Addison killed a baby.Allegedly. She didn’t say much in that first interview with detectives, and the media filled in the only blanks that mattered: A white baby had died while under the care of a churchgoing black woman and her nine-year-old daughter. The public convicted Mary and the jury made it official. But did she do it? She wouldn’t say.Mary survived six years in baby jail before being dumped in a group home. The house isn’t really “home”—no place where you fear for your life can be considered a home. Home is Ted, who she meets on assignment at a nursing home.There wasn’t a point to setting the record straight before, but now she’s got Ted—and their unborn child—to think about. When the state threatens to take her baby, Mary must find the voice to fight her past. And her fate lies in the hands of the one person she distrusts the most: her Momma. No one knows the real Momma. But who really knows the real Mary?

    His girlfriend has dumped him to hook up with his best friend. He has no money and no job. His parents insist that he drive his great-uncle Lester to his bridge club four times a week and be his cardturner—whatever that means. Alton’s uncle is old, blind, very sick, and very rich. But Alton’s parents aren’t the only ones trying to worm their way into Lester Trapp’s good graces. They’re in competition with his longtime housekeeper, his alluring young nurse, and the crazy Castaneda family, who seem to have a mysterious influence over him. Alton soon finds himself intrigued by his uncle, by the game of bridge, and especially by the pretty and shy Toni Castaneda. As the summer goes on, he struggles to figure out what it all means, and ultimately to figure out the meaning of his own life. Through Alton’s wry observations, Louis Sachar explores the disparity between what you know and what you think you know. With his incomparable flair and inventiveness, he examines the elusive differences between perception and reality—and inspires readers to think and think again.

    She lives on a remote tropical island and spends most of her time eavesdropping on the rich and famous. The problem is that her family's resort allows few opportunities for her to make friends, much less to meet cute boys. So when a smoldering Seth Mulo arrives with his parents, she's immediately drawn to him. Sure, he's a little bit guarded, and sure his parents are rather cold, and okay he won't say a word about his past, but their chemistry is undeniable. Then a famous rock star's girlfriend turns up dead on the beach, strangled by her own bikini top, and alarm bells sound. Is it too great a coincidence that Seth's family turned up just one day before a murder? As the plot thickens, Aphra finds that danger lurks behind even the most unexpected of faces. . . .

    Now clean, Bea is starting over at Packard High School, in a city shaken from two assaults on young women. The latest victim, Willa Pressman-the one who survived-doesn't remember a thing. But Bea has a disturbing new "skill": she can see-and then draw-images from other people's minds. And when she looks at Willa, Bea is shocked by what she sketches. Bea might be the only one who knows Willa's secrets-and who can take down the killer before he strikes again.

    No one knows, and Mia wants to keep it that way. But when trouble at school finally forces Mia to reveal her secret, she must learn to accept herself and embrace her ability, called synesthesia, a mingling of the senses.

    The police are left with few leads and no witnesses. Except one. Rory spotted the man believed to be the prime suspect. But she is the only one who saw him - the only one who can see him. And now Rory has become his next target...unless she can tap her previously unknown abilities to turn the tables.

    Worse, Priya’s social media has turned into a stream of ungrammatical posts chronicling a sunny, vapid new life that doesn’t sound like her at all.Everyone tells Zan not to be an idiot: Let Priya do her reinvention thing and move on. But until Zan hears Priya say it, she won’t be able to admit that their friendship is finished.It’s only when she meets Logan, the compelling new guy in Spanish class, that Zan begins to open up about her sadness, her insecurity, her sense of total betrayal. And he’s just as willing as she is to throw himself into the investigation when everyone else thinks her suspicions are crazy.Then a clue hidden in Priya’s latest selfie introduces a new, deeply disturbing possibility:Maybe Priya isn’t just not answering Zan’s emails.Maybe she can’t.

