Behind its great red walls and towers many of the most startling events in Russia's history have been acted out. It is both a real place and an imaginative idea; a shorthand for a certain kind of secretive power, but also the heart of a specific Russian authenticity.Catherine Merridale's exceptional new book revels in both the drama of the Kremlin and its sheer unexpectedness: an impregnable fortress which has repeatedly been devastated, a symbol of all that is Russian substantially created by Italians. The Kremlin is one of the very few buildings in the world which still keeps its original, late medieval function: as a palace, built to intimidate the ruler's subjects and to frighten foreign emissaries. Red Fortress brilliantly conveys this sense of the Kremlin as a stage set, nearly as potent under Vladimir Putin as it was under earlier, far more baleful inhabitants.

    Communist Party privilege protected her from the mass starvation and purges that haunted Russia, but she did not escape tragedy—the loss of everyone she loved, including her mother, two brothers, aunts and uncles, and a lover twice her age, deliberately exiled to Siberia by her father.As she gradually learned about the extent of her father’s brutality after his death, Svetlana could no longer keep quiet and in 1967 shocked the world by defecting to the United States—leaving her two children behind. But although she was never a part of her father’s regime, she could not escape his legacy. Her life in America was fractured; she moved frequently, married disastrously, shunned other Russian exiles, and ultimately died in poverty in Wisconsin.With access to KGB, CIA, and Soviet government archives, as well as the close cooperation of Svetlana’s daughter, Rosemary Sullivan pieces together Svetlana’s incredible life in a masterful account of unprecedented intimacy. Epic in scope, it’s a revolutionary biography of a woman doomed to be a political prisoner of her father’s name. Sullivan explores a complicated character in her broader context without ever losing sight of her powerfully human story, in the process opening a closed, brutal world that continues to fascinate us.Illustrated with photographs.

    the story of the youngest daughter of the last Russian czar has become one of the world's most favorite romantic fascinations, and is one of the strangest, saddest, most haunting riddle of the twentieth century: Did she escape the massacre of the Russian Royal family in 1917?James Blair Lovell's exhaustive search for the truth culminates in the definitive book, the last word on the mystery of Anastasia. Drawn form eyewitness testimony, medical and scientific study, handwriting analysis, and a cache of thousands of documents, letters, paintings, private photographs, and audio tapes, Anastasia: The Lost Princess separates the facts from the myths, and establishes beyond a shadow of a doubt the identity of the real Anastasia. Filled with romance, intrigue, drama, and startling revelation, it is Anna Anderson's true story.

    These were captured virtually complete, and to this day give up secrets. One that emerges from Alan Moorehead's research is the extent to which Germany was involved in the Russian Revolution. The ironic result of this clandestine maneuver was Germany's sure defeat on the Eastern front in WW II. "It all forms a fascinating chapter in the history of our century," states The Book-of-the-Month Club, "and the man ignorant of how that chapter unrolled is minus the keys to an understanding of his own time and so in part himself--Moorehead hands us that key."

    Tucker covers Stalin’s life from his first revolutionary years until the end of the 1920s. This important period of his life is the key to understanding how a dictator is formed and how his cruel totalitarian regime was born. With an in-depth analysis of Stalin’s personality and beliefs – set against a historical examination of Soviet society – this captivating book helps us to understand how and why Stalinism occurred. Examining the events that led up to one of the 20th century’s most devastating spectacles, Stalin as Revolutionary is an intelligent and informative take on this terrifying political figure. Praise for Stalin as Revolutionary “Tucker has achieved a real breakthrough… his analysis throws a flood of light into previously obscure corners… Tucker with his analysis of Stalin’s personality structure has opened up an enormously promising vein of research.” Robert M. Slusser, American Historical Review “This towering figure of the twentieth century has hitherto lacked a successful and full-scale biography… Robert Tucker marks the beginning of the end of this situation.” Robert H. McNeal, Russian Review “An absorbing narrative and interpretation of Stalin’s early years and his development as a Bolshevik leader up to 1929 when he arrived at the summit of power… A superb work comparable to Isaac Deutscher’s multi-volume history of Trotsky.” George Charney, Library Journal “Years of research and reflection have made this biography of Stalin’s early years a real historical and literary achievement.” Foreign Affairs “[The book] looks like it’s transforming the field of Stalin studies... Tucker best brings the political and economic issues back to life, and the contenders with them.” Michael Ratcliffe, The Times “I am not enamoured of most ‘psychoanalytic history.’ Yet Tucker’s thesis is convincing, because he understands the Bolshevik story, knows that Stalin’s seizure of power was due to more than his machine politics and Machiavellian cunning, important though they were to him.” - Dillon O’Leary, The Ottawa Journal “Having read Robert Tucker’s book, we now understand better, in my view, the causes of the events that we had to live through in the years of Stalinism.” - Mikhail Koriakov, Novoye Russkoye Slovo “In this book, an utterly extraordinary one in my opinion, the riddle of Stalin is at last resolved.” - Dimitry Bezrukikh, Russkaya Mysl Robert C. Tucker (1918 - 2010) was a distinguished Sovietologist at Princeton University whose Stalin biographies commanded wide attention. He was called ‘one of the greatest students of Stalin and Stalinism’ by diplomat and Russian scholar, George F. Kennan. His books are used in college classrooms across the world today.

