D. A. Powell What is it about the poems in Red Sugar, Jan Beatty's astonishing third collection, that brings to mind the incomparable music of Miles Davis? 'It's just that I can't play like anybody else... I can't do anything like anybody else, ' Davis insisted. These poems go their own sure way, making their own fierce music, charting 'the fluid stages of / empire & slavery' in the human body, yours and mine, as we rehearse our sometimes sorry but always necessary seductions. Jan Beatty is the author of Boneshaker and Mad River, winner of the 1994 Agnes Lynch Starrett Poetry Prize. She is the recipient of the Pablo Neruda Prize for Poetry and two fellowships from the Pennsylvania Council on the Arts

    "[Thomas Lynch's] poems . . . are as stark and graceful as geese lifting off backwater. The poems trace from the rural midwest to London and County Clare, a quiet elegy of loss and testament. But then Lynch is by trade a mortician, and by craft a bard."—Amazon.com "[Lynch] evinces a steady wisdom drawn from years of passionate attention to daily experience."—Seattle Weekly

    "Nick Demske writes from culture like the Hollywood version of a rebellious slave, the role shredding off him, culture's synthetic exemplary tales shredding and piling up on the floor of the projector room."—Joyelle McSweeneyHis name is "a transcendant uber-obsenity that can be understood universally by speakers of any language."

    I hope that this book makes everyone feel what I felt while writing it, and that love is a universal thing, and my story is not unique. And I hope that this makes them see that there is a beyond and that they can come out happy and clean. And, that this makes them braver than they already are, and gives them that little extra push and strength that they probably need

    Predator, the debut collection by Michael Robbins, became one of the hottest and most celebrated works of poetry in the country, winning acclaim for its startling freshness and originality, and leading critics to say that it was the most likely book in years to open up poetry to a new readership.   Robbins’s poems are strange, wonderful, wild, and irrationally exuberant, mashing up high and low culture with “a sky-blue originality of utterance” (The New York Times). The thirty-six new poems in The Second Sex carry over the music, attitude, hilarity, and vulgarity of Alien vs. Predator, while also working deeper autobiographical and political veins.

     Clydesdale is on the brink of becoming an ace. The only trouble is that he shouldn't be. Blind luck, mistakes and politics have seen him awarded with four of the five kills he needs. As the convoy Operation 'Harpoon' heads into the Western Mediterranean with only a handful of worn-out fighters to protect it, the eyes of the Navy and the press are on him. And soon, the eyes - and guns - of the enemy will be too. Six ships carry vital supplies, without which Malta cannot survive the Axis onslaught. The ageing carrier HMS Eagle, with its complement of battered Hawker Sea Hurricanes and their overworked pilots, must face legions of German and Italian bombers, all desperate to send the transports to the bottom of the Mediterranean. 'Harpoon' is the first book in a series chronicling the struggle of the Royal Navy's 'few' to protect the island fortress of Malta in the dark days of 1942. "Harpoon gets into the cockpit and inside the skin of a WW2 pilot. Willis has written a tale of triumph - and redemption. The author has used his intimate knowledge of the period to serve as a backdrop to a human - and thrilling - war story." Richard Foreman, author of Warsaw. Matthew Willis grew up near the historic port of Harwich and seaplane station at Felixstowe, developing a lifelong obsession with flying and the sea. He worked as a motorsport journalist and media relations officer before becoming a full time writer in 2011. His books include the epic novels of the Norman Conquest 'An Argument of Blood' and 'A Black Matter for the King' co-written with JA Ironside, and the novelette 'The Battle of Alma'.

    A prequel to 'The Girl under the Flag.'Although the Germans arrived a few months ago and occupied Paris, so far nothing has changed in the life of Monique, a fifteen-year-old Jewish girl. But in recent days the Germans have begun to hang orders on billboards, instructing all Jews to mark themselves with a yellow badge on their clothes.Now, with the yellow badge, everyone is starting to walk away from her and treat her with suspicion. Did things really stay the way they were before the war broke out?Walking down the street to meet her father, Monique sees a German soldier standing on the street corner for the first time, and must decide whether to continue on her way or retreat.In this short story, Alex Amit brings to life the world of a fifteen-year-old Jewish girl in Nazi-occupied Paris, describing her thoughts with great sensitivity. Step by step, we can feel Monique’s dilemmas, the fear of walking down the street, the conspicuous feeling of wearing the yellow badge, the difficulty of dealing with life changing before Monique’s eyes, and the fear of the future to come.

