It's a place where the famous come to party like locals, the locals party like rock stars behind velvet ropes, and the press is savvy enough to know what not to report. Rachel Baum is a sheltered, career-oriented everygirl when she moves to South Beach from her quiet Miami suburb, searching for a life less ordinary. Quickly making friends among SoBe's most exclusive scenesters, she spends her days building a career and her nights building a reputation. But in a town where friends become enemies faster than highs become hangovers, the life less ordinary turns into more than Rachel bargained for. As she pursues the endless party in penthouses, dive bars, after-hours clubs, and cocaine speakeasies, Rachel struggles to balance her goals and ambitions with the decadence and excess -- especially her drug-fueled, on-again off-again relationship with Yale-graduate-turned-addict John Hood -- that threaten to destroy everything she's always worked for. With tremendous wit and razor-sharp insight, Diary of a South Beach Party Girl portrays the innermost sanctums of South Beach's privileged Beautiful People through the eyes of a no longer innocent heroine.

    Two families. One inescapable fate.Sofia Colicchio is a free spirit, a loud, untamed thing. Antonia Russo is thoughtful, ever observing the world around her. Best friends from birth, their homes share a brick wall and their fathers are part of an unspoken community that connects them all: the Family. Sunday dinners gather the Family each week to feast, discuss business, and renew the intoxicating bond borne of blood and love.Until Antonia’s father dares to dream of a different life and goes missing soon after. His disappearance drives a whisper-thin wedge between Sofia and Antonia as they become women, wives, mothers, and leaders, all the while maintaining a complex and at times conflicted friendship. Both women are pushing against the walls of a prison made up of expectations, even as they remain bound to one another, their hearts expanding in tandem with Red Hook and Brooklyn around them. One fateful night their loyalty to each other and the Family will be tested. Only one of them can pull the trigger before it’s too late.

    Gritty and magical, filled with mystery, poetry, and pain, Ivy Pochoda's voice recalls Richard Price, Junot Diaz, and even Alice Sebold, yet it's indelibly her own."-Dennis Lehane Summer in Red Hook, Brooklyn, a blue collar neighborhood where hipster gourmet supermarkets push against tired housing projects, and the East River opens into the bay. Bored and listless, fifteen-year-old June and Val are looking for some fun. Forget the boys, the bottles, the coded whistles. Val wants to do something wild and a little crazy: take a raft out onto the bay.But out on the water, as the bright light of day gives way to darkness, the girls disappear. Only Val will survive, washed ashore semi-conscious in the weeds.June's shocking disappearance will reverberate in the lives of a diverse cast of Red Hook residents. Fadi, the Lebanese bodega owner, trolls for information about the crime. Cree, just beginning to pull it together after his father's murder, unwittingly makes himself the chief suspect although an elusive guardian seems to have other plans for him. As Val emerges from the shadow of her missing friend, her teacher Jonathan, Julliard drop-out and barfly, will be forced to confront a past riddled with tragic sins of omission.In Visitation Street, Ivy Pochoda combines intensely vivid prose with breathtaking psychological insight to explore a cast of solitary souls, pulled by family, love, and betrayal, who yearn for a chance to escape, no matter the cost.

    Set in a turn-of-the-century New York apartment building on the Upper East Side, 'The Girl Next Door' features a collection of interwoven stories about love, life, and living together.

    Alone and untethered, feeling lost in the country he had come to regard as home, Hans stumbles upon the vibrant New York subculture of cricket, where he revisits his lost childhood and, thanks to a friendship with a charismatic and charming Trinidadian named Chuck Ramkissoon, begins to reconnect with his life and his adopted country. Ramkissoon, a Gatsby-like figure who is part idealist and part operator, introduces Hans to an “other” New York populated by immigrants and strivers of every race and nationality. Hans is alternately seduced and instructed by Chuck’s particular brand of naivete and chutzpah--by his ability to hold fast to a sense of American and human possibility in which Hans has come to lose faith. Netherland gives us both a flawlessly drawn picture of a little-known New York and a story of much larger, and brilliantly achieved ambition: the grand strangeness and fading promise of 21st century America from an outsider’s vantage point, and the complicated relationship between the American dream and the particular dreamers. Most immediately, though, it is the story of one man--of a marriage foundering and recuperating in its mystery and ordinariness, of the shallows and depths of male friendship, of mourning and memory. Joseph O’Neill’s prose, in its conscientiousness and beauty, involves us utterly in the struggle for meaning that governs any single life.

