One of the UK’s most exciting up-and-coming hip-hop artists, Scroobius Pip, is a master of the spoken word lyric.From his childhood musings in the school playground to his feelings on the rat race, Pip has selected from his online fan collective artistic collaborations that bring the power of his lyrics to the printed page, creating an innovative multimedia collection of modern poetry.

    Please see the information for "Finding My Favorite" (The Lake Effect Series, Book 1) to begin reading this series.

    She muddles through daily routines, her only respite coming in the form of a harmless crush on Rebecca Greenway. Claire believes that the sexy restaurant manager is safely unavailable. But when Rebecca shows signs of interest, Claire's past unravels, revealing an immeasurable love and a dark secret. .an outstanding contribution to lesbian fiction. Author Margaret A. Helms deftly alternates past and present events in the life of Claire Blevins to build an enthralling and intriguing story. Her rich prose, compelling plot, lively pace, and strongly-drawn characters make The Fifth Stage an outstanding contribution to lesbian fiction. -- Nann Dunne, editor and publisher of Just About Write (www.justaboutwrite.com), author of The War Between the Hearts, and other stories.

    "love is a wonderful thing,but it's not the only wonderful thing."Non-binary poet Parker Lee (formerly known as Cyrus Parker) brings to you a revised edition of shot glass confessional, a collection of 50 shot-glass-sized pieces of poetry, prose, and aphorisms about discovering your worth and reclaiming your power, both in the context of relationships, and outside of them.

    At a little after one a.m. on the morning of June 28, 1969, the police carried out a routine raid on the bar. But it turned out not to be routine at all. Instead of cowering -- the usual reaction to a police raid -- the patrons inside Stonewall and the crowd that gathered outside the bar fought back against the police. The five days of rioting that followed changed forever the face of lesbian and gay life. In the years since 1969, the Stonewall riots have become the central symbolic event of the modern gay movement. Renowned historian and activist Martin Duberman now tells for the first time the full story of what happened at Stonewall, recreating in vivid detail those heady, sweltering nights in June 1969 and revealing a wealth of previously unknown material. This landmark book does even more: it unforgettably demonstrates that the Stonewall riots were not the beginning -- just as they were certainly not the end -- of the ongoing struggle for gay and lesbian rights. Duberman does all this within a narrative framework of novelistic immediacy. Stonewall unfolds through the stories of six lives, and those individual lives broaden out into the larger historical canvas. All six came of age in the pre-Stonewall era, and all six were drawn into the struggle for gay and lesbian rights as a result of the upheaval at the Stonewall bar and the events that followed.

    Written between the ages of sixteen and eighteen, with examinations of anxiety, death, first loves, and first lusts, Graffiti extends a hand to those undergoing the trials and uncertainty of teenagehood, and assures them they're not alone.

    To honor her work and call attention to the significance of her contributions, Firebrand Books is publishing a new, expanded edition of her classic, Movement In Black.With an incisive introduction by Cheryl Clarke, celebrations/ remembrances/tributes from ten outstanding African American women writers, and a dozen previously unpublished pieces, Movement In Black is a must read/ must have on your book shelf.Whether she was presenting her poetry on street corners, performing with other women -- writers, musicians, activists -- in bars and auditoriums, rallying the crowd at political events, preaching to the converted, or converting the ill-informed, Pat Parker was a presence.She wrote about gut issues: the lives of ordinary Black people, violence, loving women, the legacy of her African American heritage, being queer. She was a woman who engaged life fully, both personally and as a political activist, linking the struggles for racial, gender, sexual, and class equality long before it was "PC" to do so. She died as she lived -- fighting forces larger than herself.The publication of Movement In Black is an opportunity, both for those who were around the first time and those who are new to her work, to experience and enjoy Pat Parker's power.

    "Nick Demske writes from culture like the Hollywood version of a rebellious slave, the role shredding off him, culture's synthetic exemplary tales shredding and piling up on the floor of the projector room."—Joyelle McSweeneyHis name is "a transcendant uber-obsenity that can be understood universally by speakers of any language."

    City of lights, City of love... City of drama!Two years have passed since Dominique Laroche was elected President of France at the end of French Kissing: Season Three. She and Steph are living together at the Elysée, but their relationship is strained by the demands of Dominique's job.When a rising star of the opposition proposes a new law that would affect lesbians' right to have children, Dominique is torn between her personal feelings and her party's political line.Feminist radio host Aurore Seauve is advising the opposition on the new law proposal, but finds herself more caught up in the intrigue at the Elysée than she wants to be, not in the least because of her interest in Dominique's uptight chief of staff, Solange.Zoya Das has moved from Sydney to Paris to be with her new love Camille, and is finding it difficult to settle into her new country, new language and new job. Meanwhile Camille is finding out the hard way that not all her colleagues are comfortable with an out and proud lesbian at work, even if she is friends with the president.Relationships will be tested, loyalties will be questioned and assumptions will have to be set aside as both familiar and new characters navigate the turbulent waters of love--and politics.Warning: This title contains sensual language, ladies making love, overconsumption of French wine, and heated discussions on feminism and the right to orgasm.

