Selected by a vote of the membership of the Science Fiction Writers of America (SFWA), these 26 reprints represent the best, most important, and most influential stories and authors in the field. The contributors are a Who's Who of classic SF, with every Golden Age giant included: Isaac Asimov, Ray Bradbury, Arthur C. Clarke, John W. Campbell, Robert A. Heinlein, Fritz Leiber, Cordwainer Smith, Theodore Sturgeon, and Roger Zelazny. Other contributors are less well known outside the core SF readership. Three of the contributors are famous for one story--but what stories!--Tom Godwin's pivotal hard-SF tale, "The Cold Equations"; Jerome Bixby's "It's a Good Life" (made only more infamous by the chilling Twilight Zone adaptation); and Daniel Keyes's "Flowers for Algernon" (brought to mainstream fame by the movie adaptation, Charly). The collection has some minor but frustrating flaws. There are no contributor biographies, which is bad enough when the author is a giant; but it's especially sad for contributors who have become unjustly obscure. Each story's original publication date is in small print at the bottom of the first page. And neither this fine print nor the copyright page identifies the magazines in which the stories first appeared. Prefaced by editor Robert Silverberg's introduction, which describes SFWA and details the selection process, The Science Fiction Hall of Fame: Volume One, 1929-1964 is a wonderful book for the budding SF fan. Experienced SF readers should compare the table of contents to their library before making a purchase decision. Fans who contemplate giving this book to non-SF readers should bear in mind that, while several of the collected stories can measure up to classic mainstream literary stories, the less literarily-acceptable stories are weighted toward the front of the collection; adult mainstream-literature fans may not get very far into The Science Fiction Hall of Fame: Volume One, 1929-1964. --Cynthia Ward· Introduction · Robert Silverberg · in · A Martian Odyssey [Tweel] · Stanley G. Weinbaum · nv Wonder Stories Jul ’34 · Twilight [as by Don A. Stuart; Dying Earth] · John W. Campbell, Jr. · ss Astounding Nov ’34 · Helen O’Loy · Lester del Rey · ss Astounding Dec ’38 · The Roads Must Roll · Robert A. Heinlein · nv Astounding Jun ’40 · Microcosmic God · Theodore Sturgeon · nv Astounding Apr ’41 · Nightfall · Isaac Asimov · nv Astounding Sep ’41 · The Weapon Shop [Isher] · A. E. van Vogt · nv Astounding Dec ’42 · Mimsy Were the Borogoves · Lewis Padgett · nv Astounding Feb ’43 · Huddling Place [City (Websters)] · Clifford D. Simak · ss Astounding Jul ’44 · Arena · Fredric Brown · nv Astounding Jun ’44 · First Contact · Murray Leinster · nv Astounding May ’45 · That Only a Mother · Judith Merril · ss Astounding Jun ’48 · Scanners Live in Vain · Cordwainer Smith · nv Fantasy Book #6 ’50 · Mars Is Heaven! · Ray Bradbury · ss Planet Stories Fll ’48 · The Little Black Bag · C. M. Kornbluth · nv Astounding Jul ’50 · Born of Man and Woman · Richard Matheson · vi F&SF Sum ’50 · Coming Attraction · Fritz Leiber · ss Galaxy Nov ’50 · The Quest for Saint Aquin · Anthony Boucher · ss New Tales of Space and Time, ed. Raymond J. Healy, Holt, 1951; F&SF Jan ’59 · Surface Tension [Lavon] · James Blish · nv Galaxy Aug ’52 · The Nine Billion Names of God · Arthur C. Clarke · ss Star Science Fiction Stories #1, ed. Frederik Pohl, Ballantine, 1953 · It’s a Good Life · Jerome Bixby · ss Star Science Fiction Stories #2, ed. Frederik Pohl, Ballantine, 1953 · The Cold Equations · Tom Godwin · nv Astounding Aug ’54 · Fondly Fahrenheit · Alfred Bester · nv F&SF Aug ’54 · The Country of the Kind · Damon Knight · ss F&SF Feb ’56 · Flowers for Algernon · Daniel Keyes · nv F&SF Apr ’59 · A Rose for Ecclesiastes · Roger Zelazny · nv F&SF Nov ’63

