This is the story of how she grew up with them, mastered their ways, married one of their leaders, and became, in every way, a Comanche woman. It is also the story of a proud and innocent people whose lives pulsed with the very heartbeat of the land. It is the story of a way of life that is gone forever....

    Now, faced with the unknown they must rely on each other to survive. A new teacher, Sarah Reynold’s sets out to meet her father in the untamed territory of 1837 Georgia, where she is to become a teacher for children of the white settlers. While her father claims all is peaceful between the settlers and the Cherokee, there is much left unsaid. When she is saved from certain death by White Eagle, a bold Cherokee warrior opposed to his tribesmen renegade attack, he, too, is injured. As he fights to survive, they are thrust into the turmoil of the forced emigration of his people. Thrown together by circumstances not of their own making, Sarah and White Eagle overcome betrayal and tragedy to find a love strong enough to bring nations together.

    The day came when she was so hungry, so tired and worried, that she was reduced to going to Akersfield market and asking Dick Fletcher for help - Dick who had loved her years ago, who was now running his own successful market garden - and who was engaged to someone else. It was Dick who took her back home to her village in the dales, gave her a job, helped her to gain her self-respect again. But the time came when she knew she must stand on her own - make a life for herself and her daughters without him, and use all her courage and determination to become successful. It was to take many years, and all the tragedy of the 1914 war before Eleanor was able to repay Dick Fletcher for the great debt she owed him.

    Woodiwiss gifted the world with her groundbreaking love story, The Flame and the Flower. Now, twelve consecutive New York Times bestsellers later, "the first lady of the genre" (Publishers Weekly) returns with her most breathtaking masterwork to date—a glorious celebration of a secret love that is dangerous, irresistible, forbidden, and . . .Once, Abrielle's name was on the lips of every unwed nobleman in London as a proud exceptional lady coveted for her bearing, her breeding, her wit, and her beauty.But when her stepfather—respected for his courage and valor during the Crusades—is denied his rightful title and the wealth that accompanies it, Abrielle finds herself suddenly disgraced, no longer a suitable match for any proper gentleman. Only one would still have her, though he desires no more than physical pleasure: the oafish and grotesque Desmond de Marlé. His dark and scandalous reputation is legend, and Abrielle has heard rumors that his first two wives perished by his hand. Yet no one else can rescue her once-proud family's honor and keep her stepfather from debtor's prison, so she is left with no choice but to accept the cruel and hateful de Marlé's offer of marriage and sacrifice her virtue to a scoundrel she fears and detests . . . even as she yearns for another lover.Dashing, handsome, tall, and kind—a black-haired Scotsman with vivid blue eyes—Raven Seabern is an emissary for his king, and quite unlike any man Abrielle has ever encountered. From the very first moment their eyes meet, he intrigues and mesmerizes her—and dancing in his arms at a royal banquet leaves her weak with the desire to surrender. But their love can never be, for Abrielle is betrothed to a monster. And the well-being of everyone she cares for demands that she honor her promise. Still, the fire lit that night will not be doused. Raven knows he has found the true one and must never let her go—though secrets, deceptions, dishonor, and unimaginable peril will surely be their fate if they follow the dictates of their hearts.

    A large cast of vivid characters surrounds the young lovers as they work out their fates.'Previously published as THE SECOND KISS, 1972, by Gayle Rogers Brown'

    . . as a beautiful young mother falls victim to a brazen crime. . . and a seductive captor. . . .When her divorce was finally granted, Miranda Price thought the worst was behind her.  Now she could get on with her life, far from the public scrutiny and private misery that went along with being Representative Price's wife.  But when Miranda decides to take their young son on a vacation out West, she stumbles into a mother's worst nightmare.  Snatched off a train full of vacationing sightseers, she and her son become the captives of an enigmatic stranger.  Miranda knows she will do anything to save her child. . . even if it means fighting her own treacherous feelings for the man who holds her hostage. . . even if it means facing up to a shocking revelation that will make her question her past, her choices, and the woman she's become.

    Even if that means literally throwing herself at the Duke and risking her own ruination.No man is arguably more broken and debauched than Timothy Burton, the Duke of Marfront. But, according to his father’s will, he needs to wed and produce an heir. Only, he never sleeps with the same woman twice.When Diana finds herself bound to the same man she wanted to frame, she starts discovering not only his tender, guarded heart, but the big secret surrounding his mother’s death. For, she is about to follow her cold trail...

    To her astonishment she finds she enjoys the role, but unfortunately finds herself attracted to the haughty young earl. He too struggles with an attraction to his beautiful new maid, but has his mind set on pursuing a courtship with the much more appropriate Lady Claire. Who is Emily? Why is she hiding in the Earl's household? Can a case of mistaken identity lead to true love?

     Kate Hamilton is companion to the dullest and meanest woman in England, but she is looking forward to going home for Christmas and her sister Mary’s wedding. When her employer refuses to release her, Colonel Robert Woodgate comes to the rescue. Robert now owns Malton Manor, Kate’s old home in the village of Malton. Recently returned from the Boer War and recovering from his injuries, Robert has been reclusive and morose. Clashing several times over his plans and sweeping changes in the village, their relationship has always been tempestuous. But when Kate returns to Malton, she discovers her sister’s wedding is to take place at Malton Manor and everyone is convinced the Colonel has an ulterior motive. Can Kate resist the lure of her old home and the memories it holds? And does she have the courage to break down Robert’s defences to find happiness at last?