    With Arbitron ratings clocking over 3+ million listeners a week and simulcast daily in 37 million homes on Free Speech TV, where she is also the number one show, her strongest numbers are in the grand prize demographic of highly educated males 25-54, despite, or maybe because of , her status as an out gay woman. It probably explains the sublime effectiveness of her national billboard slogan: "Stephanie Miller...making men rise in the morning". Stephanie also headlined the country’s number one comedy tour, “Stephanie Miller’s Sexy Liberal Comedy Tour", as well as the number one comedy album, "Stephanie Miller's Sexy Liberal Comedy Album". She has recently had her second #1 comedy album in the country with her "Stephanie Miller's Happy Hour, Volume One". She frequents the Holy Trinity of cable news: CNN, MSNBC, and FOX, where she bursts the infallibility balloons of right wingers, often with one well-aimed pinpoint punchline. Here is SEXY LIBERAL!, which you can see as Al Franken rewritten by Sarah Silverman, Chelsea Handler horizontal on the desk of The Daily Show. Steph is the youngest child of Congressman William Miller of NY, Barry Goldwater’s running mate in 1964. We all know how that turned out. Though Steph was only 3, she shows here how that defeat affected her as much as it changed the Republican Party. It made her who she is. SEXY LIBERAL! is the book her 3,000,000 fans have been begging her to write. it’s both deeply personal and hilariously political. But most of all it is Stephanie’s unique voice, her jokes, her happy clappy optimism, and her truth that they tune in to day after day, that they download as a subscription podcast, that they buy tickets for, to see her unbleeped and in person. That’s what SEXY LIBERAL! delivers. Like an uncensored comedy drone right to your door!“Stephanie Miller is like ice cream for breakfast, or box-wine through a Krazy Straw: pure pleasure that some people say is bad for you, but you know better. Sexy Liberal! is deeply, deeply profane, big-hearted, surprising, and it might make you pee your pants a little. Just what you need! Read this book. Stephanie Miller for Everything, 2016!”--Rachel Maddow, host of The Rachel Maddow and author of Drift: The Unmooring of American Military Power “Sexy Liberal! is a great book with mind-expanding astuteness and side-splitting humor. Stephanie Miller is so wondrously witty and wise you will want to quote her. But, first, you must read her. Buy this book and help Amazon at last turn a profit. --Lily Tomlin “Sexy Liberal! is inspired reading. It is laugh-enhancing and beyond thought-provoking! A must read. --Jane Wagner Reading Stephanie's book is like being on the best kind of dinner date. The conversation is smart, funny and politically insightful. And Stephanie's contribution bad either. Seriously, what a fun read. Stephanie, in her wonderfully self-deprecating way, lets you into her brilliant mind, her no BS take on the political scene, and life itself. Enter at your own risk.--Rob Reiner

    As the author of Borderlands / La Frontera: The New Mestiza, Anzaldúa played a major role in shaping contemporary Chicano/a and lesbian/queer theories and identities. As an editor of three anthologies, including the groundbreaking This Bridge Called My Back: Writings by Radical Women of Color, she played an equally vital role in developing an inclusionary, multicultural feminist movement. A versatile author, Anzaldúa published poetry, theoretical essays, short stories, autobiographical narratives, interviews, and children’s books. Her work, which has been included in more than 100 anthologies to date, has helped to transform academic fields including American, Chicano/a, composition, ethnic, literary, and women’s studies.This reader—which provides a representative sample of the poetry, prose, fiction, and experimental autobiographical writing that Anzaldúa produced during her thirty-year career—demonstrates the breadth and philosophical depth of her work. While the reader contains much of Anzaldúa’s published writing (including several pieces now out of print), more than half the material has never before been published. This newly available work offers fresh insights into crucial aspects of Anzaldúa’s life and career, including her upbringing, education, teaching experiences, writing practice and aesthetics, lifelong health struggles, and interest in visual art, as well as her theories of disability, multiculturalism, pedagogy, and spiritual activism. The pieces are arranged chronologically; each one is preceded by a brief introduction. The collection includes a glossary of Anzaldúa’s key terms and concepts, a timeline of her life, primary and secondary bibliographies, and a detailed index.

    I was born part precious metal, part pirate."), an orphaned girl who is taken in by blind Mr. Pew, the mysterious and miraculously old keeper of a lighthouse on the Scottish coast. Pew tells Silver stories of Babel Dark, a nineteenth-century clergyman. Dark lived two lives: a public one mired in darkness and deceit and a private one bathed in the light of passionate love. For Silver, Dark's life becomes a map through her own darkness, into her own story, and, finally, into love.One of the most original and extraordinary writers of her generation, Jeanette Winterson has created a modern fable about the transformative power of storytelling.

    The book and the dream are the poet’s primary objects of investigation here. Through deft, quietly authoritative lyrics, Fisher meditates on the problems and possibilities—the frail craft—of perception for the reader, the dreamer, maintaining that “if the eye can love—and it can, it does—then I held you and was held.” In her foreword to the book, Louise Glück writes that Fisher’s poetry is “haunting, elusive, luminous, its greatest mystery how plain-spoken it is. Sensory impressions, which usually serve as emblems of or connections to emotion, seem suddenly in this work a language of mind, their function neither metonymic nor dramatic. They are like the dye with which a scientist injects his specimen, to track some response or behavior. Fisher uses the sense this way, to observe how being is converted into thinking.”

    There are no beautiful rainbows here, no whispers, but raw cries from somewhere primal. "Silas' words dart in and out like a scalpel revealing layers of flesh that have been given-or-taken-by lovers, parents, cruelty, and fate." - Sean Felix

    Over the next fifteen years, Lorde and Parker shared ideas, advice, and confidences through the mail. They sent each other handwritten and typewritten letters and postcards often with inserted items including articles, money, and video tapes. Sister Love: The Letters of Audre Lorde and Pat Parker 1974-1989 gathers this correspondence for readers to eavesdrop on Lorde and Parker. They discuss their work as writers as well as intimate details of their lives, including periods when each lived with cancer. Sister Love is a rare opportunity to glimpse inside the minds and friendship of two great twentieth century poets.