    Evacuation could be a scary experience, but five-year-old Gwenda and her brother were lucky enough to be housed with a kindly schoolmaster and his wife, and soon the realities of the war felt very far away.When the War is Over touchingly tells the story of how Gwenda and Doug found a second family and a loving home in Bampton... and how the war touched the lives of everyone, even those far away from the big cities.

    Packed with adventure and realism, loyalty, victory, and betrayal, the absorbing stories in this omnibus edition are classics of the genre.

    It is an epic journey not only affirming that “there is a difference between sadness and suffering;” but that Schomburg is one of the most unusual poets writing today, pushing his work beyond our familiarity. These poems have a thirst for blood, but they don't yet know exactly what to do with their hands. The Book of Joshua calls out in hunger and loneliness, “I didn’t feel like living in anything not shaped like me anymore.”

    During that time, some of these poems appeared in various journals and on Web sites, including The Poetry Daily site, which ran thirty of Lehman's poems in as many days throughout the month of April 1998. For The Daily Mirror, Lehman has selected the best of these "daily poems" -- each tied to a specific occasion or situation -- and telescoped two years into one. Spontaneous and immediate, but always finely crafted and spiced with Lehman's signature irony and wit, the poems are akin to journal entries charting the passing of time, the deaths of great men and women, the news of the day. Jazz, Sinatra, the weather, love, poetry and poets, movies, and New York City are among their recurring themes. A departure from Lehman's previous work, this unique volume provides the intimacy of a diary, full of passion, sound, and fury, but with all the aesthetic pleasure of poetry. More a party of poems than a standard collection, The Daily Mirror presents an exciting new way to think about poetry.

    After being transferred by ship from Memel to Königsberg in late 1944, he took part in the battles for Ostprussen in the winter of 1944/1945. Constantly exposed to the attacks of Russian bombers and fighter planes and severely wounded by shrapnel on the leg, he manages, with the help of a Russian volunteer and a horse-drawn vehicle from Balga to Rosenberg, from there by ship transport via Pillau to Świnoujście and by train to Schwerin.Fleeing the impending Russian imprisonment to the west, he falls into American captivity on 3 May 1945 and is released in July 1945 in the home.Memories of a corporal and platoon commander in the grenade launcher 1943-1945

    We find her awake in the middle of the night, contemplating love and heartbreak in all their exhilarating and anguished specifics. With astonishing openness, in language both passionate and enchanting, she offers us an intimate map of a troubled and far-flung heart: “Can you believe I thought that?” she asks, “That we would always go/roaming brave and dangerous/on wild unlit roads?”At once witty and tender, with Dorothy Parker–like turns of the knife and memorable partings from lovers in New York, London, Rome and beyond, these poems capture a restless movement through loves and locales, and charm us at every turn with their forthrightness.From the Hardcover edition.

    THE SINGING KNIVES, originally published in 1971 by Broughton's Mill Mountain Press, is Frank Sanford's first collection of poetry. Reprinted by his own press, Lost Roads Publisher, after his death, THE SINGING KNIVES, debuts the work of a twenty-something year old boy way ahead of his time and in a state of unrest, capturing "poetry's more primal and mysterious possibilities"-David Clewell. "It is astonishing to me that I was not even aware of this superbly accomplished and moving poet. There is a great deal of pain in the poems, but it is a pain that makes sense, a tragic pain whose meaning rises from the way the poems are so firmly molded and formed from within"- James Wright.

    For over twenty years, the National Poetry Series has discovered many new and emerging voices and has been instrumental in launching the careers of poets and writers such as Billy Collins, Mark Doty, Denis Johnson, Cole Swensen, Thylias Moss, Mark Levine, and Dionisio Martinez.