Nestled in a beautiful hollow of the Appalachians, his is a tight-knit community rife with secrets and suspicious of outsiders.Becky, a park ranger, arrives in this remote patch of North Carolina hoping to ease the anguish of a harrowing past. Searching for tranquility amid the verdant stillness, she finds solace in poetry and the splendor of the land. A vicious crime will plunge both sheriff and ranger into deep and murky waters, forging an unexpected bond between them. Caught in a vortex of duplicity, lies, and betrayal, they must navigate the dangerous currents of a tragedy that turns neighbor against neighbor—and threatens to sweep them all over the edge.

    Before she can reveal it to Kate, the Globe is burned to the ground and Roz is found dead--murdered in the strange manner of Hamlet's father.Inside the box, Kate finds the first piece in a Shakespearean puzzle, setting her on a deadly, high-stakes treasure hunt. From London to Harvard to the American West, Kate races to evade a killer and solve a tantalizing string of clues hidden in the words of Shakespeare, which may unlock one of history's greatest secrets. But Kate is not alone in this hunt, and the buried truth threatens to come at the ultimate cost.

    Known for her knowledge of the region's past and popular with the locals, Deb is asked by 18-year-old Gayle Whitehead to investigate the unsolved murder of her mother Janie, who died when Gayle was an infant. While visiting the owner of the property where Janie's body was found, Deb learns of Janie's more-than-promiscuous past. Piecing together lost clues and buried secrets Deb is introduced to Janie's darker side, but it's not until another murder occurs that she uncovers the truth.

    In the midst of Mardi Gras, Benjamin January, a Creole physician and music teacher, is playing piano at the Salle d'Orleans when the evenings festivities are interrupted--by murder.Ravishing Angelique Crozat, a notorious octoroon who travels in the city's finest company, has been strangled to death. With the authorities reluctant to become involved, Ben begins his own inquiry, which will take him through the seamy haunts of riverboatmen and into the huts of voodoo-worshipping slaves.But soon the eyes of suspicion turn toward Ben—for, black as the slave who fathered him, this free man of color is still the perfect scapegoat....

    Stranded without luggage or money in the Irish countryside, she figures any job is better than none. The perk? Housesitting a lovely cliffside cottage. The catch? The ghost of the cottage's murdered owner haunts the place. Falsely accused of killing his wife (and himself), he begs Gethsemane to clear his name so he can rest in peace. Gethsemane's reluctant investigation provokes a dormant killer and she soon finds herself in grave danger. As Gethsemane races to prevent a deadly encore, will she uncover the truth or star in her own farewell performance?

    But when an employer stiffs her, and her checks bounce, she goes on the lam, hiding out as a maid for a wealthy family at their summer home. That plan goes awry when there’s a murder and Blanche becomes the prime suspect. So she’s forced to use her savvy, her sharp wit, and her old-girl network of domestic workers to discover the truth and save her own skin. Along the way, she lays bare the quirks of southern society with humor, irony, and a biting commentary that makes her one of the most memorable and original characters ever to appear in mystery fiction.

    A plantation owned for generations by a rich family. So much history. And a dead body.Just after dawn, Caren walks the grounds of Belle Vie, the historic plantation house in Louisiana that she has managed for four years. Today she sees nothing unusual, apart from some ground that has been dug up by the fence bordering the sugar cane fields. Assuming an animal has been out after dark, she asks the gardener to tidy it up. Not long afterwards, he calls her to say it's something else. Something terrible. A dead body. At a distance, she missed her. The girl, the dirt and the blood. Now she has police on site, an investigation in progress, and a member of staff no one can track down. And Caren keeps uncovering things she will wish she didn't know. As she's drawn into the dead girl's story, she makes shattering discoveries about the future of Belle Vie, the secrets of its past, and sees, more clearly than ever, that Belle Vie, its beauty, is not to be trusted. A magnificent, sweeping story of the south, The Cutting Season brings history face-to-face with modern America, where Obama is president, but some things will never change. Attica Locke once again provides an unblinking commentary on politics, race, the law, family and love, all within a thriller every bit as gripping and tragic as her first novel, Black Water Rising.

    Now, with his brilliant portrait of Luce, a young woman who inherits her murdered sister's troubled twins, Frazier has created his most memorable heroine.Before the children, Luce was content with the reimbursements of the rich Appalachian landscape, choosing to live apart from the small community around her. But the coming of the children changes everything, cracking open her solitary life in difficult, hopeful, dangerous ways.Charles Frazier is known for his historical literary odysseys, and for making figures in the past come vividly to life. Set in the twentieth century, Nightwoods resonates with the timelessness of a great work of art.

    When someone makes a present of one to Nero Wolfe, Archie Goodwin knows he's getting dreadfully close to solving the devilishly clever murders of an immigrant and a college president. As for Wolfe, he's playing snake charmer in a case with more twists than an anaconda -- whistling a seductive tune he hopes will catch a killer who's still got poison in his heart.

