Will it bring the fulfillment she is searching for?Andrea: A single mom and avowed celibate, she watches her friend Holly's meltdown with a mixture of concern and contempt. Holly is throwing away what Andrea has spent her whole life searching for - a committed relationship with a decent guy. So what if Andrea picks up Holly's castaway husband?Marissa: She has more than her fair share of challenges - a gay, rebellious teenage son, a terminally ill daughter, and a husband who buries himself in his work rather than face the facts. As one woman's marriage unravels, another's rekindles. As one woman's family comes apart at the seams, another's reconfigures into something bigger and better. In this story of connections and disconnections, one woman's up is another one's down, and all of them will learn the meaning of friendship, betrayal, and forgiveness.Unflinchingly honest, emotionally powerful, surprisingly erotic, Triangles is the ultimate page-turner. Hopkins's gorgeous, expertly honed poetic verse perfectly captures the inner lives of her characters. Sometimes it happens like that. Sometimes you just get lost. Get lost in the world of Triangles, where the lives of three unforgettable women intersect, and where there are no easy answers.

    Who are they, and what brings them to this Tuscan village so far from home? An expat herself and with her own unfinished story, she can't help but question: will they find what they came for? Kit Raine, an American writer living in Tuscany, is working on a biography of her close friend, a complex woman who continues to cast a shadow on Kit's own life. Her work is waylaid by the arrival of three women--Julia, Camille, and Susan--all of whom have launched a recent and spontaneous friendship that will uproot them completely and redirect their lives. Susan, the most adventurous of the three, has enticed them to subvert expectations of staid retirement by taking a lease on a big, beautiful house in Tuscany. Though novices in a foreign culture, their renewed sense of adventure imbues each of them with a bright sense of bravery, a gusto for life, and a fierce determination to thrive. But how? With Kit's friendship and guidance, the three friends launch themselves into Italian life, pursuing passions long-forgotten--and with drastic and unforeseeable results.

    When she receives an unexpected inheritance from a complete stranger, Madame Eva d’Orsey, Grace is drawn to uncover the identity of her mysterious benefactor.Weaving through the decades, from 1920s New York to Monte Carlo, Paris, and London, the story Grace uncovers is that of an extraordinary women who inspired one of Paris’s greatest perfumers. Immortalized in three evocative perfumes, Eva d’Orsey’s history will transform Grace’s life forever, forcing her to choose between the woman she is expected to be and the person she really is.The Perfume Collector explores the complex and obsessive love between muse and artist, and the tremendous power of memory and scent.

    . . We're taking a break.''A city-with-fancy-food sort of break?'If only.Amy's husband Hugh says he isn't leaving her.He still loves her, he's just taking a break - from their marriage, their children and, most of all, from their life together. Six months to lose himself in south-east Asia. And there is nothing Amy can say or do about it.Yes, it's a mid-life crisis, but let's be clear: a break isn't a break up - yet . . .However, for Amy it's enough to send her - along with her extended family of gossips, misfits and troublemakers - teetering over the edge.For a lot can happen in six-months. When Hugh returns if he returns, will he be the same man she married? And will Amy be the same woman?Because if Hugh is on a break from their marriage, then isn't she?The Break isn't a story about falling in love but about staying in love. It is Marian Keyes at her funniest, wisest and brilliant best.

    Now Cameron is a twenty-nine-year-old research assistant with no meaningful ties to anyone except her aging boss, noted historian Oliver Doucet.Nearly a decade after the incident that ended their friendship, Cameron receives an unexpected letter from her old friend. Despite Oliver’s urging, she doesn’t reply. But when he passes away, Cameron discovers that he has left her with one final task: to track down Sonia and hand-deliver a mysterious package to her. The Myth of You and Me captures the intensity of a friendship as well as the real sense of loss that lingers after the end of one. Searingly honest and beautiful, it is a celebration and portrait of a friendship that will appeal to anyone who still feels the absence of that first true friend.A People Magazine “10 Great Reads,” 2005A BookSense Pick

    The friction inside herself as she tries to navigate two worlds since their divorce.But life has not always been like this.When Rosie and Rex first met, theirs was an attraction of opposites. Rosie lived life for those heightened moments when love reveals its true secrets. Rex lived life safely, by the rules. Common sense would say theirs was a union not meant to last, but it was genuine love.Now Willow just wants to be with Rosie, to bask in her mother’s outsize glow and, she thinks, protection. Because Rosie is the only person who can make Willow feel totally alive and completely loved.But as Willow and Rosie and Rex try harder and harder to stay connected as a family, Rosie’s manic tornado of love continues to sweep up everyone in sight, ultimately to heartbreaking results.

