Gods disguised as beggars and beasts, animals enacting Machiavellian intrigues, sagacious jesters and magical storytellers, wise counselors and foolish kings--all inhabit a fabular world, yet one that is also firmly grounded in everyday life. Here is an indispensable guide to India's ageless folklore tradition.With black-and-white illustrations throughoutPart of the Pantheon Fairy Tale and Folklore Library

    But it,s totally worth it.In these supernatural stories by five of today's hottest writers—Melissa Marr (Wicked Lovely), Scott Westerfeld (Specials), Justine Larbalestier (Magic or Madness), Gabrielle Zevin (Elsewhere), and Laurie Faria Stolarz (Blue is for Nightmares)—love may be twisted and turned around, but it's more potent than ever on its quest to conquer all.From two students who let the power of attraction guide them to break the hard-and-fast rules of their world to the girl who falls hard for a good-looking ghost with a score to settle, the clever, quirky characters in this exciting collection will break your heart, then leave you believing in love more than ever.

    She appears in traditional Russian folktales as a monstrous and hungry cannibal, or as a canny inquisitor of the adolescent hero or heroine of the tale. In new translations and with an introduction by Sibelan Forrester, Baba Yaga: The Wild Witch of the East in Russian Fairy Tales is a selection of tales that draws from the famous collection of Aleksandr Afanas'ev, but also includes some tales from the lesser-known nineteenth-century collection of Ivan Khudiakov. This new collection includes beloved classics such as "Vasilisa the Beautiful" and "The Frog Princess," as well as a version of the tale that is the basis for the ballet "The Firebird."The preface and introduction place these tales in their traditional context with reference to Baba Yaga's continuing presence in today's culture--the witch appears iconically on tennis shoes, tee shirts, even tattoos. The stories are enriched with many wonderful illustrations of Baba Yaga, some old (traditional "lubok" woodcuts), some classical (the marvelous images from Victor Vasnetsov or Ivan Bilibin), and some quite recent or solicited specifically for this collection

    These legends tell the stories behind many prominent natural features in and around Vancouver.

    In every culture, in every age, in every place and, probably, in every heart, there is magic. This non-fiction short-form eBook features content which is adapted from the audiobook Harry Potter: A History of Magic – inspired by the British Library exhibition of the same name.How to become invisible, to make someone fall in love with you, to transform into another creature: these are all things that people have believed in, yearned for, or feared, throughout history. Spells and charms have captured the imagination for hundreds of years. Warding off evil is also something that has concerned people throughout history. From werewolves to all manner of snakes in the wizarding world, you’d learn how to face a number of strange and frightening forces in Defence Against the Dark Arts classes. This eBook short examines the colourful characters and curious incidents of the real history of magic, and how they relate to the Hogwarts lesson subjects of Charms and Defence Against the Dark Arts from the Harry Potter stories.

    The Montgomeries, distinguished folklorists, gathered traditional stories from all parts of Scotland. Their collection, first published in 1956, became a classic of the storytelling tradition, with the stories retold in a simple, dramatic style, appealing to adult and child alike. Now republished by Birlinn Ltd in a handsome gift edition and illustrated with Norah Montgomerie's own original drawings, it is a book to be treasured for years as the key to an enchanted, timeless world.

    It can also be as dark, as violent, as rapturous. In the end, there may be no difference between them.A girl grows up in Nunavut in the 1970s. She knows joy, and friendship, and parents' love. She knows boredom, and listlessness, and bullying. She knows the tedium of the everyday world, and the raw, amoral power of the ice and sky, the seductive energy of the animal world. She knows the ravages of alcohol, and violence at the hands of those she should be able to trust. She sees the spirits that surround her, and the immense power that dwarfs all of us. When she becomes pregnant, she must navigate all this.Veering back and forth between the grittiest features of a small arctic town, the electrifying proximity of the world of animals, and ravishing world of myth, Tanya Tagaq explores a world where the distinctions between good and evil, animal and human, victim and transgressor, real and imagined lose their meaning, but the guiding power of love remains.Haunting, brooding, exhilarating, and tender all at once, Tagaq moves effortlessly between fiction and memoir, myth and reality, poetry and prose, and conjures a world and a heroine readers will never forget.

    Here is the first time that best-selling fantasy, YA, and crime author Kelley Armstrong has had her stories collected from Otherworld and beyond. With her signature twists and turns, Armstrong gives a fresh spin on city-dwelling vampires, werewolves, and zombies, while also traveling further afield, to a post-apocalyptic fortress, a superstitious village, a supernatural brothel, and even to feudal Japan.With tales that range from humorous to heart-stopping, these are the stories that showcase Kelley Armstrong at her versatile best.- Rakshashi (standalone)- Kat (Darkest Powers universe, non-series narrator)- A Haunted House of Her Own (standalone)- Learning Curve (Otherworld universe, Zoe)- The Screams of Dragons (#0.5 Cainsville universe, non-series narrator)- The Kitsune’s Nine Tales (Age of Legends universe, non-series narrator)- Last Stand (standalone)- Bamboozled (Otherworld universe, non-series narrator)- Branded (Otherworld universe, non-series narrator)- The List (Otherworld universe, Zoe)- Young Bloods (Otherworld universe, non-series narrator)- The Door (standalone, original to this collection)- Dead Flowers by a Roadside (standalone)- Suffer the Children (standalone)- The Collector (standalone)- Gabriel’s Gargoyles (#3.1 Cainsville universe, Gabriel)- Harbinger (standalone)- V Plates (Otherworld universe, Nick)- Life Sentence (Otherworld universe, non-series narrator)- Plan B (standalone)- The Hunt (#4.1 Cainsville universe, non-series narrator)- Dead to Me (standalone)- Devil May Care (#4.2 Cainsville universe, Patrick, original to this collection)

