In her examination of the cultural forms to which these affects give rise, Sianne Ngai suggests that these minor and more politically ambiguous feelings become all the more suited for diagnosing the character of late modernity.Along with her inquiry into the aesthetics of unprestigious negative affects such as irritation, envy, and disgust, Ngai examines a racialized affect called “animatedness,” and a paradoxical synthesis of shock and boredom called “stuplimity.” She explores the politically equivocal work of these affective concepts in the cultural contexts where they seem most at stake, from academic feminist debates to the Harlem Renaissance, from late-twentieth-century American poetry to Hollywood film and network television. Through readings of Herman Melville, Nella Larsen, Sigmund Freud, Alfred Hitchcock, Gertrude Stein, Ralph Ellison, John Yau, and Bruce Andrews, among others, Ngai shows how art turns to ugly feelings as a site for interrogating its own suspended agency in the affirmative culture of a market society, where art is tolerated as essentially unthreatening.Ngai mobilizes the aesthetics of ugly feelings to investigate not only ideological and representational dilemmas in literature—with a particular focus on those inflected by gender and race—but also blind spots in contemporary literary and cultural criticism. Her work maps a major intersection of literary studies, media and cultural studies, feminist studies, and aesthetic theory.

    This is the dance of history in our age: slow, slow, quick, quick, slow, back and forth and from side to side, we step across these fixed and shifting lines. —from Part IVWith astonishing range and depth, the essays, speeches, and opinion pieces assembled in this book chronicle a ten-year intellectual odyssey by one of the most important, creative, and respected minds of our time. Step Across This Line concentrates in one volume Salman Rushdie’s fierce intelligence, uncanny social commentary, and irrepressible wit—about soccer, The Wizard of Oz, and writing, about fighting the Iranian fatwa and turning with the millennium, and about September 11, 2001. Ending with the eponymous, never-before-published speeches, this collection is, in Rushdie’s words, a “wake-up call” about the way we live, and think, now.

    Dick is unparalleled. His novel "Do Androids Dream of Electric Sheep?" became the classic science-fiction film "Blade Runner". His short story, "The Minority Report," was recently adapted for the screen by Stephen Spielberg and stars Tom Cruise. Dick's appeal and influence has reached the world over, creating the standard for the literary science fiction novel.In November 1982, six months before the author's death, journalist Gwen Lee recorded the first of several in-depth discussions with Philip K. Dick that continued over the course over the next three months. These extraordinary interviews are filled with the wit and aplomb characteristic of Dick's writing, helping make "What If Our World Is Their Heaven? The Final Conversations of Philip K. Dick" not only an engaging read, but a unique and compelling historical document of once (sic) of science fictions most innovative and visionary minds. It's a must read for anyone interested in the field of science fiction.

    An incorrigible wanderer, Shaffer has a habit of fleeing domesticity for the joys and rigors of the open road. This time her destination is Ghana, and what results is a transformative year spent roaming the African continent. Eager to transcend the limitations of tourism, Shaffer works as a volunteer, building schools and hospitals in remote villages. At the heart of her tale are the profound, complex, often challenging relationships she forms with those she meets along the way.Whether recounting a perilous boat trip to Timbuktu, a night of impassioned political debate in Ghana, or a fumbled romance in Burkina Faso, Shaffer portrays the collision of African and North American cultures with self-deprecating humor and clear-eyed compassion. Filled with warmth, candor, and an exuberant sense of adventure, Somebody’s Heart is Burning raises provocative questions about privilege, wealth, and the true meaning of friendship.

    As Rachel Cusk wrote in the The Times, reviewing a previous collection, ‘Amis is as talented a journalist as he is a novelist, but these essays all manifest an unusual extra quality, one that is not unlike friendship. He makes an effort; he makes readers feel that they are the only person there.’ The essays in The Rub of Time range from superb critical pieces on Amis’s heroes Nabokov, Bellow and Larkin to brilliantly funny ruminations on sport, Las Vegas, John Travolta and the pornography industry. The collection includes his essay on Princess Diana and a tribute to his great friend Christopher Hitchens, but at the centre of the book, perhaps inevitably, are essays on politics, and in particular the American election campaigns of 2012 and 2016. One of the very few consolations of Donald Trump’s rise to power is that Martin Amis is there to write about him.

    It nurtures their imagination and creativity, lets them explore other worlds, and opens their minds to new truths and knowledge in appealing, inspiring ways. But how can we sort through thousands of children's books to discover the really worthwhile ones?Elizabeth Wilson offers us a newly revised, comprehensive guide to the very best in children's literature. Just as in the original volume, she comments on the tone and content of excellently written, captivating books in over two dozen subject areas. Hundreds of new titles have been added while retaining timeless classics and modern favorites-all of which respect traditional values. So that no matter what the children's ages are or whether they love fact or fiction, you can trust these books to share things that you can believe in and kids will delight in.

