Until now. When an old schoolmate from Possett turns up at Arlene's door in Chicago asking questions about Jim Beverly, former quarterback and god of Possett High, Arlene's break with her former hometown is forced to an end. At the same time, Burr, her long-time boyfriend, has raised an ultimatum: introduce him to her family or consider him gone. Arlene loves him dearly but knows her lily white (not to mention deeply racist) Southern Baptist family will not understand her relationship with an African American boyfriend. Reluctantly, Arlene bows to the pressure, and she and Burr embark on the long-avoided road trip back home. As Arlene digs through guilt and deception, her patched-together alibi begins to unravel, and she discovers how far she will go for love and a chance at redemption.

    Devastated, Sidda begs forgiveness, and postpones her upcoming wedding. All looks bleak until the Ya-Yas step in and convince Vivi to send Sidda a scrapbook of their girlhood mementos, called "Divine Secrets of the Ya-Ya Sisterhood." As Sidda struggles to analyze her mother, she comes face to face with the tangled beauty of imperfect love, and the fact that forgiveness, more than understanding, is often what the heart longs for.

    Jessica Treadway flawlessly portrays the complexity of human experience in the face of incomprehensible loss, revealing yet again why the New York Times Book Review has called her "a writer with an unsparing bent for the truth."

    Prince William is asked by The Queen to go to northern England and represent her at these events. The Security Services provide him with a local bodyguard, in the shapely form of Special Agent Amelia Hartliss, (or 'Heartless', as she is sometimes known). The two young people become very close, as the Prince is threatened by terrorists and local troublemakers. He is lonely. His wife has been forced by ill health to stay in London, and he becomes increasing reliant on the beautiful bodyguard, both for his well-being and his morale. They make a good team, fighting off the foes and celebrating the Games. Melia even manages to unmask a spy in the camp, as well as defeat one of her oldest adversaries, the evil Emil Gorange. He escapes, as does the Prince, back to London and his other responsibilities, taking her heart with him.

    His cravings take him to Paris at age eighteen to try his hand at art, then back to London to study medicine. But even so, nothing can sate his nagging hunger for experience. Then he falls obsessively in love, embarking on a disastrous relationship that will change his life forever.…Marked by countless similarities to Maugham’s own life, his masterpiece is “not an autobiography,” as the author himself once contended, “but an autobiographical novel; fact and fiction are inexorably mingled; the emotions are my own.”

    When renowned painter Robert Oliver attacks a canvas in the National Gallery of Art and becomes his patient, Marlow finds that order destroyed. Desperate to understand the secret that torments the genius, he embarks on a journey that leads him into the lives of the women closest to Oliver and a tragedy at the heart of French Impressionism. Kostova's masterful new novel travels from American cities to the coast of Normandy, from the late 19th century to the late 20th, from young love to last love. The Swan Thieves is a story of obsession, history's losses, and the power of art to preserve human hope.

    Only eight years after serving out a prison sentence for murder, Socrates Fortlow lives in a tiny, two-room Watts apartment, where he cooks on a hot plate, scavenges for bottles, drinks and wrestles with his demons. Struggling to control a seemingly boundless rage--as well as the power of his massive "rock-breaking" hands--Socrates must find a way to live an honourable life as a black man on the margins of a white world, a task which takes every ounce of self-control he has. Easy Rawlins fans might initially find themselves disappointed by the absence of a mystery to unravel. But it's a gripping inner drama that unfolds over the pages of these stories, as Socrates comes to grips with the chaos, poverty and violence around him. He tries to get and keep a job delivering groceries; takes in a young street kid named Darryl, who has his own murder to hide; and helps drive out the neighbourhood crack dealer. Throughout, Mosley captures the rhythms of Watts life in prose both lyrical and hard-edged, resulting in a haunting look at a life bounded by lust, violence, fear and a ruthlessly unsentimental moral vision.

    For the farming Pye family, life is a Greek tragedy where the sins of the fathers are visited on the sons, and terrible events occur—offstage. Centerstage are the Morrisons, whose tragedy looks more immediate if less brutal, but is, in reality, insidious and divisive. Orphaned young, Kate Morrison was her older brother Matt’s protegee, her fascination for pond life fed by his passionate interest in the natural world. Now a zoologist, she can identify organisms under a microscope but seems blind to the state of her own emotional life. And she thinks she’s outgrown her siblings—Luke, Matt, and Bo—who were once her entire world. In this universal drama of family love and misunderstandings, of resentments harbored and driven underground, Lawson ratchets up the tension with heartbreaking humor and consummate control, continually overturning one’s expectations right to the very end. Tragic, funny, unforgettable, this deceptively simple masterpiece about the perils of hero worship leapt to the top of the bestseller lists only days after being released in Canada and earned glowing reviews in The New York Times and The Globe and Mail, to name a few.

