A reporter photographs the miracle, and wealthy, skeptical, Jewish psychiatrist Camillo Lombardi arrives in Naples to investigate. When she materializes the ghost of his dead mother, he risks his reputation and fortune to finance a tour of the Continent, challenging the scientific and academic elite of Europe to test Alessandra's mysterious powers. She will help him rewrite Science. His fee will help her escape her sadistic husband Pigotti and start a new life in Rome. Newspapers across Europe trumpet her Cinderella story and baffling successes, and the public demands to know - does the "Queen of Spirits" really have supernatural powers? Nigel Huxley is convinced she's simply another vulgar, Italian trickster. The icy, aristocratic detective for England's Society for the Investigation of Mediums launches a plot to trap and expose her. Meanwhile, the Vatican is quietly digging up her childhood secrets, desperate to discredit her supernatural powers; her abusive husband Pigotti is coming to kill her; and the tarot cards predict catastrophe. Inspired by the true-life story of controversial Italian medium Eusapia Palladino (1854-1918), The Witch of Napoli masterfully resurrects the bitter,19th-century battle between Science and religion over the possibility of an afterlife.

    Breaking into the homes of the rich and picking the locks on their safes may not be condoned by British law enforcement, but World War II is in full swing, Ellie's cousins Colm and Toby are off fighting against Hitler, and Uncle Mick's more honorable business as a locksmith can't pay the bills any more.So when Uncle Mick receives a tip about a safe full of jewels in the empty house of a wealthy family, he and Ellie can't resist. All goes as planned--until the pair are caught redhanded. Ellie expects them to be taken straight to prison, but instead they are delivered to a large townhouse, where government official Major Ramsey is waiting with an offer: either Ellie agrees to help him break into a safe and retrieve blueprints that will be critical to the British war effort, before they can be delivered to a German spy, or he turns her over to the police.Ellie doesn't care for the Major's imperious manner, but she has no choice, and besides, she's eager to do her bit for king and country. She may be a thief, but she's no coward. When she and the Major break into the house in question, they find instead the purported German spy dead on the floor, the safe already open and empty. Soon, Ellie and Major Ramsey are forced to put aside their differences to unmask the double-agent, as they try to stop allied plans falling into German hands.

    . . .Bianca Goddard employs her knowledge of herbs and medicinal plants to concoct remedies for the disease-riddled poor in London’s squalid Southwark slum. But when her friend Jolyn comes to her complaining of severe stomach pains, Bianca’s prescription seems to kill her on the spot. Recovering from her shock, Bianca suspects Jolyn may have been poisoned before coming to her—but the local constable is not so easily convinced.To clear her name and keep her neck free of the gallows, Bianca must apply her knowledge of the healing arts to deduce exactly how her friend was murdered and by whom—before she herself falls victim to a similar fate.

    It is then, at the young and vulnerable age of seventeen, when Lady Anna Maria Berezowska loses both of her parents and must leave the only home she has ever known. With Empress Catherine's Russian armies streaming in to take their spoils, Anna is quickly thrust into a world of love and hate, loyalty and deceit, patriotism and treason, life and death. Even kind Aunt Stella, Anna's new guardian who soon comes to personify Poland's courage and spirit, can't protect Anna from the uncertain future of the country. Anna, a child no longer, turns to love and comfort in the form of Jan, a brave patriot and architect of democracy, unaware that her beautiful and enigmatic cousin Zofia has already set her sights on the handsome young fighter. Thus Anna walks unwittingly into Zofia's jealous wrath and darkly sinister intentions. Forced to survive several tragic events, many of them orchestrated by the crafty Zofia, a strengthened Anna begins to learn to place herself in the way of destiny--for love and for country. Heeding the proud spirit of her late father, Anna becomes a major player in the fight against the countries who come to partition her beloved Poland. PUSH NOT THE RIVER is based on the true eighteenth century diary of Anna Maria Berezowska, a Polish countess who lived through the rise and fall of the historic Third of May Constitution. Vivid, romantic, and thrillingly paced, it paints the emotional and unforgettable story of the metamorphosis of a nation--and of a proud and resilient young woman.