    He did extensive research into the stereotypes of the Russian people--from that work he produced this book which reveals the nature of the Russian People.

    It is a world erupting with new money and new power, changing so fast it breaks all sense of reality, home to a form of dictatorship-far subtler than twentieth-century strains-that is rapidly rising to challenge the West.When British producer Peter Pomerantsev plunges into the booming Russian TV industry, he gains access to every nook and corrupt cranny of the country. He is brought to smoky rooms for meetings with propaganda gurus running the nerve-center of the Russian media machine, and visits Siberian mafia-towns and the salons of the international super-rich in London and the US. As the Putin regime becomes more aggressive, Pomerantsev finds himself drawn further into the system.Dazzling yet piercingly insightful, Nothing Is True and Everything Is Possible is an unforgettable voyage into a country spinning from decadence into madness.

    Drawing upon a wealth of untapped resources from Russian, British, and American archives, including unpublished diaries of many of the principal characters and never-before-published photographs, Perry and Pleshakov render an indelible portrait of a family and their time, from the youth of Alexander III in the 1860s to the death, one hundred years later, of his daughter Olga Alexandrovna, the last Grand Duchess.Set against the backdrop of this most cataclysmic century, The Flight of the Romanovs is a must-read for anyone interested in this fascinating dynasty, Russian history, and the history of European royalty.

    Even on the ship's voyage across, the Russian sensibility begins to pervade: lots of secrets and lots of vodka. When his American wife is stricken by a painful rash and he is interrogated at his hotel by Soviet agents who know that he is trying to sell stylish synthetic dresses to the masses starved for fashion, his precarious inner balance is thrown off for good. More drink follows, discoveries of his wife's illicit affair with another woman, and his own submerged sexual feelings come breaking through the surface, bubbling up in Russian champagne and caviar.

    Harrison Salisbury called it "brilliant...not only an odyssey of madness, tragedy, and sadism, but a work of scholarship and literary craftsmanship." And in recent years it has received equally high praise in the former Soviet Union, where it is now considered the definitive account of the period. When Conquest wrote the original volume, he relied heavily on unofficial sources. With the advent of glasnost, an avalanche of new material became available, and Conquest mined this enormous cache to write, in 1990, a substantially new edition of his classic work, adding enormously to the detail. Both a leading historian and a highly respected poet, Conquest blends profound research with evocative prose, providing not only an authoritative account of Stalin's purges, but also a compelling and eloquent chronicle of one of this century's most tragic events. He provides gripping accounts of everything from the three great "Moscow Trials," to methods of obtaining confessions, the purge of writers and other members of the intelligentsia, life in the labor camps, and many other key matters. On the fortieth anniversary of the first edition, in the light of further archival releases, and new material published in Moscow and elsewhere, it remains remarkable how many of Conquest's most disturbing conclusions have continued to bear up. This volume, featuring a new preface by Conquest, rounds out the picture of this huge historical tragedy, further establishing the book as the key study of one of the twentieth centurys most lethal, and longest-misunderstood,offenses against humanity.

    They fully understood that a small conflict in the Balkans – the tinderbox at the heart of the continent – could spark a European war. They well knew what their weapons could do.Yet they carried on. They accepted – and, in some cases, even seemed to relish – what they saw as an inevitable clash of arms. They planned and mapped every station on the path to oblivion. These pied pipers of the apocalypse chose war in the full knowledge that millions would follow, and die, on their orders.1914: The Year the World Ended seeks to answer the most vexing question of the 20th century: Why did European governments decide to condemn the best part of a generation of young men to the trenches and four years of slaughter, during which 8.5 million would die?

