The Dead Sea Poems, his fourth collection, culminates in a long visionary poem, 'Five Eleven Ninety Nine'. Elsewhere, questions of belief and trust, of identity and knowledge, dealt with as they occur in everyday domestic life, contribute to a picture of our contemporary world that is at once realistic and touched with a unique imaginative intensity.

    He considers himself to be a mostly lucky guy—despite the fact that he’s suffered from a debilitating disease since he was a small child, one that has left him unable to speak or to move without a wheelchair. Largely confined to his home, Daniel spends the hours he’s not online communicating with irate air travelers observing his neighborhood from his front porch. One young woman passes by so frequently that spotting her out the window has almost become part of his daily routine. Until the day he’s almost sure he sees her being kidnapped.

    Dover, Massachusetts, 1969. Ginny Richardson's heart was torn open when her baby girl, Lucy, born with Down Syndrome, was taken from her. Under pressure from his powerful family, her husband, Ab, sent Lucy away to Willowridge, a special school for the “feeble-minded." Ab tried to convince Ginny it was for the best. That they should grieve for their daughter as though she were dead. That they should try to move on. But two years later, when Ginny's best friend, Marsha, shows her a series of articles exposing Willowridge as a hell-on-earth--its squalid hallways filled with neglected children--she knows she can't leave her daughter there. With Ginny's six-year-old son in tow, Ginny and Marsha drive to the school to see Lucy for themselves. What they find sets their course on a heart-racing journey across state lines—turning Ginny into a fugitive.For the first time, Ginny must test her own strength and face the world head-on as she fights Ab and his domineering father for the right to keep Lucy. Racing from Massachusetts to the beaches of Atlantic City, through the Blue Ridge Mountains of Virginia to a roadside mermaid show in Florida, Keeping Lucy is a searing portrait of just how far a mother’s love can take her.

    The major texts in sexuality studies, including queer theory, rarely mention disability, and foundational texts in disability studies do not discuss sex in much detail. What if "sex" and "disability" were understood as intimately related concepts? And what if disabled people were seen as both subjects and objects of a range of erotic desires and practices? These are among the questions that this collection's contributors engage. From multiple perspectives—including literary analysis, ethnography, and autobiography—they consider how sex and disability come together and how disabled people negotiate sex and sexual identities in ableist and heteronormative culture. Queering disability studies, while also expanding the purview of queer and sexuality studies, these essays shake up notions about who and what is sexy and sexualizable, what counts as sex, and what desire is. At the same time, they challenge conceptions of disability in the dominant culture, queer studies, and disability studies.Contributors. Chris Bell, Michael Davidson, Lennard J. Davis, Michel Desjardins, Lezlie Frye, Rachael Groner, Kristen Harmon, Michelle Jarman, Alison Kafer, Riva Lehrer, Nicole Markotić, Robert McRuer, Anna Mollow, Rachel O’Connell, Russell Shuttleworth, David Serlin, Tobin Siebers, Abby L. Wilkerson

    They're brilliant, brooding and barreling into relationships whether they like it or not.Zack Brady doesn’t do relationships. He does calculations.When his family engineering firm sends him to investigate a sinkhole at a client’s house, Zack feels a tremor in the foundation of his carefully calculated world.Her name is Nicole Kennedy. She’s loud and crass, and has no time for nonsense. She certainly doesn’t have time for a mysterious trench swallowing her yard. To make matters worse, the grouchy engineer who shows up to fix it is the same jerk she’s forced to run beside during the corporate relay race her boss insisted she run.Somewhere between jogging and poring over geotechnical engineering plans, Nicole and Zack feel the earth move. Can they overcome their past to build something meaningful?Foundation is book one of the Brady Family series. If you love messy family dynamics, unforgettable characters and sizzling chemistry, you’ll devour this new series by Lainey Davis, creator of the Stag Brothers series.

    In verse that deals with sexual assault, mental illness, and body acceptance, Ms. Lambert's Shame Is an Ocean I Swim Across emerges as an important new voice in poetry, providing strength and resilience even in the darkest of times.

