All went well, and they arrived without undue incident. But two additional companies - one captained by James G. Willie, and the other by Edward Martin - left England late in the season. When they arrived at Iowa City, they were long past the time for safe departure across the plains. By the time they left Florence, Nebraska, with still more than a thousand miles to go, it was near the end of August. As if that were not serious enough, President Brigham Young thought that the arrival of the third company ended the migration for that season and ordered the resupply wagons back to Salt Lake. Fire of the Covenant is the story of those handcart pioneers and their exodus to the Salt Lake Valley. Author Gerald N. Lund has used the same techniques present in The Work and the Glory series to blend fictional characters into the tapestry of actual historical events, making this a story filled with all the elements of great drama - tragedy, triumph, pathos, courage, sacrifice, surrender and faith.

    First-century Rome: A ruthless emperor watches over all--and fixes his gaze on one young woman... Thea is a slave girl from Judaea, purchased as a toy for the spiteful heiress Lepida Pollia. Now she has infuriated her mistress by capturing the attention of Rome's newest and most savage gladiator--and though his love brings Thea the first happiness of her life, their affair ends quickly when a jealous Lepida tears them apart.Remaking herself as a singer for Rome's aristocrats, Thea unwittingly attracts another admirer: the charismatic Emperor of Rome. But the passions of an all-powerful man come with a heavy price, and Thea finds herself fighting for both her soul and her sanity. Many have tried to destroy the Emperor: a vengeful gladiator, an upright senator, a tormented soldier, a Vestal Virgin. But in the end, the life of Domitian lies in the hands of one woman: the Emperor's mistress.

    As he did so brilliantly in London: The Novel and New York: The Novel, Edward Rutherfurd brings to life the most magical city in the world: Paris. This breathtaking multigenerational saga takes readers on a journey through thousands of years of glorious Parisian history.

    Twelve years in the making, the publication of Rhett Butler’s People marks a major and historic cultural event. Through the storytelling mastery of award-winning writer Donald McCaig, the life and times of the dashing Rhett Butler unfolds. Through Rhett’s eyes we meet the people who shaped his larger than life personality as it sprang from Margaret Mitchell’s unforgettable pages: Langston Butler, Rhett’s unyielding father; Rosemary his steadfast sister; Tunis Bonneau, Rhett’s best friend and a onetime slave; Belle Watling, the woman for whom Rhett cared long before he met Scarlett O’Hara at Twelve Oaks Plantation, on the fateful eve of the Civil War. Of course there is Scarlett. Katie Scarlett O’Hara, the headstrong, passionate woman whose life is inextricably entwined with Rhett’s: more like him than she cares to admit; more in love with him than she’ll ever know…Brought to vivid and authentic life by the hand of a master, Rhett Butler’s People fulfills the dreams of those whose imaginations have been indelibly marked by Gone With The Wind.

    The two beautiful daughters of a wealthy merchant of the Channel Islands fall in love with the same man, are very diferent. Marianne, the eldest sister is brilliant, passionate, and moody, by whom William was both fascinated and repelled... And Marguerite, the younger sister is pretty, dreamy and quietly, whom William adored.The sisters had both loved him for years. He has gone abroad to seek his fortune to New Zealand. Now they were waiting for him to return from his journeys and claim his bride. But drunkenly he addresses his proposal to the wrong sister.Though the book is fiction, and the characters not portraits, it is based on fact. A stunning tale of loss and self-sacrifice, it is truly one of the most memorable love stories of the last century.

    Bobbing her hair and showing her knees, the lipsticked beauty dazzles, doing the Charleston in nightclubs and earning the nickname “Dollface.” As the ultimate flapper, Vera captures the attention of two high rollers, a handsome nightclub owner and a sexy gambler. On their arms, she gains entrée into a world filled with bootleg bourbon, wailing jazz, and money to burn. She thinks her biggest problem is choosing between them until the truth comes out. Her two lovers are really mobsters from rival gangs during Chicago’s infamous Beer Wars, a battle Al Capone refuses to lose. The heady life she’s living is an illusion resting on a bedrock of crime and violence unlike anything the country has ever seen before. When the good times come to an end, Vera becomes entangled in everything from bootlegging to murder. And as men from both gangs fall around her, Vera must put together the pieces of her shattered life, as Chicago hurtles toward one of the most infamous days in its history, the St. Valentine’s Day Massacre.

