Newly arrived in the hereafter, aka the Duration, Molly, thirty-five years old, is delighted to discover that she can still keep tabs on those she left behind: Annabel, her beloved four-year-old daughter; Lucy, her combustible twin sister; Kitty, her piece-of-work mother-in-law; Brie, her beautiful and steadfast best friend; and, of course, her husband, Barry, a plastic surgeon with more than a professional interest in many of his female patients. As a bonus, Molly quickly realizes that the afterlife comes with a finely tuned bullshit detector.As Molly looks on, her loved ones try to discern whether her death was an accident, suicide, or murder. She was last seen alive leaving for a bike ride through New York City’s Riverside Park; her body was found lying on the bank of the Hudson River. Did a stranger lure Molly to danger? Did she plan to meet someone she thought she could trust? Could she have ended her own life for mysterious reasons, or did she simply lose control of her bike? As the police question her circle of intimates, Molly relives the years and days that led up to her sudden end: her marriage, troubled yet tender; her charmed work life as a magazine decorating editor; and the irresistible colleague to whom she was drawn.More than anything, Molly finds herself watching over Annabel–and realizing how motherhood helped to bring out her very best self. As the investigation into her death proceeds, Molly will relive her most precious moments–and take responsibility for the choices in her life. Exploring the bonds of fidelity, family, and friendship, and narrated by a memorable and endearing character, The Late, Lamented Molly Marx is a hilarious, deeply moving, and thought-provoking novel that is part mystery, part love story, and all heart.

    Despite her own mother's warnings, Tessa has recently given up her career to focus on her family and the pursuit of domestic happiness. From the outside, she seems destined to live a charmed life. Valerie Anderson is an attorney and single mother to six-year-old Charlie—a boy who has never known his father. After too many disappointments, she has given up on romance—and even to some degree, friendships—believing that it is always safer not to expect too much.Although both women live in the same Boston suburb, the two have relatively little in common aside from a fierce love for their children.  But one night, a tragic accident causes their lives to converge in ways no one could have imagined.  In alternating, pitch-perfect points of view, Emily Giffin creates a moving, luminous story of good people caught in untenable circumstances. Each being tested in ways they never thought possible. Each questioning everything they once believed. And each ultimately discovering what truly matters most.

    Owen Lerner’s life. When the coin he’s feeding into a parking meter is struck by lightning, Lerner survives, except that now all he wants to do is barbecue. What will happen to his patients, who rely on him to make sense of their world? More important, what will happen to his family? The bolt of lightning that lifts Lerner into the air sends the entire Lerner clan into free fall. Mary Kay Zuravleff depicts family-on-family pain with generosity and devastating humor as she explores how much we are each allowed to change within a family—and without. Man Alive! captures Owen and Toni Lerner and their nearly grown children so vividly you’ll be looking over your shoulder to make sure the author hasn’t been watching your own family in action.

    Then Clover wakes up one morning to discover she's invisible--truly invisible. She panics, but when her husband and son sit down to dinner, nothing is amiss. Even though she's been with her husband, Arthur, since college, her condition goes unnoticed. Her friend Gilda immediately observes that Clover is invisible, which relieves Clover immensely--she's not losing her mind after all!--but she is crushed by the realization that neither her husband nor her children ever truly look at her. She was invisible even before she knew she was invisible.Clover discovers that there are other women like her, women of a certain age who seem to have disappeared. As she uses her invisibility to get to know her family and her town better, Clover leads the way in helping invisible women become recognized and appreciated no matter what their role.

    But Leo is soon thrown for a loop when he discovers that the lead singer of punk rock's most destructive band is his biological father.

    The suicide attempt led to her parents’ divorce, and David all but vanished from Eden’s life. Since childhood, she has heard from him only rarely, just enough to know he’s been living on the streets and struggling with mental illness. But lately, there has been no word at all.Now in her thirties, Eden decides to go look for her father, so she can forgive him at last, and finally move forward. When her search uncovers other painful truths—not only the secrets her mother has kept from her, but also the agonizing question of whether David, after all these years, even wants to be found—Eden is forced to decide just how far she’ll go in the name of love.

    His followers multiplied and he got the attention of everyone from celebrities to production studios to major media outlets such as Time and Glamour.  Now Dear Girls breaks out of the 140-character limit as Charlie imagines what would happen if he put the wisdom of the girls to the test.  After being unceremoniously dumped by the girl he was certain was “the one,” Charlie realized his neighbors’ conversations were not only amusing, but also offered him access to a completely uncensored woman’s perspective on the world. From the importance of effectively Facebook-stalking potential girlfriends and effortlessly pulling off pastel, to learning when in the early stages of dating is too presumptuous to bring a condom and how to turn food poisoning into a dieting advantage, the girls get Charlie into trouble, but they also get him out of it—without ever having a clue of their impact on him.

    With both Sarah and her cartoon heroine undergoing fertility treatments, her fiction often reflects her reality. However, she hadn't scripted her husband's infidelity. In the wake of her shattered marriage, Sarah flees to the coastal town in Northern California where she grew up. There, she revisits her troubling past: an emotionally distant father, the loss of her mother and an unexpected connection with Will Bonner, the high school heartthrob skewered mercilessly in her comics. But he's been through some changes himself. And just as her heart is about to reawaken, Sarah makes a most startling discovery. She's pregnant. The winds of change have led Sarah to this surprising new beginning. All she can do is just close her eyes...and breathe.

