is a precocious, sensitive, and rambunctious boy trying to make it through adolescence during the depression years. On a red-clay farm in Georgia he learns all there is to know about cotton chopping, hog killing, watermelon thumping, and mule handling. School provides a quick course in practical joking, schoolboy crushes, athletic glory, and clandestine sex. But it is Porter's family - his genteel, patient mother, his swarm of cousins, his snuff-dipping grandmother, and, most of all, his beloved though flawed father - who teach Porter the painful truths about growing up strong enough to run with the horsemen.

    And when her worst fear is realized, she finds herself doubly cursed. She is overwhelmed by grief, and her property and rights are now legally in the hands of her nearest male relative: her daughter's overbearing husband, whom Lyddie cannot abide. Lyddie decides to challenge both law and custom for control of her destiny, but she soon discovers the price of her bold "war" for personal freedom to be heartbreakingly dear.Includes the fascinating "story behind the story" of The Widow's War, a map of colonial Brewster, and a driving tour of the village of Satucket.

    Bound to each other by blood and necessity, they aim to make a fresh start in the rough and rowdy Dutch settlement of Nieuw Amsterdam; but soon lust, betrayal, and murder will make them mortal enemies. In their struggle to survive in the New World, Lucas and Sally make choices that will burden their descendants with a legacy of secrets and retribution, and create a heritage that sets cousin against cousin, physician against surgeon, and, ultimately, patriot against Tory. In what will be the greatest city in the New World, the fortunes of these two families are inextricably entwined by blood and fire in an unforgettable American saga of pride and ambition, love and hate, and the becoming of the dream that is New York City.

    For eighteen-year-old Adair Colley, it is a nightmare that tears apart her family and forces her and her sisters to flee.The treachery of a fellow traveler, however, brings about her arrest, and she is caged with the criminal and deranged in a filthy women's prison. But young Adair finds that love can live even in a place of horror and despair. Her interrogator, a Union major, falls in love with her and vows to return for her when the fighting is over. Before he leaves for battle, he bestows upon her a precious gift: freedom.Now an escaped "enemy woman," Adair must make her harrowing way south buoyed by a promise...seeking a home and a family that may be nothing more than a memory.

    As Williams's first popular success, it launched the brilliant, if somewhat controversial, career, of our pre-eminent lyric playwright. Since its premiere in Chicago in 1944, with the legendary Laurette Taylor in the role of Amanda, Menagaerie has been the bravura piece for great actresses from Jessica Tandy to Joanne Woodward, and is studied and performed in classrooms and theatres around the world. The Glass Menagerie (in the reading text the author preferred) is now available only in its New Directions Paperbook edition. A new introduction by the editor of The Tennessee Williams Annual Review, Robert Bray, reappraises the play more than half a century after it won the New York Drama Critics Circle Award. This edition of The Glass Menagerie also includes Williams's essay on the impact of sudden fame on a struggling writer, "The Catastrophe of Success," as well as a short section of Williams's own "Production Notes." (back cover)

    The enchanting story of two unlikely friends, a black ex-GI and the head of a group of German nuns, The Lilies of the Field tells the story of their impossible dream--to build a chapel in the desert.

    In the 1920s and since, it has also given white readers a startling new perspective on their own culture, revealing to many the double standard of racial identity imposed on black Americans.Narrated by a mulatto man whose light skin allows him to "pass" for white, the novel describes a pilgrimage through America's color lines at the turn of the century--from a black college in Jacksonville to an elite New York nightclub, from the rural South to the white suburbs of the Northeast.This is a powerful, unsentimental examination of race in America, a hymn to the anguish of forging an identity in a nation obsessed with color. And, as Arna Bontemps pointed out decades ago, "the problems of the artist [as presented here] seem as contemporary as if the book had been written this year."

    On this premise, Henry James constructed one of his most memorable novels, a story in which love is answered with betrayal and loyalty leads inexorably to despair." -- from the Introduction by Peter Conn In Washington Square (1880), Henry James reminisces about the New York he had known thirty years before as he tells the story of Catherine Sloper and her fortune-seeking suitor Morris Townsend. This perceptively drawn human drama is James' most accessible work and an enduring literary triumph. Washington Square Press' Enriched Classics present the great works of world literature enhanced for the contemporary reader. This edition of Washington Square has been prepared by Peter Conn, Andrea Mitchell Professor of English at the University of Pennsylvania. It includes his introduction, notes, selection of critical excerpts, and suggestions for further reading as well as a unique visual essay of period illustrations and photographs.

    Society's retribution for her act of defiance - death - she welcomes as the only way she can finally be free.

    Starting in the present day and moving backward, the novel is told in the voices of the three women: fifteen-year-old part-black Rayona; her American Indian mother, Christine, consumed by tenderness and resentment toward those she loves; and the fierce and mysterious Ida, mother and grandmother whose haunting secrets, betrayals, and dreams echo through the years, braiding together the strands of the shared past.

    The story of a murderous battle for control, and a wise, compassionate investigation into the bonds of love and family and of what sustains people through loss.

    The man accused of shooting a black girl, a storekeeper named Paris Trout, has no great feeling of guilt, nor fear that the system will fail to work his way. Trout becomes an embarrassment to the polite white society that prefers to hold itself high above such primitive prejudice. But the trial does not allow any hiding from the stark reality of social and racial tensions. Dexter, a former newspaper columnist, is also the author of "Deadwood" and "God's Pocket". Paris Trout won the 1988 National Book Award.

    Shaara captures the disillusionment of both Lee and Hancock early in their careers, Lee's conflict with loyalty, Jackson's overwhelming Christian ethic and Chamberlain's total lack of experience, while illustrating how each compensated for shortcomings and failures when put to the test. The perspectives of the four men, particularly concerning the battles at Fredericksburg and Chancellorsville, make vivid the realities of war.

    At fourteen, wearing the coat his mother sewed to ensure his safety—blue on one side, gray on the other— Robey thinks he's off on a great adventure. But not far from home, his horse falters and he realizes the enormity of his task. It takes the gift of a powerful and noble coal black horse to show him how to undertake the most important journey of his life: with boldness, bravery, and self-posession.Coal Black Horse joins the pantheon of great war novels—All Quiet on the Western Front, The Red Badge of Courage, The Naked and the Dead.

    Yet the novel is much more. Written in sparse prose that is shockingly clear—the descriptions of electronic treatments are particularly harrowing—it combines real-life characters and events with fictional ones in a work that examines the insanity of war like no other. Barker also weaves in issues of class and politics in this compactly powerful book. Other books in the series include The Eye in the Door and the Booker Award winner The Ghost Road.