. . I was born a feminist. And then at age five, when my strict Christian grandmother punished me, I realized, I’m not penetrating here. I’m just pissing people off. So I had to find another way to penetrate. I had to redefine what that word means. That word now is really about an opening, an entering into a separate space. And after the first phase of my life, I realized that it was okay to enter that space without having to be invaded . . . I like the idea of just being able to be inside. Not using penetration as a violent word. The idea of being able to find keys . . . music, using keys to get into a space that we couldn’t before . . .Now, backstage at an undisclosed arena where the sweat of athletes is still perfuming my makeshift dressing room, my many conversations with Ann Powers have begun . . . “You come from the journalist side. I come from the artist side. It can become offensive. I’m sure from your side as well as from mine.” “Well, it’s true everyone expects us to be enemies. And in some ways we are. My job is interpretation. Yours is art, which often benefits from mystery . . .”"Ann and I decided to strip our roles back to basics. We are both women born feminists in the 1960s. We are both married. We are both mothers. We are both in the music industry. Traditionally we are enemies. But for this project to be effective, I had to allow Ann to expose Tori Amos. And Tori Amos’s inner circle. And me.” –from the IntroductionAn intimate, eye-opening look inside the life of one of the most unique and adored performers of contemporary rock musicFrom her critically acclaimed 1992 debut, Little Earthquakes, to the recent hit, Scarlet’s Walk, Tori Amos has been a formidable force in contemporary music, with one of the most dedicated fan bases in the industry. In Tori Amos: Piece by Piece, the singer herself takes readers beyond the mere facts, explaining the specifics of her creative process—how her songs go from ideas and melodies to recordings and passionately performed concert pieces. Written with acclaimed music journalist Ann Powers, Tori Amos: Piece by Piece is a firsthand account of the most intricate and intimate details of Amos’s life as both a private individual and a very public performing musician. In passionate and informative prose, Amos explains how her songs come to her and how she records and then performs them for audiences everywhere, all the while connecting with listeners across the world and maintaining her own family life (which includes raising a young daughter). But it is also much more, a verbal collage made by two strong female voices—and the voices of those closest to Amos—that calls upon genealogy, myth, and folklore to express Amos’s unique and fascinating personal history. In short, we see the pieces that make up, as Amos herself puts it, “the woman we call Tori.”With photos taken especially for this book by the photographer Loren Haynes, Tori Amos: Piece by Piece is a rare treat for both Tori listeners and newcomers alike, a look into the heart and mind of an extraordinary musician.

    England, 1919: Rose and Ivy board a ship bound for Australia.One is travelling there to marry a man she has never met.One is destined never to arrive.Australia, 2016: Amongst her late-grandmother's possessions, Molly uncovers a photograph of two girls dressed in First World War nurses' uniforms, labelled 'Rose and Ivy 1917', and a letter from her grandmother, asking her to find out what happened to her own mother, Rose, who disappeared in the 1960s.Compelled to carry out her grandmother's last wish, Molly embarks on a journey to England to unravel the mystery of the two girls whose photograph promised they'd be 'together forever'...

    A collection of astonishing originality and intensity, it spoke of politics, sexual emancipation, and what it meant to be an American. From the joyful “Song of Myself” and “I Sing the Body Electric” to the elegiac “When Lilacs Last in the Dooryard Bloom’d,” Whitman’s art fuses oratory, journalism, and song in a vivid celebration of humanity. Containing all Whitman’s known poetic work, this edition reprints the final, or “deathbed,” edition of Leaves of Grass (1891–92). Earlier versions of many poems are also given, including the 1855 “Song of Myself.”Features a completely new—and fuller—introduction discussing the development of Whitman's poetic career, his influence on later American poets, and his impact on the American cultural sensibilityIncludes chronology, updated suggestions for further reading, and extensive notes

    Powerful, poignant and impossible to ignore or gloss over, the fifty-two threads that make up Suspected Poems unfold across the entire political spectrum—from the disturbed climate in the country and the culture of intolerance to the plight of the aam aadmi, from the continued oppression of Dalits and minority communities to fluctuating Indo–Pak relations. Written with Gulzar’s characteristic incisiveness and his unique perspective and translated marvelously into English by Pavan K. Varma, Suspected Poems, made available in a special keepsake bilingual edition, will delight every reader of poetry and Gulzar’s many fans.

