She and her sister, Jessica, and their parents are taking a cruise on the Titanic 2, a replica of the original Titanic, and there's not even wifi! At least the Titanic exhibit at the Haunted Museum had wax figures and beautiful jewels to look at.But from their first day, Samantha and Jessica notice strange things happening. Their cabin number keeps changing. There are creepy scratching sounds coming from between the walls. And a locket that Jess opened at the museum seems to be . . . following them.Is the locket haunted? Or could it be the ship itself? Are there actors in costume walking about the ship . . .or could they be ghosts? Why is Sam's sister calling her by another name? Samantha will have to unravel the threads tying her and her sister to the past, or they could go down with the ship!

    Their mother is seriously injured and their Dad is away fighting, so the children are sent to their grandfather in Ireland. Sophie is scared - they have never met grandfather but his letters cause such trouble in the house, and their Dad never speaks of him.How will they live in a strange country, with a man who probably hates them - and will the family ever be together again?

    That is, until she meets an old man who entrusts her with a package containing a mysterious item that has unbelievable powers. It is a meeting that will change her life.

    Where the red fern grows / Wilson Rawls --Lob's girl / Joan Aiken --Luke Baldwin's vow / Morley Callaghan --Old dog / William Stafford --Grip / Brendan Kennelly --Friends of the hunted Ryland Loos --Why they quit: thoughts from ex-hunters / Dena Jones Jolma --Two dreamers / Gary Soto.

    Shel Silverstein's three best-selling, beloved poetry collections -- "Where the Sidewalk Ends," "A Light in the Attic," and "Falling Up" -- are now available together for the first time in exclusive smaller editions in a beautifully designed slipcased box set.

    Dead MenFormer SAS trooper turned undercover cop Dan Spider Shepherd knows there are no easy solutions in the war against terrorism. But when a killer starts to target pardoned IRA terrorists, Shepherd has to put his life on the line to protect his former enemies; and as a Muslim assassin closes in on his prey, Shepherd realises that the only way to save lives is to become a killer himself. Live FireDan 'Spider' Shepherd is infiltrating a tightly-knit team of bank robbers, when a group of home-grown Islamic fundamentalist fanatics embark on a campaign of terror the like of which Britain has never seen. Car bombs and beheadings are only the prelude of what they have planned. And Shepherd is the only man who can stop them. Rough JusticeVillains across London are being beaten, crippled and killed by vigilante cops. Crime rates are falling, but the powers that be want Dan 'Spider' Shepherd to bring the wave of rough justice to an end. Shepherd has always known that there are grey areas in the fight against crime, and that sometimes justice gets lost in the process. But when his own family is brought into the firing line, Shepherd has some hard decisions of his own to make.

    A scarce Fitzgerald title.

    He makes friends with the ticket seller there, and before long is allowed to roam wherever he wants. Then Eddie nearly dies in a pothole and discovers not only the truth, but life where nobody thought it could be.

    Navigating the scarred and poisoned landscape that once was America and guided by a powerful talisman, Logan has sworn an oath to seek out a remarkable being born of magic, possessed of untold abilities, and destined to lead the final fight against darkness.Across the country, Angel Perez, herself a survivor, has also been chosen for an uncanny mission in the name of her ruined world’s salvation. From the devastated streets of Los Angeles, she will journey to find a place - and a people - shrouded in mystery, celebrated in legend, and vital to the cause of humankind . . .Meanwhile, in the nearly forsaken city of Seattle, a makeshift family of refugees has carved out a tenuous existence among the street gangs, mutants, and marauders fighting to stay alive. In time, all their paths will cross. Their common purpose will draw them together.As the legions of darkness draw the noose tighter, and the time of confrontation draws near, those chosen to defend the soul of the world must draw their battle lines and prepare to fight with, and for, their lives. If they fail, humanity falls.

    As much as he'd love to sing the praises of his book (he is very vain), he wouldn't want you to hear about his brave 11-year old heroes, Cass and Max-Ernest. Or about how a mysterious box of vials, the Symphony of Smells, sends them on the trail of a magician who has vanished under strange (and stinky) circumstances. And he certainly wouldn't want you to know about the hair-raising adventures that follow and the nefarious villains they face. You see, not only is the name of this book secret, the story inside is, too. For it concerns a secret. A Big Secret.

