Included are Wiesel's landmark speeches, among them his powerful testimony at the trial of Klaus Barbie and his 1986 Nobel Peace Prize acceptance speech.

    First comes the mates, then the ute, then his hat, dogs, horses and last of all the girlfriend. Get that right and you might just stick around. Try to jump the queue and you′re history." The lips smiled at me, but his eyes meant business.′Well then, I′ll just have to be his mate.′′Girls can′t be mates, Alice.′′We′ll see.′A footloose city backpacker who couldn′t tell a bull from a cow was hardly the ideal candidate to answer an ad for a governess on a Mackay cattle station. But Alice Greenup was game for anything, until she was bowled over by a handsome young jackeroo with a devastating smile. It was the start of a whole new way of life as Alice gave up her city-chick persona to embrace the bush and all that came with it: horses, cattle, the obsession with rain - and the correct way to wear a hat.After overcoming more than a few obstacles, the unlikely couple eventually married, moving to Rick′s family farm near Kingaroy. Determined to make their own future, they gambled their dreams on a vast property called ′Jumma′. It was a huge risk but with a lot of love, blood, sweat and tears, they were on their way.But one morning they almost lost it all. When Alice′s horse bucked her out of the saddle in remote bushland, she was gravely injured. Rick was forced to leave her lying alone, drifting in and out of consciousness, to gallop home for help. Flown by emergency helicopter to Brisbane, Alice had serious liver and brain damage. What followed would test their love to the limit.

    Set in almost uninhabitable regions of Central Australia, The Songlines asks and tries to answer these questions: Why is man the most restless, dissatisfied of animals? Why do wandering people conceive the world as perfect whereas sedentary ones always try to change it? Why have the great teachers—Christ or the Buddha—recommended the Road as the way. to salvation? Do we agree with Pascal that all man's troubles stem from his inability to sit quietly in a room?We do not often ask these questions today for we commonly assume that living in a house is normal and that the wandering life is aberrant. But for more than twenty years Chatwin has mulled over the possibility that the reverse might be the case.Pre-colonial Australia was the last landmass on earth peopled not by herdsmen, farmers, or city dwellers, but by hunter-gatherers. Their labyrinths of invisible pathways across the continent are known to us as Songlines or Dreaming Tracks, but to the Aboriginals as the tracks of their ancestors—the Way of the Law. Along these "roads" they travel in order to perform all those activities that are distinctively human—song, dance, marriage, exchange of ideas, and arrangements of territorial boundaries by agreement rather than force.In Chatwin's search for the Songlines, Arkady is an ideal friend and guide: Australian by birth, the son of a Cossack exile, with all the strength and warmth of his inheritance. Whether hunting kangaroo from a Land Cruiser, talking to the diminutive Rolf in his book-crammed trailer, buying drinks for a bigoted policeman (and would-be writer), cheering as Arkady's true love declares herself (part of The Songlines is a romantic comedy), Chatwin turns this almost implausible picaresque adventure into something approaching the scale of a Greek tragedy.The life of the Aboriginals stands in vivid contrast, of course, to the prevailing cultures of our time. And The Songlines presents unforgettable details about the kinds of disputes we know all too well from less traumatic confrontations: over sacred lands invaded by railroads, mines, and construction sites, over the laws and rights of a poor people versus a wealthy invasive one. To Chatwin these are but recent, local examples of an eternal basic distinction between settlers and wanderers. His book, devoted to the latter, is a brilliant evocation of this profound optimism: that man is by nature not a bellicose aggressor but a pacific, song-creating, adaptive species whose destiny is to quest for the truth.

    It presents a chronology of the moments in history when the principles of government and law were corrupted by the vanity of the ambitious and unscrupulous.

