Kate Moore is looking for a way out of the poverty and violence of her childhood. When a chance encounter on a transatlantic ocean liner brings her face-to-face with the handsome heir to a Chicago fortune, she thinks she may have found her escape—as long as she can keep her past concealed.After exchanging wedding vows, Kate quickly discovers that something isn’t quite right with her husband—or her new family. As Mrs. Matthew Lemont, she must contend with her husband’s disturbing past, his domineering mother, and his overly close sister. Isolated at Lakecrest, the sprawling, secluded Lemont estate, she searches desperately for clues to Matthew’s terrors, which she suspects stem from the mysterious disappearance of his aunt years before. As Kate stumbles deeper into a maze of family secrets, she begins to question everyone’s sanity—especially her own. But just how far will she go to break free of this family’s twisted past?

    Noah Selvaggio is a retired chemistry professor and widower living on the Upper West Side, but born in the South of France. He is days away from his first visit back to Nice since he was a child, bringing with him a handful of puzzling photos he's discovered from his mother's wartime years. But he receives a call from social services: Noah is the closest available relative of an eleven-year-old great-nephew he's never met, who urgently needs someone to look after him. Out of a feeling of obligation, Noah agrees to take Michael along on his trip. Much has changed in this famously charming seaside mecca, still haunted by memories of the Nazi occupation. The unlikely duo, suffering from jet lag and culture shock, bicker about everything from steak frites to screen time. But Noah gradually comes to appreciate the boy's truculent wit, and Michael's ease with tech and sharp eye help Noah unearth troubling details about their family's past. Both come to grasp the risks people in all eras have run for their loved ones, and find they are more akin than they knew.Written with all the tenderness and psychological intensity that made Room an international bestseller, Akin is a funny, heart-wrenching tale of an old man and a boy, born two generations apart, who unpick their painful story and start to write a new one together.

    Eleven-year-old Kicsi believes Vörös, and attempts to aid him in protecting the village.But the local rabbi, who possesses magical powers, insists that the village is safe, and frustrates Vörös's attempts to transport them all to safety. Then the Nazis come and the world changes.Miraculously, Kicsi survives the horrors of the concentration camp and returns to her village to witness the final climactic battle between the rabbi and the Red Magician, the Old World and the New.The Red Magician is a notable work of Holocaust literature and a distinguished work of fiction, as well as a marvelously entertaining fantasy that is, in the end, wise and transcendent.

    After living wild in the forests for years, carrying a terrible secret, all Silvana knows is that she and Aurek are survivors. Everything else is lost. Waiting in Ipswich is Silvana's husband Janusz, who has not seen his wife and son for six years. He has found his family a house and works hard planting a proper English garden to welcome them. But the six years apart have changed them all. To make a real home, Silvana and Janusz will have to come to terms with what happened during the war, accept that each is different, and allow their beloved but wild son Aurek to be who he truly is.

    But which one broke the timeline?In 2136 Madison Grace uncovers a key to the origins of CHRONOS, a time-travel agency with ties to her family’s mysterious past. Just as she is starting to jump through history, she returns to her timeline to find millions of lives erased—and only the people inside her house realize anything has changed.In 2304 CHRONOS historian Tyson Reyes is assigned to observe the crucial events that played out in America’s civil rights movement. But a massive time shift occurs while he’s in 1965, and suddenly the history he sees isn’t the history he knows.As Madi’s and Tyson’s journeys collide, they must prevent the past from being erased forever. But strange forces are at work. Are Madi and Tyson in control or merely pawns in someone else’s game?

    Josef Breuer—celebrated psychoanalyst—is about to encounter his strangest case yet. Found by the lunatic asylum, thin, head shaved, she claims to have no name, no feelings—to be, in fact, not even human. Intrigued, Breuer determines to fathom the roots of her disturbance.Years later, in Germany, we meet Krysta. Krysta’s Papa is busy working in the infirmary with the ‘animal people,’ so little Krysta plays alone, lost in the stories of Hansel and Gretel, the Pied Piper, and more. And when everything changes and the world around her becomes as frightening as any fairy tale, Krysta finds her imagination holds powers beyond what she could have ever guessed. . . .Eliza Granville has had a life-long fascination with the enduring quality of fairytales and their symbolism, and the idea for Gretel and the Dark was sparked when she became interested in the emphasis placed on these stories during the Third Reich.

