This lens is the secret of narration, and it is ground anew in every story, ground between the temporal and the timeless . . . . In our brief mortal lives, we are grinders of these lenses."This brooding, provocative, and almost unbearably lovely book displays one of the great writers of our time at his freest and most direct, addressing the themes that run beneath the surface of all his work, from Ways of Seeing to his Into Their Labours trilogy.In an extraordinary distillation of his gifts as a novelist, poet, art critic, and social historian, John Berger reveals the ties between love and absence, the ways poetry endows language with the assurance of prayer, and the tensions between the forward movement of sexuality and the steady backward tug of time. He re-creates the mysterious forces at work in a Rembrandt painting, transcribes the sensorial experience of viewing lilacs at dusk, and explores the meaning of home to early man and to the hundreds of thousands of displaced people in our cities today.A work of unclassifiable innovation and consummate beauty, And Our Faces, My Heart, Brief as Photos reminds us of Nabokov and Auden, Brecht and Lawrence, in its seamless fusion of the political and the personal.

    As far as his eyes could see, he was the only one left alive. You might think he was pretty upset about the whole situation and he was, for awhile. There were dead bodies and nothing but desolation and it's true that he sat around a lot and wished that he was dead, too. For a long time he wondered why he remained and all the others were taken. Then he thought, it doesn't matter. It just is. Anyway, sitting around just got boring. So he equipped himself with tools and weapons and set out with his faithful sidekick so see what there was left to see and do what there was left to do. He wasn't disappointed, because since the fall of Humanity, the world had changed in a thousand different ways too small to notice at first and some so fantastic he couldn't believe it. As the days passed into weeks, he discovered something amazing: there really are monsters in the dark." What if a pandemic plague struck the planet and when you woke up one morning, everyone else was dead? What if you were a fourteen year old boy with an excellent imagination and the will to survive? What if you found that something else was out there, hunting you? This is the story of Brady, a teenager who quickly discovers that although people may be scarce in the world of the Abandonment, other things are arising to take their place. He is master of all he surveys but discovers that the world has changed and that he has gained some new exciting abilities. With no adults to tell him what to do and no peers to judge him, Brady discovers that he is capable of great deeds and this is a good thing, because things long quiet are waking up from the sleep of ages. With his faithful dog, Max, and a host of non-human assistants, Brady discovers that there are monsters in the dark and that deep within his own heart, a hero dwells. This post-apocalyptic novel straddles the line between fantasy and magic surrealism and is intended for teenage audiences and beyond. Half survival tale and half magical odyssey, this is a hero's journey into the darkness of the monster's lair and back out again. Action, horror, and mystery blend together with a sense of wonder and loss at a world gone forever. If the world ended tomorrow and you were still alive, then what? In this novel, the main character decides to survive and finds that, aside from food, water and a safe place to sleep, his most necessary tool for survival is imagination and a good, sharp sword! This novel is lavishly illustrated with 50 beautifully crafted drawings by Brian Estes. The story is set in the present-day cities of Bangor and Brewer in central Maine after the advent of an airborne virus has destroyed all but a few humans on earth. Unless these people can find each other, the species is doomed to extinction. This reconnection of the few straggling survivors becomes one of the central themes of the story. Perfect for readers looking for adventure, ghosts, werewolves, and things coming to life that were never meant to do so. A ripping good tale!

    Her mind, body, and soul. This book might make you cry, fill you with nostalgia, empower you, or even give you hope. You might not see eye to eye with every idea inside, but with any luck you’ll see your soul reflected in its pages. You will question things. You will remember your past. You will be thankful for your present. You will dream a new dream. Above all, you will feel. Welcome to the journey of Eighteen Inches, a battlefield between a woman’s beat-up heart and her complex mind.

    our darkest times are where we grow the most, so in this book, i share mine, and together, we learn how to heal.

    Haunted by their childhoods of material and emotional poverty, Jimmy and Rita float through days in urban San Francisco.