    A conscripted soldier is beginning to consider her life after the war and the family she has left behind. But for Scur—and for humanity—peace is not to be.On the brink of the ceasefire, Scur is captured by a renegade war criminal, and left for dead in the ruins of a bunker. She revives aboard a prisoner transport vessel. Something has gone terribly wrong with the ship.Passengers—combatants from both sides of the war—are waking up from hibernation far too soon. Their memories, embedded in bullets, are the only links to a world which is no longer recognizable. And Scur will be reacquainted with her old enemy, but with much higher stakes than just her own life.

    The idea is peace on Earth, see, and the way to do it is by figuring out angles.

    Clarke. It is the startling realism of his vision that has made classics of his novels, such as CHILDHOOD'S END and 2001: A SPACE ODYSSEY. It has also made Clarke himself one of the genre's most successful writers. The trade paperback was published to commemorate the arrival of the year 2001, one of the most notable dates in science fiction history. THE SENTINEL is a brilliant collection of Clarke's highest calibre short fiction.

    Dick—that unfolds in the near future, in parallel worlds.In his youth, Richard “Dodge” Forthrast founded Corporation 9592, a gaming company that made him a multibillionaire. Now in his middle years, Dodge appreciates his comfortable, unencumbered life, managing his myriad business interests, and spending time with his beloved niece Zula and her young daughter, Sophia. One beautiful autumn day, while he undergoes a routine medical procedure, something goes irrevocably wrong. Dodge is pronounced brain dead and put on life support, leaving his stunned family and close friends with difficult decisions. Long ago, when a much younger Dodge drew up his will, he directed that his body be given to a cryonics company now owned by enigmatic tech entrepreneur Elmo Shepherd. Legally bound to follow the directive despite their misgivings, Dodge’s family has his brain scanned and its data structures uploaded and stored in the cloud, until it can eventually be revived. In the coming years, technology allows Dodge’s brain to be turned back on. It is an achievement that is nothing less than the disruption of death itself. An eternal afterlife—the Bitworld—is created, in which humans continue to exist as digital souls. But this brave new immortal world is not the Utopia it might first seem . . . Fall, or Dodge in Hell is pure, unadulterated fun: a grand drama of analog and digital, man and machine, angels and demons, gods and followers, the finite and the eternal. In this exhilarating epic, Neal Stephenson raises profound existential questions and touches on the revolutionary breakthroughs that are transforming our future. Combining the technological, philosophical, and spiritual in one grand myth, he delivers a mind-blowing speculative literary saga for the modern age.

