Collected from people of all walks of life, they include parables and allegories about life, luck, and wisdom; tales of magic and wonder; stories about rebbes and their disciples; and tales whose only purpose is to entertain. Long after the culture that produced them has disappeared, these enchanting Yiddish folktales continue to work their magic today.Part of the Pantheon Fairy Tale and Folklore Library

    In these pages, gathered from the best short fiction of the last ten years, twenty authors prove that their heritage is alive and well -- in the spaces between stars that an alphabet can bridge, folklore come to life and histories become stories, and all the places where old worlds and new collide and change.

    According to Joshua Trachtenberg, it is not possible truly to understand the experience and history of the Jewish people without attempting to recover their folklife and beliefs from centuries past.Jewish Magic and Superstition is a masterful and utterly fascinating exploration of religious forms that have all but disappeared yet persist in the imagination. The volume begins with legends of Jewish sorcery and proceeds to discuss beliefs about the evil eye, spirits of the dead, powers of good, the famous legend of the golem, procedures for casting spells, the use of gems and amulets, how to battle spirits, the ritual of circumcision, herbal folk remedies, fortune telling, astrology, and the interpretation of dreams.First published more than sixty years ago, Trachtenberg's study remains the foundational scholarship on magical practices in the Jewish world and offers an understanding of folk beliefs that expressed most eloquently the everyday religion of the Jewish people.

    She was the sister of Samuel Gordon, the writer, and married Myer Jack Landa, a British Jewish writer. Together they published a number of novels and plays. She wrote a children's column in the Jewish Chronicle and published a book, Jewish Fairy Tales and Legends (1919). "The very cordial welcome given to my earlier volume of "Jewish Fairy Tales and Fables" has prompted me to draw further upon Rabbinic lore in the interest, chiefly, of the children. How the wise Rabbis of old took into account the necessities of the little ones, whose minds they understood so perfectly, is obvious from such legends as those dealing with boyish exploits of the great Biblical characters, Abraham, Moses, and David. These I have rewritten from the stories in the Talmud and Midrash in a manner suitable for the children of to-day

      The title story, inspired by Raymond Carver’s masterpiece, is a provocative portrait of two marriages in which the Holocaust is played out as a devastating parlor game. In the outlandishly dark “Camp Sundown” vigilante justice is undertaken by a group of geriatric campers in a bucolic summer enclave. “Free Fruit for Young Widows” is a small, sharp study in evil, lovingly told by a father to a son. “Sister Hills” chronicles the history of Israel’s settlements from the eve of the Yom Kippur War through the present, a political fable constructed around the tale of two mothers who strike a terrible bargain to save a child. Marking a return to two of Englander’s classic themes, “Peep Show” and “How We Avenged the Blums” wrestle with sexual longing and ingenuity in the face of adversity and peril. And “Everything I Know About My Family on My Mother’s Side” is suffused with an intimacy and tenderness that break new ground for a writer who seems constantly to be expanding the parameters of what he can achieve in the short form.   Beautiful and courageous, funny and achingly sad, Englander’s work is a revelation.

    A Caldecott Honor Book.

    Some are "Momotaro, "The Son of a Peach", "The Jellyfish and the Monkey", "The Mirror of Matsuyama", "The Bamboo Cutter and the Moon Child", "The Stones of Five Colors and the Empress Jokwa."

    Vividly reimagined with startling contemporary clarity, Michal Lemberger’s debut collection of short stories gives voice to silent, oft-marginalized biblical women: their ambitions, their love for their children, their values, their tremendous struggles and challenges. Informed by Lemberger’s deep knowledge of the Bible, each of these nine stories story recasts a biblical saga from the perspective of a pivotal woman.Michal Lemberger’s nonfiction and journalism have appeared in Slate, Salon, Tablet, and other publications, and her poetry has been published in a number of print and online journals. A story from After Abel, her first collection of fiction, was featured in Lilith Magazine. Lemberger holds an MA and PhD in English from UCLA and a BA in English and religion from Barnard College. She has taught the Hebrew Bible as Literature at UCLA and the American Jewish University. She was born and raised in New York and now lives in Los Angeles with her husband and two daughters.“Original and thought-provoking.” —KIRKUS REVIEWS“Lemberger imbues her characters with a consciousness that, although taking place in ancient times, seems contemporary, because she brings such empathy to her characters… It is this act of empathy that shines through…. an alternative dialogue that reminds us that it is the stories that we tell that are civilization’s true heritage.” — FORBES“Fresh and engaging.” —PUBLISHERS WEEKLY“Appeals to readers with even the most basic introduction to the Biblical canon, but especially those whose imaginations are piqued by the mystery of an untold story.” —JEWISH BOOK WORLD“Reminiscent of Anita Diamant’s The Red Tent. . . . These beautifully written stories feel like meeting Eve, Lot’s wife, and many other compelling characters for the first time.” —LAUREL CORONA, author of The Mapmaker’s Daughter and The Four Seasons: A Novel of Vivaldi’s Venice“Stunning.” —MOLLY ANTOPOL, author of The UnAmericans“Gorgeous and captivating.” —DARA HORN, author of A Guide for the Perplexed and The World to Come“Marvelous.” —MICHELLE HUNEVEN, author of Off Course and Blame“What struck me most about these stories is their clear, assured confidence—as if Michal Lemberger had pulled apart some of the lines in the old story, spied a new story tucked in there way off in a corner, shimmied in a fishhook and pulled it out.” —AIMEE BENDER, author of The Color Master and The Particular Sadness of Lemon Cake