    This time no one is safe.A skeleton is dug up at the crossing of the ways on Hanging Moor, striking dread into the heart of Old Ma Ramsgill – the elderly matriarch of the village of Thruscross. And with good reason. The eighteenth-century witch, Jennet, has been woken.A spate of killings by a vicious black dog gives credence to her warnings and the community – in particular her family – realise they are in terrible danger.Drastic measures are needed to contain her, but with the imminent flooding of the valley to create a new reservoir, do they have the ability to stop her and break her curse?

    Thomas Silkstone, anatomist and pioneering forensic detective. . .The death of Sir Edward Crick has unleashed a torrent of gossip through the seedy taverns and elegant ballrooms of Oxfordshire. Few mourn the dissolute young man--except his sister, the beautiful Lady Lydia Farrell. When her husband comes under suspicion of murder, she seeks expert help from Dr. Thomas Silkstone, a young anatomist from Philadelphia.Thomas arrived in England to study under its foremost surgeon, where his unconventional methods only add to his outsider status. Against his better judgment he agrees to examine Sir Edward's corpse. But it is not only the dead, but also the living, to whom he must apply the keen blade of his intellect. And the deeper the doctor's investigations go, the greater the risk that he will be consigned to the ranks of the corpses he studies. . .

    Set in the vibrant 14th century of Chaucer and the Black Death, the story features knights fighting in battle, serfs struggling in poverty, and the magnificent Plantagenets—Edward III, the Black Prince, and Richard II—who ruled despotically over a court rotten with intrigue. Within this era of danger and romance, John of Gaunt, the king’s son, falls passionately in love with the already married Katherine. Their well-documented affair and love persist through decades of war, adultery, murder, loneliness, and redemption. This epic novel of conflict, cruelty, and untamable love has become a classic since its first publication in 1954.

    Tench Traymore, a free black teen, has been following his older white cousin, Lance Traymore, as his cook. The two young men grew up together and are inseparable as they fight under the command of General Pickett. But when Lance dies in battle, Tench is left alone. With a few of his cousin’s possessions — a horse called Night, his boots, and his journals—Tench travels home to Georgia. Discovering the Traymores have moved to Florida, he heads south in search of them. On this treacherous journey and encountering those who would stop him, Tench gains courage as he faces this changed world on his own.

    Ireland. A British Officer is shot dead on a remote hillside south of Dublin. November 22, 2015. United Kingdom. Former police detective, Jayne Sinclair, now working as a genealogical investigator, receives a phone call from an adopted American billionaire asking her to discover the identity of his real father. How are the two events linked? Jayne Sinclair has only three clues to help her: a photocopied birth certificate, a stolen book and an old photograph. And it soon becomes apparent somebody else is on the trail of the mystery. A killer who will stop at nothing to prevent Jayne discovering the secret hidden in the past The Irish Inheritance takes us through the Easter Rising of 1916 and the Irish War of Independence, combining a search for the truth of the past with all the tension of a modern-day thriller. It is the first in a series of novels featuring Jayne Sinclair, genealogical detective.

    And he has no choice but to see them all wed in haste.Lady Madeline’s heart is not for sale…especially not to a notorious outlaw like Rhys FitzHenry. Yet Madeline’s hand has been sold, to none other than this battle-weary warrior with a price on his head. A more dutiful maiden might cede to the Laird’s command and meekly accept her fate, but Madeline has never been obedient. She decides to run away, though she never dreams that Rhys will pursue her.She does not expect this taciturn man to woo her with fanciful stories, much less that each of his enthralling tales will reveal a scar upon his shielded soul. She never imagines that a man like Rhys could imperil her own heart while revealing so little of his own feelings. When Rhys’ past threatens his future, Madeline takes a leap of faith. She dares to believe him innocent—and risks her own life to pursue a passion more priceless than the rarest gem.

     When 17-year-old Adam Fletcher is forced into an apprenticeship, he unwittingly becomes a pawn in a smuggling war. Soon, he’s forced to make a tough decision. Will he agree to become a spy performing a civic duty to the Crown? Or will he risk everything—possibly even putting his own family in danger—to protect his new master? Secrets will be revealed, loyalties will be questioned, betrayals will be uncovered, and a young man’s character will be put to the test in ... The Smuggler’s Gambit.

