Here, in the dizzying heat of August 1939, five cousins have gathered at their aunt's house for their annual ritual of a holiday. For most of them it is the last summer of their youth, with the heady exhilarations and freedoms of lost innocence, as well as the fears of the coming war.The Camomile Lawn moves from Cornwall to London and back again, over the years, telling the stories of the cousins, their family and their friends, united by shared losses and lovers, by family ties and the absurd conditions imposed by war as their paths cross and recross over the years. Mary Wesley presents an extraordinarily vivid and lively picture of wartime London: the rationing, imaginatively circumvented; the fallen houses; the parties, the new-found comforts of sex, the desperate humour of survival - all of it evoked with warmth, clarity and stunning wit. And through it all, the cousins and their friends try to hold on to the part of themselves that laughed and played dangerous games on that camomile lawn.

    The only person she has left is her beloved grandmother, and she's determined to keep her safe. But protecting Grandmother won't be easy--not with a Nazi officer billeted below them.Anna must keep a low profile. There's one thing she refuses to give up, though. Despite instruments being declared illegal, Anna defiantly continues to practice her violin. She has to believe that the war will end someday and her career will be waiting. Fortunately for Anna, the officer, Horst Engel, enjoys her soothing music. It distracts him from his dissatisfaction with Nazi ideology and reminds him that beauty still exists in an increasingly ugly world.When his neighbors face deportation, Horst is moved to risk everything to hide them. Anna finds herself falling in love with the handsome officer and his brave heart. But what he reveals to her might break her trust and stop the music forever. . . .

    Will appeal to fans of Louis de Berniere's Captain Corelli's Mandolin and the novels of William Boyd.Enzo Secchi, harbourmaster for Massawa, Eritrea's main port, is a loyal Italian colonial servant. He takes pride in running the docks, enjoys the occasional drink with his gregarious friend Salvatore, colonel of the local Italian garrison, and listens to Caruso in his spare time. But he is lonely and when Salvatore suggests he find an Eritrean housekeeper to cook, clean - and maybe share his bed - Enzo takes the plunge and advertises. Salvatore's own tastes run to the young and nubile, but Enzo surprises himself by choosing Aatifa, a sharp-tongued woman in her 30s with a complicated family life, who takes the job as a last resort. What neither of them had counted on was falling in love.But it is 1935, Fascism is on the rise, and Mussolini does not intend Eritrea to remain a backwater for long. Italian forces bent on invading Ethiopia begin arriving at the port. And with them come new laws - including one forbidding 'Relationships of a Conjugal Nature' with Eritrean women . . .Meanwhile, Salvatore finds himself at the head of the invasion force bound for Ethiopia. Gone are the glory days of garrison life; it is a bitter campaign, laying bare all the brutality of Italian colonial ambition. Its consequences for Salvatore, and for Enzo and Aatifa as they contrive to hide their relationship in plain sight, will change all three lives for ever.

    After the funeral, Marko flees to England, hoping to put his broken homeland, and the part he played in the loss of his friend, behind him.In 2004, human rights researcher Anya Teal is following a tenuous lead in the hunt for a Bosnian man with blood on his hands. She is also clinging to the fragile hope that she can rebuild a relationship with her first love, William Howell. When Anya invites Will to join her on a Christmas holiday in the Thai beach resort of Khao Lak, she hopes the holiday will offer them the chance to unpick the mistakes of their past. But Khao Lak may also be home to the man Anya is looking for-a man with a much darker history.What nobody knows is that a disaster as destructive as a war is approaching, detonated in the seabed of the Indian Ocean, one that will connect the fates of Marko, William, and Anya, across the years and continents. In its wake, everything Marko thought he knew will be overturned.

