Brady Cassidy was always around. The girl next door. But as we grew up, my time in the military made us grow apart. She isn’t my little Ladybug anymore. She’s a confident, curvy beauty. And I want her to climb my ladder. Until her mom got sick and everything changed. Her mother’s dying wish? To see her baby walk down the aisle. I never expected Cass to ask me. Cassidy Brady is hot. So hot I can barely be near him. Always has been. And he has no idea I have loved him since I was four. But our timing has never been right, however now, my mom has little time left. My idea to get married is totally insane, but for some reason he goes along with it. At night, our passion ignites, and by day, he saves lives while I pick out cakes and favors. Everything is perfect. Until it isn’t. Our lie could end up burning everyone we love. She doesn’t want to get married, but she’s having my baby. Josh Vanessa and I are practically strangers. Except that we had a one-night stand. And now she’s having my baby. But I want to be more, more than strangers, more than friends. I want to come home to Vanessa every night, throw her over my shoulder and have my way with her. She’s putting up walls. I break down walls for a living, she doesn’t stand a chance. I’ll prove to her I’m here for her, and for our child. Every step of the way. Vanessa Josh is on fire. The way he looks at me, I can’t get enough. But we’re having a baby, family has to come first. We hardly know each other. Can we really make this work? He thinks so. When he’s in his uniform and tossing his cocky attitude around, I almost believe him. I never thought I would want to get married, but being a fireman’s wife… Can I take the heat? Playboy, firefighter, and now homeless? Not gonna happen. If the new EMT doesn’t agree to be my roommate I don’t know what I’ll do. Since my parents took away my trust fund, things have been tight. But my new roommate isn’t what I was expecting. That doesn’t stop me from wanting HER. Olivia wants to be treated like one of the guys. I have to try. I only have a few months left to convince my parents I’ve cleaned up my act. So I can get my billions back. For now Olivia will just have to be my roomie. We need to keep it platonic. But one night after a fire call we’re both hot and bothered. And when she tells me she’s never had an O, I have to turn up the heat. Now I’m willing to give up everything to get what I want...her. She was the one that got away. Desiree is beautiful, kind, and everything I've always wanted. But didn't deserve. I was rough, a criminal, a kid who needed help. I'm the one who does the saving now. I'm a firefighter. And a father. I'm ready to ignite our passion once again, And this time the flame won't go out. Debut author Chase Jackson invites you to meet the men of Firehouse 56. You're going to need a hose down after all this heat.

    Lee's fascinating play . . . goes far beyond cheap satire, ultimately becoming a compassionate and stimulating exploration of one man's existential crisis . . . She proves unexpectedly adept at strict naturalism . . . [A] mournful and inquisitive play."—New York Times"She sacrifices nothing; bodies, voices, jokes, food, tragedy, cities are all artistic fodder, as are her various selves and the mirthful, bloody life of her imagination."—New YorkerProvocative playwright Young Jean Lee lends her shrewd perspective to this atypical take on the family drama. A father and his three sons unite and unravel, both aware of and undone by privilege and its pressure. When inherent social expectation conflicts with a desire to remain stagnant, the resulting identity confusion is new territory for the tightknit family. Strikingly observant and curiously drawn, Lee departs from her experimental style to create a naturalistic observation of the most socially unobstructed of our species, the straight white male.Young Jean Lee has been hailed as "one of the best experimental playwrights in America" by Time Out New York. She has written and directed nine shows in New York with Young Jean Lee's Theater Company and toured her work to over twenty cities around the world. Her other plays include We're Gonna Die, Untitled Feminist Show, The Shipment, Lear and Songs of the Dragons Flying to Heaven. Awards include two Obies, the Festival Prize of the Zuercher Theater Spektakel, a Prize in Literature from the American Academy of Arts and Letters, a Guggenheim Fellowship and a Doris Duke Artist Award.

    This book contains no content written by Stephanie Plum.It is 54 pages of reprints of Wikipedia and other public domain online articles about her and her books.

