Vincent DiMaio and veteran crime writer Ron Franscell guide us behind the morgue doors to tell a fascinating life story through the cases that have made Di Maio famous-from the exhumation of assassin Lee Harvey Oswald to the complex issues in the shooting of Florida teenager Trayvon Martin.Beginning with his street-smart Italian origins in Brooklyn, the book spans 40 years of work and more than 9,000 autopsies, and Di Maio's eventual rise into the pantheon of forensic scientists. One of the country's most methodical and intuitive criminal pathologists will dissect himself, maintaining a nearly continuous flow of suspenseful stories, revealing anecdotes, and enough macabre insider details to rivet the most fervent crime fans.

    After they were jailed in 1969 for thirty years for murder, Pearson's biography The Profession of Violence enjoyed a cult following among the young and was said to be the most popular book in H.M.'s prisons, after the Bible. Ron died in 1995. Reg followed him five years later, and both of their funerals drew crowds on a scale unknown for film stars, let alone for two departed murderers. Since then, far from fading with their death, public fascination with the twins has never flagged. Their clothes and memorabilia are sold at auction like religious relics. Ron's childlike prison paintings fetch more money than those of many well-known artists. And people still refer to them like popular celebrities. Why? This is the question Pearson asked himself, and over the past three years he has been re-examining their history, unearthing much previously unknown material, and has come to some fascinating conclusions. The Immortal Murderers reveals new facts about the Krays' tortured relationship as identical twins; a relationship which helped predestine them to a life of crime; a relationship that made them utterly unlike any other major criminals. Pearson has discovered two new and unsuspected murders, along with fresh light on the killings of George Cornell and Jack 'the Hat' McVitie. There are facts about the twins' obsession with publicity, and how far this made them 'actor criminals' murdering for notoriety. Most riveting of all are the chapters which reveal how Ron Kray caused a major sexual scandal in which a prime minister, together with other leading politicians, condoned the most outrageous establishment cover-up in British politics since the war. The Immortal Murderers contains many more surprises, but the one thing that emerges is that the Kray twins were not only stranger but also far more important than anyone ever suspected. Fascination with them will forever remain; they will never lose their role as the immortal murderers.

    When Hannah Breece came to Alaska in 1904, it was a remote lawless wilderness of prospectors, murderous bootleggers, tribal chiefs, and Russian priests. She spent fourteen years educating Athabascans, Aleuts, Inuit and Russians with the stubborn generosity of a born teacher and the clarity of an original and independent mind. Jane Jacobs, Hannah's great-niece, here offers an historical context to Breece's remarkable eyewitness account, filling in the narrative gaps, but always allowing the original words to ring clearly. It is more than an adventure story: it is a powerful work of women's history that provides important—and, at times, unsettling—insights into the unexamined assumptions and attitudes that governed white settlers’ behaviour toward native communities at the turn of the century.

    They left life as they knew it behind to start fresh in the land of the Last Frontier.Their cabin on Cub Lake was only accessible by bush plane in the summer or snow machine during the winter, making life challenging. They knew their learning curve would be steep. What they didn't realize was living on a homestead in the wilderness of Alaska would make them face obstacles they had never experienced before.This new chapter forced them to take every skill that they had learned in their lives to the next level. Hunting, fishing, gardening, and flying would all become key to thriving off-the-grid. Arctic temperatures and wild animals in the Alaska bush provided countless adventures. These tales may make you laugh, make you cry, and might possibly inspire you to follow your own dreams!While enjoying the majestic nature surrounding them, they also learned to work together like never before. The two of them have dealt with everything from crazy chickens to bears, and ultimately even looked death squarely in the eyes. Throughout it all, Ann knew there was no place she would rather be than with Shon when he suggested, "Follow Me to Alaska."

    As the straight man for the absurdity surrounding him, Strahan mediates disputes with loan sharks, pimps, and jealous lovers--and creates an unforgettable portrait of the delights and debauchery of the Crescent City."Frank and funny . . . Managing Ignatius is an entrepreneurial story that captures the year-round drama of doing business on the street and the seasonal rhythms of the French Quarter."--The New York Times

    Hence, Austrian painter Christiane Ritter was at best ambivalent when her husband asked her to join him on the small Arctic island of Spitsbergen in a tarpaulin-covered hut sixty miles from the nearest neighbor. Yet his descriptions were filled not with cold and hardship but tales of remarkable wildlife, alluring light shows, and treks over water and ice. Won over, Ritter joined her husband and grew to love life on this small isle off Norway's coast, and in this charming memoir she describes her experiences, with insight and wry humor. Whether or not you ever plan a trip to the Arctic, A Woman in the Polar Night offers thoughtful reflections on isolation and the place the natural world holds in the human psyche.

    But much about the real-life woman and her family was left untold.Here, Baroness Maria Augusta Trapp tells in her own beautiful, simple words the extraordinary story of her romance with the baron, their escape from Nazi-occupied Austria, and their life in America.Now with photographs from the original edition.