    Part-robot, part-human. Even now, with our pacemakers, our holographic eyewear, our cybernetic limbs, it is difficult to deny that we are approaching an age when the line between humankind and machine is beginning to blur.In this latest title in the acclaimed Future Chronicles series of speculative fiction anthologies, twelve authors face the question: In the age of the cybernetic organism, in a world where electro-mechanical components are beginning to take the place of biological limbs, what is the measure of a man?The Cyborg Chronicles features stories by Hugo Award-winner Ken Liu (The Grace of Kings), USA Today bestselling author and Alfie Award-winner Annie Bellet (Twenty-Sided Sorceress) and ten more of today's top speculative fiction writers.

    African American Studies. TWERK unveils an identity shaped by popular media and history, code switching and cultural inclusivity. The poems, songs, and myths in this long-awaited first book are as rooted in lyric as in innovation, in Black music as in macaronic satire. TWERK evokes paradox, humor, and vulnerability, and it offers myriad avenues fueled by language, idiom, and vernacular. From a poet unafraid to take risks, this book asks only that we imagine America as it has always existed, an Americana beyond the English language."Here it is: a dope jam of dictions; a remixed, multicultural, polyphonic dance of vocabularies; a language of high stakes, hi-jinx, and hybridity. TWERK is subversive, vulnerable, and volatile. TwERK twists tongues. TwERK tweaks speech. Reading these amazing poems mostly makes me say, Wow! Open your ears to take this music in, open your mouth to say it out loud. And: Wow!"--Terrance Hayes"Tweaking parallel languages, rebooting and putting them to (hard, hard) work, TWERK's non-stop shimmy-shimmy embarks on an anime-iigjag idio-lingual-lectical booty-roll and doesn't come down until the break of dawn. La Reina de Harlem responds to Lorca's Big-Apple-opolis heteroglossia with her own inimitable animations, incantations and ululations, twisting tongues so mellifluously that you don't even realize you've been dancing on Saturn with Sun Ra for hours and still could have begged for more. Welcome LaTasha Diggs: this is her many-splendored night out!"--Maria Damon"From this time forward, TWERK, can refer to a collection of cultural coordinates of a radically transformed Americas. TWERK--is rare poetics, a vine enmeshed onyx slab of gypsum glyphs inscribed. Cut, swirly, and nervy, N. Diggs's fractal-linguistic urban chronicles deftly snip away at the lingering fears of a fugitive English's frisky explorations. In her first major work, N. Diggs doesn't so much 'find' culture as she conjures up the new emerging happy peoples herein. Five thousand updates--download now!"--Rodrigo Toscano

    An attempt to understand and to be understood, In a Dream You Saw a Way to Survive is an ode to vulnerability that delivers concentrated, thought-provoking, and earnest verse.

    Summer Lightning is her first collection of short stories. Her setting is rural Jamaica; her heroes are the naïve and the vulnerable, who bring to life with power and realism issues such as snobbery, ambition, jealousy, faith and love.Written in vivid, colourful detail, these rich compelling stories recreate with sensitivity and wit a whole range of emotions, from childhood hope to brooding melancholy. Each is told with an affectionate and poignant perception of you and I at our best and worst. Gently we are led, laughing, crying, but always enjoying.

    In her debut collection of fifteen short stories, Amina Cain makes ordinary worlds strange and spare and beautiful. A woman carves invisible images onto ice, a pair of black wings appears in front of a house, and a restless teacher sits in a gallery of miniature rooms. As Miranda Mellis describes, "The revelatory pleasure and hope [in these stories] emanate from an artistry driven by ethical desire." "I highly recommend reading I Go To Some Hollow," says Bhanu Kapil, "because of what it teaches you about love, and the relationship between love and writing." I GO TO SOME HOLLOW is published as part of the TrenchArt: Tracer Series, with an Introduction by Bhanu Kapil and collaborative visual art by Ken Erhlich and Susan Simpson.