    As he grows older, Geryon escapes his abusive brother and affectionate but ineffectual mother, finding solace behind the lens of his camera and in the arms of a young man named Herakles, a cavalier drifter who leaves him at the peak of infatuation. When Herakles reappears years later, Geryon confronts again the pain of his desire and embarks on a journey that will unleash his creative imagination to its fullest extent. By turns whimsical and haunting, erudite and accessible, richly layered and deceptively simple, Autobiography of Red is a profoundly moving portrait of an artist coming to terms with the fantastic accident of who he is."A profound love story . . . sensuous and funny, poignant, musical and tender." -- The New York Times Book Review"A deeply odd and immensely engaging book. . . . [Carson] exposes with passionate force the mythic underlying the explosive everyday."  -- The Village VoiceA NEW YORK TIMES NOTABLE BOOK OF THE YEARNational book Critics Circle Award Finalist

    As the hottest summer in fifteen years unfolds and bills pile up, Alice is torn between dreams of escaping the loneliness of her duty-filled life and a longing to help her father mend their family and the ranch.To make ends meet, the Winstons board the pampered horses of rich neighbors, and for the first time Alice confronts the power and security that class and wealth provide. As her family and their well-being become intertwined with the lives of their clients, Alice is drawn into an adult world of secrets and hard truths, and soon discovers that people -- including herself -- can be cruel, can lie and cheat, and every once in a while, can do something heartbreaking and selfless. Ultimately, Alice and her family must weather a devastating betrayal and a shocking, violent series of events that will test their love and prove the power of forgiveness.A wise and astonishing novel about the different guises of love and the often steep tolls on the road to adulthood, The God of Animals is a haunting, unforgettable debut.

    Michael is a rising OB/GYN at a prominent private practice in Albany, New York; he also moonlights at a local women’s health clinic. But Annie, his wife, has become tired of her workaholic husband’s absences, and the soccer-mom lifestyle has worn thin. She begins a passionate love affair with bad-boy, fading celebrity painter Simon Haas—an affair that quickly goes awry when Simon’s wife Lydia, who is also the model upon whom he built his career, discovers the truth.  Abortion, local evangelism, marital disenchantment, and the rifts of social class:  Brundage takes on the fault lines of our era with a deft hand.

    The Christian Science-Monitor praised his "engaging blend of deadpan humor and genuine empathy"; "Thankfully," said The Philadelphia Inquirer, "Kirn never abandons his theme of uncertainty when observing modern angst." Now Walter Kirn has fashioned She Needed Me, a moving, surprising, and darkly comic novel whose sympathetic portrait of a disillusioned generation is mercifully uncynical. Weaver Walquist and Kim Lindgren first meet outside a St. Paul, Minnesota, abortion clinic. Kim - twenty-three, pregnant, with no money to finish junior college - is about to walk inside. Weaver is lying in front of the door. At twenty-six, he is a Bible-carrying member of the Conscience Squad, a fanatical right-wing protest group...yet readers of all minds will be drawn to this gentle, questing soul as he struggles with his feelings for Kim and his subsequent sexual desire for her; his crumbling devotion to the church; and his waning loyalty to his employer, Sanipure, a Christian soap and cosmetics company that calls sales "fellowship moments." But Weaver was not always devout. The only child of a widowed, highly successful Wisconsin liquor store owner, he tried to ward off teenage isolation with a mixture of pot and pills, vodka, sex and heavy metal music, until born-again Christian Lucas Boone found him half dead on the floor of a Greyhound station men's room. As Weaver tries to persuade Kim to have her baby, they embark upon a journey that brings them into contact with a cast of keenly drawn characters: Chuck and Dixie Lindgren, Kim's parents, who made more money in one hot Las Vegas weekend than they ever earned from their North Dakota farm; charismatic, paranoid Lucas Boone, popping anti-depressant pills like candy; Kim's disaffected brother, Ricky, who makes a modest living burglarizing his relatives' homes; and fin

    Winner of the 1989 PEN/Hemingway Foundation Award for best first novel, this exquisite book confronts real-life issues of alienation and violence  from which the author creates a stunning testament  to the human capacity for mercy, compassion and love.

    Leaving behind a madcap, fishing-obsessed family, Gus decides to strike out on his own, taking refuge in a secluded cabin on a remote riverbank to pursue his own fly-fishing passion with unrelenting zeal. But instead of finding fishing bliss, Gus becomes increasingly troubled by the degradation of the natural world around him and by the spiritual barrenness of his own life. His desolation drives him on a reluctant quest for self-discovery and meaning, ultimately fruitful beyond his wildest dreams. Here, then, is a funny, sensitive, unforgettable story about the relationships among men, women, the environment, and the human soul.