    Among those you'll investigate are the accounts of the creation of the world in Hesiod's Theogony and Ovid's Metamorphoses; the gods Zeus, Apollo, Demeter, Persephone, Hermes, Dionysos, and Aphrodite; the Greek heroes, Theseus and Heracles (Hercules in the Roman version); and the most famous of all classical myths, the Trojan War.Professor Vandiver anchors her presentation in some basics. What is a myth? Which societies use myths? What are some of the problems inherent in studying classical mythology? She also discusses the most influential 19th- and 20th-century thinking about myth's nature and function, including the psychological theories of Freud and Jung and the metaphysical approach of Joseph Campbell. You'll also consider the relationship between mythology and culture (such as the implications of the myth of Demeter, Persephone, and Hades for the Greek view of life, death, and marriage), the origins of classical mythology (including the similarities between the Theogony and Mesopotamian creation myths), and the dangers of probing for distant origins (for example, there's little evidence that a prehistoric "mother goddess" lies at the heart of mythology).Taking you from the surprising "truths" about the Minotaur to Ovid's impact on the works of William Shakespeare, these lectures make classical mythology fresh, absorbing, and often surprising.Disclaimer: Please note that this recording may include references to supplemental texts or print references that are not essential to the program and not supplied with your purchase.©2000 The Teaching Company, LLC (P)2000 The Great Courses

    

    And still, today, a wealth of novels, plays and films draw their inspiration from stories first told almost three thousand years ago. But modern tellers of Greek myth have usually been men, and have routinely shown little interest in telling women’s stories.Now, in Pandora’s Jar, Natalie Haynes – broadcaster, writer and passionate classicist – redresses this imbalance. Taking Greek creation myths as her starting point and then retelling the four great mythic sagas: the Trojan War, the Royal House of Thebes, Jason and the Argonauts, Heracles, she puts the female characters on equal footing with their menfolk. The result is a vivid and powerful account of the deeds – and misdeeds - of Hera, Aphrodite, Athene and Circe. And away from the goddesses of Mount Olympus it is Helen, Clytemnestra, Jocasta, Antigone and Medea who sing from these pages, not Paris, Agamemnon, Orestes or Jason.

    Magic was a part of everyday life for Kirk and his fellow Highlanders, and this remarkable book offers rare glimpses into their enchanted realm.Left in manuscript form upon the author's death in 1692, this volume was first published in 1815 at the behest of Sir Walter Scott. In 1893, the distinguished folklorist Andrew Lang re-edited the work. Lang's introduction to Kirk's extraordinary blend of science, religion, and superstition is included in this edition. For many years, The Secret Commonwealth was hard to find — available, if at all, only in scholarly editions. Academicians as well as lovers of myths and legends will prize this authoritative but inexpensive edition.

    There are stories of love and desire, adventure and magic, destructive gods, helpless humans, fantastical creatures, resourceful witches and the origins of birds and animals. This is a world of extremes, and one that resonates deeply with our own: mysterious diseases devastate cities; environmental disasters tear lives apart; women habitually suffer violence at the hands of men.Unlike in many previous collected myths, female characters take centre stage - Athena, Helen, Circe, Penelope and others weave these stories into elaborate imagined tapestries. In Charlotte Higgins's thrilling new interpretation, their tales combine to form a dazzling, sweeping epic of storytelling, and a magnificent work of scholarship and imagination.'Startlingly fresh... This excellent book should delight many generations of story lovers to come.' Guardian

    In this book, Marie-Louise von Franz uncovers some of the important lessons concealed in tales from around the world, drawing on the wealth of her knowledge of folklore, her experience as a psychoanalyst and a collaborator with Jung, and her great personal wisdom. Among the many topics discussed in relation to the dark side of life and human psychology, both individual and collective, are:- How different aspects of the "shadow"--all the affects and attitudes that are unconscious to the ego personality--are personified in the giants and monsters, ghosts, and demons, evil kings, and wicked witches of fairy tales - How problems of the shadow manifest differently in men and women - What fairy tales say about the kinds of behavior and attitudes that invite evil - How Jung's technique of Active imagination can be used to overcome overwhelming negative emotions - How ghost stories and superstitions reflect the psychology of grieving - What fairy tales advise us about whether to struggle against evil or turn the other cheekDr. von Franz concludes that every rule of behavior that we can learn from the unconscious through fairy tales and dreams is usually a paradox: sometimes there must be a physical struggle against evil and sometimes a contest of wits, sometimes a display of strength or magic and sometimes a retreat. Above all, she shows the importance of relying on the central, authentic core of our being--the innermost Self, which is beyond the struggle between the opposites of good and evil.

    Influenced by works such as Don Juan, and the novels of Kafka, these essays begin with a meditation on suicide: the question of living or not living in an absurd universe devoid of order or meaning. With lyric eloquence, Camus posits a way out of despair, reaffirming the value of personal existence, and the possibility of life lived with dignity and authenticity.