Unprepared for the consequences of their attraction, at first each feigns indifference. But during the restless summer weeks that follow, unrelenting buried currents of obsession and fear, fascination and desire, intensify their passion as they test the charged ground between them. What grows from the depths of their spirits is a romance of scarcely six weeks' duration and an experience that marks them for a lifetime. For what the two discover on the Riviera and during a sultry evening in Rome is the one thing both already fear they may never truly find again: total intimacy. The psychological maneuvers that accompany attraction have seldom been more shrewdly captured than in André Aciman's frank, unsentimental, heartrending elegy to human passion. Call Me by Your Name is clear-eyed, bare-knuckled, and ultimately unforgettable.

    She has recently lost her career as a concert pianist to a wrist injury, as well as her renowned violinist husband to another woman. The arrival of a lodger, Alex, helps her reconnect with the world outside - as well as exposing old memories and grief she tried to bury.

    And then one day this closest of friendships grows into something more.But then we fast forward a decade or so, to find that Ellis is married to Annie, and Michael is nowhere in sight. Which leads to the question, what happened in the years between?This is almost a love story. But it's not as simple as that.

    Stephen grows to be a war hero, a bestselling writer and a loyal, protective lover. But Stephen is a woman, and her lovers are women. As her ambitions drive her, and society confines her, Stephen is forced into desperate actions.The Well of Loneliness was banned for obscenity when published in 1928. It became an international bestseller, and for decades was the single most famous lesbian novel. It has influenced how love between women is understood, for the twentieth century and beyond.

    Rasa spends his days translating for Western journalists and pining for the nights when he can sneak his lover, Taymour, into his room. One night Rasa's grandmother—the woman who raised him—catches them in bed together. The following day Rasa is consumed by the search for his best friend Maj, a fiery activist and drag queen star of the underground bar, Guapa, who has been arrested by the police. Ashamed to go home and face his grandmother, and reeling from the potential loss of the three most important people in his life, Rasa roams the city’s slums and prisons, the lavish weddings of the country’s elite, and the bars where outcasts and intellectuals drink to a long-lost revolution. Each new encounter leads him closer to confronting his own identity, as he revisits his childhood and probes the secrets that haunt his family. As Rasa confronts the simultaneous collapse of political hope and his closest personal relationships, he is forced to discover the roots of his alienation and try to re-emerge into a society that may never accept him.

    That was the way it was since the beginning, and the way it was to be until the end. In the barn they tended to the animals, but also to each other, transforming the hollowed-out shed into a place of human refuge, a source of intimacy and hope in a world ruled by vicious masters. But when an older man—a fellow slave—seeks to gain favor by preaching the master’s gospel on the plantation, the enslaved begin to turn on their own. Isaiah and Samuel’s love, which was once so simple, is seen as sinful and a clear danger to the plantation’s harmony.With a lyricism reminiscent of Toni Morrison, Robert Jones, Jr. fiercely summons the voices of slaver and the enslaved alike to tell the story of these two men; from Amos the preacher to the calculating slave-master himself to the long line of women that surround them, women who have carried the soul of the plantation on their shoulders. As tensions build and the weight of centuries—of ancestors and future generations to come—culminate in a climactic reckoning, The Prophets masterfully reveals the pain and suffering of inheritance, but is also shot through with hope, beauty, and truth, portraying the enormous, heroic power of love.

    A powerful story of love turned round, of passion and fierce discovery, of lives illuminated by flickering violence.As Purdy spins the story of the extraordinary symbiotic relationship between four boys in a remote West Virginia mountain town, led by the seemingly hypnotic power of the one known as "the renderer," the prose itself is rendered by Purdy into spare, ecstatic brilliance, and Narrow Rooms takes on the resonance of any time, any place, of haunted myth, of a tale of horror told in the darkness by generations, and never, never to be forgotten...—From the first-edition dust jacket.