    Though officially unsolved, Jane’s murder was apparently the third in a series of seven brutal rape-murders in the area. Nelson was born a few years after Jane’s death, and the narrative is suffused with the long shadow her murder cast over both the family and her psyche.Jane explores the nature of this haunting incident via a collage of poetry, prose, and documentary sources, including newspapers, related "true crime" books, and fragments from Jane’s own diaries written. Each piece in Jane has its own form that serves as an important fissure, disrupting the tabloid, "page-turner" quality of the story, and eventually returning the reader to deeper questions about girlhood, empathy, identification, and the essentially unknowable aspects of another’s life and death. Part elegy, part memoir, detective story, part meditation on violence, and part conversation between the living and the dead, Jane’s powerful and disturbing subject matter, combined with its innovations in genre, expands the notion of what poetry can do—what kind of stories it can tell, and how it can tell them.

    King also brings to vivid life the complete account of the tate murders, describes the lengthy search for the killers. and includes previousl unpublished police and detective reports, trail transcripts and letters from Charles Manson to "squeaky Fromme." More importantly, this is the first book to focus on the victims of the Manson murders. As such, it brings a fresh perspective to the murder story that created a media frenzy foreshadowing what occurs with alarming regularity today.

    In If These Walls Could Talk: Boston Red Sox, former player and longtime broadcaster Jerry Remy provides insight into the team's inner sanctum as only he can. Readers will gain the perspective of players, coaches, and personnel in moments of greatness as well as defeat, making for a keepsake no fan will want to miss.

    Growing up in North Carolina, Mark Kemp burned with shame and anger at the attitudes of many white southerners--some in his own family--toward the recently won victories of the civil rights movement. "I loved the land that surrounded me but hated the history that haunted that land," he writes.Then the down-home, bluesy rock of the Deep South began taking the nation by storm, and Kemp had a new way of relating to the region that allowed him to see beyond its legacy of racism and stereotypes of backwardness. Although Kemp would always struggle with an ambivalence familiar to many white southerners, the seeds of redemption were planted in adolescence when he first heard Duane Allman and Ronnie Van Zant pour their feelings into their songs.In the tradition of Nick Tosches, Peter Guralnick, and other music historians, Kemp maps his own southern odyssey onto the stories of such iconic bands as the Allman Brothers, Lynyrd Skynyrd, and R.E.M., as well as influential indies like the Drive-By Truckers. In dozens of interviews with quintessential southern rockers and some of their most diehard fans, Kemp charts the course of the music that both liberated him and united him with countless others who came of age under its spell. This is a thought-provoking, searingly intimate, and utterly original journey through the South and its music from the 1960s through the 1990s.

    Dreaming of becoming a police officer, Waters immigrated to the United States in search of better employment opportunities and joined the NYPD.Despite a successful career with one of the most formidable and revered police forces in the world, Waters’s reality as a cop in New York was a far cry from his fantasy of serving and protecting his community. Over the course of a career spanning more than twenty years—from rookie to lead investigator, during which time he saw New York transform from the crack epidemic of the ’90s to the low crime stats of today—Waters discovered that both sides of the law were entrenched in crooked culture.In NYPD Green Waters offers a gripping and fascinating account filled with details from real criminal cases involving murder, theft, gang violence, and more, and takes you into the thick of the danger and scandal of life as a New York cop—both on and off the beat. Balanced with wit and humor, Waters’s account paints a vivid picture of the colorful characters on the force and on the streets and provides an unflinching—often critical—look at the corruption and negligence in the justice system put in place to protect us, showing the hidden side of police work where many officers are motivated not purely by the desire to serve the community, but rather by the “green” earned in overtime, expenses, and allowances.A multifaceted and engaging narrative about the immigrant experience in America, Waters’s story is also one of personal growth, success, and disillusionment—a rollicking journey through the day-to-day in the New York Police Department.

    His world crashed down after he smashed his right ankle and causing severe damage to his left fibia and tibia. It was unclear if he would ever walk properly again, let alone ride a motorbike. Charley recounts the ambulance ride, the numerous operations in a Portugese hospital, the medivac flight back to London, and his journey of recovery. As his inability to walk for several months provokes introspection, Boorman recounts his childhood, where his passion for motorbikes began, and the formative influences in his life—from his father, a famed director, to his longtime friend Ewan McGregor, and Sean Connery’s son Jason, who introduced him to bikes. These touchstones give him strength on the long way back to health.

    So one night, he sets out to find it – a pylon-slung edge-land, a tangle of wood, meadow, field and river on the outskirts of town. Despite being in the shadow of thousands of houses, it feels unclaimed, forgotten, caught between worlds, and all the more magical for it.Obsessively revisiting this contested ground, Cowen ventures deeper into its many layers and lives, documenting its changes through time and season and unearthing histories that profoundly resonate and intertwine with transformative events happening in his own life.Blurring the boundaries of memoir, natural history and novel, Common Ground offers nothing less than an enthralling new way of writing about nature and our experiences within it. We encounter the edge-land's inhabitants in immersive, kaleidoscopic detail as their voices and visions rise from the fields and woods: beasts, birds, insects, plants and people – the beggars, sages and lovers across the ages.Startlingly personal and poetic, this is a unique portrait of a forgotten realm and a remarkable evocation of how, over the course of a year, a man came to know himself once more by unlocking it. But, above all, this is a book that reasserts a vital truth: nature isn’t just found in some remote mountain or protected park. It is all around us. It is in us. It is us.