In scenes of a mixture of pride, madness, and comedy, Carlos plays out his role as deity among the naked islanders, living a fantasy that most readers will find believable, if horrific. Along with the horror, the book does offer some beautiful moments of discovery, as when, as Winkler narrates, the ship takes the Mona Passage to Jamaica...we hear of an Edenic island, green and aromatic, opened like a wildflower. For all of its scenes of braggadocio and brutality, the book often works on you like that vision."--Alan Cheuse, NPR, All Things Considered"Readers are transported to Jamaica, into Winkler's richly invented 16th century, where his flawless prose paints their slice of time, in turn both brutally graphic and lyrically gorgeous. Comic, tragic, bawdy, sad, and provocative, this is a thoroughly engaging adventure story from a renowned Jamaican author, sure to enchant readers who treasure a fabulous tale exquisitely rendered."-- Library Journal "A tale of the frequently tragic--and also comic--clash of races and religions brought on by colonization...Anthony Winkler spins an enlightened parable, rich in historical detail and irony."-- Shelf Awareness "Darkly irreverent...With a sharp tongue, Winkler, a native of Jamaica, deftly imbues this blackly funny satire with an exposé of colonialism's avarice and futility."-- Publishers Weekly "With perceptive storytelling and bracing honesty, Mr. Winkler, author of a half-dozen well-reviewed books, has a lovely way of telling a good story and educating concurrently...God Carlos teaches history in a subtle but meaningful way. Too literary to be lumped in with typical historical fiction, and too historical to be lumped in with typical literary fiction, God Carlos defies categorization."-- New York Journal of Books "God Carlos provides a welcome opportunity to glimpse...the lives of ordinary people, both European and Caribbean, as they experience the calamitous effects of the encounter of two worlds."-- Sargasso: A Journal of Caribbean Literature, Language, & Culture "The author's piercing narrative drives home...Here, Winkler's brilliance as a storyteller is unmistakable...God Carlos is a literary tour de force--atmospheric and incisive. It effuses raw emotion--perplexing, bewildering, and dark...On multiple levels, Winkler proves his salt as a genuine raconteur...the architect of an invaluable literary work."-- The Jamaica Gleaner "Well-written...Winkler's descriptions of sea and sky as seen from a sailing ship, and of the physical beauty of Jamaica, are spot-on and breathtaking."-- Historical Novel Review "In God Carlos and The Family Mansion, Anthony Winkler, the master storyteller, has provided us with texts of both narrative quality and historical substance that should find place in the annals of Caribbean literature."--SX SalonGod Carlos transports us to a voyage aboard the Santa Inez, a Spanish sailing vessel bound for the newly discovered West Indies with a fortune-seeking band of ragtag sailors. She is an unusual explorer for her day, carrying no provisions for the settlers, no seed for planting crops, manned by vain, arrogant men looking for gold in Jamaica.Expecting to make landfall in paradise after over a month at sea, the crew of the Santa Inez instead find themselves in the middle of a timid, innocent people--the Arawaks--who walk around stark naked without embarrassment and who venerate their own customs and worship their own Gods and creeds. The European newcomers do not find gold, only the merciless climate that nourishes diseases that slaughter them. That the Arawaks believed that the arrivals were from heaven makes even more complicated this impossible entanglement of culture, custom, and beliefs, ultimately leading to mutual doom.

    Phillips has long been hailed for work provocative in its candor, uncompromising in its inquiry, and at once rigorous and innovative in its attention to craft. Over the course of nine critically acclaimed collections, he has generated a sustained meditation on the restless and ever-shifting myth of human identity. Desire and loss, mastery and subjugation, belief and doubt, sex, animal instinct, human reason: these are among the lenses through which Phillips examines what it means to be that most bewildering, irresolvable conundrum, a human being in the world.These new poems are of a piece with Phillips's previous work in their characteristic clarity and originality of thought, in their unsparing approach to morality and psychology, and in both the strength and startling flexibility of their line. Speak Low is the record of a powerful vision that, in its illumination of the human condition, has established itself as a necessary step toward our understanding of who we are in the twenty-first century.Speak Low is a 2009 National Book Award Finalist for Poetry.

    It's never too late to have your first adventure...Join Beverley Green as she begins her new life in small-town Guthrie Oklahoma in this first book of the Beverley Green Adventures!

    Witty and irreverent, Horseradish is a book with universal appeal, a delightful vehicle to introduce Snicket's uproariously unhappy observations to a crowd not yet familiar with the Baudelaires' misadventures.

    Narrative elaboration becomes speed and song. Less embattled than earlier work, less actively violent, these new poems have, by conceding time's finalities and triumphs, acquired a dark radiance unlike anything seen before in Bidart's long career. Mortality--imminent, not theoretical--forces the self to question the relation between the actual life lived and what was once the promise of transformation. This plays out against a broad landscape. The book opens with Marilyn Monroe, followed by the glamour of the eighth-century Chinese imperial court (seen through the eyes of one of China's greatest poets, Tu Fu). At the center of the book is an ambitious meditation on the Russian ballerina Ulanova, "Giselle," and the nature of tragedy. All this gives new dimension and poignance to Bidart's recurring preoccupation with the human need to leave behind some record or emblem, a made thing that stands, in the face of death, for the possibilities of art. Bidart, winner of the 2007 Bollingen Prize in American Poetry, is widely acknowledged as one of the significant poets of his time. This is perhaps his most accessible, mysterious, and austerely beautiful book.