    He never imagines he would encounter anyone whose intellect matched his own, much less an audacious teenage girl with a penchant for detection. Miss Mary Russell becomes Holmes's pupil and quickly hones her talent for deduction, disguises and danger. But when an elusive villain enters the picture, their partnership is put to a real test.

    In 1933, the year that forms the centerpiece of the narrative, Harry is 11 years old and living with his mother, father, and younger sister on a farm outside of Marvel Creek, Texas, near the Sabine River bottoms. Harry's world changes forever when he discovers the corpse of a young black woman tied to a tree in the forest near his home. The woman, who is eventually identified as a local prostitute, has been murdered, molested, and sexually mutilated. She is also, as Harry will soon discover, the first in a series of similar corpses, all of them the victims of a new, unprecedented sort of monster: a traveling serial killer.From his privileged position as the son of constable (and farmer and part-time barber) Jacob Collins, Harry watches as the distinctly amateur investigation unfolds. As more bodies -- not all of them "colored" -- surface, the mood of the local residents darkens. Racial tensions -- never far from the surface, even in the best of times -- gradually kindle. When circumstantial evidence implicates an ancient, innocent black man named Mose, the Ku Klux Klan mobilizes, initiating a chilling, graphically described lynching that will occupy a permanent place in Harry Collins's memories. With Mose dead and the threat to local white women presumably put to rest, the residents of Marvel Creek resume their normal lives, only to find that the actual killer remains at large and continues to threaten the safety and stability of the town.Lansdale uses this protracted murder investigation to open up a window on an insular, poverty-stricken, racially divided community. With humor, precision, and great narrative economy, he evokes the society of Marvel Creek in all its alternating tawdriness and nobility, offering us a varied, absolutely convincing portrait of a world that has receded into history. At the same time, he offers us a richly detailed re-creation of the vibrant, dangerous physical landscapes that were part of that world and have since been buried under the concrete and cement of the industrialized juggernaut of the late 20th century. In Lansdale's hands, the gritty realities of Depression-era Texas are as authentic -- and memorable -- as anything in recent American fiction.

    Mischievous socialite Anna Blanc could match wits with Sherlock Holmes, but in her world women are not allowed to hunt criminals. Determined to break free of the era's rigid social roles, she buys off the chaperone assigned by her domineering father and, using an alias, takes a job as a police matron with the Los Angeles Police Department. There she discovers a string of brothel murders, which the cops are covering up. Seizing her one chance to solve a crime, she takes on the investigation herself. If the police find out, she'll get fired; if her father finds out, he'll disown her; and if her fiancé finds out, he'll cancel the wedding.Anna must choose--either hunt the villain and risk losing her father, fiancé, and wealth, or abandon her dream and leave the killer on the loose.

    This portrait of a beguiling Southern city was a best-seller (though a flop as a movie). ~ Shots rang out in Savannah's grandest mansion in the misty, early morning hours of May 2, 1981. Was it murder or self-defense? For nearly a decade, the shooting and its aftermath reverberated throughout this city of moss-hung oaks and shaded squares. John Berendt's narrative reads like a thoroughly engrossing novel, and yet it is a work of nonfiction. Berendt interweaves a first-person account of life in this isolated remnant of the Old South with the unpredictable twists and turns of a landmark murder case.The story is peopled by a gallery of remarkable characters: the well-bred society ladies of the Married Woman's Card Club; the turbulent young redneck gigolo; the hapless recluse who owns a bottle of poison so powerful it could kill every man, woman, and child in Savannah; the aging and profane Southern belle who is the "soul of pampered self-absorption"; the uproarious black drag queen; the acerbic and arrogant antiques dealer; the sweet-talking, piano-playing con artist; young blacks dancing the minuet at the black debutante ball; and Minerva, the voodoo priestess who works her magic in the graveyard at midnight. These and other Savannahians act as a Greek chorus, with Berendt revealing the alliances, hostilities, and intrigues that thrive in a town where everyone knows everyone else.

    Scotland Yard's Inspector Roderick Alleyn arrives to find a complete collection of alibis, a missing butler, and an intricate puzzle of betrayal and sedition in the search for the key player in this deadly game.

    When they find a headless corpse on their property they can't exactly call 911, so they simply move the body to another location. Let somebody else find it. Instead, the corpse reappears on their land. Clearly, someone is sending them a message, and it's getting riper by the day. But that's only half of the story...Enter authors Lisa Lutz and David Hayward-former real-life partners (professionally and personally) who have agreed to reunite for a tag- team mystery novel written in alternating chapters. One little problem: they disagree on pretty much every detail of how their novel should unfold. While the body count rises in Paul and Lacey's wildly unpredictable fictional world, so too does the intensity of Lisa and David's rivalry. The result is a literary brawl like no other, and a murder mystery every bit as unanticipated (and bloody).