    There’s Ralph, her fourteen-year old son, and Winnie the young maid, a homely, goodhearted country girl, and the lodgers, of course, a curious but necessary burden. They include blind Alwyne Flyte, communist and cynic, victim of a gas attack in the trenches. When the dreaded telegram arrives at the house, things turn from difficult to desperate for the two young women.Then along comes the butcher, Neville Turk, big handsome ladies’ man, irresistible for his meat, money and brutish confidence, who throws flighty Eithne into a turmoil but has sinister plans of his own. Winnie and the blind lodger, meanwhile, conduct a strange, erotic liaison of their own. And young Ralph, ignored by his mother, looks on, feeling the undercurrents of desire, seeing more than he should. All the strands come together in a shocking denouement that turns a coward into a hero and young Ralph into a man.They’re all in the dark with their dreams, secrets and fantasies, and electric light, new to their world, may be a boon but it reveals both grime and secrets. Life is tough on the home front and they’re all working the system in different ways, sometimes comic sometimes tragic, always human.

     The victories won by British arms in the years which followed that great deliverance have made men forget those soldiers – the first of the many – upon whom it fell to withstand the shock of Hitler’s great attack. It is now fitting that these men and their Commander-in-Chief, Lord Gort, should be worthily remembered, and their story fully told, from those first landings in France, in the autumn of 1939, until the climax of Dunkirk. The authors, both professional writers, themselves served as officers with the B.E.F., and have recaptured the gallantry and comradeship of that little force. The result is a moving story of courage and devotion in the face of odds which no other British Force has ever been called upon to face. It is chivalrous to admire a gallant enemy, and of that chivalry we have lately seen much. Justice demands that the courage and devotion of our own fighting men be no less clearly recognised. There were no medals for the B.E.F., hardly even today the laurels of memory. They were soldiers, doing a soldier’s job against odds which no British Force had ever been called upon to face, and which, it is to be hoped, no British Force will ever face again. What were they then, the men of that small Expeditionary Force, a mere army in one of the groups of French armies? How did they spend the months of what has been called the “twilight war”, and how, when the shock of battle came at last, did they withstand the blow? Dunkirk tells the true story of those brave men who fought to save the lives of so many. With the 2017 movie release of Christopher Nolan’s Dunkirk now is the time to remember the real history of the battle in the words of those who experienced it. Lt. Colonel Ewan Butler and Major J. Selby Bradford M.B.E., M.C. served in France as young officers during the last months of 1939 and the first five of 1940 with that small British Expeditionary force commanded by Lord Gort, which first faced the full might of Nazi Germany. Dunkirk was first published in 1950 under the title Keep The Memory Green. It was used as inspiration for the 1958 film, Dunkirk, starring Richard Attenborough.

    With the Allies closing in and chaos erupting, a single truck silently disappears into a mountain snowstorm with its cargo of stolen masterpieces. Fifty years later, in a seedy Boston pawnshop, one of the truck's paintings surfaces at last, pawned for $100 by a smalltime Russian thug. The next day, the shop owner, Simeon Pawlovsky, himself a Nazi death camp survivor, is dead, the life brutally beaten out of him. The painting is gone. And the chase begins.Ex-curator Benjamin Revere, haunted by his failure to save his elderly friend Simeon, is determined to track down the killer by following the missing painting's trail. But the twisting path is a bewildering and dangerous one that winds through Europe's major cities...and back five decades to a time when Hitler's hated minions looted at will. Soon Ben finds himself caught up in the tangled roots of a conspiracy of greed, lies, hatred, and blood—and imperiled by the half-century-old enigma of the vanished truck and its priceless legacy.

    But patriotism trumps passion, leaving La to worry if her life will always be "a play in which I have no real part." In McCall-Smith's quintessentially English world, perserverance, pots of tea and the power of music will show the way.(Ellen Shapiro for People magazine)

    Thousands remain displaced in what is now the British Occupied Zone. Charged with overseeing the rebuilding of this devastated city and the de-Nazification of its defeated people, Colonel Lewis Morgan is requisitioned a fine house on the banks of the Elbe, where he will be joined by his grieving wife, Rachael, and only remaining son, Edmund. But rather than force its owners, a German widower and his traumatized daughter, to leave their home, Lewis insists that the two families live together. In this charged and claustrophobic atmosphere all must confront their true selves as enmity and grief give way to passion and betrayal. The Aftermath is a stunning novel about our fiercest loyalties, our deepest desires and the transformative power of forgiveness.

