How can he uncover her secrets without revealing his own?Flynn's girlfriend, January, is missing. The cops are asking questions he can't answer, and her friends are telling stories that don't add up. All eyes are on Flynn—as January's boyfriend, he must know something.But Flynn has a secret of his own. And as he struggles to uncover the truth about January's disappearance, he must also face the truth about himself.

    Waiting. Straining against the wood that holds them. The unwary catch a glimpse now and then - feel their desperate hunger, see a glint of red eyes - and scurry out of the shadows of the wood, back to the light.She's coming; it will be soon.They will run free on the moors again. The Hunt will return. And the ground will run with blood.An ancient curse placed on a family of witches foretells that twins will be born - one good, one evil; and one will destroy the other. But who can be trusted when no one is as they seem?

    With the help of his friends Preston and Parvati, Max starts Liars, Inc. Suddenly everybody needs something and the cash starts pouring in. Who knew lying could be so lucrative?When Preston wants his own cover story to go visit a girl he met online, Max doesn’t think twice about hooking him up. Until Preston never comes home. Then the evidence starts to pile up—terrifying clues that lead the cops to Preston’s body. Terrifying clues that point to Max as the murderer.Can Max find the real killer before he goes to prison for a crime he didn’t commit? In a story that Kirkus Reviews called "Captivating to the very end," Paula Stokes starts with one single white lie and weaves a twisted tale that will have readers guessing until the explosive final chapters.

    She doesn't want to think about growing up in her parents' House of Horrors. And she doesn't want to think about her identity as Girl A: the girl who escaped, the eldest sister who freed her older brother and four younger siblings. It's been easy enough to avoid her parents--her father never made it out of the House of Horrors he created, and her mother spent the rest of her life behind bars. But when her mother dies in prison and leaves Lex and her siblings the family home, she can't run from her past any longer. Together with her sister, Evie, Lex intends to turn the House of Horrors into a force for good. But first she must come to terms with her siblings - and with the childhood they shared.

    Four friends living the suburban ideal. Their jobs are steady, their kids are healthy. They’re as beautiful as their houses. But each of them has a dirty little secret, and hidden behind the veneer of their perfect lives is a crime and a mystery that will consume them all. Everything starts to unravel when Alison spots a nasty bruise on Heather’s wrist. She shares her suspicions with Julie and Sarah, compelling all three to investigate what looks like an increasingly violent marriage. As mysterious injuries and erratic behavior mount, Heather can no longer deny the abuse, but she refuses to leave her husband. Desperate to save her, Alison and the others dread the phone call telling them that she’s been killed. But when that call finally comes, it’s not Heather who’s dead. In a moment they’ll come to regret, the women must decide what lengths they’ll go to in order to help a friend.Just Between Us is a thrilling glimpse into the underbelly of suburbia, where not all neighbors can be trusted, and even the closest friends keep dangerous secrets. You never really know what goes on in another person’s mind, or in their marriage.

    A change of clothes. A wig. An inconspicuous sedan. We doubled back once, twice, then drove south when we were really headed east. In San Francisco we had a girl who looked like me board a plane to Hawaii.Oh, I thought I was so clever.But you probably already know that I'm not.LA IT girl Janie Jenkins has it all. The looks, the brains, the connections. The criminal record.Ten years ago, in a trial that transfixed America, Janie was convicted of murdering her mother. Now she's been released on a technicality she's determined to unravel the mystery of her mother's last words, words that send her to a tiny town in the very back of beyond. But with the whole of America's media on her tail, convinced she's literally got away with murder, she has to do everything she can to throw her pursuers off the scent.She knows she really didn't like her mother. Could she have killed her?

    He's going to find out what really happened.But being a detective is difficult when you're Kieran Woods. When you're amazing at drawing but terrible at fitting in. And when there are dangerous secrets everywhere - not just outside, but under your own roof.

    His blood is on my hands. His heart is in my soul. I KILLED HIM." But she remembers nothing of that night or of the previous thirty-six hours. All she knows is that her father, the reverend at the Church of the Holy Promise, is missing, as is Hannah, a young girl from the parish. Their disappearances have to be connected and Callie knows that her father was not a righteous man.Since that fateful night, she's been plagued by graphomania -- an unending and debilitating compulsion to write. The words that flow from Callie's mind and through her pen don't seem to make sense -- until now. As the anniversary of Hannah's vanishing approaches, more words and memories bubble to the surface and a new guy in school might be the key to Callie putting together the puzzle. But digging up the secrets she's buried for so long might be her biggest mistake.

    Independent. Skeptical.Thirteen years ago her abusive husband stole her baby and gave it up for adoption.She comes to Atlanta to find her daughter.THE PIWade Parker.Ace detective.Wealthy owner of the Parker Investigative Agency.The most eligible forty-four-year-old bachelor in Atlanta.Still mourning the death of his socialite wife, he must solve a disturbing murder case.Before the killer strikes again.THE MURDERERA serial killer strangling young girls in a bizarre ritual.Why?She doesn't need a man.He needs to find a killer.Together, can they save a thirteen year old girl?