    Readers the world over know his poignant tale of "The Little Mermaid," who sacrifices everything for love, and "The Steadfast Tin Soldier," whose affection for a paper ballerina is symbolized by his transformation into a small tin heart. Several of Andersen's stories are so well known—among them "The Emperor's New Clothes" and "The Ugly Duckling"—that their titles alone have become meaningful figures of speech. Hans Christian Andersen: Classic Fairy Tales collects 100 of Andersen's incomparable fairy tales and stories, among them "Thumbelina," "The Little Match Girl," "The Princess and the Pea," "The Red Shoes," "The Wild Swans," and his fantasy masterpiece, "The Snow-Queen." The book is abundantly illustrated with more than 100 hundred drawings and color plates by Dugald Stewart Walker and Hans Tegner, two of Andersen's best-known illustrators.

    Dawood in Penguin Classics.The tales told by Scheherazade over a thousand and one nights to delay her execution by the vengeful King Shahryar have become among the most popular in both Eastern and Western literature. From the epic adventures of 'Aladdin and the Enchanted Lamp' to the farcical 'Young Woman and her Five Lovers' and the social criticism of 'The Tale of the Hunchback', the stories depict a fabulous world of all-powerful sorcerers, jinns imprisoned in bottles and enchanting princesses. But despite their imaginative extravagance, the Tales are also anchored to everyday life by their bawdiness and realism, providing a full and intimate record of medieval Eastern world.In this selection, N.J. Dawood presents the reader with an unexpurgated translation of the finest and best-known tales, preserving their spirited narrative style in lively modern English. In his introduction, he discusses their origins in the East and their differences from Classical Arabic literature, and examines English translations of the tales since the eighteenth century.If you enjoyed Tales from the Thousand and One Nights, you might like Snorri Sturlson's The Prose Edda, also available in Penguin Classics.

    Chelm is a village of fools. The most famous fools—the oldest and the greatest—are the seven Elders. But there are lesser fools too: a silly irresponsible bridegroom; four sisters who mix up their feed in bed one night; a young man who imagines himself dead. Here are seven magical folktales spun by a master storyteller, that speak of fools, devils, schlemiels, and even heroes—like Zlateh the goat.The New York Times called Zlateh the Goat and Other Stories, "beautiful stories for children, written by a master." The New York Book Review said, "This book is a triumph. If you have no older children on your list, buy it for yourself." Singer's extraordinary book of folklore is illustrated by Maurice Sendak, who won a Caldecott Medal for Where the Wild Things Are.Supports the Common Core State Standards

    But most Americans know them only secondhand, in adaptations that greatly reduce the tales' power to touch our emotions and intrigue our imaginations. Now, in the most comprehensive translation to date, here are the classic fairy tales as the Brothers Grimm intended them to be-rich, stark, spiced with humor and violence, resonant with the rhythms of folklore and song. Volume I contains 100 unabridged tales, including those best-known around the world:Cinderella, Snow White, Rapunzel, Hansel And Gretel, and Little Red Cap [also known as Little Red Riding Hood ]. These wonderful tales of life, passion, and make-believe appeal not only to children-who unabashedly love them-but to readers of any age.Translated and with an introduction by Jack ZipesVolume 2 may be found here: http://www.goodreads.com/book/show/29...

    The Norwegian folktales, said Jacob Grimm, "surpass nearly all others."Within these captivating tales we meet witches, trolls, and ogres; sly foxes and great, mysterious bears; beautiful princesses and country-lads-turned-heroes. Collected here in a sparkling contemporary translation by Pat Shaw Iversen and Carl Norman, these tales brim with the matchless vitality and power of their original telling. Included also are the wonderfully evocative original illustrations of Erik Werenskiold and Theodor Kittelsen.

    Over 150 tales are compiled from Iceland to Syria, Cuba to Papua.Part of the Pantheon Fairy Tale and Folklore Library

    The unlikely thief, former child prodigy Benjamin Ziskind, is convinced that the painting once hung in his parents' living room. This work of art opens a door through which we discover his family's startling history--from an orphanage in Soviet Russia where Chagall taught to suburban New Jersey and the jungles of Vietnam.