    She is a fiercely dedicated children's advocate and a devoted mother and wife. But one blistering summer day, a simple moment of distraction will have repercussions that Ellen could never have imagined, threatening to shatter everything she holds dear, and trapping her between the gears of the system she works for.Meanwhile, ten-year-old Jenny Briard has been living with her well-meaning but irresponsible father since her mother left them, sleeping on friends' couches and moving in and out of cheap motels. When Jenny suddenly finds herself on her own, she is forced to survive with nothing but a few dollars and her street smarts. The last thing she wants is a social worker, but when Ellen's and Jenny's lives collide, little do they know just how much they can help one another.A powerful and emotionally charged tale about motherhood and justice, Little Mercies is a searing portrait of the tenuous grasp we have on the things we love the most, and of the ties that unexpectedly bring us together.

    Lucy Bloom is broke, freshly dumped by her boyfriend, and forced to sell her house to send her nineteen-year-old son to drug rehab. Although she’s lost it all, she’s determined to start over. So when she’s offered a high-paying gig helping clear the clutter from the home of reclusive and eccentric painter Marva Meier Rios, Lucy grabs it. Armed with the organizing expertise she gained while writing her book, Things Are Not People, and fueled by a burning desire to get her life back on track, Lucy rolls up her sleeves to take on the mess that fills every room of Marva’s huge home. Lucy soon learns that the real challenge may be taking on Marva, who seems to love the objects in her home too much to let go of any of them. While trying to stay on course toward a strict deadline—and with an ex-boyfriend back in the picture, a new romance on the scene, and her son’s rehab not going as planned—Lucy discovers that Marva isn’t just hoarding, she is also hiding a big secret. The two form an unlikely bond, as each learns from the other that there are those things in life we keep, those we need to let go—but it’s not always easy to know the difference.

    Because in the end, music can save us all ...1988. Frank owns a music shop. It is jam-packed with records of every speed, size and genre. Classical, jazz, punk – as long as it’s vinyl he sells it. Day after day Frank finds his customers the music they need.Then into his life walks Ilse Brauchmann.Ilse asks Frank to teach her about music. His instinct is to turn and run. And yet he is drawn to this strangely still, mysterious woman with her pea-green coat and her eyes as black as vinyl. But Ilse is not what she seems. And Frank has old wounds that threaten to re-open and a past he will never leave behind ...

    Laughter is the glue that holds them together—the foundation of a book group they call AHEB (Angry Housewives Eating Bon Bons), an unofficial “club” that becomes much more. It becomes a lifeline. Holding on through forty eventful years, there’s Faith, a lonely mother of twins who harbors a terrible secret that has condemned her to living a lie; big, beautiful Audrey, the resident sex queen who knows that with good posture and an attitude you can get away with anything; Merit, the shy doctor’s wife with the face of an angel and the private hell of an abusive husband; Kari, a wise woman with a wonderful laugh who knows the greatest gifts appear after life’s fiercest storms; and finally, Slip, a tiny spitfire of a woman who isn’t afraid to look trouble straight in the eye. This stalwart group of friends depicts a special slice of American life, of stay-at-home days and new careers, of children and grandchildren, of bold beginnings and second chances, in which the power of forgiveness, understanding, and the perfectly timed giggle fit is the CPR that mends broken hearts and shattered dreams.

    I Love You about a young woman with breast cancer who undertakes a mission to find a new wife for her husband before she passes away.Twenty-seven-year-old Daisy already beat breast cancer three years ago. How can this be happening to her again?On the eve of what was supposed to be a triumphant “Cancerversary” with her husband Jack to celebrate three years of being cancer-free, Daisy suffers a devastating blow: her doctor tells her that the cancer is back, but this time it’s an aggressive stage four diagnosis. She may have as few as four months left to live. Death is a frightening prospect—but not because she’s afraid for herself. She’s terrified of what will happen to her brilliant but otherwise charmingly helpless husband when she’s no longer there to take care of him. It’s this fear that keeps her up at night, until she stumbles on the solution: she has to find him another wife.With a singular determination, Daisy scouts local parks and coffee shops and online dating sites looking for Jack’s perfect match. But the further she gets on her quest, the more she questions the sanity of her plan. As the thought of her husband with another woman becomes all too real, Daisy’s forced to decide what’s more important in the short amount of time she has left: her husband’s happiness—or her own?