    Geared toward students, teachers, readers, and writers alike, The Penguin Dictionary of Literary Terms and Literary Theory explains critical jargon (intertextuality, aporia), schools of literary theory (structuralism, feminist criticism), literary forms (sonnet, ottava rima), and genres (elegy, pastoral) and examines artifacts, historic locales, archetypes, origins of well-known phrases, and much, much more. Scholarly, straightforward, comprehensive, and even entertaining, this is a resource that no word-lover should be without.

    It is an autobiographical travelogue moving from a volcano in Hawaii to Fort Sill, Oklahoma, and places in between, with writing at its heart.Writing Toward Home offers practical advice on overcoming some of the obstacles writers of all ages face: writer's block, fear of rejection, confronting silencing critics in your head, finding the time to write. Each short chapter speaks to the larger truths about writing and how to truly live the writer's life: how to become more of a risk taker, how to excavate the past as a source, and how to become an acute observer of the world.Writing Toward Home is a book that will remind you-and help you remind your students-that the true source of writing is the creative self. In this fast culture when most people have so little time to do anything but menial tasks, it will jumpstart you, it will awaken to you the journey within, it will make you want to write.

    Vargas Llosa's first work of non-fiction will send the reader back to Flaubert's masterpiece with renewed interest.

    Lewis's The Lion, the Witch, and the Wardrobe, covering such topics as symbols, hidden meanings, and missed details from each chapter.

    Twisty Little Passages (the title refers to a maze in Adventure, the first interactive fiction) is the first book-length consideration of this form, examining it from gaming and literary perspectives. Nick Montfort, an interactive fiction author himself, offers both aficionados and first-time users a way to approach interactive fiction that will lead to a more pleasurable and meaningful experience of it.Twisty Little Passages looks at interactive fiction beginning with its most important literary ancestor, the riddle. Montfort then discusses Adventure and its precursors (including the I Ching and Dungeons and Dragons), and follows this with an examination of mainframe text games developed in response, focusing on the most influential work of that era, Zork. He then considers the introduction of commercial interactive fiction for home computers, particularly that produced by Infocom. Commercial works inspired an independent reaction, and Montfort describes the emergence of independent creators and the development of an online interactive fiction community in the 1990s. Finally, he considers the influence of interactive fiction on other literary and gaming forms. With Twisty Little Passages, Nick Montfort places interactive fiction in its computational and literary contexts, opening up this still-developing form to new consideration.

    Collected after his death by his friend and literary executor Max Brod, here are more than two decades' worth of Franz Kafka's letters to the men and women with whom he maintained his closest personal relationships, from his years as a student in Prague in the early 1900s to his final months in the sanatorium near Vienna where he died in 1924.Sometimes surprisingly humorous, sometimes wrenchingly sad, they include charming notes to school friends; fascinating accounts to Brod about his work in its various stages of publication; correspondence with his publisher, Kurt Wolff, about manuscripts in progress, suggested book titles, type design, and late royalty statements; revealing exchanges with other young writers of the day, including Martin Buber and Felix Weltsch, on life, literature, and girls; and heartbreaking reports to his parents, sisters, and friends on the declining state of his health in the last months of his life.

    Nietzsche outlined a distinction between its two central forces: the Apolline, representing beauty and order, and the Dionysiac, a primal or ecstatic reaction to the sublime. He believed the combination of these states produced the highest forms of music and tragic drama, which not only reveal the truth about suffering in life, but also provide a consolation for it. Impassioned and exhilarating in its conviction, The Birth of Tragedy has become a key text in European culture and in literary criticism.

    Concentrating on literary SF and (in the later chapters) cinema and TV, it also discusses the myriad forms this genre takes in the contemporary world, including a chapter on graphic novels, SF pop music, visual art and ufology. The author is ideally placed to write it: both an academic literary critic and also an acclaimed creative writer of science fiction, with five novels and many short stories to his credit. Written in lively, accessible prose, this study is specifically designed to bridge the worlds of academic criticism and the SF fandom.The History of Science Fiction argues that, even today, this flourishing cultural idiom is shaped by the forces that determined its rise to prominence in the 1600s: the dialogue between Protestant and Catholic worldviews, the emerging technologies of the industrial age, and the cultural anxieties and excitements of a rapidly changing world. Now available in paperback, it will be of interest to all students, researchers and fans of SF.

    As they each tell their separate stories of fear, confusion and loss, they try to unravel the truth of what happened - and confront the bitter possibility that one of them may be lying.As their train hurtles through a long sleepless night, a third passenger eavesdrops on their conversation, mesmerized by a complex dialogue that probes into the very nature of truth and personal identity. A story of love and doubt, Overnight to Innsbruck is charged throughout with tantalizing puzzles and all the tension of a first-class psychological thriller - and marks the debut of a remarkably fresh and original voice in Irish literature. DENYSE WOODS was born in Boston, USA, in 1958. She has travelled extensively, living in the USA, Belgium, Australia, Italy, Iraq and England, before returning to settle in Ireland in 1987. She obtained a BA in Arabic and English in 1981, and subsequently worked as a translator for PARC Management Services in Iraq, where she shared a terrace with Saddam Hussein. In 1988 she won the Irish Times Short Story Competition. She now lives in County Cork with her husband and two daughters.