    Rhythmic. Original. Authentic. Inspiring. A journey to the center of the soul, Inquire Within is a provocative and entertaining debut from an award-winning poet. You’ll never look at poetry the same way again.

    Soul comes her highly anticipated second collection of poetry, prose, illustrations, and wisdom. Her messages grapple with relationships: interpersonal relationships, her relationship with herself, and the relationship between poetry and the world. Unchaptered and raw, Between You and These Bones reads much like a memoir or meditation yet maintains all the musicality of poetry.

    Wonder at Medusa's potent venom, Circe's fierce sorcery and Athena rising up over Olympus, as Nikita Gill majestically explores the untold stories of the life bringers, warriors, creators, survivors and destroyers that shook the world - the great Greek Goddesses.Vividly re-imagined and beautifully illustrated, step into an ancient world transformed by modern feminist magic.'I watch Girl become Goddessand the metamorphosis is moremagnificent than anythingI have ever known.'

     Swimming Lessons explores the euphoric beginnings of young love, battling anxiety and depression in the face of fame, and the inevitable heartbreak that stems from passion. Relatable yet deeply intimate, provocative yet comforting, bite-sized yet profound, Lili's poems reflect her trademark honesty and unique perspective. Accompanied by striking and evocative illustrations, Swimming Lessons reveals the depths of female experience, and is the work of a storyteller who is coming into her own.

    small chapbook of poems about an almost love.

    Between 1927 and 1930, the three made up the core of an avant-garde literary group called OBERIU (from an acronym standing for The Union of Real Art). It was a movement so artfully anarchic, and so quickly suppressed, that readers only began to discover its strange and singular brilliance three decades after it was extinguished—and then only in samizdat and émigré publications. Some called it the last of the Russian avant-garde, and others called it the first (and last) instance of Absurdism in Russia. Though difficulty to pigeon-hole, OBERIU and the pleasures of its poetry and prose are, with this volume, at long last fully open to English-speaking readers. Skillfully translated to preserve the weird charm of the originals, these poems and prose pieces display all the hilarity and tragedy, the illogical action and puppetlike violence and eroticism, and the hallucinatory intensity that brought down the wrath of the Soviet censors. Today they offer an uncanny reflection of the distorted reality they reject.

    S. Merwin. The book is an intriguing set of variations on the theme of identity. Arnold plays on the idea of the shell as both the dazzling surface of the self and a hard case that protects the self against the assaults of the world. His poems narrate amatory and culinary misadventures. “Friendships based on food,” Arnold writes, “are rarely stable”—this book is full of wildly unstable and bewitching friendships and other significant relations.

    She could feel evil lurking around her, but she couldn’t do anything about it. Too bad she wasn’t cut out to be a hunter like her father. If only she was stronger, she could’ve avenged her mother. She is willing to do everything…even seducing an incubus, if it’s the only way to satisfy her thirst for revenge. With a demon hunter’s blood running through her veins, Rainelle could only hope.

    Pieces of Air in the Epic is the second book of a tetrology that takes the elements--earth, air, water, fire--as its subject. As Hillman's previous collection, Cascadia, explores "earth," the present collection considers "air"--the many meanings of the word and the life-giving medium we breathe--to test a reality that is both political and personal.These formally inventive poems reexamine epic and lyric, braiding fact and dream, the social with the self. Hypnotic, spare verses use air on the page as a matrix for cultural healing; some are presided over by a feminine presence and address war in human history, while others are set in streets, parks and wilderness. There are meditations on auras, dust motes, and reading in libraries as acts of restorative memory. This work fuses animist consciousness with cautionary prophecy, and belongs to the mode of H.D. and Robert Duncan. Hillman's poetry continues to explore ways in which human life might be redeemed by imagination.

    Harryette Mullen is the mixer. Street, jive, down-home post-mod speech meet at the meat market. Food may be the subject of these short prose-poems, but look at us, teasing ourselves with endless adverts to buy, consume more and better - so long as its packaged right, full color box and shrink-wrapped.