    Throughout her short life, Sallie-Anne Huckstepp lived a dangerous existence. This is a true story, brilliantly told, of someone who was gutsy and determined – and who paid the ultimate price for speaking out against corruption and murder.In 2014, Xoum is proud to release a new edition of this seminal work.Praise for Huckstepp by John Dale‘A marvellous book, brilliantly written and researched.’ Louis Nowra‘A significant, original work that challenges as much as it reveals.’ The Australian‘Dale nails the treachery, corruption and decadence of a part of Sydney society that traces its origins to the Rum Corps.’ Andrew Rule‘A brilliantly constructed record of one of Kings Cross’ most infamous characters. A great city story.’ The Australian‘A fine and disciplined piece of writing.’ HQ‘As gripping as a thriller.’ The Northern Star‘Only the very famous – or infamous – are known by a single name. Huckstepp conjures memories of the bad old days in Sydney; of a time when cops and crims were as likely to be allies as enemies. In the age of Underbelly, John Dale’s new edition of Huckstepp is a timely reminder of the human cost behind the headlines. Through extensive interviews with those who knew, loved and used Sallie-Anne Huckstepp, Dale vividly recreates a time when heroin was currency, and corruption and murder were the everyday tools of violent men. It is a deadly, dangerous, brutal world, depicted with realism, not romanticism. For some, the name Huckstepp will forever carry a frisson of excitement, the promise of secrets, sex, drugs and crime. In this book, Dale ensures that Sallie-Anne’s name will also forever remind us of that fateful moment when a young woman with a gap-toothed smile and a story to tell naively believed that publicity would guarantee her protection. Huckstepp is still famous, but her story runs deeper than the headlines. In this book, Dale takes the reader beyond the underbelly, into the very belly of the beast.’ P.M. Newton

    During the Second World War, Grass volunteered for the submarine corps at the age of fifteen but was rejected; two years later, in 1944, he was instead drafted into the Waffen-SS. Taken prisoner by American forces as he was recovering from shrapnel wounds, he spent the final weeks of the war in an American POW camp. After the war, Grass resolved to become an artist and moved with his first wife to Paris, where he began to write the novel that would make him famous.Full of the bravado of youth, the rubble of postwar Germany, the thrill of wild love affairs, and the exhilaration of Paris in the early fifties, Peeling the Onion -- which caused great controversy when it was published in Germany -- reveals Grass at his most intimate.

    He was a prolific literary critic and book reviewer. Between the two world wars, before making his name, he kept company with rowdy, hard-up writers and painters--and painters' models--in the London where Augustus John and Wyndham Lewis loomed large. He counted Evelyn Waugh and Henry Green among his lifelong friends, and his circle included the Sitwells, Graham Greene, George Orwell, Philip Larkin, and Kingsley Amis, among many others. Now, drawing on his letters, diaries, and interviews, Hilary Spurling--herself a longtime friend of Powell's-- has written a fresh and masterful portrait of the man, his work, and his time. Insightful, poignant, and cinematic in scope, this biography is as much a brilliant tapestry of a seminal moment in London's literary life as it is a revelation of an iconic literary figure.

    In the years since then he has dedicated himself to an assortment of idiosyncratic reading challenges: spending a year reading only short books, spending a year reading books he always suspected he would hate, spending a year reading books he picked with his eyes closed.In One for the Books, Queenan tries to come to terms with his own eccentric reading style. How many more books will he have time to read in his lifetime? Why does he refuse to read books hailed by reviewers as “astonishing”? Why does he refuse to lend out books? Will he ever buy an e-book? Why does he habitually read thirty to forty books simultaneously? Why are there so many people to whom the above questions do not even matter? And what do they read? Acerbically funny yet passionate and oddly affectionate, One for the Books is a reading experience that true book lovers will find unforgettable.

    Alternately neglected and smothered by his parents, he was finally driven to destroy the whole family in a violent chain of events.Savage Grace unfolds against a glamorous international background (New York, London, Paris, Italy, Spain); features a nonpareil cast of characters (including Salvador Dalí, James Jones, the Astors, the Vanderbilts, and European nobility); and tells the doomed Baekelands' story through remarkably candid interviews, private letters, and diaries, not to mention confidential hospital, State Department, and prison documents. A true-crime classic, it exposes the envied lives of the rich and beautiful, and brilliantly illuminates the darkest corners of the American Dream.

    Despite this, by the age of eleven Baxter had 'collected' his first book—The Poems of Rupert Brooke. He'd read the volume often, but now he had to own it. This was the beginning of what would become a major collection and a lifelong obsession.His book-hunting would take him all over the world, but his first real find was in London in 1978, when he spotted a rare copy of a Graham Greene children's book while browsing on a stall in Swiss Cottage. It was going for 5 pence. This would also, fortuitously, be the day when he first encountered one of the legends of the book-selling world: Martin Stone. At various times pothead, international fugitive from justice, and professional rock musician, he would become John's mentor and friend.In this brilliantly readable and funny book, John Baxter brings us into contact with such literary greats as Graham Greene, Kingsley Amis, J.G. Ballard and Ray Bradbury. But he also shows us how he penetrated the secret fraternity of 'runners' or book scouts—sleuths who use bluff and guile to hunt down their quarry—and joined them in scouring junk shops, markets, auction rooms and private homes for rarities.In the comic tradition of Clive James's Unreliable Memoirs, A Pound of Paper describes how a boy from the bush came to be living in a Paris penthouse with a library worth millions. It also explores the exploding market in first editions. What treasures are lying unnoticed in your garage?