    By day, they gather herbs for Auntie’s healing potions; by night, Auntie spins tales of faraway lands and wicked fairies. Clara’s favorite story tells of three orphan infants—Clara, who was brought to Auntie by a stork; Maren, who arrived in a seashell; and their best friend, O’Neill, who was found beneath an apple tree.One day, Clara discovers shimmering scales just beneath her sister’s skin: Maren is becoming a mermaid and must be taken to the sea or she will die. So Clara, O’Neill, and the mermaid-girl set out for the shore. But the trio encounters trouble around every bend. Ensnared by an evil troupe of traveling performers, Clara and O’Neill must find a way to save themselves and the ever-weakening Maren.And always in the back of her mind, Clara wonders, if my sister is a mermaid, then what am I?

    Nightly air raids become grimly mundane. The tightening vice of rationing curtails every comfort. Men leave to fight and die. And five women forge an unlikely bond of friendship that will change their lives forever.Alice Osbourne, the stolid daughter of the late vicar, is reeling from the news that Richard Fairfax broke their engagement to marry Evangeline Fontaine, an American girl from the Deep South. Evangeline’s arrival causes a stir in the village—but not the chaos that would ensue if they knew her motives for being there. Scrappy Elsie Pigeon is among the poor of London who see the evacuations as a chance to escape a life of destitution. Another new arrival is Tanni Zayman, a young Jewish girl who fled the horrors of Europe and now waits with her newborn son, certain that the rest of her family is safe and bound to show up any day. And then there’s Frances Falconleigh, a madcap, fearless debutante whose father is determined to keep her in the countryside and out of the papers.As the war and its relentless hardships intensify around them, the same struggles that threaten to rip apart their lives also bring the five closer together. They draw strength from one another to defeat formidable enemies—hunger, falling bombs, the looming threat of a Nazi invasion, and a traitor in their midst—and find remarkable strength within themselves to help their friends. Theirs is a war-forged loyalty that will outlast the fiercest battle and endure years and distance.When four of the women return to Crowmarsh Priors for a VE Day celebration fifty years later, television cameras focus on the heartwarming story of these old women as war brides of a bygone age, but miss the more newsworthy angle. The women’s mission is not to commemorate or remember—they’ve returned to settle a score and avenge one of their own.

    One day, in a package of seventeenth-century documents from Salem Village, he stumbles across a letter by his best friend, Jamie, who had disappeared six months before. The document is dated 1692—the height of the Witch Trials. The only potential lead: a single mention of Carthage, a tiny town in the Wisconsin northern highland. The mystery catapults Nathan from Chicago to the Wisconsin wilderness. There, he meets Alanna, heir to an astonishing Mittel-European legacy of power and sacrifice. In her, and in the gentle townsfolk of Carthage, Nathan finds the refuge for which he has long yearned. But Simon, the town elder, is driven by demons of his own, and may well be entangled in Jamie’s disappearance and that of several Carthaginians. As darkness stretches toward Alanna, Nathan may have no choice but to risk it all… Moving from the grimness of Chicago’s South Side to the Wisconsin hinterlands to seventeenth-century Salem, this is a story of love, of sacrifice, of terrible passions—and of two wounded souls quietly reaching for the deep peace of sanctuary.

    For thirteen-year-old Ursula Hildesheim, life in the village of Felddorf remains almost as it was: bullied by her schoolmates, enlisted in endless chores by her mother and sister, thieving, and running wild with her adored older brother, Anton.But then Russian prisoners escape from the local concentration camp, her mother starts an affair with a married man, her only friend goes missing, and her brother’s allegiance to the Hitler Youth emerges in shocking ways—and Ursula finds herself alone, disturbed by dark memories, and surrounded by threat. In this new world of conflict, Ursula discovers a bravery she has never known before and is forced to recognize that danger comes not only from the enemy at the door but from the enemy within.My Own Dear Brother is a remarkable coming-of-age story and an unflinching study of both cruelty and courage. Rich in folklore, it introduces a daring young heroine and a powerful new literary voice.

    This novella, first published in 1947 and now translated into English for the first time, shows Hans Keilson at his best: deeply ironic, penetrating, sympathetic, and brilliantly modern, an heir to Joseph Roth and Franz Kafka. In 2008, when Keilson received Germany’s prestigious Welt Literature Prize, the citation praised his work for exploring “the destructive impulse at work in the twentieth century, down to its deepest psychological and spiritual ramifications.” Published to celebrate Keilson’s hundredth birthday, Comedy in a Minor Key — and The Death of the Adversary, reissued in paperback — will introduce American readers to a forgotten classic author, a witness to World War II and a sophisticated storyteller whose books remain as fresh as when they first came to light.