    This novella, first published in 1947 and now translated into English for the first time, shows Hans Keilson at his best: deeply ironic, penetrating, sympathetic, and brilliantly modern, an heir to Joseph Roth and Franz Kafka. In 2008, when Keilson received Germany’s prestigious Welt Literature Prize, the citation praised his work for exploring “the destructive impulse at work in the twentieth century, down to its deepest psychological and spiritual ramifications.” Published to celebrate Keilson’s hundredth birthday, Comedy in a Minor Key — and The Death of the Adversary, reissued in paperback — will introduce American readers to a forgotten classic author, a witness to World War II and a sophisticated storyteller whose books remain as fresh as when they first came to light.

    Benjamin Katz and his frightened family stand at the train station in occupied Holland, unsure if they would be taken to their freedom—or the death camp. Sylvie, his granddaughter, who was six years old at the time, would later recall the madness as they wondered if their desperate last minute escape would work. When the German officer received the order to allow the escape he said, “I would have much rather been given the order to kill all of you.”Their entire art collection had long made them a prime target of Adolf Hitler and his greedy henchmen. Now they had one big trade—a Rembrandt in exchange for twenty-five lives.Based on a true story, Rembrandt’s Shadow is the story of two women from different generations—each with their own distinct horrific memories—who find themselves at odds when forced to confront the here and now.

    Now, following the death of their grandmother, they have returned to the grand, imposing house in Wiltshire, England. Unable to stem the tide of childhood memories that arise as she sorts through her grandmother’s belongings, Erica thinks back to the summer her cousin Henry vanished mysteriously from the estate, an event that tore their family to pieces. It is time, she believes, to lay the past to rest, bring her sister some peace, and finally solve the mystery of her cousin’s disappearance.But sifting through remnants of a bygone time is bringing a secret family history to light—one that stretches back over a century, to a beautiful society heiress in Oklahoma, a haunting, savage land across the ocean. And as past and present converge, Erica and Beth must come to terms with two shocking acts of betrayal . . . and the heartbreaking legacy they left behind.

    its magic hung in the air. It is Warsaw, 1939, and Elzunia is an indulged teenager who longs for a heroic life filled with romance. But the outbreak of war shatters all her dreams. As bombs fall, she meets Adam, a taciturn airman whose fate becomes entwined with hers. In despair over the occupation, Adam joins the Polish resistance, then flies bombers for the RAF. Forced into the Warsaw Ghetto, Elzunia learns that even children must create their own rules to survive. When the Ghetto defies the invaders, and later the entire city of Warsaw rises up, Elzunia finds strength in ways she never imagined. Nocturne is a powerful and inspiring testament to resilience and courage in the face of cruelty and betrayal.

    Nineteen-year-old Elise Landau is forced to leave her glittering life of parties and champagne to become a parlor maid in England. She arrives at Tyneford, the great house on the bay, where servants polish silver and serve drinks on the lawn. But war is coming, and the world is changing. When the master of Tyneford's young son, Kit, returns home, he and Elise strike up an unlikely friendship that will transform Tyneford—and Elise—forever.

    But as Emma dives deeper into the gardens’ past, she begins to uncover secrets that have long lain hidden.1907: A talented artist with a growing reputation for her ambitious work, Venetia Smith has carved out a niche for herself as a garden designer to industrialists, solicitors, and bankers looking to show off their wealth with sumptuous country houses. When she is hired to design the gardens of Highbury House, she is determined to make them a triumph, but the gardens—and the people she meets—promise to change her life forever.1944: When land girl Beth Pedley arrives at a farm on the outskirts of the village of Highbury, all she wants is to find a place she can call home. Cook Stella Adderton, on the other hand, is desperate to leave Highbury House to pursue her own dreams. And widow Diana Symonds, the mistress of the grand house, is anxiously trying to cling to her pre-war life now that her home has been requisitioned and transformed into a convalescent hospital for wounded soldiers. But when war threatens Highbury House’s treasured gardens, these three very different women are drawn together by a secret that will last for decades.