She is in the one-woman business of helping the desperate disappear. Thanks to her membership in the Wolf Clan of the Seneca tribe, she can fool any pursuer, cover any trail, and then provide her clients with new identities, complete with authentic paperwork. Jane knows all the tricks, ancient and modern; in fact, she has invented several of them herself. So she is only mildly surprised to find an intruder waiting for her when she returns home one day. An ex-cop suspected of embezzling, John Felker wants Jane to do for him what she did for his buddy Harry Kemple: make him vanish. But as Jane opens a door out of the world for Felker, she walks into a trap that will take all her heritage and cunning to escape....

    Her live-in boyfriend has left her for his personal trainer, chronic insomnia has caused her to max out her credit cards with late-night home shopping purchases, and a frightening killer who calls himself 'The Gingerbread Man' is dumping mutilated bodies in her district. Between avoiding the FBI and its moronic profiling computer, joining a dating service, mixing it up with street thugs, and parrying the advances of an uncouth PI, Jack and her binge-eating partner, Herb, must catch the maniac before he kills again...and Jack is next on his murder list. Whiskey Sour is full of laugh-out-loud humor and edge-of-your-seat suspense, and it introduces a fun, fully drawn heroine in the grand tradition of Kinsey Millhone, Stephanie Plum, and Kay Scarpetta.

    Driven by the grisliness of the killing, Jones and his hot-tempered partner, Denny Cabrera, jump headfirst into the investigation. But as Jones uncovers evidence that links the crime to a brutal, ritualized murder that occurred eighteen months prior, he begins to suspect that there’s more going on beneath the surface. When Jones discovers shocking, deep-seated corruption; a high-level cover-up; and his own personal ties to the rising body count, he’s no longer sure he can trust anyone, even himself.

    She never came home ...When five-year-old Ava Sawyer goes missing from a birthday party at a local garden centre, the police are bewildered by the lack of leads. That is until two years later, when Ava's body is found and another little girl, Audrey Briggs, goes missing. Audrey also attended that party ...Leading the investigation is Detective Natalie Ward. A mother of two teenagers, this case chills her to the bone, and is a disturbing reminder of the last job she worked on. One that ended very badly.Natalie soon discovers that Ava's mother has some worrying gaps in her alibi and as she digs deeper, she's sure Ava's father is not telling the full story. And what did the owner of the garden centre Elsa see that day? Something that she's not telling Natalie ...Just as Natalie is facing up to the grim possibility that Ava and Audrey were killed by someone close to home, another little girl from the party doesn't come home from her ballet lesson. Can Natalie find a way to stop this killer before more innocent lives are taken?

    She blends in well, unremarkably pretty in her floral-print dresses and extra efficient at her low-level job. She’s just the kind of woman middle manager Steven Hepsworth likes—meek, insecure, and willing to defer to a man. No one has any idea who Jane really is. Least of all Steven.But plain Jane is hiding something. And Steven’s bringing out the worst in her.Nothing can distract Jane from going straight for his heart: allowing herself to be seduced into Steven’s bed, to insinuate herself into his career and his family, and to expose all his dirty secrets. It’s time for Jane to dig out everything that matters to Steven. So she can take it all away.Just as he did to her.

    Nowadays twenty-two-year-old Siobhán O’Sullivan runs the family bistro named for her mother, along with her five siblings, after the death of their parents in a car crash almost a year ago.   It’s been a rough year for the O’Sullivans, but it’s about to get rougher. One morning, as they’re opening the bistro, they discover a man seated at a table, dressed in a suit as if for his own funeral, a pair of hot pink barber scissors protruding from his chest.   With the local garda suspecting the O’Sullivans, and their business in danger of being shunned—murder tends to spoil the appetite—it’s up to feisty redheaded Siobhán to solve the crime and save her beloved brood.

    Now, two years later and with the help of her hearing dog, Stitch, she is finally getting back on her feet. But when she discovers the body of a fellow nurse in the dense bush by the river, deep in the woods near her cabin, she is plunged into a disturbing mystery that could shatter the carefully reconstructed pieces of her life all over again.As clues begin to surface, Amelia finds herself swept into an investigation that hits all too close to home. But how much is she willing to risk in order to uncover the truth and bring a killer to justice?

    Pointing them out now no longer applies to the current edition.Tom Reed is a crime reporter with The San Francisco Star, whose superb journalistic skills earned him a Pulitzer nomination. But years later Reed’s life is coming apart. His editor wants him fired. His wife has left him to wrestle with his demons. Alone, Reed is tormented by the fear he may have caused the suicide of an innocent man suspected of murdering a two-year-old girl.Reed’s friend on the case is legendary San Francisco Homicide Inspector, Walt Sydowski, who has one of California’s highest clearance rates. He is also a lonely widower haunted by the fact he cannot solve the girl's heartbreaking death.Both men grapple with the past while they race the clock to learn the truth behind a several new abductions that have anguished the Bay Area, in this acclaimed thriller set in the late 1990s.

    Caitlin Hendrix has been a Narcotics detective for six months when the killer at the heart of all her childhood nightmares reemerges: the Prophet. An UNSUB—what the FBI calls an unknown subject—the Prophet terrorized the Bay Area in the 1990s and nearly destroyed her father, the lead investigator on the case.The Prophet’s cryptic messages and mind games drove Detective Mack Hendrix to the brink of madness, and Mack’s failure to solve the series of ritualized murders—eleven seemingly unconnected victims left with the ancient sign for Mercury etched into their flesh—was the final nail in the coffin for a once promising career.Twenty years later, two bodies are found bearing the haunting signature of the Prophet. Caitlin Hendrix has never escaped the shadow of her father’s failure to protect their city. But now the ruthless madman is killing again and has set his sights on her, threatening to undermine the fragile barrier she rigidly maintains for her own protection, between relentless pursuit and dangerous obsession.Determined to decipher his twisted messages and stop the carnage, Caitlin ignores her father’s warnings as she draws closer to the killer with each new gruesome murder. Is it a copycat, or can this really be the same Prophet who haunted her childhood? Will Caitlin avoid repeating her father’s mistakes and redeem her family name, or will chasing the Prophet drag her and everyone she loves into the depths of the abyss?

