Being the opara of the family, Kingsley Ibe is entitled to certain privileges--a piece of meat in his egusi soup, a party to celebrate his graduation from university. As first son, he has responsibilities, too. But times are bad in Nigeria, and life is hard. Unable to find work, Kingsley cannot take on the duty of training his younger siblings, nor can he provide his parents with financial peace in their retirement. And then there is Ola. Dear, sweet Ola, the sugar in Kingsley's tea. It does not seem to matter that he loves her deeply; he cannot afford her bride price. It hasn't always been like this. For much of his young life, Kingsley believed that education was everything, that through wisdom, all things were possible. Now he worries that without a "long-leg"--someone who knows someone who can help him--his degrees will do nothing but adorn the walls of his parents' low-rent house. And when a tragedy befalls his family, Kingsley learns the hardest lesson of all: education may be the language of success in Nigeria, but it's money that does the talking. Unconditional family support may be the way in Nigeria, but when Kingsley turns to his Uncle Boniface for help, he learns that charity may come with strings attached. Boniface--aka Cash Daddy--is an exuberant character who suffers from elephantiasis of the pocket. He's also rumored to run a successful empire of email scams. But he can help. With Cash Daddy's intervention, Kingsley and his family can be as safe as a tortoise in its shell. It's up to Kingsley now to reconcile his passion for knowledge with his hunger for money, and to fully assume his role of first son. But can he do it without being drawn into this outlandish mileu?

    It's the dream and the possibility that give meaning to Yearsonend. . . . For years now it hasn't been about gold . . . it's been about much more than that. . . . Take Mario Salviati, for instance: once the gold is found, the general will let him go. We'd be able to leave the past where it belongs. . . . Secrets abound in the South African Karoo -- a remote landscape of mountains and desert, where legend weaves its way into daily life. A fabulous merman sculpture miraculously appears one morning in the yard of eccentric artist Jonty Jack, and Ingi Friedlander, a young art curator for the National Gallery at Cape Town, comes to Yearsonend to buy the masterpiece. When Jonty refuses her offer, Ingi resolves to stay and win him over. Intrigued by hints of the town's unusual history, Ingi persistently questions its inhabitants, who reveal that a mythical trove of gold is buried nearby. For several centuries gold fever has gripped the town and sent ripples of suspicion through those who live there. Tracing the roots of Yearsonend's violent and magical history of feuding families, troubled love, and corrosive greed, the narrative shuttles between the past and the present, linking two patriarchs with shadowy pasts, an earthy angel, a woman without a face, a ragtag band of soldiers, and a host of other colorful characters. As Ingi delves deeper into the mysteries of Yearsonend, she is inexplicably drawn to Mario Salviati, a deaf, dumb, and blind Italian stonecutter who holds the key to many of the town's secrets. A spectacular climax sheds light on many unanswered questions, and Ingi and the Yearsonenders learn thatthey are searching not only for their past, but also for the promise of the future. With extraordinary imagination and lyricism, Etienne van Heerden captures the essence of a land steeped in myth, and of a culturally diverse people, for whom storytelling and history are inextricably linked. In the rich magic-realism tradition of One Hundred Years of Solitude, The Long Silence of Mario Salviati is an unforgettable journey toward understanding and inspiration.

    While she can handle most challenges, from an erratic supply of Worcestershire sauce, the secret ingredient in her cooking, to the political tensions in East Africa's most notorious slum and a cholera outbreak that follows the freak floods in the state of Ubuntu, some threatening letters from London lawyers are beginning to overwhelm her. Well-meant but inept efforts to foil the lawyers by Edward Furniver, a former fund manager who runs Kibera's co-operative bank, bring Harrods International Bar to the brink of disaster, and Charity close to despair. In the nick of time an accidental riot, triggered by World Bank President Hardwick Hardwicke's visit to the slum, coupled with some quick thinking by Titus Ntoto, the 14-year-old leader of Kibera's toughest gang, the Mboya Boys United Football Club, help Charity - and Harrods - to triumph in the end.