    Victoria is Queen. Charles Darwin’s son is Prime Minister. And steam is the power that runs the world. At 17, Claire Trevelyan, daughter of Viscount St. Ives, was expected to do nothing more than pour an elegant cup of tea, sew a fine seam, and catch a rich husband. Unfortunately, Claire’s talents lie not in the ballroom, but in the chemistry lab, where things have a regrettable habit of blowing up. When her father gambles the estate on the combustion engine and loses, Claire finds herself down and out on the mean streets of London. But being a young woman of resources and intellect, she turns fortune on its head. It’s not long before a new leader rises in the underworld, known only as the Lady of Devices . . . When she meets Andrew Malvern, a member of the Royal Society of Engineers, she realizes her talents may encompass more than the invention of explosive devices. They may help her realize her dreams and his . . . if they can both stay alive long enough to see that sometimes the closest friendships can trigger the greatest betrayals . . .

    . .The Earl of Wrexford possesses a brilliant scientific mind, but boredom and pride lead him to reckless behavior. He does not suffer fools gladly. So when pompous, pious Reverend Josiah Holworthy publicly condemns him for debauchery, Wrexford unsheathes his rapier-sharp wit and strikes back. As their war of words escalates, London’s most popular satirical cartoonist, A.J. Quill, skewers them both. But then the clergyman is found slain in a church—his face burned by chemicals, his throat slashed ear to ear—and Wrexford finds himself the chief suspect.

    She will risk disgrace, the wrath of her family and the Church, and confront an evil older than Time itself--and, if she isn't careful, lose her immortal soul.With Death Comes As Epiphany, the first in the Catherine LeVendeur mystery series, medievalist Sharan Newman has woven dark mystery and sparkling romance into a fascinating and richly detailed tapestry of everyday life in twelfth-century France, and one of the most moving love stories of all time: Abelard and Heloise.

    The details of Arthur's story are mainly composed of folklore and literary invention, and his historical existence is debated and disputed by modern historians. The sparse historical background of Arthur is gleaned from various sources, including the Annales Cambriae, the Historia Brittonum, and the writings of Gildas. Arthur's name also occurs in early poetic sources such as Y Gododdin. The legendary Arthur developed as a figure of international interest largely through the popularity of Geoffrey of Monmouth's fanciful and imaginative 12th-century Historia Regum Britanniae (History of the Kings of Britain). However, some Welsh and Breton tales and poems relating the story of Arthur date from earlier than this work; in these works, Arthur appears either as a great warrior defending Britain from human and supernatural enemies or as a magical figure of folklore, sometimes associated with the Welsh Otherworld, Annwn. How much of Geoffrey's Historia (completed in 1138) was adapted from such earlier sources, rather than invented by Geoffrey himself, is unknown. Although the themes, events and characters of the Arthurian legend varied widely from text to text, and there is no one canonical version, Geoffrey's version of events often served as the starting point for later stories. Geoffrey depicted Arthur as a king of Britain who defeated the Saxons and established an empire over Britain, Ireland, Iceland, Norway and Gaul. In fact, many elements and incidents that are now an integral part of the Arthurian story appear in Geoffrey's Historia, including Arthur's father Uther Pendragon, the wizard Merlin, the sword Excalibur, Arthur's birth at Tintagel, his final battle against Mordred at Camlann and final rest in Avalon. The 12th-century French writer Chretien de Troyes, who added Lancelot and the Holy Grail to the story, began the genre of Arthurian romance that became a significant strand of medieval literature. In these French stories, the narrative focus often shifts from King Arthur himself to other characters, such as various Knights of the Round Table. Arthurian literature thrived during the Middle Ages but waned in the centuries that followed until it experienced a major resurgence in the 19th century. In the 21st century, the legend lives on, not only in literature but also in adaptations for theatre, film, television, comics and other media. The Sir James Knowles version of King Arthur is considered as the most accurate and well known original story of King Arthur and the Knights of the Round Table.