    Like her fictional forebears Kate Reddy and Bridget Jones, Alice plays many roles (which she never refers to as “wearing many hats” and wishes you wouldn’t, either). She is a mostly-happily married mother of three, an attentive daughter, an ambivalent dog-owner, a part-time editor, a loyal neighbor and a Zen commuter. She is not: a cook, a craftswoman, a decorator, an active PTA member, a natural caretaker or the breadwinner. But when her husband makes a radical career change, Alice is ready to lean in—and she knows exactly how lucky she is to land a job at Scroll, a hip young start-up which promises to be the future of reading, with its chain of chic literary lounges and dedication to beloved classics. The Holy Grail of working mothers―an intellectually satisfying job and a happy personal life―seems suddenly within reach.Despite the disapproval of her best friend, who owns the local bookstore, Alice is proud of her new “balancing act” (which is more like a three-ring circus) until her dad gets sick, her marriage flounders, her babysitter gets fed up, her kids start to grow up and her work takes an unexpected turn. Readers will cheer as Alice realizes the question is not whether it’s possible to have it all, but what does she―Alice Pearse―really want?

    Walter tells the story of Matt Prior, who’s losing his job, his wife, his house, and his mind—until, all of a sudden, he discovers a way that he might just possibly be able to save it all . . . and have a pretty damn great time doing it.

    Alas, her husband, Fletcher, a self-employed high-end cabinetmaker, now spurns the “toxic” dishes that he’d savored through their courtship, and devotes hours each day to manic cycling. Then, when Pandora picks up her older brother Edison at the airport, she doesn’t recognize him. In the years since they’ve seen one another, the once slim, hip New York jazz pianist has gained hundreds of pounds. What happened? After Edison has more than overstayed his welcome, Fletcher delivers his wife an ultimatum: It’s him or me.Rich with Shriver’s distinctive wit and ferocious energy, Big Brother is about fat: an issue both social and excruciatingly personal. It asks just how much sacrifice we'll make to save single members of our families, and whether it's ever possible to save loved ones from themselves.

    But now things are splintering apart, for one reason, it seems: Edie's enormous girth. She's obsessed with food--thinking about it, eating it--and if she doesn't stop, she won't have much longer to live. When Richard abandons his wife, it is up to the next generation to take control. Robin, their schoolteacher daughter, is determined that her father pay for leaving Edie. Benny, an easy-going, pot-smoking family man, just wants to smooth things over. And Rachelle-- a whippet thin perfectionist-- is intent on saving her mother-in-law's life, but this task proves even bigger than planning her twin children's spectacular b'nai mitzvah party. Through it all, they wonder: do Edie's devastating choices rest on her shoulders alone, or are others at fault, too?With pitch-perfect prose, huge compassion, and sly humor, Jami Attenberg has given us an epic story of marriage, family, and obsession. The Middlesteins explores the hopes and heartbreaks of new and old love, the yearnings of Midwestern America, and our devastating, fascinating preoccupation with food.

    With her world spinning wildly out of her control, Lucy decides to make a new start and moves upstate to live with her sister and nephew.But then things take an even more dramatic turn: A fatal encounter with public transportation lands Lucy not in the hereafter but in the nearly hereafter. She’s back in school, learning the parameters of spooking and how to become a successful spirit in order to complete a ghostly assignment. If Lucy succeeds, she’s guaranteed a spot in the next level of the afterlife—but until then, she’s stuck as a ghost in the last place she would ever want to be.Trying to avoid being trapped on earth for all eternity, Lucy crosses the line between life and death and back again when she returns home. Navigating the perilous channels of the paranormal, she’s determined to find out why her life crumbled and why, despite her ghastly death, no one seems to have noticed she’s gone. But urgency on the spectral plane—in the departed person of her feisty grandmother, who is risking both their eternal lives—requires attention, and Lucy realizes that you get only one chance to be spectacular in death.

    “F. Scott Fitzgerald said that there are no second acts in American lives. I have no idea what that means but I believe that in quoting him I appear far more intelligent than I am. I don’t know about second acts, but I do think we get second chances, fifth chances, eighteenth chances. Every day we get a fresh chance to live the way we want.” FINBAR DOLAN is lost and lonely. Except he doesn’t know it. Despite escaping his blue-collar Boston upbringing to carve out a mildly successful career at a Madison Avenue ad agency, he’s a bit of a mess and closing in on forty. He’s recently called off a wedding. Now, a few days before Christmas, he’s forced to cancel a long-postponed vacation in order to write, produce, and edit a Super Bowl commercial for his diaper account in record time. Fortunately, it gets worse. Fin learns that his long-estranged and once-abusive father has fallen ill. And that neither of his brothers or his sister intend to visit. It’s a wake-up call for Fin to reevaluate the choices he’s made, admit that he’s falling for his coworker Phoebe, question the importance of diapers in his life, and finally tell the truth about his past. Truth in Advertising is debut novelist John Kenney’s wickedly funny, honest, at times sardonic, and ultimately moving story about the absurdity of corporate life, the complications of love, and the meaning of family.

    Now, almost three decades after their relationship first blossomed in London, they live more or less happily in the suburbs with their moody seventeen-year-old son, Albie; then Connie tells him she thinks she wants a divorce.The timing couldn’t be worse. Hoping to encourage her son’s artistic interests, Connie has planned a month-long tour of European capitals, a chance to experience the world’s greatest works of art as a family, and she can’t bring herself to cancel. And maybe going ahead with the original plan is for the best anyway. Douglas is privately convinced that this landmark trip will rekindle the romance in the marriage and might even help him bond with Albie.Narrated from Douglas’s endearingly honest, slyly witty, and at times achingly optimistic point of view, Us is the story of a man trying to rescue his relationship with the woman he loves and learning how to get closer to a son who’s always felt like a stranger.