand that the courtrooms and law firms from which they came offer the raw material for the most dramatic, suspenseful stories you can read.Legal Briefs will be a delight for fans of all these bestselling authors, and a splendid introduction to their talents for readers new to the genre.  Author proceeds from the sale of this book are being donated to the Children's Defense Fund.From the Hardcover edition.

    From the tragic to the comic with many stops in between, these stories reflect the authors' passions for both making stories and catching fish. Michael Connelly, Ridley Pearson, John Lescroart, Don Winslow, Melodie Johnson Howe, Victoria Houston, and others all share a mysterious affection for things piscatorial when not busy writing bestselling books. This collection of all-original short stories will entertain even the most discriminating mystery reader. This collection includes the following stories: —"River Tears," by Ridley Pearson —"Cutthroat," by Mark T. Sullivan —"Blue on Black," by Michael Connelly —"Unsnaggable," by John Lescroart —"Darmstadt," by Andrew Winer —"Cherchez La Femme," by Dana Stabenow —"Sandy Brook," by Don Winslow —"The Nymph," by Melodie Johnson Howe —"Tight Lines," by James W. Hall —"Every Day Is a Good Day on the River," by C. J. Box —"Death by Honey Hole," by Victoria Houston —"The Blood-Dimmed Tide," by Will Beall —"Dead Drift," by Spring Warren —"Granite Hat," by Brian M. Wiprud —"Mr. Brody's Trout," by William G. Tapply —"Luck," by T. Jefferson Parker

    Justice Harbottle, The Room in the Dragon Volant, and Carmilla. The five stories are purported to be cases by Dr. Hesselius, a 'metaphysical' doctor, who is willing to consider the ghosts both as real and as hallucinatory obsessions. The reader's doubtful anxiety mimics that of the protagonist, and each story thus creates that atmosphere of mystery which is the supernatural experience. This new annotated edition includes an introduction, notes on the text, and explanatory notes.NB: The Familiar is a revision of The Watcher; Mr. Justice Harbottle is a revision of An Account of Some Strange Disturbances in Aungier Street.

    How does it feel to be constantly regarded as a potential threat, strip-searched at every airport?Or be told that, as an actress, the part you’re most fitted to play is ‘wife of a terrorist’? How does it feel to have words from your native language misused, misappropriated and used aggressively towards you? How does it feel to hear a child of colour say in a classroom that stories can only be about white people? How does it feel to go ‘home’ to India when your home is really London? What is it like to feel you always have to be an ambassador for your race? How does it feel to always tick ‘Other’?Bringing together 21 exciting black, Asian and minority ethnic voices emerging in Britain today, The Good Immigrant explores why immigrants come to the UK, why they stay and what it means to be ‘other’ in a country that doesn’t seem to want you, doesn’t truly accept you – however many generations you’ve been here – but still needs you for its diversity monitoring forms.Inspired by discussion around why society appears to deem people of colour as bad immigrants – job stealers, benefit scroungers, undeserving refugees – until, by winning Olympic races or baking good cakes, or being conscientious doctors, they cross over and become good immigrants, editor Nikesh Shukla has compiled a collection of essays that are poignant, challenging, angry, humorous, heartbreaking, polemic, weary and – most importantly – real.