Dostoevsky's crocodile, cruelly displayed in a traveling sideshow, gobbles whole a pretentious high-ranking civil servant. But the functionary survives unscathed and seizes his new unique platform to expound to the fascinated public. Dostoevsky's Crocodile is a matchless, hilarious satire.Hernandez's Crocodile, on the other hand, while also terribly funny, is a heartbreaker. A pianist struggling to make ends meet as a salesman finds success when he begins to weep before clients and audience alike, but then he can't stop the crocodile tears.

    "The empire, long divided, must unite; long united, must divide. Thus it has ever been." With this characterization of the inevitable cycle of Chinese history, the monumental tale Three Kingdoms begins. As important for Chinese culture as the Homeric epics have been for the West, this Ming Dynasty masterpiece continues to be read and loved throughout China as well as in Japan, Korea, and Vietnam. The novel offers a startling and unsparing view of how power is wielded, how diplomacy is conducted, and how wars are planned and fought; it has influenced the ways that Chinese think about power, diplomacy, and war even to this day.Three Kingdoms portrays a fateful moment at the end of the Han Dynasty (206 B.C.-A.D. 220) when the future of the Chinese empire lay in the balance. Writing more than a millennium later, Luo Guanzhong drew on often told tales of this turbulent period to fashion a sophisticated compelling narrative, whose characters display vivid individuality and epic grandeur.The story begins when the emperor, fearing uprisings by peasant rebels known as the Yellow Scarves, sends an urgent appeal to the provinces for popular support. In response, three young men - the aristocratic Liu Xuande, the fugitive Lord Guan, and the pig-butcher Zhang Fei - meet to pledge eternal brotherhood and fealty to their beleaguered government. From these events comes a chain of cause and consequence that leads ultimately to the collapse of the Han.

    Zhivago and Romeo and Juliet.  Its mysterious author was recently the subject of a feature article in the New Yorker, which has inspired a forthcoming biography. Out of print for nearly three decades until the hardcover re-release last year, Ali and Nino is Kurban Said's masterpiece. It is a captivating novel as evocative of the exotic desert landscape as it is of the passion between two people pulled apart by culture, religion, and war.It is the eve of World War I in Baku, Azerbaijan, a city on the edge of the Caspian Sea, poised precariously between east and west.  Ali Khan Shirvanshir, a Muslim schoolboy from a proud, aristocratic family, has fallen in love with the beautiful and enigmatic Nino Kipiani, a Christian girl with distinctly European sensibilities.   To be together they must overcome blood feud and scandal, attempt a daring horseback rescue, and travel from the bustling street of oil-boom Baku, through starkly beautiful deserts and remote mountain villages, to the opulent palace of Ali's uncle in neighboring Persia.  Ultimately the lovers are drawn back to Baku, but when war threatens their future, Ali is forced to choose between his loyalty to the beliefs of his Asian ancestors and his profound devotion to Nino.  Combining the exotic fascination of a tale told by Scheherazade with the range and magnificence of an epic, Ali and Nino is a timeless classic of love in the face of war.

    Twelve episodes in the everyday life of the community of Mariposa

    Sophia is twenty-one years old, carries a newt -- Great Warty -- around in her pocket and marries -- in haste -- a young artist called Charles. Swept into bohemian London of the thirties, Sophia is ill-equipped to cope. Poverty, babies (however much loved) and her husband conspire to torment her. Hoping to add some spice to her life, Sophia takes up with the dismal, ageing art critic, Peregrine, and learns to repent her marriage -- and her affair -- at leisure. But in this case virtue is more than its own reward, for repentance brings an abrupt end to a life of unpaid bills, unsold pictures and unwashed crockery ...

    A national best-seller in both hardcover and paperback, it introduces the engrossing saga of a Muslim family in Cairo during Egypt's occupation by British forces in the early 1900s.

    In this period the Italian Communist Party is very strong, but the Second World War and fascism are still vividly remembered. Boscaccio has a communist mayor named Peppone. He wants to realise the communist ideals, and the Roman Catholic priest Don Camillo is desperately trying to prevent this. But despite their different views these men can count on each other in the fight against social injustice and abuses.

    Originally published in 1961, this Welsh-language novel has been eloquently translated into English by Philip Mitchell, perhaps garnering Prichard the wide recognition his novels have long enjoyed in his native land. Less a novel than a loosely connected series of tales, Prichard peoples his fictional world with characters such as Grace Ellen Shoe Shop, Will Starch Collar, and Johnny Beer Barrel. Though One Moonlit Night has its lighter moments, its story is primarily a sad one: the narrator's mother is sent to an insane asylum; one close friend dies of tuberculosis while another moves away; village men die in the faraway killing fields of the war as the loved ones they leave behind live in unrelenting poverty. Eventually, something terrible happens.In One Moonlit Night, perfection is in the details--the loving evocations of the townspeople and the physical and emotional landscapes they inhabit. Dark as it is at times, Prichard's tragic tale is leavened by humor and illuminated by prose that is lyrical and deeply stirring.

    Time shifts from one consciousness to another in a hypnotic flow of dreams, desires, and memories, a world of ghosts dominated by the figure of Pedro Páramo - lover, overlord, murderer.Rulfo's extraordinary mix of sensory images, violent passions, and unfathomable mysteries has been a profound influence on a whole generation of Latin American writers, including Carlos Fuentes, Mario Vargas Llosa, and Gabriel García Márquez. To read Pedro Páramo today is as overwhelming an experience as when it was first published in Mexico back in 1955.

    The volume includes recent essays from Alastair Duckworth, Marilyn Butler, D.A. Miller, Isobel Armstrong and Karen Newman.

    Sofia is a Soviet Everywoman, a doctor's widow who works as a typist in a Leningrad publishing house. When her beloved son is caught up in the maelstrom of the purge, she joins the long lines of women outside the prosecutor's office, hoping against hope for any good news. Confronted with a world that makes no moral sense, Sofia goes mad, a madness which manifests itself in delusions little different from the lies those around her tell every day to protect themselves. Sofia Petrovna offers a rare and vital record of Stalin's Great Purges.

    Although known principally as a writer, he was closely associated with the tumultuous revolutionary period of his own country. Of all Gorky's novels, The Artamonov Business ('Decadence' in the USA edition) is the most impressive & dramatic. Here in concentrated form is the tragic failure of Russia's middle classes in the decades before the Revolution, seen in the small town microcosm of a family of textile manufacturers.

    An Aborigine artist, a Holocaust survivor, a beatific washerwoman, and a childlike heiress are each blessed—and stricken—with visionary experiences that may or may not allow them to transcend the machinations of their fellow men. Tender and lacerating, pure and profane, subtle and sweeping, Riders in the Chariot is one of the Nobel Prize winner's boldest books.

    From an isolated bamboo grove, to a lantern festival in Tokyo, to the Emperor’s court, they offer glimpses into moments of madness, murder, and obsession. Vividly translated by Bryan Karetnyk, they unfold in elegant, sometimes laconic, always gripping prose. Akutagawa’s stories are characterised by their stylish originality; they are stories to be read again and again.