    (Everybody in the newsroom knows. It's company policy.) But they can't quite bring themselves to take it seriously. They go on sending each other endless and endlessly hilarious e-mails, discussing every aspect of their personal lives.Meanwhile, Lincoln O'Neill can't believe this is his job now—reading other people's e-mail. When he applied to be "internet security officer," he pictured himself building firewalls and crushing hackers—not writing up a report every time a sports reporter forwards a dirty joke.When Lincoln comes across Beth's and Jennifer's messages, he knows he should turn them in. But he can't help being entertained—and captivated—by their stories.By the time Lincoln realizes he's falling for Beth, it's way too late to introduce himself.What would he say . . . ?

    You’re weightless. You’re stuck in between jumping and landing. You exist in midair. Your bones start to thin.” Growing up in a small town in the South, Julia and her childhood best friend Laura know the church as well as they know each other’s bodies—the California-shaped scar on Julia’s right knee, the tapered thinness of Laura’s fingers, the circumference of each other’s ponytails. When Laura’s family moves away in middle school and Julia gets a crush on the new priest’s daughter at their church, Julia starts to more fully realize the consequences of being anything but straight in the South. After college, when Julia and her best friend Kate wait tables at a rib joint in Julia’s hometown, they are forced to face the price of the secrets they’ve kept—from their families, each other, and themselves. From astronaut Sally Ride’s obituary, to a UFO Welcome Center, to a shark tooth collection, to DC Comic’s Gay Ghost, this memoir-in-essays draws from mythology, religion, popular culture, and personal experience to examine how coming out is not a one-time act. At once heartrending and beautiful, The Rib Joint explores how fear and loss can inhabit our bodies and, contrastingly, how naming our desire allows us to feel the heart beating in our chest.

    Perfect for fans of Cathy Bramley.   The picture house by the sea is the Palace at Polwhipple – a lovely art deco cinema, nestled in front of azure Cornish seas. But it is long past its heyday now, and its only saving grace is Ferrelli's, the family run ice-cream concession in the foyer, which is famed for selling the best ice cream for miles.   When Ferdie, the owner of Ferrelli's, falls ill, his granddaughter Gina drops everything to come and help out, leaving her boyfriend, Max, in London. But when she arrives she is dismayed by the state of the cinema, which she remembers fondly from summer holidays when she was a teenager,   Enchanted by Polwhipple's golden beaches and friendly faces, Gina sets about restoring the Palace to its former glory with a themed Brief Encounter night, roping in her old friend Ben to help. But can one night alter the fortunes of this beautiful old picture house by the sea...?If you enjoyed part one in the PICTURE HOUSE series, download part two - Singing in the Rain at the Picture House by the Sea – now!  'Fabulously feel-good, funny and fresh, it will sweep you off your feet' Rowan Coleman 'Pure pleasure, a delight from opening credits to closing reel' Julie Cohen 'Deliciously romantic and sprinkled with the magic of the movies – it's the perfect treat!' Miranda DickinsonWhat people are saying about the STAR AND SIXPENCE and the CASTLE COURT series:'Warm, witty and laced with intriguing secrets' Cathy Bramley 'The perfect book to start the new year' Rowan Coleman 'A treasure of a find and I was completely enveloped within this world from the very first page. 5 stars!' Becca's Books 'A thoroughly lovely and entertaining read!' Book Kaz 'A charming story with real characters and an idyllic setting' Fictionophile

    Heralded as "one of our most vital, unclassifiable writers" by the Voice Literary Supplement, Fanny Howe has published more than twenty books and is the recipient of the Gold Medal for Poetry from the Commonwealth Club of California. In addition, her Selected Poems received the 2001 Lenore Marshall Poetry Prize for the Most Outstanding Book of Poetry Published in 2000 from the Academy of American Poets.The poems in Gone describe the transit of a psyche, driven by uncertainty and by love, through various stations and experiences. This volume of short poems and one lyrical essay, all written in the last five years, is broken into five parts; and the longest of these, "The Passion," consecrates the contradictions between these two emotions. The New York Times Book Review said, "Howe has made a long-term project of trying to determine how we fit into God's world, and her aim is both true and marvelously free of sentimental piety." With Gone, readers will have the opportunity to experience firsthand Howe’s continuation of that elusive and fascinating endeavor.