    When Max Andrews, the much-loved and handsome (lonely and gay) host of "Slumber Sunday Sundown" accidentally exposes himself in front of twenty million kids and their parents during a "Toys for Tots" segment, Sellevision faces its first big scandal. As Max fails to find a job in television, another host, the popular and perky Peggy Jean Smythe is receiving sinister emails about her appearance from a stalker. Popping pills and drinking heavily, she fails to notice that her husband is spending a lot of time with the very young babysitter who lives next door. Then there's Leigh, whose affair with Sellevision boss Howard Toast is going nowhere, until she exposes him on air; and Bebe, Sellevision's star host, who finds Mr. Right through the Internet--if she can just stop her shopping addiction from taking over.

    Her whole life is leading up to the day she decides to become Grady, a guy. While coming out as transgender feels right to Grady, he isn't prepared for the reaction he gets from everyone else. His mother is upset, his younger sister is mortified, and his best friend, Eve, won't acknowledge him in public. Why can't people just let Grady be himself? Grady's life is miserable until he finds friends in some unexpected places -- like the school geek, Sebastian, who explains that there is precedent in the natural world (parrotfish change gender when they need to, and the newly male fish are the alpha males), and Kita, a senior who might just be Grady's first love. From acclaimed writer Ellen Wittlinger, this is the groundbreaking story of one teen's search for self and his struggle for acceptance.

    1987. There's only one person who has ever truly understood fourteen-year-old June Elbus, and that's her uncle, the renowned painter Finn Weiss. Shy at school and distant from her older sister, June can only be herself in Finn's company; he is her godfather, confidant, and best friend. So when he dies, far too young, of a mysterious illness her mother can barely speak about, June's world is turned upside down. But Finn's death brings a surprise acquaintance into June's life—someone who will help her to heal, and to question what she thinks she knows about Finn, her family, and even her own heart. At Finn's funeral, June notices a strange man lingering just beyond the crowd. A few days later, she receives a package in the mail. Inside is a beautiful teapot she recognizes from Finn's apartment, and a note from Toby, the stranger, asking for an opportunity to meet. As the two begin to spend time together, June realizes she's not the only one who misses Finn, and if she can bring herself to trust this unexpected friend, he just might be the one she needs the most. An emotionally charged coming-of-age novel, Tell the Wolves I'm Home is a tender story of love lost and found, an unforgettable portrait of the way compassion can make us whole again.

    Eleven unique short stories that stretch from a rural Canadian Mennonite town to a hipster gay bar in Brooklyn, featuring young trans women stumbling through loss, sex, harassment, and love.These stories, shiny with whiskey and prairie sunsets, rattling subways and neglected cats, show growing up as a trans girl can be charming, funny, frustrating, or sad, but never will it be predictable.

    Explicit, shocking, comical, and displaying the author's signature flair for blending structural complexity with direct, stylish, accessible language, The Sluts is Cooper's most transgressive novel since Frisk, and one of his most innovative works of fiction to date.

    When she finds out her girlfriend has lied to her, the world she thought she'd carefully built for herself begins to unravel, and Maria sets out on a journey that will most certainly change her forever.

    Nic's had theatre friends and orchestra friends, but never just friend friends. And she's certainly never had a relationship.But on the very first day, she falls in with Katrina the Manic Computer Chick, Isaac the Nice-Guy-Despite-Himself, Kevin the Inarticulate Composer... and Battle.Battle Hall Davies is a beautiful blond dancer from North Carolina. She's everything Nic isn't. Soon the two are friends - and then, startlingly, more than friends. What do you do when you think you're attracted to guys, and then you meet a girl who steals your heart?

    The first is told episodically by John, a hustler in New York, who falls in love with Martin, a man dying of AIDS. Interwoven with these stories is a second set, in which characters named Martin and John appear, but living different lives. The resulting novel is a work of stunning originality that is "inspired and brilliant" (The Nation).