Nineteen is a collection of poetry that broaches heartbreak, love, loss, war, peace, and healing.For every place we go, there is a feeling or memory that’s been painted on the walls. You can paint over it, but it will always be there. Even if you can’t see it, you know. You can feel the heartbreak inside the bedroom where you lost a love.You can feel the hope at the coffee shop where a beginning happened. You can feel the healing as you sit in the driver’s seat, in charge of your own life.

    from "The House on the Hill" . . . from out of the fog, a large, welcoming house would emerge made out of invention and surprise. No things without ideas! you'd shout, and the doors would open, and the echoes would cascade down to the valleys and the faraway towns.

    Part 1, Life and Times, traces Larkin’s early years and follows his development, within his career as a university librarian, into one of the most important and popular voices in twentieth-century poetry. Part 2, Artistic Strategies, explores a range of methodologies and aesthetic influences by which Larkin was able to create poetry at once both accessible and profound. Part 3, Reading Larkin, provides detailed critical commentary on many of the poems from his three major collections, The Less Deceived, The Whitsun Weddings and High Windows. Part 4, Reception, outlines the history of Larkin’s reputation from the mid-1950s to the present, examining the debates and ideological confrontations to which his poetry has given rise.BEWARE FAKE REVIEWS ON AMAZON.COM. ****Five Star Reviews on Amazon UK*****Insightful Assessment of a still under-rated Poet. I found this book gripped me from the start. Confirming some things I though I knew, illuminating areas I knew little about and flatly contradicting some misconceptions, the book is insightful, sympathetic and, of course, literate. Here is the real Larkin - a poet I admired more than liked, revealed to be more interesting and accomplished than I knew. By RoyAn Excellent Larkin Teacher provides a great insight into the Poet and his Times. This book reflects great scholarship. Mr Gilroy is a dedicated and insightful reader of Larkin and I recommend this book simply because it has made Larkin one of my favorite poets. By Alexandros Alexandropoulos

    Part one, “Immerse,” reflects on birth and beginnings while exploring themes of love, self-discovery, and cultural history. Part two, “Drown,” examines mental illness, trauma, and loss. Part three, “Emerge,” takes lessons from water and begins a journey toward healing through self-care and gratitude. Throughout the collection, Robinson’s disarming candor, vivid imagery, and supportive message inspire and empower.

    I wasn't his sweetheart, and he should have already known my name. But, that was the moment I became caught in Tyler Lohan's sight. He was wonderful and complicated, and I'd spent my life trying to hate him for being the golden boy who had everything so easy. However, as with all things, Tyler wasn’t the person he appeared to be from the outside, and once I saw him – the real him – I fell, and I don’t think I ever got back up.There would be a total of forty-seven things that sucked me into Tyler's life then forced me away. Forty-seven things that ruined me forever.Forty-seven was never going to be enough.There was no number great enough...47 Things. A standalone new adult romance that follows a couple as they come to terms with falling love in a world they can't control, and the certainty of the inevitable.

    Not the put-her-in-the-loony-bin kind, but the rock-in-the-corner-so-I-can-breathe kind. Maybe they’re one and the same and I really do need to be put away, but I think I just need a little air. I’m bone tired. My eyes look like I haven’t slept in weeks. I’m eating my feelings and developing a pudge that isn’t gonna go anywhere if I keep binging on chocolate, nachos and wine. I’m 28 and everyone has left me. I have no friends. My boyfriend left. My mom died, so technically she left me too. I hate my job. I get this overwhelming 'oh my God, is this what my life is gonna be?' feeling and I want to die. Curl up and die. And since I don’t feel my heartbeat fading or my breathing getting even slightly faint, I panic that I’m gonna have to live. Maybe Maby is a heartbreaking, and at times, hilarious story about coping with loss, finding love in New York, and learning to recognize hope in the middle of it all.

    Throughout this third book, she explores her identity as a black Malawian woman, offering intimate reflections on her life and experiences, imparting a stirring, universal message of empowerment and self-love.

    our darkest times are where we grow the most, so in this book, i share mine, and together, we learn how to heal.

    Written between the ages of sixteen and eighteen, with examinations of anxiety, death, first loves, and first lusts, Graffiti extends a hand to those undergoing the trials and uncertainty of teenagehood, and assures them they're not alone.

    These poems are allusive and tough. While they celebrate the pleasures of the natural world--mutability, desire, and the flowering of things--they are compounded by a critical awareness of contemporary culture. As we traverse their associative leaps, we discover a linguistic landscape that is part garden, part wilderness, where a poem can perform its own natural history. Divided into four cantos interrupted by lyrics and errata, Meteoric Flowers mirrors the form of Erasmus Darwin's 18th-century scientific pastorals. In attending to poetry's investigative potential, Willis shifts our attention from product to process, from commodity to exchange, from inherited convention to improvisational use.

    Depression & Other Magic Tricks explores themes of mental health, love, and family. It is a documentation of struggle and triumph, a celebration of daily life and of living. Benaim's wit, empathy, and gift for language produce a work of endless wonder.

    In this startling new edition of his work, Whitman biographer Gary Schmidgall presents over two hundred poems in their original pristine form, in the chronological order in which they were written, with Whitman's original line breaks and punctuation. Included in this volume are facsimilies of Whitman's original manuscripts, contemporary-- and generally blistering-- reviews of Whitman's poetry (not surprisingly Henry James hated it), and early pre-Leaves of Grass poems that return us to the physical Whitman, rejoicing-- sometimes graphically-- in homoerotic love.Unlike the many other available editions, all drawn from the final authorized or "deathbed" Leaves of Grass, this collection focuses on the exuberant poems Whitman wrote during the creative and sexual prime of his life, roughly between 1853 and 1860. These poems are faithfully presented as Whitman first gave them to the world-- fearless, explicit, and uncompromised-- before he transformed himself into America's respectable, mainstream Good Gray Poet through thirty years of revision, self-censorship, and suppression.Whitman admitted that his later poetry lacked the "ecstasy of statement" of his early verse. Revealing that ecstasy for the first time, this edition makes possible a major reappraisal of our nation's first great poet.

    They are truly delightful and robustly original—a poetic joy."—Tony HoaglandSelected by Bernadette Mayer for the National Poetry Series, these poems engage the structures of family and intimacy, exposing the viscera of the everyday, all its frailties and familiarity rendered absurd and remade through language.Outside there's a world where every love-scenebegins with a man in a doorway;he walks over to the woman and says "Open your mouth."Hannah Gamble has received fellowships from Rice University, The University of Houston, and The Edward F. Albee Foundation. She teaches literature and writing at Prairie State College and is the poet-in-residence at Children's Memorial Hospital in Chicago, Illinois.

    The Boston-based writer has found his stronghold in the world of social media under the moniker of High Poets Society. His writing is most recognized for its mesmerizing rhyme scheme and clever wordplay.

    The first half of DROPKICKromance focuses on a toxic, long-distance relationship the author was involved in for several years, while the second half focuses on Parker's current relationship with poet Amanda Lovelace, who penned a beautiful foreword for the book. This collection takes you by hand and brings you on a journey through first love, heartbreak, and learning to love again.