    But Loretta can only see him as the enemy who has kidnapped her, and she refuses to succumb to his control—or his touch.Despite the hatred between their peoples, Loretta and Hunter gradually find their enmity changing to respect and care. In the midst of such conflict, it will take all the force of their love to find a safe haven.

    Enthralled by Charles’s assurance and fame, Anne is certain the aviator has scarcely noticed her. But she is wrong. Charles sees in Anne a kindred spirit, a fellow adventurer, and her world will be changed forever. The two marry in a headline-making wedding. In the years that follow, Anne becomes the first licensed female glider pilot in the United States. But despite this and other major achievements, she is viewed merely as the aviator’s wife. The fairy-tale life she once longed for will bring heartbreak and hardships, ultimately pushing her to reconcile her need for love and her desire for independence, and to embrace, at last, life’s infinite possibilities for change and happiness.Look for special features inside. Join the Random House Reader’s Circle for author chats and more.

    from Middle English "wenchel," 1 a: a girl, maid, young woman; a female child.Tawawa House in many respects is like any other American resort before the Civil War. Situated in Ohio, this idyllic retreat is particularly nice in the summer when the Southern humidity is too much to bear. The main building, with its luxurious finishes, is loftier than the white cottages that flank it, but then again, the smaller structures are better positioned to catch any breeze that may come off the pond. And they provide more privacy, which best suits the needs of the Southern white men who vacation there every summer with their black, enslaved mistresses. It's their open secret.Lizzie, Reenie, and Sweet are regulars at Tawawa House. They have become friends over the years as they reunite and share developments in their own lives and on their respective plantations. They don't bother too much with questions of freedom, though the resort is situated in free territory–but when truth-telling Mawu comes to the resort and starts talking of running away, things change.To run is to leave behind everything these women value most–friends and families still down South–and for some it also means escaping from the emotional and psychological bonds that bind them to their masters. When a fire on the resort sets off a string of tragedies, the women of Tawawa House soon learn that triumph and dehumanization are inseparable and that love exists even in the most inhuman, brutal of circumstances–all while they are bearing witness to the end of an era.An engaging, page-turning, and wholly original novel, Wench explores, with an unflinching eye, the moral complexities of slavery.

    As the trial unfolds, May tells her version of events. In 1887, at the tender age of eighteen, May ventures to Chicago in hopes of earning enough money to support her family. Circumstances force her to take up residence at the city’s most infamous bordello, but May soon learns to employ her considerable feminine wiles to extract not only sidelong looks but also large sums of money from the men she encounters.  Insinuating herself into Chicago’s high society, May lands a well-to-do fiancé—until, that is, a Pinkerton Agency detective named Reed Doherty intervenes and summarily foils the engagement.  Unflappable May quickly rebounds, elevating seduction and social climbing to an art form as she travels the world, eventually marrying a wealthy Dutch Baron. Unfortunately, Reed Doherty is never far behind and continues to track May in a delicious cat-and-mouse game as the newly-minted Baroness’s misadventures take her from San Francisco to Shanghai to London and points in between. The Pinkerton Agency really did dub May the “Most Dangerous Woman,” branding her a crafty blackmailer and ruthless seductress.  To many, though, she was the most glamorous woman to grace high society. Was the real May Dugas a cold-hearted swindler or simply a resourceful provider for her poor family? As the narrative bounces back and forth between the trial taking place in 1917 and May’s devious but undeniably entertaining path to the courtroom—hoodwinking and waltzing her way through the gilded age and into the twentieth century—we're left to ponder her guilt as we move closer to finding out what fate ultimately has in store for our irresistible adventuress.

    Unbeknownst to D'Artagnan, Aramis and Porthos plot to remove the inept king and place the king's twin brother on the throne of France. Meanwhile, a twenty-three-year-old prisoner known only as "Philippe" wastes away deep inside the Bastille. Forced to wear an iron mask, Phillippe has been imprisoned for eight years, has no knowledge of his true identity, and has not been told what crime he's committed. When the destinies of the king and Phillippe converge, the Three Musketeers and D'Artagnan find themselves caught between conflicting loyalties.

