A lifetime of stories. Their last one begins here.Life is short. No-one knows that better than seventeen year old Lenni living on the terminal ward. But as she is about to learn, it's not only what you make of life that matters, but who you share it with. Dodging doctor's orders, she joins an art class where she bumps into fellow patient Margot, a rebel-hearted eighty three year old from the next ward. Their bond is instant as they realize that together they have lived an astonishing one hundred years. To celebrate their shared century, they decide to paint their life stories: of growing old and staying young, of giving joy, of receiving kindness, of losing love, of finding the person who is everything. As their extraordinary friendship deepens, it becomes vividly clear that life is not done with Lenni and Margot yet.Fiercely alive, disarmingly funny and brimming with tenderness, THE ONE HUNDRED YEARS OF LENNI AND MARGOT unwraps the extraordinary gift of life even when it is about to be taken away, and revels in our infinite capacity for friendship and love when we need them most.

    Among them is a Wall Street wunderkind, a young woman coming to terms with an unexpected pregnancy, an injured vet returning from Afghanistan, a septuagenarian business tycoon, and a free-spirited woman running away from her controlling husband. And then, tragically, the plane crashes. Edward is the sole survivor.Edward's story captures the attention of the nation, but he struggles to find a place for himself in a world without his family. He continues to feel that a piece of him has been left in the sky, forever tied to the plane and all of his fellow passengers. But then he makes an unexpected discovery--one that will lead him to the answers of some of life's most profound questions: When you've lost everything, how do find yourself? How do you discover your purpose? What does it mean not just to survive, but to truly live?An alternative cover edition for this ISBN can be found here.

    She intends to quickly tie up loose ends then return to her busy life and thriving antique shop in New Orleans. Instead, she learns Mags has willed The Hideaway to her and charged her with renovating it—no small task considering her grandmother’s best friends, a motley crew of senior citizens, still live there.Rather than hurrying back to New Orleans, Sara stays in Sweet Bay and begins the biggest house-rehabbing project of her career. Amid drywall dust, old memories, and a charming contractor, she discovers that slipping back into life at The Hideaway is easier than she expected.Then she discovers a box Mags left in the attic with clues to a life Sara never imagined for her grandmother. With help from Mags’s friends, Sara begins to piece together the mysterious life of bravery, passion, and choices that changed her grandmother’s destiny in both marvelous and devastating ways.When an opportunistic land developer threatens to seize The Hideaway, Sara is forced to make a choice—stay in Sweet Bay and fight for the house and the people she’s grown to love or leave again and return to her successful but solitary life in New Orleans.

    Amber Alton knows that the hours pass differently at Black Rabbit Hall, her London family's country estate, where no two clocks read the same. Summers there are perfect, timeless. Not much ever happens. Until, of course, it does. More than three decades later, Lorna is determined to be married within the grand, ivy-covered walls of Pencraw Hall, known as Black Rabbit Hall among the locals. But as she's drawn deeper into the overgrown grounds, half-buried memories of her mother begin to surface and Lorna soon finds herself ensnared within the manor's labyrinthine history, overcome with an insatiable need for answers about her own past and that of the once-happy family whose memory still haunts the estate. Stunning and atmospheric, this debut novel is a thrilling spiral into the hearts of two women separated by decades but inescapably linked by the dark and tangled secrets of Black Rabbit Hall.

    Born with red pupils, he was called “Devil Boy” or Sam “Hell” by his classmates; “God’s will” is what his mother called his ocular albinism. Her words were of little comfort, but Sam persevered, buoyed by his mother’s devout faith, his father’s practical wisdom, and his two other misfit friends.Sam believed it was God who sent Ernie Cantwell, the only African American kid in his class, to be the friend he so desperately needed. And that it was God’s idea for Mickie Kennedy to storm into Our Lady of Mercy like a tornado, uprooting every rule Sam had been taught about boys and girls.Forty years later, Sam, a small-town eye doctor, is no longer certain anything was by design—especially not the tragedy that caused him to turn his back on his friends, his hometown, and the life he’d always known. Running from the pain, eyes closed, served little purpose. Now, as he looks back on his life, Sam embarks on a journey that will take him halfway around the world. This time, his eyes are wide open—bringing into clear view what changed him, defined him, and made him so afraid, until he can finally see what truly matters.

    Jenny, the mother, is in charge of lopping any small limbs off the logs with a hatchet. Wade, the father, does the stacking. The two daughters, June and May, aged nine and six, drink lemonade, swat away horseflies, bicker, and sing snatches of songs as they while away the time.But then something unimaginably shocking happens, an act so extreme it will scatter the family in every different direction.In a story told from multiple perspectives and in razor-sharp prose, we gradually learn more about this act, and the way its violence, love and memory reverberate through the life of every character in Idaho.