    Simon & Schuster

    Everybody’s got a drawer somewhere with something hidden in it.On June 28, 1980—the hottest night of the year—Kelly Michelle Lund shoots and kills Oscar-nominated director John McFadden at a party in his home. . . . And instantly becomes a media sensation, her chilling smile fodder for national nightmares. For years, speculation swirls over the enigmatic seventeen-year-old’s motives, information she’s refused to share. Convicted of the murder, she loses her youth and her freedom—but keeps her secrets to herself.Thirty years later—and five years after her release from prison—the past has come back to haunt Kelly. Her father-in-law, movie legend Sterling Marshall, is found in a pool of blood in his home in the Hollywood Hills—dead from a shot to the head, just like his old friend John McFadden.Once again, Kelly is suspected of the high profile murder. But this time, she’s got some unexpected allies who believe she’s innocent—of both killings—and want to help her clear her name. But is she?Written with masterful precision and control, What Remains of Me brilliantly moves forward and back in time, playing out the murders side by side—interweaving subtle connections and peeling away layers of events to reveal the shocking truth.

    Addison killed a baby.Allegedly. She didn’t say much in that first interview with detectives, and the media filled in the only blanks that mattered: A white baby had died while under the care of a churchgoing black woman and her nine-year-old daughter. The public convicted Mary and the jury made it official. But did she do it? She wouldn’t say.Mary survived six years in baby jail before being dumped in a group home. The house isn’t really “home”—no place where you fear for your life can be considered a home. Home is Ted, who she meets on assignment at a nursing home.There wasn’t a point to setting the record straight before, but now she’s got Ted—and their unborn child—to think about. When the state threatens to take her baby, Mary must find the voice to fight her past. And her fate lies in the hands of the one person she distrusts the most: her Momma. No one knows the real Momma. But who really knows the real Mary?

    The wrong one. The one you couldn’t let go of. The one you’ll never forget.Lucy Albright is far from her Long Island upbringing when she arrives on the campus of her small California college, and happy to be hundreds of miles from her mother, whom she’s never forgiven for an act of betrayal in her early teen years. Quickly grasping at her fresh start, Lucy embraces college life and all it has to offer—new friends, wild parties, stimulating classes. And then she meets Stephen DeMarco. Charming. Attractive. Complicated. Devastating. Confident and cocksure, Stephen sees something in Lucy that no one else has, and she’s quickly seduced by this vision of herself, and the sense of possibility that his attention brings her. Meanwhile, Stephen is determined to forget an incident buried in his past that, if exposed, could ruin him, and his single-minded drive for success extends to winning, and keeping, Lucy’s heart. Alternating between Lucy’s and Stephen’s voices, Tell Me Lies follows their connection through college and post-college life in New York City. Deep down, Lucy knows she has to acknowledge the truth about Stephen. But before she can free herself from this addicting entanglement, she must confront and heal her relationship with her mother—or risk losing herself in a delusion about what it truly means to love. With the psychological insight and biting wit of Luckiest Girl Alive, and the yearning ambitions and desires of Sweetbitter, this keenly intelligent and staggeringly resonant novel chronicles the exhilaration and dilemmas of young adulthood, and the difficulty of letting go, even when you know you should.

    But if she sometimes manipulates the black market traders by reading their thoughts when she touches their skin, so what? Anything to help her survive.Russia's powerful spy agency, the KGB, is recruiting young people with mind-reading capabilities for their psychic espionage program. Their mission: protect the Soviet space program from American CIA spies. Why shouldn't the KGB use any means necessary to make the young psychic cooperate? Anything to beat the American capitalist scum to the moon.Yulia is a survivor. She won't be controlled by the KGB, who want to harness her abilities for the State with no regard for her own hopes and dreams. She won't let handsome Sergei plan her life as a member of elite Soviet society, or allow brooding Valentin to consume her with his dangerous mind and even more dangerous ideas. And she certainly won't become the next victim of the powerful American spy who can scrub a brain raw—and seems to be targeting Yulia.

    Ambitious. Tough. Maybe even mean. It’s no wonder people call her Ruthless.When she wakes up with a concussion in the bed of a moving pickup truck, she realizes she has been entered into a contest she can’t afford to lose.At a remote, rotting cabin deep in the Blue Ridge Mountains, Ruth’s blindfold comes off and she comes face-to-face with her captor. A man who believes his mission is to punish bad girls like Ruth. A man who has done this six times before.The other girls were never heard from again, but Ruth won’t go down easy. She escapes into the wilderness, but her hunter is close at her heels. That’s when the real battle begins. That’s when Ruth must decides just how far she’ll go in order to survive.Back home, they called her Ruthless. They had no idea just how right they were.