    During the attacks on Berlin in the winter of 1943-44, wave after wave of British bombers swept over northern Europe and dropped their lethal loads on the German capital. A fair percentage of the bombers would fail to return from these operations, and RAF planners calculated the life expectancy of the airmen in weeks rather than months.Therefore it did not seem strange when a Lancaster named D-Daisy landed at its base in England after a bombing run, and a member of the crew was found dead.However, one person soon came to the conclusion that this man had been murdered. And the person who discovered this happened to be blind since birth. Her name was Daisy and she was the victim’s wife. She was very blonde and very pretty; also very young. Therefore, no one would listen to her. So she was going to have to find the murderer on her own.“Using the carefully plotted twists and turns of the murder mystery, throwing in a highly unconventional blind sleuth with her very own take on the world, Nick Aaron lifts the genre to a more thoughtful level.” - The Weekly Banner

    . . Isabella McCoy, from the banks of the Chattahoochee River in Georgia, was as naïve as she was beautiful. Jacqueline Rousseau, the exotic New Orleans prostitute, was known for cruelly breaking men’s hearts while she emptied their pockets. Both with dark secrets of their own, running away from their pasts, to an uncertain future. Fate brought them together, and into the arms of the notorious cotton broker Jules McGinnis, who became both a husband and lover to them. Jealousy. Passion. Love. Murder. Now both women must overcome the truth of their tormented pasts and their unknown futures, as they face one of the most scandalous murder trials Georgia had ever seen.

    Just beyond the tents of the Russian refugee camp she calls home, a young woman speaks her wedding vows. It’s a decision that will alter her destiny…and it’s a lie that will remain buried until the next century.Since she was nine years old, Alina Dziak knew she would marry her best friend, Tomasz. Now fifteen and engaged, Alina is unconcerned by reports of Nazi soldiers at the Polish border, believing her neighbors that they pose no real threat, and dreams instead of the day Tomasz returns from college in Warsaw so they can be married. But little by little, injustice by brutal injustice, the Nazi occupation takes hold, and Alina’s tiny rural village, its families, are divided by fear and hate. Then, as the fabric of their lives is slowly picked apart, Tomasz disappears. Where Alina used to measure time between visits from her beloved, now she measures the spaces between hope and despair, waiting for word from Tomasz and avoiding the attentions of the soldiers who patrol her parents’ farm. But for now, even deafening silence is preferable to grief. Slipping between Nazi-occupied Poland and the frenetic pace of modern life, Kelly Rimmer creates an emotional and finely wrought narrative that weaves together two women’s stories into a tapestry of perseverance, loyalty, love and honor. The Things We Cannot Say is an unshakable reminder of the devastation when truth is silenced…and how it can take a lifetime to find our voice before we learn to trust it.

    Reluctant lawyer, Jamie Quinn, still reeling from the death of her mother, is pulled into a game of deception, jealousy, and vengeance when her cousin, Adam, is wrongfully accused of murder. It's up to Jamie to find the real murderer before it's too late. It doesn't help that the victim is a former rock star with more enemies than friends, or that Adam confessed to a murder he didn't commit. "The Case of the Killer Divorce"-Reluctant lawyer, Jamie Quinn, has returned to her family law practice after a hiatus due to the death of her mother. It's business as usual until a bitter divorce case turns into a murder investigation, and Jamie's client becomes the prime suspect. When she can't untangle truth from lies, Jamie enlists the help of Duke Broussard, her favorite private investigator, to try to clear her client's name. And she’s hoping that, in his spare time, he can help her find her long-lost father. "Peril in the Park"-There's big trouble in the park system. Someone is making life difficult for Jamie Quinn's boyfriend, Kip Simons, the new director of Broward County parks. Was it the angry supervisor passed over for promotion? The disgruntled employee Kip recently fired? Or someone with a bigger ax to grind? If Jamie can't figure it out soon, she may be looking for a new boyfriend because there’s a dead guy in the park and Kip has gone missing! With the help of her favorite P.I., Duke Broussard, Jamie must race the clock to find Kip before it’s too late. A preview of the next Jamie Quinn Mystery, "Engaged in Danger," can be found at the end of the book.