    This brilliant collection, often cited as the first of its kind, explores fundamental questions about ourselves and our treatment of the universe (and other beings) around us and ultimately what it means to be human.Contents: * Cordwainer Smith: The Shaper of Myths (1975) • essay by John J. Pierce [as by J. J. Pierce] * The Instrumentality of Mankind (timeline) (1975) • essay by John J. Pierce * Scanners Live in Vain [The Instrumentality of Mankind] (1950) / novelette by Cordwainer Smith: meet Martel, a human altered to be part machine-a scanner-to be able withstand the trauma space travel has on the body. Despite the stigma placed on him and his kind, he is able to regrasp his humanity to save another; Fantasy Book #6 ’50 * The Lady Who Sailed The Soul [The Instrumentality of Mankind] (1960) / novelette by Cordwainer Smith, Genevieve Linebarger; Galaxy Apr ’60 * The Game of Rat and Dragon [The Instrumentality of Mankind] (1955) / short story by Cordwainer Smith; Galaxy Oct ’55 * The Burning of the Brain [The Instrumentality of Mankind] (1958) / short story by Cordwainer Smith; If Oct ’58 * Golden the Ship Was - Oh! Oh! Oh! [The Instrumentality of Mankind] (1959) / short story by Cordwainer Smith, Genevieve Linebarger; Amazing Apr ’59 * The Crime and the Glory of Commander Suzdal [The Instrumentality of Mankind] (1964) / short story by Cordwainer Smith; Amazing May ’64 * The Dead Lady of Clown Town [The Instrumentality of Mankind] (1964) / novella by Cordwainer Smith: get to know the underpeople-animals genetically altered to exist in human form, to better serve their human owners-and meet D'Joan, a dog-woman who will make readers question who is more human: the animals who simply want to be recognized as having the same right to life, or the people who created them to be inferior; Galaxy Aug ’64 * Under Old Earth [The Instrumentality of Mankind] (1966) / novelette by Cordwainer Smith; Galaxy Feb ’66 * Mother Hitton's Littul Kittons [The Instrumentality of Mankind] (1961) / novelette by Cordwainer Smith; Galaxy Jun ’61 * Alpha Ralpha Boulevard [The Instrumentality of Mankind] (1961) / novelette by Cordwainer Smith; Galaxy Jun ’61 * The Ballad of Lost C'mell [The Instrumentality of Mankind] (1962) / novelette by Cordwainer Smith: the notion of love being the most important equalizer there is, is put into action when an underperson, C'mell, falls in love with Lord Jestocost. Who is to say her love for him is not as valid as any true-born human? She might be of cat descent, but she is all woman!; Galaxy Oct ’62 * A Planet Named Shayol [The Instrumentality of Mankind] (1961) / novelette by Cordwainer Smith: it is an underperson of bull descent, and beings so mutilated and deformed from their original human condition to be now considered demons of a hellish land, who retain and display the most humanity when Mankind commits the most inhumane action of all; Galaxy Oct ’61aka: Paul M. A. Linebarger, Paul Myron Anthony Linebarger, Paul Linebarger, Felix C. Forrest, Carmichael Smith, Kordvejner Smit..

    Clarke.

    From the Book of Revelation to The Road Warrior, from A Canticle for Leibowitz to The Road, storytellers have long imagined the end of the world, weaving eschatological tales of catastrophe, chaos, and calamity. In doing so, these visionary authors have addressed one of the most challenging and enduring themes of imaginative fiction: The nature of life in the aftermath of total societal collapse. Gathering together the best post-apocalyptic literature of the last two decades from many of today's most renowned authors of speculative fiction - including George R. R. Martin, Gene Wolfe, Orson Scott Card, Carol Emshwiller, Jonathan Lethem, Octavia E. Butler, and Stephen King - Wastelands explores the scientific, psychological, and philosophical questions of what it means to remain human in the wake of Armageddon. Whether the end of the world comes through nuclear war, ecological disaster, or cosmological cataclysm, these are tales of survivors, in some cases struggling to rebuild the society that was, in others, merely surviving, scrounging for food in depopulated ruins and defending themselves against monsters, mutants, and marauders. Wastelands delves into this bleak landscape, uncovering the raw human emotion and heart-pounding thrills at the genre's core. --back coverContains the following stories:Introduction by John Joseph AdamsThe End of the Whole Mess by Stephen KingSalvage by Orson Scott CardThe People of Sand and Slag by Paolo BacigalupiBread and Bombs by M. RickertHow We Got In Town and Out Again by Jonathan LethemDark, Dark Were the Tunnels by George R. R. MartinWaiting for the Zephyr by Tobias S. BuckellNever Despair by Jack McDevittWhen Sysadmins Ruled the Earth by Cory DoctorowThe Last of the O-Forms by James Van PeltStill Life With Apocalypse by Richard KadreyArtie’s Angels by Catherine WellsJudgment Passed by Jerry OltionMute by Gene WolfeInertia by Nancy KressAnd the Deep Blue Sea by Elizabeth BearSpeech Sounds by Octavia E. ButlerKillers by Carol EmshwillerGinny Sweethips’ Flying Circus by Neal Barrett, Jr.The End of the World as We Know It by Dale BaileyA Song Before Sunset by David GriggEpisode Seven... by John LanganAppendix: For Further Reading