    When he is angry, clouds darken. When he cries, rivers burst their banks. And when he touches a basketball, deities want courtside seats. Half Nigerian mortal, half Grecian God: Demi is the Half-God of Rainfall.His mother, Modupe, looks on with a mixture of pride and worry. From close encounters, she knows that Gods are just like men: the same fragile egos, the same subsequent fury, the same sense of entitlement to the bodies of mortals. The Gods will one day tire of sports fans, their fickle allegiances and their prayers to Demi.And when that moment comes, it won’t matter how special he is. Only the women in Demi’s life, the mothers, the Goddesses, will stand between him and a lightning bolt.

    They learn of his adventures, among them his encounter with the Jungle Witch and her ostrich, his visit to the town of the water people and his imprisonment by the Goddess of Diamonds. Each night the people return, eager to discover if there is a happy ending.

    Gaile Parkin is just such a talent—and Baking Cakes in Kigali is just such a novel. This gloriously written tale—set in modern-day Rwanda—introduces one of the most singular and engaging characters in recent fiction: Angel Tungaraza—mother, cake baker, keeper of secrets—a woman living on the edge of chaos, finding ways to transform lives, weave magic, and create hope amid the madness swirling all around her.In Kigali, Angel runs a bustling business: baking cakes for all occasions—cakes filled with vibrant color, buttery richness, and, most of all, a sense of hope only Angel can deliver.…A CIA agent’s wife seeks the perfect holiday cake but walks away with something far sweeter…a former boy-soldier orders an engagement cake, then, between sips of tea, shares an enthralling story…weary human rights workers…lovesick limo drivers. Amid this cacophony of native tongues, love affairs, and confessions, Angel’s kitchen is an oasis where people tell their secrets, where hope abounds and help awaits.In this unlikely place, in the heart of Rwanda, unexpected things are beginning to happen: A most unusual wedding is planned…a heartbreaking mystery—involving Angel’s own family—unravels…and extraordinary connections are being made among the men and women who have tasted Angel’s beautiful cakes…as a chain of events unfolds that will change Angel’s life—and the lives of those around her—in the most astonishing ways.

    Her dream comes true, though not before she suffers a devastating loss—one that will haunt her for years, and one that also deeply affects Janice, an American aid worker who no longer feels she has a place to call home. But the bustling Precious Brother Salon is not just the "cleanest, friendliest, and most welcoming in the city." It's also where locals catch up on their gossip; where Comfort, an imperious busybody, can complain about her American daughter-in-law, Linda; and where Adjoa can get a fresh start on life—or so she thinks, until Janice moves to Ghana and unexpectedly stumbles upon the salon.At once deeply moving and utterly charming, The Civilized World follows five women as they face meddling mothers-in-law, unfaithful partners, and the lingering aftereffects of racism, only to learn that their cultural differences are outweighed by their common bond as women. With vibrant prose, Susi Wyss explores what it means to need forgiveness—and what it means to forgive.

    When Nolitye finds a magical stone on the dusty streets of Phola, her granny's words take on a new meaning. Along with her two friends - the somewhat pampered Bheki, and Four Eyes, a reformed member of the Spoilers gang led by Rotten Nellie - Nolitye puts the powers of the stone to good use: for the first time the threesome can stand up to the Spoilers; Nolitye can save the life of Rex, the leader of a pack of talking township mutts; and dare to look scary MaMtonga with her living brown-and-green snake necklace in the eye. But soon Nolitye finds out that the purplish-blue magic stone is but five stones needed to put right things that started to go wrong the day her father died in a mining accident when she was five years old. Or so she was told by her mother... By merging a cast of characters straight out of African myth folklore with everyday township life, K. Sello Duiker created a magical world and a truly wondrous quest, a timeless tale that will appeal to an ageless audience.