    There’s just one problem: she’s engaged to his oldest friend, Rob. So James toasts their union and swallows his desire.As the years pass, James’s dreams always seem just out of reach—he can’t finish that novel, can’t mend his relationship with his father, can’t fully commit to a romantic relationship. He just can’t move on. But after betrayal fractures Lou’s once-solid marriage, she turns to James for comfort.When Lou and James act on their long-standing mutual attraction, the consequences are more heartbreaking—and miraculous—than either of them could have ever anticipated. Then life throws James one more curveball, and he, Rob, and Lou are forced to come to terms with the unexpected ways in which love and loss are intertwined.

      In 1935, Dottie Krasinsky is the epitome of the modern girl. A bookkeeper in Midtown Manhattan, Dottie steals kisses from her steady beau, meets her girlfriends for drinks, and eyes the latest fashions. Yet at heart, she is a dutiful daughter, living with her Yiddish-speaking parents on the Lower East Side. So when, after a single careless night, she finds herself in a family way by a charismatic but unsuitable man, she is desperate: unwed, unsure, and running out of options.   After the birth of five children—and twenty years as a housewife—Dottie’s immigrant mother, Rose, is itching to return to the social activism she embraced as a young woman. With strikes and breadlines at home and National Socialism rising in Europe, there is much more important work to do than cooking and cleaning. So when she realizes that she, too, is pregnant, she struggles to reconcile her longings with her faith.   As mother and daughter wrestle with unthinkable choices, they are forced to confront their beliefs, the changing world, and the fact that their lives will never again be the same….

    But instead of the abstract canvases of the Pollocks and Rothkos, he stubbornly hewed to painting one subject the female nude. When he died in 2001, he left behind a wife, Abigail, an autistic son, and a sister, Maxine, herself a notable abstract painter all duly noted in the New York Times obituary.What no one knows is that Oscar Feldman led an entirely separate life in Brooklyn with his longtime mistress, Teddy St. Cloud, and their twin daughters. As the incorrigibly bohemian Teddy puts it, "He couldn't live without a woman around. It was like water to a plant for him." Now two rival biographers, book contracts in hand, are circling around Feldman's life story, and each of these three women, Abigail, Maxine, and Teddy, will have a chance to tell the truth as they experienced it.The Great Man is a scintillating comedy of life among the avant-garde of the untidy truths, needy egos, and jostlings for position behind the glossy facade of artistic greatness. Not a pretty picture but a provocative and entertaining one that incarnates the take-no-prisoners satirical spirit of Dawn Powell and Mary McCarthy.

    After serial publication in Spirou the complete story was published, along with the Marsupilami short story Touchez pas aux rouges-gorges, in a hardcover album in 1957.

    He is charming, good-natured, and handsome but unfortunately, he has also slept with nearly every woman in Boyne City, Michigan. Jane sees Duncan’s old girlfriends everywhere–at restaurants, at the grocery store, even three towns away.While Jane may be able to come to terms with dating the world’s most prolific seducer of women, she wishes she did not have to share him quite so widely. His ex-wife, Aggie, a woman with shiny hair and pale milkmaid skin, still has Duncan mow her lawn. His coworker, Jimmy, comes and goes from Duncan’s apartment at the most inopportune times. Sometimes Jane wonders if a relationship can even work with three people in it–never mind four. Five if you count Aggie’s eccentric husband, Gary. Not to mention all the other residents of Boyne City, who freely share with Jane their opinions of her choices.But any notion Jane had of love and marriage changes with one terrible car crash. Soon Jane’s life is permanently intertwined with Duncan’s, Aggie’s, and Jimmy’s, and Jane knows she will never have Duncan to herself. But could it be possible that a deeper kind of happiness is right in front of Jane’s eyes? A novel that is alternately bittersweet and laugh-out-loud funny, Katherine Heiny’s Early Morning Riser is her most astonishingly wonderful work to date.