    Smart, dedicated, gorgeous, and, thanks to her last movie before she hung up on Hollywood, rich, she's a pleasure to oblige when she says Rob has to witness this channeler Ariaura's act--on her, not the Eye's, nickel--despite channelers being so last year. It's quite a show, all right, for in the midst of Ariaura's particular ancient wise guy's basso spiel, a gravelly baritone interrupts (both voices emanate from the channeler's female mouth) to berate the audience as "yaps" and the act as "claptrap." Why is Ariaura undermining herself? Or is she? After all, she angrily accuses Rob and Kildy of scheming to destroy her. Could the baritone belong to a genuine channeled spirit? Willis, one of sf's most spirited writers, rounds on the New Age; pays tribute to a great, skeptical journalist; and affectionately parodies pulp fiction at its best in this irresistible entertainment.

    Since the ringed planet carries no life, scientists deduce the mysterious ship to be a visitor from another star.The world's frantic efforts to signal the aliens go unanswered. The first contact is hostile: the invaders blast a Soviet space station, seize the survivors, and then destroy every dam and installation on Earth with a hail of asteriods. Now the conquerors are descending on the American heartland, demanding servile surrender--or death for all humans.

    It was Thursday and unseasonably hot for April. He had his suitcoat off, his tie removed and shirt collar opened, his sleeve cuffs folded back. There was sunlight on his left arm and on part of his lap. He could feel the heat of it through his dark trousers as he drove along the two-lane highway. For the past twenty minutes, he had not seen another vehicle going in either direction.Then he saw the truck...

    Twenty-five chances to impress.When the test takes an unexpected and tragic turn, Idir is handed the power of life and death.How do you value a life when all you have is multiple choice?

    Includes:Jim Shepard’s "Tedford and the Megalodon"Glen David Gold’s "The Tears of Squonk, and What Happened Thereafter"Dan Chaon’s "The Bees"Kelly Link’s "Catskin"Elmore Leonard’s "How Carlos Webster Changed His Name to Carl and Became a Famous Oklahoma Lawman"Carol Emshwiller’s "The General"Neil Gaiman’s "Closing Time"Nick Hornby’s "Otherwise Pandemonium"Stephen King’s "The Tale of Gray Dick"Michael Crichton’s "Blood Doesn’t Come Out"Laurie King’s "Weaving the Dark"Chris Offutt’s "Chuck’s Bucket"Dave Eggers’s "Up the Mountain Coming Down Slowly"Michael Moorcock’s "The Case of the Nazi Canary"Aimee Bender’s "The Case of the Salt and Pepper Shakers"Harlan Ellison’s "Goodbye to All That"Karen Joy Fowler’s "Private Grave 9"Rick Moody’s "The Albertine Notes"Michael Chabon’s "The Martian Agent, a Planetary Romance"Sherman Alexie’s "Ghost Dance"

    Take old man Donegal, for example. Most of his adult life was spent in digging a hole through space to learn what was on the other side. Would he go out the same way?Play Duration: 00:38:25 Down load file sizes[mp3@64kbps - 18.4MB][mp3@128kbps - 36.8MB]Public Domain stories from Project Gutenberg, that are read by volunteers. First published in Amazing Stories

    All is not as it seems, however. While the peace-loving farmers labor endlessly to provide food for the City, the City Bosses rule the Shantih with an iron fist. When a group of farmers decide to from a new settlement further away, the Bosses retaliate by threatening to crush the "rebellion."Luz understands what it means to have no choices. Her father is a Boss and he has ruled over her life with the same iron fist. Luz wonders what it might be like to make her own choices. To be free to choose her own destiny.When the crisis over the new settlement reaches a flash point, Luz will have her chance.