    Seduced by her employer’s son, Evangeline, a naïve young governess in early nineteenth-century London, is discharged when her pregnancy is discovered and sent to the notorious Newgate Prison. After months in the fetid, overcrowded jail, she learns she is sentenced to “the land beyond the seas,” Van Diemen’s Land, a penal colony in Australia. Though uncertain of what awaits, Evangeline knows one thing: the child she carries will be born on the months-long voyage to this distant land.During the journey on a repurposed slave ship, the Medea, Evangeline strikes up a friendship with Hazel, a girl little older than her former pupils who was sentenced to seven years transport for stealing a silver spoon. Canny where Evangeline is guileless, Hazel—a skilled midwife and herbalist—is soon offering home remedies to both prisoners and sailors in return for a variety of favors.Though Australia has been home to Aboriginal people for more than 50,000 years, the British government in the 1840s considers its fledgling colony uninhabited and unsettled, and views the natives as an unpleasant nuisance. By the time the Medea arrives, many of them have been forcibly relocated, their land seized by white colonists. One of these relocated people is Mathinna, the orphaned daughter of the Chief of the Lowreenne tribe, who has been adopted by the new governor of Van Diemen’s Land.In this gorgeous novel, Christina Baker Kline brilliantly recreates the beginnings of a new society in a beautiful and challenging land, telling the story of Australia from a fresh perspective, through the experiences of Evangeline, Hazel, and Mathinna. While life in Australia is punishing and often brutally unfair, it is also, for some, an opportunity: for redemption, for a new way of life, for unimagined freedom. Told in exquisite detail and incisive prose, The Exiles is a story of grace born from hardship, the unbreakable bonds of female friendships, and the unfettering of legacy.

    Your hands will be sweating and you will shake a little as you grip your musket because never have you shot with the aim of killing a man. But you will shoot, and shoot again and again while your shoulder aches from your musket's kick and the tight, disciplined red column bleeds and wavers and breaks and you begin to shout at the top of your lungs because you are there, at the birth of freedom—you're a veteran of the Battle of Lexington, and you've helped whip the King's best soldiers...

    In the mid-19th Century, on Shoalwater Bay, Washington Territory, Leonie Monroe Russell works alongside her oysterman husband, Junius. At night she continues her father’s lifelong obsession—collecting artifacts and studying the native culture that once thrived in area.On her thirty-seventh birthday, Leonie discovers a mummy protruding from the riverbank bordering her property—a mummy that by all evidence shouldn’t exist. As Leonie searches for answers to the mummy’s origins, she begins to feel a mystical connection to it that defies all logic. Leonie’s sense that otherworldly forces are at work only grows when news of the incredible discovery brings Junius’s long lost son, Daniel, to her doorstep. Upon his unexpected arrival, a native elder insists that Leonie wear a special shell bracelet for protection. But protection from whom? The mummy, or, perhaps, Daniel?Leonie has always been a good daughter and good wife, but, for the first time, these roles do not seem to be enough. Finding the mummy has changed everything, and now Leonie must decide if she has the courage to put aside the expectations of others to be the woman she was meant to be.

    A lovely and moving portrait of society’s outcasts…affirms the essential humanity of its poor and stubborn residents, for whom each day of survival is a victory” (The New York Times Book Review).Set on the high ground at the heart of Cape Ann, the village of Dogtown is peopled by widows, orphans, spinsters, scoundrels, whores, free Africans, and “witches.” Among the inhabitants of this hamlet are Black Ruth, who dresses as a man and works as a stonemason; Mrs. Stanley, an imperious madam whose grandson, Sammy, comes of age in her brothel; Oliver Younger, who survives a miserable childhood at the hands of his aunt; and Cornelius Finson, a freed slave. At the center of it all is Judy Rhines, a fiercely independent soul, deeply lonely, who nonetheless builds a life for herself against all imaginable odds. Rendered in stunning, haunting detail, with Anita Diamant’s keen ear for language and profound compassion for her characters, The Last Days of Dogtown is an extraordinary retelling of a long-forgotten chapter of early American life.