    Five are connected to a series of old unsolved disappearances. But the sixth is fresh. What’s worse, two of the victims—including the most recent—were killed with Cork’s gun. As Cork searches for answers, he must dig into his own past and that of his father, a well-respected man who harbored a ghastly truth. Northwest Angle: Amid the wreckage of a violent storm, Cork O’Connor and his daughter Jenny discover a body. Nearby, a baby boy lies hungry and dehydrated but still very much alive. Powerful forces in pursuit of the child follow them to the isolated Northwest Angle, where it’s impossible to tell who is friend or foe. Trickster’s Point: Cork O’Connor sits deep in the wilderness with his good friend Jubal Little—favored to become Minnesota’s first Native American elected governor—who is slowly dying with an arrow through his heart. But this is no hunting accident. The arrow is one of Cork’s. As he works to clear his name and track the killer who set him up, only Cork knows that his complex, passionate, ambitious friend was also capable of murder.

     One – I would’ve tried shielding Miles from the ugliness of the mirror. Two – I would’ve listened to the warnings that despite the evil I’ve already met, worse was coming. Three – I would’ve recognized that while I was trying to keep everyone in the light, darkness crept into the hidden corners of myself I never knew existed. Four – I wouldn’t have so willingly trusted others just because they are family. Five – Most importantly, I would have shielded my heart before it turned black.

    Is it for children, or for adults? Is it fantasy or a psychological novel? In its great range, it encompasses poetry and farce, comedy and tragedy -and sudden flights of schoolboy humour. White's `footnote to Malory' (his own phrase) resulted in the last major retelling of the story based on Malory's Morte Darthur, and Elisabeth Brewer explores the literary context of White's finest work as wellas considering his aims and achievement in writing it.White's story of Arthur begins with his `enfances', set in an imaginary medieval England, but it is far removed from the conventional historical novel. White was writing in wartime England, a country increasingly absorbed by a need to find an antidote to war. Through the medium of the Arthurian story he found his own voice, his unique contribution to keeping alive the flame of civilisation. Malory's chivalric virtues are rejected in favour of White's own twentieth-century values; the love affair of Lancelot and Guenever is interpreted in terms of modern psychology.The books which eventually made up The Once and Future Kingof 1958 appeared in distinctly different editions. In discussing these, Elisabeth Brewer looks at some of the ways in which White drew on his own personal experience at a deep psychological level, while also incorporating into his story material inspired by his antiquarian pursuits and by his years as a schoolmaster. She completes her study with an account of White's use of historical material, and the relationship of The Once and Future King to the Morte Darthur.ELISABETH BREWER lectured in English at Homerton College, Cambridge. She is the author of books and articles on Chaucer and the Arthurian legends

    I'm not the only kid who lives here. There's my sister, Natalie, except she doesn't count. And there are twenty-three other kids who live on the island because their dads work as guards or cook's or doctors or electricians for the prison, like my dad does. Plus, there are a ton of murderers, rapists, hit men, con men, stickup men, embezzlers, connivers, burglars, kidnappers and maybe even an innocent man or two, though I doubt it. The convicts we have are the kind other prisons don't want. I never knew prisons could be picky, but I guess they can. You get to Alcatraz by being the worst of the worst. Unless you're me. I came here because my mother said I had to.

    She's just broken up with her first boyfriend and her friends are all off in different, exciting directions for the next three months. Abby needs a plan--an adventure of her own. Enter: the letters.They show up one rainy day along with the rest of Abby's recently deceased grandmother's possessions. And these aren't any old letters; they're love letters. Love letters from a mystery man named Edward. Love letters from a mansion on Nantucket. Abby doesn't know much about her grandmother's past. She knows she was born in Germany and moved to the US when she was five, fleeing the Holocaust. But the details are either hazy or nonexistent; and these letters depict a life that is a bit different than the quiet one Abby knows about.And so, Abby heads to Nantucket for the summer to learn more about her grandmother and the secrets she kept. But when she meets Edward's handsome grandson, who wants to stop her from investigating, things get complicated. As Abby and Noah grow closer, the mysteries in their families deepen, and they discover that they both have to accept the burdens of their pasts if they want the kinds of futures they've always imagined.