Then, hours later, Flavia finds a man lying in the cucumber patch and watches him as he takes his dying breath.For Flavia, who is both appalled and delighted, life begins in earnest when murder comes to Buckshaw. “I wish I could say I was afraid, but I wasn’t. Quite the contrary. This was by far the most interesting thing that had ever happened to me in my entire life.”

    Should Anything Else Matter?Zora Nella Hampton Johnson knows exactly where she comes from—and her daddy won't let her forget. Of course for that privilege he keeps her in Prada and Kate Spade, Coach and YSL. He chooses her boyfriend, her car, her address, and ignores her love of painting, art, and the old ways of her grandaddy's soulful AME church—where the hymns pleaded, cajoled, and raised the roof. Her daddy may be a preacher, but some-where among the thousands of church members, the on-site coffee house, and the JumboTron, Zora lost God. And she wants Him back.Nicky Parker, a recent graduate of Berkeley and reformed playboy, also suffers the trials of being a preacher's kid, and he can't remember the last time he saw eye-to-eye with his white, racist, Southern Baptist father. What he does remember—and it will be forever burned in his brain despite myriad prayers to Jesus—is the way Zora looked the first time he saw her. Like Nefertiti. Only better. When they meet at a bible study far from their respective home churches, the first churlish, sarcastic sparks that fly sizzle with defensiveness. But God has a special way of feeding the flames and though of different flocks, these two lost sheep will find Him and much, much more.Click Here to listen to an interview with Claudia Mair Burney.

    The enchanting story of two unlikely friends, a black ex-GI and the head of a group of German nuns, The Lilies of the Field tells the story of their impossible dream--to build a chapel in the desert.

    But in the summer of 1989, when fifteen-year-old Lindy Simpson--free spirit, track star, and belle of the block--experiences a horrible crime late one evening near her home, it becomes apparent that this idyllic stretch of Southern suburbia has a dark side, too. In My Sunshine Away, M.O. Walsh brilliantly juxtaposes the enchantment of a charmed childhood with the gripping story of a violent crime, unraveling families, and consuming adolescent love. Acutely wise and deeply honest, it is an astonishing and page-turning debut about the meaning of family, the power of memory, and our ability to forgive.

    But with his foul mouth comes a heart of gold, and he's going to need it to get through the last weekend of summer 1984. Everyone up and down St. Patrick Street, Henry's claustrophobic Irish-Catholic block in Philadelphia -- with its seventy-eight row homes, seventy-eight skinny mile-high lawns, seventy-eight statues of saints, and seventy-eight Mondale-Ferraro signs -- knows that the Toohey family is falling apart. Henry's mailman father is having an affair with a neighbor lady right under his mother's nose. His big brother has been a drunken mess since his girlfriend died. And his little sister is counting on him to keep her laughing through it all. But Henry has a plan to pull the family back together: He'll propose to his chain-smoking fourteen-year-old girlfriend, Grace McClain, at a neighborhood wedding. To prepare, he and his ragtag group of friends pinball around the streets, making elaborate plans for his proposal, riding bikes, rating breasts, bothering the local merchants, talking trash about Mike Schmidt and Bob Seger, and kissing behind the seafood-store dumpster. Gritty, giddy, and bursting with Henry's boundless energy, Green Grass Grace is a heart-thumping rocket ride back to adolescence that is riotously funny and tragic at the same time.

    She's undignified and bad-tempered, and at age seventeen she's much too young. In addition, no prophet of Parne has ever been a girl. Worst of all, as Parne's elders often warn, if she agrees to become the Infinite's prophet, Ela knows she will die young.Yet she can't imagine living without Him. Determined to hear the Infinite's voice, Ela accepts the sacred vinewood branch and is sent to bring the Infinite's word to a nation torn apart by war. There she meets a young ambassador determined to bring his own justice for his oppressed people. As they form an unlikely partnership, Ela battles how to balance the leading of her heart with the leading of the Infinite.

    J. Caruso, and starring Alex Pettyfer, Timothy Olyphant, Teresa Palmer, Dianna Agron, Kevin Durand and Callan McAuliffe. The film is based on the novel I Am Number Four, the first book in a planned six-book series written by authors Jobie Hughes and James Frey and published by HarperCollins. The screenplay was adapted by Al Gough and Miles Millar, and Michael Bay and Steven Spielberg are producing the film through DreamWorks Studios. The Hollywood Reporter projected the budget to be between $50 and $60 million for the film; a February 18, 2011 release date is scheduled.

    Davis Prize for Fiction "Storm Riders examines the conflicted love of a single father struggling to raise his adopted Native American son, who was born with fetal alcohol syndrome. When a small girl mysteriously drowns near a student-housing complex, the boy is implicated and the father wrestles with his own doubt, guilt, and responsibility. Bringing to life the austere beauty of the Tlingit Alaskan village of the boy's family, as well as the highly educated pockets of the East Coast, Lesley vividly portrays a father and a son struggling to come to terms with each other and above all, with the truth. This novel, as "The Chicago Tribune noted, is "a powerful tale with a strong emotional core."