    After witnessing his father's death and sending his mom to rehab, he's forced to live with his estranged uncle Myron and switch high schools.A new school comes with new friends and new enemies, and lucky for Mickey, it also comes with a great new girlfriend, Ashley. For a while, it seems like Mickey's train-wreck of a life is finally improving - until Ashley vanishes without a trace. Unwilling to let another person walk out of his life, Mickey follows Ashley's trail into a seedy underworld that reveals that this seemingly sweet, shy girl isn't who she claimed to be. And neither was Mickey's father. Soon, Mickey learns about a conspiracy so shocking that it makes high school drama seem like a luxury - and leaves him questioning everything about the life he thought he knew.First introduced to readers in Harlan Coben's latest adult novel, Live Wire, Mickey Bolitar is as quick-witted and clever as his uncle Myron, and eager to go to any length to save the people he cares about. With this new series, Coben introduces an entirely new generation of fans to the masterful plotting and wry humor that have made him an award-winning, internationally bestselling, and beloved author.

    Alex Craft knows how to kill someone. And she doesn’t feel bad about it.Three years ago, when her older sister, Anna, was murdered and the killer walked free, Alex uncaged the language she knows best—the language of violence. While her own crime goes unpunished, Alex knows she can’t be trusted among other people. Not with Jack, the star athlete who wants to really know her but still feels guilty over the role he played the night Anna’s body was discovered. And not with Peekay, the preacher’s kid with a defiant streak who befriends Alex while they volunteer at an animal shelter. Not anyone.As their senior year unfolds, Alex’s darker nature breaks out, setting these three teens on a collision course that will change their lives forever.

    Jason, almost 13, is a shy, ineffectual child, who takes being bullied as a matter of course—but if he sees someone else being pushed around, he may strike back. When the seven-year-old girl who lives next door is murdered, Jason is horrified. He was the last one to see her alive. He wants to do everything he can to help find the killer, so when the police come calling, he tells them all he knows. What he doesn't know is that Trent, a detective adept at extracting confessions, has been called into the case—and Trent has Jason in his sights as the murderer. Cormier presents a cat-and-mouse game so tense that readers will feel they must escape the pages just as Jason wants to extricate himself from the stuffy, cell-like room where his interrogation is taking place.

    She's found new friends and has even started to fall for mysterious outsider Ollie Larsson. But her past isn't far behind.Then, one by one, the students of Osborne Hugh begin to die in a series of gruesome murders, each with increasingly grotesque flair. As the terror grows closer and her feelings for Ollie intensify, Makani is forced to confront her own dark secrets.

    It's true that no one can guess his hidden thoughts, which are hilarious, razor-sharp observations about lust, love, tubas, algebra, everything. And then there's his home: his father ran off years ago, so he's being raised by his mother, who works long hours, and by her boyfriend, whom John calls "the man who is not and never will be my father." This man is his enemy, an abusive disciplinarian who seems to want to kill John and, in a horrible final confrontation, nearly succeeds. Moving, wholly involving, original, and emotionally true, You Don't Know Me is a multilayered novel that presents a winning portrait of an understandably angst-ridden adolescent.

    Her cabin has burned to the ground. She knows if she doesn’t act fast, the cold will kill her before she has time to worry about food. But she is still alive—for now.BeforeJess hadn’t seen her survivalist, off-the-grid dad in over a decade. But after a car crash killed her mother and left her injured, she was forced to move to his cabin in the remote Canadian wilderness. Just as Jess was beginning to get to know him, a secret from his past paid them a visit, leaving her father dead and Jess stranded.AfterWith only her father’s dog for company, Jess must forage and hunt for food, build shelter, and keep herself warm. Some days it feels like the wild is out to destroy her, but she’s stronger than she ever imagined.Jess will survive. She has to. She knows who killed her father… and she wants revenge.

    Written in a voice at once immediate, riveting, and utterly convincing, Mariah Frederick's mystery brilliantly exposes the cracks in this exclusive New York City world and the teenagers that move within it.

    Ella has spent her high school years living in popular Maddy's shadows, but she has never been envious of Maddy. In fact, she's chosen the quiet, safe confines of her sketchbook over the constant battle for attention that has defined Maddy's world.When—after a heated argument—Maddy and Ella get into a tragic accident that leaves her sister dead, Ella wakes up in the hospital surrounded by loved ones who believe she is Maddy. Feeling responsible for Maddy's death and everyone's grief, Ella makes a split-second decision to pretend to be Maddy. Soon, Ella realizes that Maddy's life was full of secrets. Caught in a web of lies, Ella is faced with two options—confess her deception or live her sister's life.