    She was found hiding in her apartment’s bathtub, barely clinging to life.With only fragments of shattered memory, she’s been trying her best to move past the nightmares ever since. Now in Boston, she lives a somewhat reclusive life, working from home as a medical transcriptionist and bingeing on mindless television shows.She can’t shake the fear that her attacker is out there, waiting to finish what he started, and Elizabeth, a nurse she met after the murders, is the only person she can trust.When someone from her past reemerges, Chelsea starts receiving disturbing messages and worries that her every move is being watched. As the messages mount and her memories begin to return, she’s led to a very terrifying and lonely place. But she needn’t be afraid. She won’t be alone there for long.

    But for Harper McClain, the timeless beauty and culture that distinguishes her home’s Southern heritage vanishes during the dark and dangerous nights. She wouldn’t have it any other way. Not even finding her mother brutally murdered in their home when she was twelve has made her love Savannah any less.Her mother’s killer was never found, and that unsolved murder left Harper with an obsession that drove her to become one of the best crime reporters in the state of Georgia. She spends her nights with the police, searching for criminals. Her latest investigation takes her to the scene of a homicide where the details are hauntingly familiar: a young girl being led from the scene by a detective, a female victim naked and stabbed multiple times in the kitchen, and no traces of any evidence pointing towards a suspect.Harper has seen all of this before in her own life. The similarities between the murder of Marie Whitney and her own mother’s death lead her to believe they’re both victims of the same killer. At last, she has the chance to find the murderer who’s eluded justice for fifteen years and make sure another little girl isn’t forever haunted by a senseless act of violence―even if it puts Harper in the killer’s cross-hairs…

     Everyone wondered about Shaye Archer’s past. Including Shaye. Shaye Archer’s life effectively began the night police found her in an alley, beaten and abused and with no memory of the previous fifteen years, not even her name. Nine years later, she’s a licensed private investigator, with a single goal—to get answers for her clients when there aren’t supposed to be any. And maybe someday, answers for herself. Emma Frederick thought her nightmare was over when she killed her abusive husband, but someone is stalking her and tormenting her with mementos from her past. With no evidence to support her claims, the police dismiss her claims as post-traumatic stress, but Shaye is convinced that someone is deliberately terrorizing Emma…playing a cat and mouse game with only one goal in mind. To kill Emma.

    He’s hoping to escape a violent past he would rather forget. But his solitude is broken when he finds himself drawn into a friendship with Tom Kristoll, publisher of the mystery magazine Gray Streets—and into an affair with Laura, Tom’s sleek blond wife. When Tom offers him a job as an editor, Loogan sees no harm in accepting. What he doesn’t realize is that the stories in Gray Streets tend to follow a simple formula: Plans go wrong. Bad things happen. People die.Elizabeth Waishkey is a single mother raising a fifteen-year-old daughter. She’s also the most talented detective in the Ann Arbor Police Department. But when Tom Kristoll turns up dead, she doesn’t quite know what to make of David Loogan. Is he a killer, or an ally who might help her find the truth? Loogan, for his part, would like to trust her, but he has his own agenda. He suspects his friend’s death is part of a much larger puzzle, and he’s not going to wait for someone else to put the pieces together. As Loogan and Elizabeth navigate their way through the Kristoll's world, they find no shortage of people with motives for murder, from a young graduate student obsessed with Laura Kristoll to a trio of bestselling writers, all of them with secrets they don’t want uncovered.As the deaths start mounting up—some of them echoing stories published in Gray Streets—Loogan begins to look more and more like the most promising suspect.Soon it becomes clear that only Elizabeth can find the path to solving both the murders and the mystery of Loogan himself. But by the time she unravels the twisted skein, Loogan May be indicted for murder—or more likely, become the next victim.

    But when the billionaire philanthropist is discovered murdered in his London home, tied naked to a bed, the scandal is only a shadow of the darkness lurking off-camera.Laura Fletcher returns from an Italian vacation to find her husband dead and her home under siege by paparazzi. Is she shocked? Yes. But is she distraught? Not exactly. Especially when Chief Inspector Tom Douglas reveals his suspicions that Hugo’s killer is female. Laura always knew she wasn’t the only woman in Hugo’s life. And she knows she wasn’t the only one with a motive to kill.The deeper Douglas digs, the more sordid details about Hugo Fletcher he uncovers. And yet nothing compares to the secret Laura guards, a secret that could bring the guilty to justice—or destroy an innocent life forever.

    And it’s every parent’s worst nightmare.Investigative journalist Laura Chambers is back in her tiny hometown of Hillsborough, North Carolina, the one place she swore never to return. Fired from the Boston Globe, her career in shambles, she reluctantly takes a job with the local paper. The work is simple, unimportant, and worst of all, boring―at least until a missing girl turns up dead, the body impeccably clean, dressed to be the picture of innocence.Years earlier, ten-year-old Patty Finch left home and never made it back. But for the people of Hillsborough, Patty was just the beginning. Child after child disappeared, a reign of terror the town desperately wants to forget. Now that terror has returned to seize another girl. And another. And another.This is the story Laura’s been waiting for―her one last chance to get back onto the front page. She dives deeper into a case that runs colder by the second, only to discover the truth may be far closer to home than she could have ever imagined. Powerful, intricate, and tense, Last Girl Gone will have you looking over your shoulder long after the last page.