. . Wealth insulates Michael Lane and his family from South Africa's violent crime epidemic until trouble comes from within the high walls of their Cape Town mansion one night when his teenage son commits an act of unspeakable savagery. Lane, joining his wife in a desperate lie to protect their boy (a lie involving the sacrifice of an innocent) encounters no opposition from cops and courts burdened by chaos and corruption, but he sets in motion a bloody train of revenge and retribution that threatens to destroy him and everything he loves.Praise for Roger Smith"Smith writes with the brutal beauty of an Elmore Leonard in a very bad mood. " The Washington Post"Smith has a unique ability to plunge readers into his nightmare visions." The Times"If you are a fan of George Pelecanos or Dennis Lehane, give Roger Smith a close look." BookpageRoger Smith's thrillers Sacrifices, Capture, Dust Devils, Wake Up Dead, Mixed Blood & Ishmael Toffee are published in seven languages and two are in development as movies. He also writes horror under the pen name Max Wilde. Website: rogersmithbooks.com

    When Adam moves into the abandoned house on the dusty edge of town, he is hoping to recover from the loss of his job and his home in the city. But when he meets Canning -- a shadowy figure from his childhood -- and Canning's enigmatic and beautiful wife, a sinister new chapter in his life begins. Canning has inherited a vast fortune and a giant folly in the veld, a magical place of fantasy and dreams that seduces Adam and transforms him absolutely, violently -- and perhaps forever. The Impostor evokes a hot and cruel and claustrophobic world, in which sex and death are never far from the surface. Skilfully interweaving the story of one man's struggle to regain his moral centre with the disorienting, often tragic effects of massive social and political change, it is Galgut's most powerful and unforgettable novel yet.

    Black marks formed under her eyes where her lashes bled their waxy coating onto her skin. Her rouged cheeks were smudged. Mother looked like she was melting in the heat."Faith leads an isolated existence on her family's drought stricken farm in the Northern Transvaal of South Africa. When the rain stopped, her father took to the road as a travelling salesman, returning only at weekends. Now Faith lives with her mother Bella and dog Boesman anticipating his visits - until one day he stops coming and Bella's health begins to go into rapid decline.Fifteen years later Bella has died incarcerated in the Sterkfontein asylum for the criminally insane. Faith has not spoken to her mother for ten years and is on the brink of a breakdown of her own. Now, with her mother's death, she inherits the farm and must return to confront the dark mysteries of the past . . .In prose as lithe and imaginative as that of Alexandra Fuller, Rachel Zadok te Riele recreates the voice of a young girl growing up during the height of apartheid unrest in South Africa. As Faith struggles to make sense of the complex world in which she lives and come to terms with the beliefs her society and upbringing have inculcated in her, what emerges is a richly compelling, emotionally resonant tale of courage set against the backdrop of a chaotically divided and deeply beautiful country.

    It is the heyday of apartheid. Although not a word is exchanged, a strong erotic bond develops between the two of them, culminating in what is later seen as a rape and for which the narrator gets the death sentence. In an absolute tour de force the narrator, only ever referred to as Mr Sibiya, waiting to be executed, writes down his story - reconstructing bit by bit not only his own and a brief history of his family, but also his obsession with the white girl, the court proceedings, and his encounters with Dr Dufre, a Swiss criminologist who has been granted permission of compile a dossier of the case. One of the most remarkable things about the novel is the narrator's ability to be objective, to view himself and the series of events almost dispassionately.

    The mistress of the house, Marit, is young, recently orphaned, easily intimidated, and unaccustomed to rural life. With no close neighbors or friends, Marit feels isolated in the house while her husband works in the fields all day. Marit's displacement is soon echoed in the character of Tembi, the daughter of Marit's household maid, who assumes her mother's responsibilities in the farmhouse after she is hit by a car.An encroaching civil war soon threatens the tranquility of the farm, and before long a plague of violence descends. Abandoned by the other farm workers, the care of the farm is now left to Marit and Tembi, who begin this new struggle for survival as equals, but whose unity is put to a devastating test.DeSoto paints an unforgettable portrait of South Africa with tensions, both political and sexual, simmering underneath. Recalling J. M. Coetzee's Disgrace in his portrayal of Apartheid, DeSoto explodes onto the literary scene with a first novel of tremendous power and literary skill. His description of a terrifying world gone awry holds at its center a deep understanding of the patience of the land, and the enduring hope for renewal.