    Michael is a rising OB/GYN at a prominent private practice in Albany, New York; he also moonlights at a local women’s health clinic. But Annie, his wife, has become tired of her workaholic husband’s absences, and the soccer-mom lifestyle has worn thin. She begins a passionate love affair with bad-boy, fading celebrity painter Simon Haas—an affair that quickly goes awry when Simon’s wife Lydia, who is also the model upon whom he built his career, discovers the truth.  Abortion, local evangelism, marital disenchantment, and the rifts of social class:  Brundage takes on the fault lines of our era with a deft hand.

    He is entranced by her image, flooded by memories of their teenage summer together, and utterly conpelled to make contact with her again. Charles sends Sian a letter, knowing all the while that "from the very first sentence of the very first note there was nothing innocent about it." Sian writes back - she is now a poet living with her husband and small child on an onion farm in Pennsylvania. She is intrigued that Charles has sought her out after so many years but wary of where their correspondence might lead. For Charles, troubled by financial woes, on the verge of losing his home, and concerned about the security of his family, the letters become a secret obsession and another source of instability in his already complicated life. Despite their reservations, the power of Charles and Sian's attraction leads them to meet again . . . and again. As Charles understands it, "for the two of them, eros is linked with time. It is the very urgency of time he dreads, the sense that their minutes together are short and numbered, that he must say what he has come to say before she leaves, that gestures and words cannot be wasted." Anita Shreve takes the classic theme of "Romeo and Juliet" and gives it an unusual twist: two lovers struggle against formidable odds, reaching across a lifetime to reclaim what they once lost. In doing so, they set in motion a tumultuous series of events that moves inexorably to a shocking conclusion.

    She is taken in by her estranged grandmother, June, a flower farmer who raises Alice on the language of Australian native flowers, a way to say the things that are too hard to speak. But Alice also learns that there are secrets within secrets about her past. Under the watchful eye of June and The Flowers, women who run the farm, Alice grows up. But an unexpected betrayal sends her reeling, and she flees to the dramatically beautiful central Australian desert. Alice thinks she has found solace, until she falls in love with Dylan, a charismatic and ultimately dangerous man.The Lost Flowers of Alice Hart is a story about stories: those we inherit, those we select to define us, and those we decide to hide. It is a novel about the secrets we keep and how they haunt us, and the stories we tell ourselves in order to survive. Spanning twenty years, set between the lush sugar cane fields by the sea, a native Australian flower farm, and a celestial crater in the central desert, Alice must go on a journey to discover that the most powerful story she will ever possess is her own.

    “From the beginning,” says Taylor, “it was a conspiracy for Lizzie and Finn to be together.” Told Rashomon-style in alternating points of view, the characters expose and stumble upon lies and infidelities, past and present. Snow, ten years old and precociously drawn into a far more adult drama, becomes the catalyst for catastrophe as the novel explores collusion and betrayal in marriage. Set on the sun-drenched coast of the Ionian Sea, Siracusa unfolds with the pacing of a psychological thriller and delivers an unexpected final act that none will see coming.

    Whether in southern Italy, where as a boy he has a crush on his parents’ cabinet maker, or on a snowbound campus in New England, where his enduring passion for a girl he’ll meet again and again over the years is punctuated by anonymous encounters with men; on a tennis court in Central Park, or a sidewalk in early spring New York, his attachments are ungraspable, transient and forever underwritten by raw desire—not for just one person’s body but, inevitably, for someone else’s as well. In mapping the most inscrutable corners of desire, Aciman proves to be an unsparing reader of the human psyche and a master stylist of contemporary literature. With language at once lyrical, bare-knuckled, and unabashedly candid, he casts a sensuous, shimmering light over each facet of desire to probe how we ache, want, and waver, and ultimately how we sometimes falter and let go of those who may want only to offer what we crave from them. Behind every step the hero takes, his hopes, denials, fears, and regrets are always ready to lay their traps. Yet the dream of love always casts its luminous halo. We may not always know what we want. We may remain enigmas to ourselves and others. But sooner or later we discover who we’ve always known we were.