    Scraping a living as a gun for hire and estranged from his family, Abbott is haunted by ghosts of the past, drinking to dull the pain. Life's tough, but there is one upside - at least he's not in Baghdad.That's about to change.When a job goes badly wrong, Abbott's in hot water. Next he learns that his military son, Nathan, is missing in Iraq. Knowing something is wrong, needing to find his son and desperate for redemption, Abbott has no choice but to go back.Returning to Baghdad, Abbott renews old acquaintances and begins his search for Nathan. The body count rises as old wounds open and he struggles to confront his demons, self-medicating the only way he knows how. But when one of his old crew turns up dead in mysterious circumstances and the link with Nathan is clear, Abbott begins to suspect a trap.But who is the hunter? And who is the hunted?

    The book starts with Adam living openly with his voluptuous half-caste lover on his desert station in the outback, and gradually the fates of succeeding generations intertwine in this Australian family saga.

    She sinned.' Aunt Maud's cruel words shock Rosie Quest, but they also explain the hostility that surrounds her on the run-down Wirral farm: no wonder her aunt resents having had to take in an illegitimate child. It's quite a relief to escape to her job at Shearing's garment factory, even though Beatrice Shearing is a tough employer. But when Rosie catches the eye of Ben Shearing, Beatrice is having none of it: her son is too good for a factory girl. When she fails to halt the romance by conventional methods, Beatrice resolves to try more drastic tactics, even if that means uncovering secrets best left buried...

    

    Apart from this, many a times each state of each nation has role models from the past but not forgotten history. Maharashtra has its own idols. The greatest and most loved of them all is shivaji maharaj.

    Under the command of Sergeant Andy McNab, they were to sever the underground communication link between Baghdad and north-west Iraq, and to seek and destroy mobile Scud launchers. Their call sign: BRAVO TWO ZERO.Each man laden with 15 stone of equipment, they patrolled 20km across flat desert to reach their objective. Within days, their location was compromised. After a fierce fire fight, they were forced to escape and evade on foot to the Syrian border. In the desperate action that followed, though stricken by hypothermia and other injuries, the patrol 'went ballistic'. Four men were captured. Three died. Only one escaped. For the survivors, however, the worst ordeals were to come. Delivered to Baghdad, they were tortured with a savagery for which not even their intensive SAS training had prepared them.Bravo Two Zero is a breathtaking account of Special Forces soldiering: a chronicle of superhuman courage, endurance and dark humour in the face of overwhelming odds.

    He became a crime commando who terrorized drug dealers, pimps, thieves, and armed robbers on the streets and in jail—but boasts never to have hurt an innocent member of the public. His story is one of violence, betrayal by trusted friends, and murder. To read his book is to read a legend who has become one of Australia's—and now the world's—most unlikely literary success stories.

    A must for this counterculture idol's legion of fans.

    Crossman is determined to whip his men into shape and not only survive, but win.

    A collection of stories, poems,letters (all to Harry Secombe), fairy tales and a section headed 'Politics And Other Nonsense'.

    The letters are addressed mainly to her mother, with whom she had an extremely close and confiding relationship, but there are also some to her brother Warren and her benefactress Mrs Prouty. Plath's energy, enthusiasm and her passionate tackling of life burst onto these pages, providing us with a vivid and intimate portrait of a woman who has come to be regarded as one of the greatest of twentieth-century poets. In addition to her capacity for domestic and writerly happiness, however, these letters also hint at Plath's potential for deep despair, which reached its crisis when she holed up in a London flat for the terrible winter of 1963.