    Against a backdrop of apartheid and racial violence, traumatized artist Yolanda Petersen returns from the Appalachian foothills to the land of her youth at the behest of her mother. While there Yolanda longs to reconnect with her estranged daughter, Ingrid, the product of an illegal mixed-race affair with a white man.But Ingrid is missing, and as Yolanda quickly discovers, she isn’t the only woman in Cape Town desperate to protect her own. Ingrid’s very existence is proof of a white man’s crime, and that man’s mother will do anything―even kill―to ensure the truth remains buried.An evocative debut novel set during a defining period in history, A Conspiracy of Mothers tells a gripping story of love and betrayal from multiple perspectives while deftly balancing the painful legacy of apartheid with the trials of motherhood.

    The garden saved her.Poppy was six years old when she was rescued from her abusive mother and taken to her grandparents' farm to recover. There, under a wide South African sky, Poppy succumbs to the magic of their garden. Slowly, her memories fade and her wounds began to heal.But as Poppy grows up into a strange, fierce and beautiful young woman, her childhood memories start to surface. And then a love affair with a troubled older man explodes her world...

    In the same nation but worlds apart, Beauty Mbali, a Xhosa woman in a rural village in the Bantu homeland of the Transkei, struggles to raise her children alone after her husband's death. Both lives have been built upon the division of race, and their meeting should never have occurred...until the Soweto Uprising, in which a protest by black students ignites racial conflict, alters the fault lines on which their society is built, and shatters their worlds when Robin’s parents are left dead and Beauty’s daughter goes missing.After Robin is sent to live with her loving but irresponsible aunt, Beauty is hired to care for Robin while continuing the search for her daughter. In Beauty, Robin finds the security and family that she craves, and the two forge an inextricable bond through their deep personal losses. But Robin knows that if Beauty finds her daughter, Robin could lose her new caretaker forever, so she makes a desperate decision with devastating consequences. Her quest to make amends and find redemption is a journey of self-discovery in which she learns the harsh truths of the society that once promised her protection.Told through Beauty and Robin's alternating perspectives, the interwoven narratives create a rich and complex tapestry of the emotions and tensions at the heart of Apartheid-era South Africa. Hum If You Don’t Know the Words is a beautifully rendered look at loss, racism, and the creation of family.

    Six cities. A thousand stories.Newsroom, political platform, local hot spot, confession box, preacher-pulpit and football stadium. For generations, African men have gathered in barber shops to discuss the world.

    A historian and journalist who was one of the earliest and staunchest Afrikaner opponents of apartheid, Hermann Giliomee weaves together life stories and historical interpretation to create a narrative history of the Afrikaners from their beginnings with the colonization of the Cape of Good Hope by the Dutch East India Company to the dismantling of apartheid and beyond. The Afrikaners emphasizes the crucial role played by historical actors without underplaying the impact of social forces over which they had little control. Throughout their history, Giliomee's Afrikaners are both colonizers and colonized. Actual or virtual servants of the Dutch East India Company, the Dutch "burghers" nonetheless owned slaves and commanded servant labor. The British conquests of 1795 and 1806 extended the rights of British subjects to Afrikaners, even as they took away the Afrikaners' political autonomy and confirmed an economic and cultural subordination that was only partly alleviated by their dominance of South African politics in the latter part of the twentieth century.Demographically squeezed between far more numerous Africans (and other nonwhite groups) and their more affluent and culturally confident English compatriots, the Afrikaners forged a language-based national identity in which die-hard defense of privilege and opposition to various forms of British domination are inextricably intertwined with fears about cultural and even physical group survival. This nationalism underlay the Great Trek, in which Afrikaners opposed the abolition of slavery and legalized racial discrimination by the British; the irony of their becoming the twentieth century's first fighters against imperial domination in the Boer War; and the Afrikaners' rise to political dominance over their English rivals and nonwhite South Africans alike, even as they remained economically and culturally subordinate to the former. This same language-based nationalism spawned the blunders and horrors of apartheid, but it also led the Afrikaners to relinquish power peacefully when this seemed the safest route to their survival as a people.While documenting--and in important ways revising--the history of the Afrikaners' pursuit of racial domination (as well as British contributions to that enterprise), Giliomee supplies Afrikaners' own, often divided, perspectives on their history, perspectives not always or entirely skewed by their struggle for privilege at Africans' expense. The result is not only a magisterial history of the Afrikaners but a fuller understanding of their history, which, for good or ill, resonates far beyond the borders of South Africa.

