In the tradition of Jonathan Tropper and Tom Perrotta comes Matthew Norman's Domestic Violets—a darkly comic family drama about one man’s improbable trials of love, loss, and ambition; of attraction, impotence, and infidelity; and of mid-life malaise, poorly-planned revenge, and the Pulitzer Prize for Fiction.

    After accidentally becoming the star of University of Alabama's football team, Forrest goes on to become a Vietnam War hero, a world-class Ping-Pong player, a villainous wrestler, and a business tycoon -- as he wonders with childlike wisdom at the insanity all around him. In between misadventures, he manages to compare battle scars with Lyndon Johnson, discover the truth about Richard Nixon, and survive the ups and downs of remaining true to his only love, Jenny, on an extraordinary journey through three decades of the American cultural landscape. Forrest Gump has one heck of a story to tell -- and you've got to read it to believe it...

    First published in 1927, this free verse poem has become an essential part of American literature.

    Taking place only months before the outbreak of World War One (and written during the conflict) it focuses on Hannay’s attempts to warn the government of an unfolding plot to steal Great Britain’s military plans. Throughout the book Hannay must escape from German spies and the British police, who falsely believe that he has murdered the very man who revealed the plot to him. The book would prove incredibly popular upon its release and has been cited as the first “man-on-the-run” style story which has been re-used in films in literature ever since. The novel itself has been adapted for the screen no less than four times.

    He came of age during the Haight-Ashbury period and has been called “the last of the Beats.” His early books became required reading for the hip generation, and on its publication Trout Fishing in America became an international bestseller. An indescribable romp, the novel is best summed up in one word: mayonnaise. This new edition includes an introduction by the poet Billy Collins, who first encountered Brautigan’s work as a student in California.

    With Mirabell? You call my blood into my face with mentioning that traitor. She durst not have the confidence. I sent her to negotiate an affair, in which if I'm detected I'm undone. If that wheedling villain has wrought upon Foible to detect me, I'm ruined. O my dear friend, I'm a wretch of wretches if I'm detected.

    Instead they find high rents, faithless partners, and dead-end careers. Offbeat, funny and bitingly satirical, "Slaves of New York" sheds an incomparable light on the city's denizens and social mores.

    They understand the agony of social awkwardness, the power of the perfect smoky eye, and the arm-(or wing)-flapping terror of having a bee in the car. In fact, these winged characters get into the same sticky situations we all do. They are Penguins with People Problems. So meet your favorite new flightless friends. They're brutally honest (except when they're lying), comically insecure, and totally relatable.

    It was directed by Tony Speciale; it was produced by Dixon Place; the original music was by Duncan Sheik; the visuals were by Matthew Sandager; and the clothing was by Paul Marlow.

    McQueen (no relation, unfortunately) seems to have a knack for bad luck. But a failed marriage, a stalled career, a judgmental ex-wife, a distant daughter, a horrid little studio apartment in the far reaches of the London suburbs-all these pathetic elements seem to pale in the chiseled face of his newest tormentor: the Twelfth Sexiest Man in the World, Josh Harper.Josh is the star of Mad, Bad, and Dangerous to Know, a biographical play about Lord Byron-and Stephen is his understudy. Not only is Josh fantastically, infuriatingly good-looking, internationally renowned, and remarkably talented, he's also frustratingly healthy. No matter how many all-night booze-and-coke benders Josh goes on, he always shows up at the stage door for his call like clockwork. Stephen doubts he'll ever get his chance to slip on the puffy shirt and tight breeches of Byron and tread the boards in the role that would certainly be the break he's always waited for.And just when Stephen's sure he couldn't resent Josh more, he meets Josh's witty, restless American wife, Nora . . . and discovers he likes her a little too much. Another man might curse his luck at finding that his potential dream woman is a rival's wife, but at this point, Stephen would expect nothing else. Caught between his stirring feelings for Nora, the demands of an insistent and secretive Josh, and his lifelong desire for a real career in show business, Stephen must make a terrible decision: Will it be the girl or the fame?A hapless, bumbling bloke in love, an arrogant megastar with a potpourri of addictions, a sexy married woman out of her element in the fast lane-David Nicholls brings them all together in this knockout romantic comedy.From the Hardcover edition.

    Told through Pinter’s unmistakable wit and poignant pauses, “The Dumb Waiter” is recognized for its exceptional writing and subtle character development.

    The main character of John Irving's second novel, written when the author was twenty-nine, is a perpetual graduate student with a birth defect in his urinary tract--and a man on the threshold of committing himself to a second marriage that bears remarkable resemblance to his first...."Three or four times as funny as most novels."THE NEW YORKERFrom the Paperback edition.

    Must be cheerful, enthusiastic and selfless--bordering on masochistic. Must relish sixteen-hour shifts with a deliberately nap-deprived preschooler. Must love getting thrown up on, literally and figuratively, by everyone in his family. Must enjoy the delicious anticipation of ridiculously erratic pay. Mostly, must love being treated like fungus found growing out of employers Hermès bag. Those who take it personally need not apply. Who wouldn't want this job? Struggling to graduate from NYU and afford her microscopic studio apartment, Nanny takes a position caring for the only son of the wealthy X family. She rapidly learns the insane amount of juggling involved to ensure that a Park Avenue wife who doesn't work, cook, clean, or raise her own child has a smooth day. When the X's' marriage begins to disintegrate, Nanny ends up involved way beyond the bounds of human decency or good taste. Her tenure with the X family becomes a nearly impossible mission to maintain the mental health of their four-year-old, her own integrity and, most importantly, her sense of humor. Over nine tense months, Mrs. X and Nanny perform the age-old dance of decorum and power as they test the limits of modern-day servitude. Written by two former nannies, The Nanny Diaries deftly punctures the glamour of Manhattan's upper class.

    She makes cheese balls (traditional and smoky) that sustain the existence of her entire religious community, Clusterhaven. However, she feels unappreciated among her Squeamish brethren, and she decides to try her luck in the outside world. Along the way, she meets a Cockney-speaking Ukrainian immigrant couple who find her a job waiting tables at Plymouth Crock, a family restaurant run almost entirely by recovering alcoholics. The alcoholics love her. The customers love her. Her Danderfrock fits right in. Things are going great for Liz, until she's offered a promotion to manager. Unfortunately, Liz has a sweating problem, and to get the job, she'll have to fix it. Meanwhile, back at Clusterhaven, Liz's compatriots just can't seem to duplicate her cheese ball recipe, and it's going to cost them their quaint, cloistered lifestyle. They are panic-stricken and desperate, and sure she sabotaged the recipe. Does Liz go through with the operation? Can the Squeamish be saved? Will the cheese balls ever taste good again?

    The New York production featured knockout performances by Sarah Jessica Parker and Amy Sedaris. Ben Brantley, in the "New York Times" wrote "clearly, Mr. Lindsay-Abaire hasn't lost his playfully wicked eye, equally appalled and affectionate . . . his style both embraces and spoofs the All-American appetite for spiritual lift, sitcom perkiness, and slimy tabloid prurience." A firm believer in destiny-and inspired by a Marilyn Monroe movie-Cass leaves her husband and boards a bus to Niagara Falls, where she hopes to meet the unknown man she believes herself fated to end up with. Along the way toward the inevitable climax on the brink of the waterfall, she checks items off her list of "things to do in life," and takes the audience on an often moving, always hilarious journey.