    For years she’s been the caretaker of her psychotic mother, Camille— the crown-wearing, lipstick-smeared laughingstock of an entire town. Though it’s 1967 and they live in Ohio, Camille believes it’s 1951 and she’s just been crowned the Vidalia Onion Queen of Georgia.The day CeeCee discovers Camille in the front yard wearing a tattered prom dress and tiara as she blows kisses to passing motorists, she knows her mother has completely flipped. When tragedy strikes, Tootie Caldwell, a previously unknown great-aunt comes to CeeCee’s rescue and whisks her away to Savannah. Within hours of her arrival, CeeCee is catapulted into a perfumed world of prosperity and Southern eccentricities—a world that appears to be run entirely by women.While Tootie is busy saving Savannah’s endangered historic homes from the wrecking ball, CeeCee encounters a cast of unforgettable, eccentric characters. From the mysterious Thelma Rae Goodpepper, who bathes in an outdoor tub under the watchful eyes of a voyeuristic peacock, to Oletta Jones, the all-knowing household cook, to Violene Hobbs, the loud-mouthed widow who entertains a local police officer in her yellow see-through peignoir, the women of Gaston Street keep CeeCee entertained and enthralled for an entire summer.But CeeCee’s view of the world is challenged in ways she could have never imagined: there are secrets to keep, injustices to face, and loyalties to uphold. Just as she begins to find her ballast and experiences a sense of belonging, her newfound joy collides with the long-held fear that her mother’s legacy has left her destined for destruction.Laugh-out-loud funny, at times heartbreaking, and written in a pitch-perfect voice, Saving CeeCee Honeycutt is a spirited Southern tale that explores the intricate frailties and strengths of female relationships while illuminating the journey of a young girl who loses her mother but finds many others.

    Only now she has to figure out how to fire Soapie’s very unsuitable caregiver, a gardener named Tony who lets her drink martinis, smoke, and cheat at Scrabble.It’s a temporary break, of course—until Rosie realizes she’s accidentally pregnant at 44, completely unequipped for motherhood, and worse, may be falling in love with the sentimental, troubled Tony, whose life is even more muddled than hers. It’s not until Rosie learns the truth about her mother’s tragic story that she wonders if sometimes you have to let go of your fears, trusting that the big-hearted, messy life that awaits you may just be the one you were meant to live.

    Every morning she uses 100 strokes to brush her hair, 160 strokes to brush her teeth. She remembers the day she started to count, how she used numbers to organize her adolescence, her career, even the men she dated. But something went wrong. Grace used to be a teacher, but now she's surviving on disability checks. According to the parents of one of her former students, "she's mad."Most people don't understand that numbers rule, not just the world in a macro way but their world, their own world. Their lives. They don't really understand that everything and everybody are connected by a mathematical formula. Counting is what defines us...the only thing that gives our lives meaning is the knowledge that eventually we all will die. That's what makes each minute important. Without the ability to count our days, our hours, our loved ones...there's no meaning. Our lives would have no meaning. Without counting, our lives are unexamined. Not valued. Not precious. This consciousness, this ability to rejoice when we gain something and grieve when we lose something—this is what separates us from other animals. Counting, adding, measuring, timing. It's what makes us human.Grace's father is dead and her mother is a mystery to her. Her sister wants to sympathize but she really doesn't understand. Only Hilary, her favorite niece, connects with her. And Grace can only connect with Nikola Tesla, the turn-of-the-twentieth-century inventor whose portrait sits on her bedside table and who rescues her in her dreams. Then one day all the tables at her regular café are full, and as she hesitates in the doorway a stranger—Seamus Joseph O'Reilly (19 letters in his name, just like Grace's)—invites her to sit with him. Grace is not the least bit sentimental. But she understands that no matter how organized you are, how many systems you put in place, you can't plan for people. They are unpredictable and full of possibilities—like life itself, a series of maybes and what-ifs.And suddenly, Grace may be about to lose count of the number of ways she can fall in love.

    After a troubled adolescence and subsequent estrangement from her parents, Shiloh has finally come home. But while Lyle is thrilled to have his whole family reunited, he’s also uneasy: in Shiloh’s absence, she has become deeply involved with an extremist church, and the devout pastor courting her is convinced Isaac has the spiritual ability to heal the sick.While reckoning with his own faith—or lack thereof—Lyle soon finds himself torn between his unease about the church and his desire to keep his daughter and grandson in his life. But when the church’s radical belief system threatens Isaac’s safety, Lyle is forced to make a decision from which the family may not recover.  Set over the course of one year and beautifully evoking the change of seasons, Little Faith is a powerful and deeply affecting intergenerational novel about family and community, the ways in which belief is both formed and shaken, and the lengths we go to protect our own.