    At noon a massive Zulu host attacked the 24th Regiment in its encampment at the foot of the mountain of Isandlwana, a distinctive feature that bore an eerie resemblance to the Sphinx badge of the outnumbered redcoats. Disaster ensued. Later that afternoon the victorious Zulus would strike the tiny British garrison at Rorke’s Drift. How Can Man Die Better is a unique analysis of Isandlwana – of the weapons, tactics, ground, and the intriguing characters who made the key military decisions. Because the fatal loss was so high on the British side there is still much that is unknown about the battle. This is a work of unparalleled depth, which eschews the commonly held perception that the British collapse was sudden and that the 24th Regiment was quickly overwhelmed. Rather, there was a protracted and heroic defence against a determined and equally heroic foe. The author reconstructs the final phase of the battle in a way that has never been attempted before. It was to become the stuff of legend, which brings to life so vividly the fear and smell the blood.

    Ape. Living dead. Young and albino, Chipo has been called many things, but to her mother – Zimbabwe’s most loyal Manchester United supporter – she had always been a gift. On the eve of the World Cup, Chipo and her brother flee to Cape Town, hoping for a better life and to share in the excitement of the greatest sporting event ever to take place in Africa. But the Mother City’s infamous Long Street is a dangerous place for an illegal immigrant and an albino. Soon Chipo is caught up in a get-rich-quick scheme organised by her brother and the terrifying Dr Ongani. Exploiting gamblers’ superstitions about albinism, they plan to make money and get out of the city before rumours of looming xenophobic attacks become a reality. But their scheming has devastating consequences. Set in the underbelly of a pulsating Cape Town, Meg Vandermerwe’s Zebra Crossing is an arresting debut and a bold, lyrical imagining of what it’s like to live in another person’s skin.

    Johannesburg.Gin has returned home from New York to throw a party for her mother's eightieth birthday; a few blocks away, at the Residence, Nelson Mandela's family prepares to announce Tata Mandela's death...So begins Johannesburg, Fiona Melrose's searing second novel. Responsive to Virginia Woolf's Mrs Dalloway, the story follows a polyphonic course across a single day, culminating in a party and traces the fractures and connections of the city.An irascible mother, a daughter trying to negotiate her birthplace and the people from her past, a homeless hunchback who takes his fight for justice to the doors of a mining company, a mining magnate, a man still haunted by his first love, the domestic workers who serve this cast and populate the neighbourhood, a troubled novelist called Virginia - these are the characters who give voice to the city on a day hot with nerves and tension and history.Johannesburg is a profound hymn to an extraordinary city, and a devastating personal and political manifesto on love.

    A quartet of stories revolving around four men in Johannesburg: a statistician employed on the national census, an engineer out on the town with his council connections, an artist with an interest in genocide and curios, and a contractor who erects billboards on building sites; each tries to make sense of a changed world after the demise of apartheid.

    Set in both the windswept countryside of Norfolk and the violent townships of South Africa, this is a story of what happens when trust is broken, secrets become buried and lives torn apart.