    Her plan is to travel to India instead—if only to find peace for her restless spirit and to escape the family she abhors. But Kate’s meddlesome mother has other plans. She makes a bargain with Kate: India, yes, but only after Kate has secured—and rejected—three marriage proposals.Kate journeys to the stately manor of Blackmoore determined to fulfill her end of the bargain and enlists the help of her dearest childhood friend, Henry Delafield. But when it comes to matters of love, bargains are meaningless and plans are changeable. There on the wild lands of Blackmoore, Kate must face the truth that has kept her heart captive. Will the proposal she is determined to reject actually be the one thing that will set her heart free?Set in Northern England in 1820, Blackmoore is a Regency romance that tells the story of a young woman struggling to learn how to follow her heart. It is Wuthering Heights meets Little Women with a delicious must-read twist.

    She covers him up and fetches help. Trouble is, she can't banish his muscular form from her dreams as easily. She finds herself compelled to put every detail down on canvas. What she doesn't know is that she's painting the infamous Duke of Weston, and that her life will never be the same.A second son, Anthony Philby thought he could flee his brutal family legacy and become his own man. Forced back to London by his brother's death, he inherits a fortune... with strings attached. One scandal will sink his bid for independence. It's in his best interest to burn Lucy Coover's shocking painting and pretend he never met the bewitching young artist. Instead, he finds himself offering a devil's bargain. He'll save her aunt's dressmaking shop from ruin, if she'll seek out his missing sister, Effie.As they work together, an unexpected passion ignites between them. But the hunt for Effie leads to unexpected danger, and soon they find themselves risking everything... for a love that might destroy them both.

    She learns that she can only expect joy when she has accepted who she really is. She must throw off the false expectations and wrong ideas that have combined to obscure her true nature and prevented her from what makes her happy. Only when she undergoes this evolution does she have a chance at finding fulfillment; only then does she have the clarity to recognize her partner when he presents himself—and only at that moment is she genuinely worthy of love.Mary’s destiny diverges from that of her sisters. It does not involve broad acres or landed gentry. But it does include a man; and, as in all Austen novels, Mary must decide whether he is the truly the one for her. In The Other Bennet Sister, Mary is a fully rounded character—complex, conflicted, and often uncertain; but also vulnerable, supremely sympathetic, and ultimately the protagonist of an uncommonly satisfying debut novel.

    She was not supposed to slide down drainpipes, play baseball in Central Park, or, worst of all, want to teach. Teaching was for impoverished young relatives, not for the heiress of the Brightingham fortune. When her father suddenly dies, leaving her wicked Uncle Edward as her trustee, she must resist his attempt to force her into a marriage that would bring her misery, no matter what the cost. She decides to leave the world behind. Julietta trades her fashionable dresses and dainty dancing shoes for serviceable travel clothes and sturdy boots. Dying her blond hair brown and donning her glasses, she travels incognito across the country to Grey Eagle, Montana, as Julie Bright, planning to take the position of school teacher, to begin a new life. But the handsome and dedicated young Sheriff, Jack White, takes one look at her and wants to send her packing. She is not what he expected as a teacher for his fledgling town. He knows trouble when he sees it. But for some reason, no matter what his instincts, he cannot make her leave. When the past finally catches up with her, he knows he'd move heaven and earth to keep her safe, and make her stay.

    Writing under another name, she’s been exposing the notorious scandals of the ton—this time it’s the “working girls” of London. While interviewing the women, a client enters, and Maggie is shocked to see her beau. She changes clothes with one of the girls and flees out the window, only to be whisked away by a stranger.Lord James is honoring a deathbed promise: watch over his late friend’s sister. Following Maggie to a house of ill repute, he’s stunned to see her emerge dressed as the notorious Lady X! Hard times must have driven her to such a desperate act, and he is intent on reforming the wanton chit. No amount of protest will stop him from saving her reputation. Now if only he can hold his own desires in check—and keep himself from falling in love.

    . . a novel inspired by the true-life love affair between Sigmund Freud and his sister-in-law, Minna Bernays.Minna Bernays is an overeducated woman with limited options. Fired yet again for speaking her mind, she finds herself out on the street and out of options. In 1895 Vienna, even though the city is aswirl with avant-garde artists and writers and revolutionary are still very few options for women besides marriage. And settling is not something Minna has ever done.Out of desperation, Minna turns to her older sister, Martha, for help. But Martha has her own problems — six young children, a host of physical ailments, a household run with military precision, and an absent, overworked, disinterested husband who happens to be Sigmund Freud. Freud is a struggling professor, all but shunned by his peers and under attack for his theories, most of which center around sexual impulses, urges, and perversions. While Martha is shocked and repulsed by her husband’s "pornographic" work, Minna is fascinated.Minna is everything Martha is not—intellectually curious, an avid reader, stunning. But while she and Freud embark on what is at first simply an intellectual courtship, something deeper is brewing beneath the surface, something Minna cannot escape.