    Douye aka Doughboy the career militant responsible for the crime. Amaibi the gentle university professor / eco-warrior accused. Kaniye the lawyer turned restaurateur who tries to get him off and Tubo an amoral oil company executive. Against a backdrop of corrupt practises, failed systems and injustice, these four friends tell the story of oil in a region and its effects on local communities and the Nigerian larger society.Chimeka Garricks in his extraordinary debut novel has written a frank and moving story about the realities of contemporary Nigeria. The evil long term effects of military rule resulting in the fragmentation and break down of moral values. His story paints a realistic picture of the very high price corruption exacts on a society and how no one is immune from its consequences.Chimeka has written a remarkable book; honest, insightful and tragic – Jude Dibia author of Blackbird.The book is absolute genius. Well researched, crisp lines, excellent and vivid dialogue, well developed characters. - Jekwu Ozoemene, author of The Anger of Unfulfillment.Tomorrow Died Yesterday is a chronicle of a region in turmoil, of a generation caught between the expectations of their parents and the depreciations of the Nigerian situation, each of these four men navigate their issues in different ways, and in their own voices. Mr Garricks is a new literary voice; unheralded, fresh, honest, unshorn of superficial flourish. Well worth the read. – Eghosa Imasuen, author of Fine Boys.Tomorrow Died Yesterday is a story of action and consequence, lies and love, greed and lust, the power of the truth and most poignantly, redemption. In a John Grisham-esque storytelling style, Chimeka Garricks carries the reader from the present to the past and back again in a seamless blend of storytelling, from the swamps of the Niger Delta to its courtrooms with some action, humour, suspense and just the right amount of romance thrown in. Tomorrow Died Yesterday is a novel by a Nigerian about Nigeria for the entire world. All in all, it is an impressive debut for a writer. - Seun Odukoya, reviewer www.naijastories.com

    She traveled alone across the dangerous Somali desert to Mogadishu — the first leg of a remarkable journey that would take her to London, where she worked as a house servant; then to nearly every corner of the globe as an internationally renowned fashion model; and ultimately to New York City, where she became a human rights ambassador for the U.N. Desert Flower is her extraordinary story.

    The Horus Heresy may have happened ten thousand years ago, but the dark shadows of its history can never be fully excised. Inquisitor Eisenhorn travels to the world of Pallik, where, it is rumoured, a rare and ancient artefact from those terrible times has been put on sale. Eisenhorn and his team are plunged into a deadly game of cross and double-cross in a brand new story by the master of action-adventure fiction.Eisenhorn is back! And in a tale that mixes Dan Abnett's classic character with details from his Horus Heresy work.

    Girls actually. Its only fair that it starts with a girl, no? Only problem is that most stories that start with a girl always end up with someone banging on the door saying; I just want to talk. This is not one of those stories. This one is about Larry. Mad Larry. He drinks. He shags girls. He hates his father. And he looks nothing like his step brother, who stays by his side throughout his madness. When Larry does something terrible, it looms over him, shaping his future, transforming all the relationships around him and hurtling him into a rabbit hole. Oh, and wheelbarrows are involved. Five of them. Somehow Larry and one of these wheelbarrows will collide and things will get pretty hairy - for Larry, that is, not for you, dear reader.

    Corinne, a European entrepreneur, meets Lketinga, a Samburu warrior, while on vacation in Mombasa on Kenya's glamorous coast. Despite language and cultural barriers, they embark on an impossible love affair. Corinne uproots her life to move to Africa—not the romantic Africa of popular culture, but the Africa of the Masai, in the middle of the isolated bush, where five-foot-tall huts made from cow dung serve as homes. Undaunted by wild animals, hunger, and bouts with tropical diseases, she tries to forge a life with Lketinga. But slowly the dream starts to crumble when she can no longer ignore the chasm between their two vastly different cultures.A story that taps into our universal belief in the power of love, The White Masai is at once a hopelessly romantic love story, a gripping adventure yarn, and a compulsively good read.

    Africa has been coveted for its rich natural resources ever since the era of the Pharaohs. In past centuries, it was the lure of gold, ivory, and slaves that drew merchant-adventurers and conquerors from afar. In modern times, the focus of attention is on oil, diamonds, and other rare earth minerals. In this vast and vivid panorama of history, Martin Meredith follows the fortunes of Africa over a period of 5,000 years. With compelling narrative, he traces the rise and fall of ancient kingdoms and empires; the spread of Christianity and Islam; the enduring quest for gold and other riches; the exploits of explorers and missionaries; and the impact of European colonization. He examines, too, the fate of modern African states and concludes with a glimpse of their future. His cast of characters includes religious leaders, mining magnates, warlords, dictators, and many other legendary figures-among them Mansa Musa, ruler of the medieval Mali empire, said to be the richest man the world has ever known.