    What is actual when our experiences are mediated by language, technology, medication, and the arts? Is poetry an essential art form, or merely a screen for the reader's projections? Instead of following the dictates of his fellowship, Adam’s "research" becomes a meditation on the possibility of the genuine in the arts and beyond: are his relationships with the people he meets in Spain as fraudulent as he fears his poems are? A witness to the 2004 Madrid train bombings and their aftermath, does he participate in historic events or merely watch them pass him by?In prose that veers between the comic and tragic, the self-contemptuous and the inspired, Leaving the Atocha Station is a portrait of the artist as a young man in an age of Google searches, pharmaceuticals, and spectacle.

    Delve deep into the mind of these creatures and learn what makes them tick.

    Rauan Klassnik's HOLY LAND is not a book for the faint of heart. His poems--dreamlike fables that conflate the domestic and quotidian with the dangerous and the perverse--are bathed in tears and blood: a trip to the bank becomes a journey to Auschwitz; bullets and gore find equivalence in rivers, birds and lush grass. In Klassnik's startling vision, 'the world knows what you want, and it knows what you need. It brings you bodies. And it brings you a gun.--Gary Young

    Kay is one of those people, but I fall deeply in love with her. After a long fight, I accept that I will not get all that I want in this life, and I am lucky to have gotten the gift of love. Ready to walk down the aisle with Kay, we go to get a marriage license. I’m shocked when I’m denied because I did not get a divorce! Divorce? When did I get married? What the hell happened on that trip to Las Vegas? I go in search of the woman I have no memory of marrying because I need to get that divorce to move on with my life with Kay. I find her, and she possesses all that I imagined and everything I hoped for. Suddenly, I’m faced with an unbearable choice between the woman I love and the woman who holds the power to make all my dreams come true.

    They all live just a few suburban streets away from each other; they are all still married; so how - and why - did they become so estranged? In a series of letters - from love notes to condolence messages (the latter one arriving some years late) - each protagonist is far more self-revealing than they would ever be in person. The result is an uproarious and poignant portrait of four marriages, and a story about how little we know those we think we know best.

    

    Weaving together fragments from diaries, stories and notebooks – including moving texts written by his two brothers and Stefania herself – Różewicz creates a portrait of their lives and relationships which is sometimes brutal, often hilarious, and always tender.Here is an artist attempting to give form, even meaning, to life – and death.‘One of the great European poets of the twentieth century’ Seamus Heaney

    And of all places to start digging them up—a funeral.” ~Vivi McFadden HeartFull Description: “I was born into a house full of secrets and bad behavior.”Rhonda Cartwright Bently is having the most important moment of her life. She has finally been asked to help cater the Governor’s ball at the Emmy Awards in LA— But before the big day she has to get home to Tuscaloosa, Alabama and bury her estranged father. What she discovers in the aftermath of the funeral turns her life upside down in a matter of seconds. A gift from her father from the grave—a dilapidated southern mansion with an old trunk full of family secrets, will transform Rhonda’s life in an instant and make her question everything she’s ever believed about her family and herself. And then there’s that list--the one she made about her dream man when she was just a teenager. Her perfect love may be right here under her nose, but for Rhonda this is one last complication she could do without. She intended to get home, bury Daddy, sell that dilapidated monstrosity and get back to LA, as fast as she could. But plans never quite work out just as we hope.Rhonda will have to call on her old BFF’s, Blake and Vivi, to help solve the family mystery. But what those original Sassy Belles finally create out of that pile of dust could change Rhonda’s life for good, make her Hollywood dreams fade to black, and maybe even help her uncover her heart right where she left it—in Dixie. But sometimes things aren’t as they seem. And people aren’t always who we think they are.Beth Albright is at her southern best with this new series of sexy romance, laugh out loud comedy, and edge-of-your-seat mystery—exactly what we have come to love in the Beth Albright brand! So grab your girlfriends and put on your seatbelts for this one-- an exciting, unpredictable joy ride though the Deep South that will keep you guessing until the final shocking pages.

    

    While the kids struggle to adjust to life without television, cell phones, and a mall, Maybe realizes that life isn't any easier for her in Paradise. The town seems to have its own rules, and Maybe unknowingly breaks all of them. Her identity crisis is made worse by a handsome neighbor whose alternate flirtation and hostility leave her confused and frustrated. Baird Montgomery, a lifelong resident of Paradise, has only ever wanted to get his hands on his neighbor's well. When his neighbor dies, his long-awaited prize is in reach. But when the heir to the land shows up with her three bratty teenagers, Baird's quest is in jeopardy. Now he's not sure which he wants more: the land or the lady who owns it. And while he makes up his mind, the town of Paradise is getting more gossip than they've had in years.