Portable and reader-friendly, it makes an ideal companion for both lovers of Old Norse mythology and those new to the wisdom of this central Eddic poem wherever they may find themselves.

    Pheobe Throssel and Valentine Brown are a young couple separated by the Neopoleonic wars for ten years, only to find themselves the unfortunate victims of time and age upon their reunion. This story of lost love, spinsters, secret disguises, and the complexities of human emotion will enchant readers today as much as it did the audiences of New York and London over a century ago.

    Its special story within a story is an irresistible invitation for readers to become part of the book itself. The story begins with a lonely boy named Bastian and the strange book that draws him into the beautiful but doomed world of Fantastica. Only a human can save this enchanted place by giving its ruler, the Childlike Empress, a new name. But the journey to her tower leads through lands of dragons, giants, monsters, and magic, and once Bastian begins his quest, he may never return. As he is drawn deeper into Fantastica, he must find the courage to face unspeakable foes and the mysteries of his own heart. Readers, too, can travel to the wondrous, unforgettable world of Fantastica if they will just turn the page...

    Over the coming weeks they must brave the stormy waters of the Atlantic in their mission to seek out and destroy British supply ships. But the tide is beginning to turn against the Germans in the war for the North Atlantic. Their targets now travel in convoys, fiercely guarded by Royal Navy destroyers, and when contact is finally made the hunters rapidly become the hunted. As the U-boat is forced to hide beneath the surface of the sea a cat-and-mouse game begins, where the increasing claustrophobia of the submarine becomes an enemy just as frightening as the depth charges that explode around it. Of the 40,000 men who served on German submarines, 30,000 never returned. Written by a survivor of the U-boat fleet, Das Boot is a psychological drama merciless in its intensity, and a classic novel of World War II.

    It's considered one of the most important works of late medieval German literature. The poem's 34 short chapters are a dialog between a plowman, whose beloved wife has recently died, & Death. In odd-numbered chapters the grieving plowman accuses Death for his loss. In even-numbered chapters Death responds to the plowman's emotions with cold cynical logic. In the penultimate chapter God appears & adjudicates the dispute, reminding the plowman that he owes his life to God & reminding Death that he owes his powers to God. The final chapter is a prayer by the plowman for the soul of his wife. Sixteen manuscripts & 17 early printed editions of the work are preserved. The present manuscript was created around 1470 in the workshop of Ludwig Hennflin in Stuttgart. It is presently held by Heidelberg University Library.

    The entire saga starts here, with a thrilling tale featuring a disguised queen, a young hero, and two fearless knights facing a hidden, vengeful enemy.'Tis a true Shakespearean drama, filled with sword fights, soliloquies, and doomed romance... all in glorious iambic pentameter and coupled with twenty gorgeous Elizabethan illustrations. Hold onto your mini-chlorians: The play's the thing, wherein you'll catch the rise of Anakin!

    Over the years these authoritative, critically acclaimed editions have been the preferred choice of more than three million readers for personal libraries and individual study as well as for classroom use.

    The narrator and protagonist lives on the marble cliffs as a botanist with his brother Otho, his son Erio from a past relationship and Erio's grandmother Lampusa. The idyllic life is threatened by the erosion of values and traditions, losing its inner power. The head forester uses this opportunity to establish a new order based on dictatorial rule, large numbers of mindless followers and the use of violence, torture and murder.

    A little ghost who always wanted to see the town by daylight creates chaos when he does, and finds himself unable to be a night ghost again.

    Illustrated and presented by one of the leading artists in modern fantasy, this title gives us some of the great songs and folktales of the English, Irish, and Scottish traditions, re-imagined in sequential-art form, in collaboration with some of the strongest fantasy writers.

    This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

    . .A classic and influential story, Emil and the Detectives remains an enthralling read.

    The play is based on Irish mythology, in particular the myths concerning Deirdre and Conchobar. The work was unfinished at the author's death in 1909, but was completed by William Butler Yeats and Synge's fiancée, Molly Allgood.[from Wikipedia]

    Adolf Hitler wakes up from a 66-year sleep in his subterranean Berlin bunker to find the Germany he knew entirely changed: Internet-driven media spreads ideas in minutes and fumes celebrity obsession; immigration has produced multicultural neighborhoods bringing together people of varying race, ethnicity, and religion; and the most powerful person in government is a woman. Hitler is immediately recognized . . . as an impersonator of uncommon skill. The public assumes the fulminating leader of the Nazi party is a performer who is always in character, and soon his inevitable viral appeal begets YouTube stardom, begets television celebrity on a Turkish-born comedian's show. His bigoted rants are mistaken for a theatrical satire--exposing prejudice and misrepresentation--and his media success emboldens Hitler to start his own political party and set the country he finds a shambles back to rights. With daring and dark humor, Look Who's Back skewers the absurdity and depravity of the cult of personality in modern media culture.

    It combines a poet's translation with a scholar's introduction and notes." "Among surviving Greek tragedies only Euripides' Trojan Women shows us the extinction of a whole city, an entire people. Despite its grim theme, or more likely because of the centrality of that theme to the deepest fears of our own age, this is one of the relatively few Greek tragedies that regularly finds its way to the stage. Here the power of Euripides' theatrical and moral imagination speaks clearly across the twenty-five centuries that separate our world from his." The theme is really a double one: the suffering of the victims of war, exemplified by the woman who survive the fall of Troy, and the degradation of the victors, shown by the Greeks' reckless and ultimately self-destructive behavior. It offers an enduring picture of human fortitude in the midst of despair. Trojan Women gains special relevance, of course, in times of war. It presents a particularly intense account of human suffering and uncertainty, but one that is also rooted in considerations of power and policy, morality and expedience. Furthermore, the seductions of power and the dangers both of its exercise and of resistance to it as portrayed in Trojan Women are not simply philosophical or rhetorical gambits but part of the lived experience of Euripides' day.