    It signaled the beginning of the end for the Third Reich of Adolf Hitler; it foretold the Russian juggernaut that would destroy Berlin and make the Soviet Union a superpower. As Winston Churchill characterized the result of the conflict at Stalingrad: " the hinge of fate had turned." William Craig, author and historian, has painstakingly recreated the details of this great battle: from the hot summer of August 1942, when the German armies smashed their way across southern Russia toward the Volga River, through the struggle for Stalingrad-a city Hitler had never meant to capture and Stalin never meant to defend-on to the destruction of the supposedly invincible German Sixth Army and the terror of the Russian prison camps in frozen Siberia. Craig has interviewed hundreds of survivors of the battle-both Russian and German soldiers and civilians-and has woven their incredible experiences into the fabric of hitherto unknown documents. The resulting mosaic is epic in scope, and the human tragedy that unfolds is awesome.

    Over the course of the next decade, he and young FBI supervisor Bob Lamphere worked together on Venona, a top-secret mission to uncover the Soviet agents and protect the Holy Grail of Cold War espionage—the atomic bomb.Opposites in nearly every way, Lamphere and Gardner relentlessly followed a trail of clues that helped them identify and take down these Soviet agents one by one, including Julius and Ethel Rosenberg. But at the center of this spy ring, seemingly beyond the American agents’ grasp, was the mysterious master spy who pulled the strings of the KGB’s extensive campaign, dubbed Operation Enormoz by Russian Intelligence headquarters. Lamphere and Gardner began to suspect that a mole buried deep in the American intelligence community was feeding Moscow Center information on Venona. They raced to unmask the traitor and prevent the Soviets from fulfilling Soviet Premier Nikita Khrushchev’s threat: "We shall bury you!"A breathtaking chapter of American history and a page-turning mystery that plays out against the tense, life-and-death gamesmanship of the Cold War, this twisting thriller begins at the end of World War II and leads all the way to the execution of the Rosenbergs—a result that haunted both Gardner and Lamphere to the end of their lives.

    Based on private diaries, letters, and documents long hidden in the Soviet archives, it sheds light on an extraordinary tale of enduring love and ultimate tragedy that, until now, has never been told. He was the Grand Duke Michael Aleksandrovich, the tall, dashing brother of Tsar Nicholas II. She was Nathalie Wulfert, a beautiful, elegant, intelligent, divorced commoner, and the wife of a Guards officer under Michael's command. Everything was wrong...yet for Grand Duke Michael, it was love at first sight-an obsession that would lead to disgrace, humiliation, and exile.Much of Michael and Natasha's story is told in their own words, through hundreds of hitherto unpublished letters. Here they reveal their passion, their joy, and their despair as they are banished from their own country, bathed in scandal in the courts of Europe, and forced to suffer cruel separation. But more than a love story, Michael and Natasha is a historical drama played out against the elegant background of a bygone age and a world at war. It is a spell-binding account of Michael's return to Russia, his reputation as a war hero, the downfall of Nicholas II, the strange and short reign of Grand Duke Michael, and the cruel and tragic end of one of the most colorful eras in world history.

    It is a neo-feudal world where iPads, WTO membership, and Brioni business suits conceal a power structure straight out of the Middle Ages, where the Sovereign is perceived as both divine and demonic, where a man’s riches are determined by his proximity to the Kremlin, and where large swathes of the populace live in precarious complacency interrupted by bouts of revolt. Where does that kind of power come from? The answer lies not in the leader, but in the people: from the impoverished worker who appeals directly to Putin for aid, to the businessmen, security officers and officials in Putin’s often dysfunctional government who look to their leader for instruction and protection. About the Author Anna Arutunyan’s work has appeared in USA Today, The Christian Science Monitor, The Nation, Foreign Policy in Focus, and The Moscow News, where she is an editor and senior correspondent. She is author of The Media in Russia (McGraw- Hill, 2009), and is the co-author (with Vladimir Shlapentokh) of Freedom, Repression and Private Property in Russia (Cambridge University Press, 2013). She has lectured on Russian power, politics and media at Tampere University in Finland and at Michigan State University. A bilingual Russian-American, she was born in the Soviet Union in 1980 but grew up and received her education in the United States. In 2002 she returned to Moscow to write about Russia. Anna Arutunyan lives in Moscow with her husband and daughter.