    I struggled to get the kids off to school. I talked myself into getting ready for work. I packed lunches, checked backpacks, planned crock pot meals, and wished I was somewhere else. Yes, that's right. I wished I was somewhere other than my kitchen listening to my children fight over the last pack of fruit snacks. I dreamt about a life that was less stressful and more enjoyable. These thoughts made me cry on the way to drop off my kids at school. These thoughts made me feel like a terrible person.These thoughts made me feel like I was the worst Mother on the planet. I was ashamed to have these thoughts. I felt like I was failing at life. I was overworked, under appreciated, and dreaming of wanting more. Why wasn't I happy? Life seemed to be a chronic shit storm and I was the imbecilic meteorologist who forgot her umbrella. I decided that I needed to chase my dreams. I decided I had to find a way to scoop the poop and find my passion.

    In this book, Grizzard turns his attention to his mother, and to all mothers, casting a loving, comic eye toward the most important and defining relationship of all.

    But Paulie won’t rest until he finds out who killed his brother, Lloyd, a young pharmacist gunned down in his prime. By day, Paulie inhabits a camper where he talks to Lloyd’s ashes, lusts after his ex-girlfriend, and indulges an unbalanced neighbor who believes her father’s spirit is haunting her. By night, Paulie fends off the cagey Colombian drug lawyer about to marry his beloved ex (the bartender) and take over her father’s club. Unearthing the guarded secret between his unhinged neighbor and soon-to-be boss leads Paulie down a calamitous path of jealousy, recklessness, and unexpected redemption. Sheryl Sorrentino’s fifth novel exposes strip club life through the eyes of a street-smart “everyman” struggling for kinship and closure.

    The laughs come at a manic pace, inthis delightfully venomous play that has taken off-Broadway by storm.

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    Four boats. One Grand Canyon. MEN ON BOATS is the true(ish) history of an 1869 expedition, when a one-armed captain and a crew of insane yet loyal volunteers set out to chart the course of the Colorado River.

    Joe sits at the nexus of Washington life: beloved, feared, and courted in equal measure by the very people whose careers and futures he determines. But as the sixties dawn and America undergoes dizzying change, the intense political dramas Joe has been throwing his weight around in—supporting the war in Vietnam and Soviet containment, criticizing student activism—come to bear a profound personal cost.Based on the real-life story of Joe Alsop, whose columns at the time of his 1974 retirement were running three times a week in more than three hundred newspapers, David Auburn’s The Columnist is a deft blend of history and storytelling. A hilarious, searing portrait of the glorious rewards and devastating losses that accompany ego, ambition, and the pursuit of power, The Columnist pens a vital letter from a radically changing decade to our own turbulent era.

    Delve deep into the mind of these creatures and learn what makes them tick.

    The key witness is a woman whose life seems a world away from theirs. At home, their own lives begin to unravel as every version of the truth is challenged.Consent, Nina Raine’s powerful, painful, funny play, sifts the evidence from every side and puts Justice herself in the dock. It premiered as a co-production between the National Theatre and Out of Joint, directed by Roger Michell at the National Theatre in 2017.

    Bumper to Bumper is newer, longer, and better, touting mostly original stories that include the time Doug crashed his brand-new Porsche company car into a tree, the real story behind the time Doug crushed a Chrysler PT Cruiser, the time Doug bribed a government official in South Africa, the time Doug got detained at the Canadian border on an automotive press trip, and the story of Doug’s relationship with automakers. Also, Doug wrote this description himself in the third person.

    As his three adult children sort through a lifetime of hoarded mementos and junk, they collide over clutter, debt, and a contentious family history. But after a disturbing discovery surfaces among their father's possessions, the reunion takes a turn for the explosive, unleashing a series of crackling surprises and confrontations.Winner of the 2014–2015 Obie Award for Best New American Play.

     ENGLISH MAJORS. You know who you are and here is a double-CD celebrating the secret society of those who, though they may be chauffeuring kids to swim lessons or writing Unix programs or frying cheeseburgers, still could, if need be, write a term paper on the water imagery in "The Waste Land." Includes the "Six-Minute Hamlet," the "Ten-Minute MacBeth," tributes to Hawthorne and Kerouac and Emily Dickinson, a Guy Noir adventure that exposes an M.F.A. scam, the Ballad of John Henry ('John Henry was an English major and poetry was his line. He sat by the window with his yellow legal pad and he wrote one sentence at a time.'), and more. With guest appearances by Allen Ginsberg, Billy Collins, Roy Blount Jr., Robert Bly, Donald Hall, and Calvin Trillin.