    The comedy of the novel revolves around his attempts to understand English as it was spoken in Australia by the working classes in the 1950s and 1960s. Nino had previously only learned 'good' English from a textbook.The novel is a social commentary on Australian society of the period; specifically male, working class society. Women mostly feature as cameos in the story with the exception of Kay (whose surname is not revealed in the novel), who becomes Nino's wife. In the novel, Nino meets Kay in a cafe in Manly and their introduction is effected by Nino trying to teach Kay that she cannot eat spaghetti using a spoon.The final message of the novel is that immigrants to Australia should count themselves fortunate and should make efforts to assimilate into Australian society, including learning to speak Australian English. However, there is also a satirical undercurrent aimed at Australian society as a country of migrants.

    Twenty years on, there is still no story from the horse's mouth of how it all came about. No autobiography. No memoir. Yet he is the supreme story-teller of politics.This book of revelations fills the gap. Kerry O'Brien, the consummate interviewer who knew all the players and lived the history, has spent many long hours with Keating, teasing out the stories, testing the memories and the assertions.What emerges is a treasure trove of anecdotes, insights, reflections and occasional admissions from one of the most loved and hated political leaders we have known-a man who either led or was the driving force through thirteen years of Labor government that changed the face of Australia.This is a man who as prime minister personally negotiated the sale of a quarter of the government-owned Qantas in his own office for $665 million, then delighted in watching the buyer's hand shake so much that champagne spilt down his shirtsleeve. He tells of his grave moment of doubt after making one of the riskiest calls of his political life, and how he used an acupuncturist and a television interviewer to seize the day.There are many stories of this kind. The revealing inside stories and even glimpses of insecurities that go with the wielding of power, from a man who had no fear collecting his share of enemies and ended up with more than enough, but whose parliamentary performances from 25 years ago are watched avidly on YouTube today by a generation that was either not yet born or in knee pants when he was at his peak.We'll never get an autobiography or a memoir from Keating. This is as good as it gets-funny, sweeping, angry, imaginative, mischievous, with arrogance, a glimmer of humility and more than a touch of creative madness. Keating unplugged.

    Footsteps is a wonderful exploration of the ties between biographers and their subjects, filled with passion and revelation.

    Her story stretches from industrial England to the French Riviera, from Ireland to New York, Shanghai, New Zealand, the Isle of Man and across Australia. Ethel claimed she was a cotton heiress, wartime nurse, casino hostess, stowaway, artist, opera singer, gambler, spy, close friend of the King, air raid warden, charity queen and even wife of Australian test cricketer Jack Fingleton.When her career imploded (with the abandonment of her glittering society marriage in post-war Sydney just two hours before the guests were due to arrive), the story of the Amazing Mrs Livesey was blazoned across newspapers around the world. But what was fact and what was fiction?With a prologue by Ethel Livesey's granddaughter, this extraordinary and constantly surprising story of the woman who was possibly Australia’s greatest fraudster is told for the first time in rich and fascinating detail.Author's Note:Written as narrative or factional history, real people and actual events have been woven together with fictitious character names, and imagined conversations to bridge occasional gaps in the storyline or account for unnamed people.

    The original edition cost seventy-five cents, but there was something priceless about its eponymous piece. Although it gave a voice to the new generation that came of age in the conservative years following World War II, the poem also conferred a strange, subversive power that continues to exert its influence to this day. Ginsberg went on to become one of the most eminent and celebrated writers of the second half of the twentieth century, and "Howl" became the critical axis of the worldwide literary, cultural, and political movement that would be known as the Beat generation.The year 2006 marks the fiftieth anniversary of the publication of "Howl," and The Poem That Changed America will celebrate and shed new light on this profound cultural work. With new essays by many of today's most distinguished writers, including Frank Bidart, Andrei Codrescu, Vivian Gornick, Phillip Lopate, Daphne Merkin, Rick Moody, Robert Pinsky, and Luc Sante, The Poem That Changed America reveals the pioneering influence of "Howl" down through the decades and its powerful resonance today.